Hive

by Tim Curran

  Gates had paid the final price for his curiosity.

  But Hayes knew it was more than just scientific interest . . . Gates had been trying to unravel the mystery of the ages. He had been trying to put it all together so he could maybe save his own race. He was a hero. He was one of the greatest of great men.

  Sharkey kneeled before him. She dug into his coat and found his field journal. “There’s a funny odor about him . . . not a death smell, something else. Sharp, acidic.”

  Hayes had smelled it, too: a caustic, acrid stench like monkey urine.

  The tenseness feeding between the three of them was electric and cutting. It lay in each of their bellies, a twisted knot of nausea.

  “All right, all right, goddammit,” Hayes said, starting up into the city. “Let’s go see what did this, let’s go see what scared Gates to death.”

  40

  “No,” Cutchen said then, holding his lantern up. “Wait a minute now... what’s that over there?”

  Hayes stepped down off some broken stones.

  Sharkey was already over there, checking it out. Collapsible tables had been set out, half a dozen of them upon which were stone artifacts taken from the city, hammers and drills, cases of instruments, lanterns. There were piles of notebooks and a couple digital cameras. Microscopes. There was a crate full of rolled-up maps that turned out to be rubbings made from the walls inside . . . figures, glyphs, strange characters.

  Cutchen grabbed a folding chair and sat down. There was a thermometer on the table. “It’s almost ten degrees in here. Balmy.”

  Sharkey and Hayes looked around, found a flare pistol which she took and a twelve-gauge Remington pump that he took. They did not comment on these things. The men who had brought them down here had had their reasons and nobody dared question what those might have been.

  Bottom line was, they felt better being armed.

  “Look,” Hayes said. “A generator.”

  It was. A Honda industrial job on a rolling cart. A spiderweb of power cords ran off of it, all of them leading up into the city itself. As Hayes followed them with his light he could see that there were cords hanging from the face of the city. There were several five-gallon cans of gasoline. He went to the generator. It had a 3800 watt capacity, so it could’ve lit up most of the entire city if you had enough light bulbs and judging from what he had seen, Gates and the boys certainly had enough of those.

  “Will it work?” Sharkey asked.

  “I think so.” Hayes checked the tank. It held ten gallons and was about half full. He took one of the cans and filled it up. Then he threw the circuit breaker and hit the electronic ignition. It roared to life immediately, finding a happy idle and sticking with it.

  “Where’s the light?” Cutchen said.

  “Just a minute. Let it warm up.” Hayes stood there, lighting a cigarette and waiting for the engine to push the coldness from itself. It didn’t take long. He turned the circuit breaker back on and suddenly, the cavern was bright.

  “Damn,” Cutchen said. “That’s better.”

  With all those bulbs netting the first thirty or so feet of the city, Hayes finally got a good look at that ancient structure. It was simply incredible. The sight of it literally sucked the breath from his lungs and the blood from his veins. That old, ugly familiarity was there, of course, the sense that these aged ruins were something long-hidden in the depths of all men’s minds. But looking up at it, canceled all that out. On TV, ancient cities always looked too neat, too tidy, too planned in their obsolescence, but not this one. It rose up incredibly high, yet sagging and leaning and crumbling away in too many places. Hayes could see that it went up at least two-hundred feet until it met the grotto’s domed roof . . . and even then, it simply disappeared into solid rock. As if the mountain had grown up around it and engulfed it through the ages. Such incredible antiquity was mind-boggling. But Gates had reiterated what Professor Dyer of the Pabodie Expedition had said: the ruins were at least 350 million years old and that was a conservative estimate.

  These ruins were from an amazingly advanced pre-human civilization.

  Hayes knew that, but the words had meant little to him until now.

  Pre-human city. Pre-human intelligence.

  “God, look at that will you?” Cutchen finally said. “You can . . . you can almost feel how ancient it is . . . right up your spine.”

