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Solovyov and Larionov

Page 24

by Eugene Vodolazkin


  (Solovyov suddenly realized this in all its clarity), more than anything, he felt tired of Zoya. This was the start of the second reel of some strange film he did not even seem to

  have agreed to be involved in.

  They walked half a block and ended up in a dark vaulted

  basement. A chandelier shaped like a steering wheel hung

  from an enormous hook where the basement’s vaulted

  ceiling came together.

  ‘This little joint reminds me of “Gambrinus”,’ said Dunya.

  ‘I discovered it yesterday.’

  Solovyov ordered two coffees with Chartreuse. The liqueur

  was served in faceted vodka glasses. Dunya poured half her shot into her coffee and drank the other half in one swallow.

  ‘When will academician Grunsky speak?’ asked Solovyov.

  ‘I think it’s actually right now. Alas, neither academician Likhachev nor academician Sakharov will be here today. So

  you can relax.’ Dunya lit a cigarette and the smoke began

  rising prettily toward the steering wheel. ‘I’d advise you not to get caught up in the academicians, the title has depreci-ated a lot. And Grunsky’s just plain stupid.’

  ‘Then how’d he get to be an academician?’

  ‘He had enough maneuverability. Connections.’ She blew

  out smoke in a thin stream. ‘Well, and he was brownnosing

  everybody in charge at the Academy.’

  Dunya’s attitude seemed too categorical to Solovyov but

  he kept quiet. He refused to imagine a stupid academician.

  The break was ending when they returned. The theater

  was crowded and the attendees’ muted buzz reminded him

  of an intermission at an operetta. Scenery of a medieval

  castle in the mountains intensified that impression. The

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  gothic scene swaying in a draft might not have fit the conference theme but the organizers thought it created a pacifying, romantic backdrop.

  Solovyov could see a small fat man on the stage, to the

  left of the castle wall. The man stood at the chairman’s

  table, half-facing the auditorium, with one hand thrust in his pocket (not a flattering pose for the short-legged). Using his free hand, he carefully piled hair on his bald spot. The name card on the table said, ‘Acad. P.P. Grunsky.’ Nothing that Dunya had reported was mentioned on the card.

  There was something unnatural—in the sense of theat-

  rical—about even the conference attendees’ appearances.

  Despite the hot spell, they were strolling around in suits and running their hands along the lapels of their outmoded jackets again and again. This wasn’t even because of the

  hot spell; the suits were blatantly out of character for their owners. And for their faces, which were rough and devoid

  of expression. These people pressed their arms to their

  torsos as they walked timidly around the theater. Looked

  at themselves in the mirror in the foyer. Dampened their

  combs in the little fountain outside the theater and fixed their hair. These were cannery employees, sent by their

  bosses to lend the event a more mass scale. According to

  the conference organizers, very broad swaths of the popu-

  lation should hear papers about the general.

  Two cannery employees approached Grunsky and asked

  for his autograph. This was audible thanks to the numerous microphones that equipped the stage. They were all over

  the place, dangling from somewhere above, like motionless

  black lianas. Grunsky led the requestors to the table and

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  they held out to him. This was the first time in his life he had been asked for his autograph.

  Solovyov and Dunya took seats in the parterre. Solovyov

  removed the program from his folder. Leaning toward his

  shoulder, Dunya ran her fingernail along the second surname listed after the break.

  ‘Tarabukin’s a terrible pain but he gets a lot done. One

  of the few who’ll say anything relevant here. He’s sitting to my right.’

  Solovyov slowly turned his head. The left-handed Tarabukin was nervously noting something in a folder of papers lying on his knees. His gnarled fingers and their countless knuckles might have made an even bigger impression than his left-hand-edness. Tarabukin was chewing the fingernails on his right hand and kept examining them pensively.

  ‘Before lunch . . .’ Grunsky tapped his fingernail on the

  microphone and the hall shook with a deep, drumming

  sound. ‘. . . we have one more paper before lunch, so I ask you to focus. The floor goes to Professor Tarakubin with

  the paper “Larionov and Zhloba: a Textological Collision”.’

  ‘Tarabukin, if you will,’ protested Tarabukin, but his

  voice was drowned out by the general noise.

  Dunya shook with silent laughter. Meanwhile, Tarabukin

  was already energetically making his way to the stage. He

  gestured as he walked and his entire appearance expressed

  indignation, either from the incorrect pronunciation of his surname or the impossibility of making his way to where

  he was to speak.

  ‘Quiet, please,’ Grunsky tapped at the microphone again.

  ‘One more paper before lunch. The speaker prepared handouts, they’ll be distributed now.’

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  Tarabukin clambered up the little stairs onto the stage,

  continuing to gesture, and walked under the hanging micro-

  phones.

  ‘. . . ucking smarty pants, what are you talking about,

  handouts? In Russian . . .’

  Tarabukin stopped short when he heard he was on the

  air. Now he silently crossed the stage—small and rumpled—

  without a shadow of regret about what he had said. After

  Tarabukin had taken his place behind the lectern (at his

  height, he truly proved to be behind it), a heavyset woman with braids arranged on her head started making her way

  toward the stage. She moved slowly, placing her feet heavily on the steps, and reminding Solovyov of his high school

  principal, a woman nicknamed Bigfoot. Judging from the

  hand she extended in Grunsky’s direction, she was saying

  something to him, but her words were inaudible.