  Ancient? No, the sphinx and the Acropolis were ancient, this was primordial. This predated man’s oldest works by hundreds of millions of years. It was a dawn city. A nightmare exercise in diverging geometrical association, a relic from some depraved and evil elder world. It did not look so much like a city, but like some immense and derelict machine, some dreadful mechanism from a Medieval torture chamber. A profoundly synergistic and yet nonsensical device made of pistons and pipes, wires and cylinders, vents and cogs. Something rising and leaning, squat yet narrow and tall, diverging at impossible right angles to itself. The human mind was not prepared to look upon such a thing . . . it automatically sought an overall structural plan, a uniformity, and found nothing it could pull in and make sense of. This was a perverse and godless architecture born of minds reared in some multi-dimensional reality.

  “Christ, it gives me a headache,” Sharkey said.

  And that was very apt, for it did tax the brain . . . it was too busy, too profuse, too multitudinous in design. It was formed of arches and cubes, rectangular slabs set on their ends, a lunatic labyrinth of cones and pyramids, octagons and hexagons, spheres and towers, radiating spirals and bifurcating masts. Like the forking, tangled skeleton of some primal beast, some sideshow sea serpent tacked together out of dozens of unrelated skeletons into a single gangly whole, a mad bone sculpture. An insane and precarious armature that should have fallen, but didn’t. It balanced upon itself like some surreal experiment in abstract geometry and unearthly symmetry.

  Hayes thought it looked impossibly random like something formed by nature, the hollowed remains of deep-sea organisms heaped upon one another . . . corals and sponges, anemones and sea cucumbers, crab carapaces and ghost pipes. Just an odd and conflicting collection of dead things that had boiled and rotted into a single mass, grown into one another and out of each other until there was no beginning and no true end. Standing back and taking it in, he was envisioning it as the black and glossy endoskeleton of some massive alien insect rising from the earth . . . a deranged biomechanical hybrid of girders and ribs, vertebrae and pelvic disks, conduits and hollow tubes held together by spiraling ladders of ligament. A chitinous and scaly ossuary, a jutting cyclopean honeycomb capped by rising narrow protrusions like the chimneys of a foundry or the smoker vents of hydrothermal ovens.

  But even that wasn’t right, for as haphazard and conflicting as the city was, you could not get by the disturbing feeling that there was a purpose here, that the structure was highly mechanistic and practical to its owners, a symbiotic union of steel and flesh, rock and bone. It had an odd industrial look to it. Even the stone it was cut from was not smooth nor polished, but ribbed and knobby and oddly crystalline, set with saw-toothed ridges and jutting teeth and the threads of screws. Almost like there was some dire machinery inside attempting to burst through those bowing, scalloped walls.

  To call it a city was an oversimplification.

  For this was not a city as humans understood a city. No human mind could have dreamed of this and no human brain had the engineering skill to make it stand and not fall into itself. This was not a city as such, a place of homes and lives, this was harsh and hostile, utilitarian and machined, something brought forth by hopelessly cold and automated minds. An anthill.

  A hive.

  Hayes felt that just seeing it, just letting his eyes roam that obscene geometrical matrix, made him somehow less than human. It evaporated the sweet and fine milk of the human condition drop by drop. It was evil and unholy and sacrilegious. Words engendered by a weak, superstitious mind, but Hayes was proud of that mind. Because it made him human. He
was warm and emotional, not a machine like the things that had reared this awful place.

  “Just like Gates said, it seems to go for miles,” Cutchen pointed out.

  There was no way to know just how far into the belly of the mountains the city reached. For as Gates said, it went on as far as the eye could see and as far as their lights could reach, though in the distance you could see that parts of it were covered by cave-ins and swallowed in frozen rivers of glacial ice.

  A paleozoic megalopolis.

  The sort of place that might have inspired the wild tales of mythical places like Thule and Hyperborea, Lemuria and the Mountains of the Moon. Mystical Commoriom and veiled Atlantis. This was the prototype of countless prehuman blasphemies such as the Nameless City and eldritch Kadath in the Cold Wastes beyond Leng. You could see plainly how it had been scarred and scraped by the movement of the glaciers, carried up and pressed down, ground between massive ice flows like corn meal.

  “You don’t honestly expect us to go into that bone pile, do you?” Cutchen said in a dry, cracking voice. “I mean . . . c’mon, Jimmy, it doesn’t look safe. And, Jesus Christ, I’m not afraid to admit that it scares the shit out of me just looking at it.”

  It scared Hayes, too.

  Scared him in fundamental ways he was not even aware of. It offended him as it offended all men, whether savage or rational, and he had an overwhelming compulsion to come back here with all the dynamite he could fit in the SnoCat and bring that fucking mountain down right on top of it.

  “It’s safe enough,” he said. “Gates and the others were crawling through it, so can we.”

  “Bullshit. I don’t care what those fucking labcoat Johnnies were doing, I’m not going in there. That’s it. That’s all there goddamn well is to it.” He stood there, breathing hard, looking like he wanted to scream or cry. “C’mon, Jimmy, don’t do this to me . . . lookit that fucking thing, will ya? I’m having bad dreams just seeing it. But going in there . . . it’s like a tomb, like a big rotting casket with the lid thrown open . . . I . . . I’m sorry, Jimmy . . . I’m just not up to it.”

  Hayes went over to him, clapped him on the shoulder. “Just wait out here for us. We shouldn’t be long. Keep an eye on that generator.”

  “Hell, I can’t even change the oil in my goddamn car,” Cutchen said.

  He stood there, hands on his hips, watching them scramble up shattered stone columns and through an oval opening, one of hundreds if not thousands set into the weathered face of that city.

  “You two would really leave me alone out here, wouldn’t you?” they heard him call. “Boy, isn’t that just great? Assholes. Your both assholes.”

  They were barely inside and Cutchen came stumbling in after them, calling them every name he could think of and some that made absolutely no sense whatsoever.

  Maybe the city did look like a casket, but at least inside it, he wouldn’t be alone with the bleak, antehuman memory of the place.

  41

  Inside, the city was no less amazing.

  No less insane.

  There were endless hexagonal mazes of corridors that seemed to lead into nothing but other corridors that branched to either side, above and below like jungle gym tangles of hollow pipes that had been welded at right angles to one another. Some were quadrilateral and others were triangularly obtuse. Circular passages began and ended with solid walls or sphere-shaped apartments. Rooms simply opened into other rooms like dozens of narrow cubes strung together or stacked atop one another. They were either massive and vault-like or cramped like the cells of monks or honeybees. Arched doorways were set halfway up fifteen foot walls. Sometimes they led into cylindrical channels that went on for hundreds of feet before narrowing to tiny, cubelike alcoves or sometimes they opened into gargantuan amphitheaters with madly curving walls that were set, sloping floor to fifty-foot ceiling, with ovoid cells. Some rooms had no ceilings, just immense shafts that led into a grainy fathomless blackness above and others had no floors, just narrow walkways spanning the great depths below. There was nothing that might have been called stairways, but now and again ribbed helixes rose to the floors above or far below.

  The building plan was chaotic at the very least.

  The floors were not necessarily distinct nor differentiated from one another. There was no first floor, second floor, third floor etc. The stories converged into one another, rooms and chambers dropping from above or rising up from below, tangled in lattices like diamond crystals.

  Five minutes into it, the three of them were sweating and shaking and having trouble catching their breath. The marrow of that damnable city was claustrophobic, profuse, and intersecting. The angles were wildly exaggerated, roofs becoming floors and floors arching up into roofs that were walls. Chambers were never perfectly square but slightly off-kilter and set off-center. Corridors were never exactly linear, but convoluted and sloping, tall then squat and then enormous. There was something geometrically perverse about any brain that could make sense of such a thing without backing itself into some jagged, narrow corner and screaming itself insane. Moving through there was like navigating through the tangled, surreal gutters of a lunatic’s mind, looking for reason that did not exist . . . for reason here was swallowed by amorphous shadows, the shattered wreckage of paranoia as imagined by German expressionists.

  They followed the electrical cords that had been attached to walls and strung over black depths below. Even so, it was not long before they had to rest. This place was not engineered for the ease of mobility of the human race. And moving through it was not only psychologically exhausting, it was physically fatiguing as well. Constantly climbing through those tomblike hollows, scuttling down threaded tunnels, and crawling over the litter and debris of collapsed partitions.

  They finally paused amidst a line of rooms that were not rooms at all, but sunken chambers with translucent concave floors made of some transparent glass or plastic. If you rubbed very hard, you could clean the grit off the material just enough to make out structures lying far beneath.

  “This is a fucking madhouse,” Cutchen said. “What the hell was wrong with Gates? This should have been pulled down. You know? Just fucking pulled down.”

  Sharkey said, “It seems mad, but I think it’s all very carefully systematic if you happen to have a brain that can understand the system. I’m afraid our simple mammalian brains are not up to the task . . . maybe not for another couple million years anyway.”

  “Can we just get out?” Cutchen said. “Christ, I’ve never felt like this before . . . half the time I’m so nervous and depressed I want to slit my wrists, the other half I feel like I could vomit my intestines out.”

  “Just a little while longer, then we’ll call it quits,” Hayes said.

  Cutchen rested his head on his knees, squeezing his eyes very tightly shut.

  Hayes felt for the guy, for he knew exactly how he felt.

  The way this place opened up a can of something creeping and ugly inside of you and shook it around. Tied your belly in knots and made your head ache and your eyes bulge. The human mind was designed to consider regularities, straight lines and simple angles, forms and shapes that were consistent with themselves. But this place . . . it was mathematically distorted, a fourth-dimensional madness. Like being inside some alien wasp hive. It was just too much.

  After a brief rest, they moved on and suddenly discovered themselves in an immense courtyard set between rising blocks of that nightmare city. They moved between colossal seventy-foot walls and around towering spires that seemed to serve no earthly purpose. The courtyard was tiled and roofless, nothing above but empty blackness reaching to dizzying heights. Now and again there were domes like buildings set about, but the only way of getting into them was scaling the smooth walls and entering from apertures at the top. There were also high blank facades lacking egress that were set with jutting rectangles fifty and sixty feet above that looked like nothing but perches for rooks or hawks.

  They had left the strings
of lights behind and were moving with flashlight and lantern again. They came to another of those crazy domes and this one was honeycombed with oval passages that seemed to lead down.

  “Give me the lantern, Cutchy,” Hayes said. “I’m going in there.”

  Sharkey shook her head. “No, Jimmy . . . it’s too dangerous.”

  He took the lantern. “I’m going. I’ll be careful.”

  He chose a passage and entered it.

  It was about five feet in diameter at the opening and he had to move downwards at a crouch. It was like being inside a funhouse twisty slide, just a hollowed tube that moved this way, then that, ever downward. But the walls and floor were set with tiny bumps so there was no chance of losing your footing or sliding away into darkness. Hayes kept going, his throat constricting and sweat beading his face. Finally, the passage opened into a series of massive rooms with hooded ceilings.

  He stood there in that shrouded darkness, panning the lantern around. He instantly did not like the place. That terrible sense of deja-vu was haunting him again, clawing and worming at the pit of his mind.

  “Yeah,” he whispered. “I remember this place, too, but why?”

  He moved on, passing beneath archways and steering himself around accumulated heaps of detritus. He came into a room that seemed to be nothing but an ossuary, a collection of aged bones . . . skulls set into little cells in the walls, the skeletons of men and extinct animals fully articulated, great birds dangling from above with nothing seeming to hold them. The floor was a litter of bones as if most of the displays here — and there must have been thousands at one time — had collapsed through the ages, maybe from their own weight or seismic activity shaking them loose. It was tough going climbing over those heaped bones, the lantern casting flying and grotesque shadows, the air swimming with clots of dust. But it was necessary. For as much as this place disturbed him, he knew it was no simple natural history collection.