  ‘Who’s the co-chair?’ Grunsky asked again, into the micro-

  phone. ‘You’re the co-chair? Where were you before?’

  The women answered him again after conquering the

  final stairs. The academician shrugged and glanced at the

  program.

  ‘Nobody said anything to me about co-chairing.’

  The woman who had come up on stage turned to the

  audience and pointed out someone on the parterre for

  Grunsky. Despite her gait, she certainly was not Solovyov’s high school principal.

  ‘So, may I begin?’ Tarabukin asked sarcastically, but

  nobody was paying attention to him.

  ‘She’s corresponding member Baikalova,’ said Dunya. Her

  face expressed delight. ‘Fiesta with a bullfight.’

  ‘There’s not even a second chair here,’ said Grunsky,

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  slightly lifting his chair by
its back to illustrate. ‘I don’t know where you’ll sit.’

  ‘One of us should prove to be chivalrous, Petr Petrovich,’

  said Baikalova.

  She was already within range of the microphones. Grunsky

  threw up his hands, ‘Well, that’s a fine how-do-you-do!’

  Baikalova bowed low, from the waist, to Grunsky and

  turned to face the audience. Tarabukin, suffering, rolled his eyes. The cannery workers smiled shyly.

  Grunsky approached the edge of the stage and signaled

  to someone to bring a second chair. A man in a pensioner’s shirt with patch pockets jumped out of his seat and shook

  it, demonstrating to Grunsky that they were fastened not

  only to the neighboring seats (everyone sitting in that row shook) but also to the floor. Grunsky gestured his understanding and returned to the table.

  Two men in overalls hurried up the steps to the stage.

  They disappeared behind the curtains but reappeared a

  minute later, dragging a massive throne with a scraping

  sound. They pulled it up to the table and explained some-

  thing to Grunsky, who was grasping the back of his own

  chair as a precaution. Grunsky nodded and showed Baikalova the throne with a gallant gesture. She sized up Grunsky

  with a malicious gaze and moved heavily across the stage.

  Baikalova had to ascend to the throne—which did not

  look out of place by the castle—in a literal sense. She first climbed onto a step attached to its base and then, holding the lion heads on the armrests, clambered up to the seat,

  which required some effort. Since the throne was not an

  item envisaged for use by someone sitting at a table, it

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  the floor, swinging slightly instead, like shapeless sausages, under the thin tabletop. Further beneath the tabletop—this was visible to the audience, too—the academician’s feet

  were moving chop-chop, as if he were in the homestretch.

  There was no question he had won this little competition.

  ‘Please, go ahead, colleague,’ said Grunsky, turning to

  Tarabukin.

  ‘Yes, do,’ said Baikalova, looking down on Grunsky.

  ‘Thank you very much,’ Tarabukin responded. After

  thinking, he uttered it in pieces. ‘Thank you. Very much.’

  Leaning against the armrest furthest from Grunsky, Baikalova rested her cheek on her hand. Her lips stretched apart, forming a raspberry-colored diagonal line along her face.

  Tarabukin huffily began his paper. He uttered the intro-

  ductory phrases—which in and of themselves contained

  nothing nasty, offering a listing of sources he had used—with a bitter, almost denouncing, intonation. It was they, his

  sources, who took the blame for the scholar’s disrespectful treatment of the scholar. It was they who answered for his mangled surname, for his ridiculous waiting on the stage, for everything that had thrown the scholar utterly off balance.

  Even in this difficult frame of mind, though, the presenter spoke in particular about two sources he had studied.

  The first of them was General Larionov’s Notes for an

  Autobiography, in Dupont’s edition. Only when turning to that did Tarabukin forget the offenses committed against

  him. In characterizing Dupont’s publication (and speaking

  of it with the highest praise) the speaker switched to an

  unusual tone, as if he were anticipating an important statement. Which is how things turned out. What Tarabukin was

  thinking about was the second source he had used: a here-

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  tofore unknown report by Dmitry Zhloba about his troops’

  entry into Yalta in November 1920. Tarabukin himself had

  found this source in the Archive of the Ministry of Defense.

  But the researcher’s revelations did not just consist of

  that happy finding; there was more. Propelled by a sixth

  sense (without which, as we know, no discoveries are made), he revealed unbelievable things by juxtaposing Zhloba’s

  report with General Larionov’s childhood remembrances.

  A first glance at Tarabukin’s materials for distribution

  made it obvious that the two texts were very closely

  connected. The texts had been created by utterly dissimilar people and they described completely different times. That is what made their resemblance so striking. An astonished

  buzz ran through the slightly hushed hall.

  The most vivid coinciding occurrences in Zhloba’s report

  and the general’s recollections were in the printouts (not wishing to utter the borrowed English, handouts, he called them handgrips) that the speaker offered. Enjoying the impression he had made, Tarabukin slowly read off the first of the coinciding spots:

  Fragment No. 1

  Gen. Larionov

  D.P. Zhloba

  Notes for an

  Report Regarding Entry

  Autobiography

  into the City of Yalta

  A group of young Tatars

  . . . when we reached the

  greeted us as we entered

  city limits, a brigade on

  the city. They were all on

  horseback greeted us.

  horseback, all dressed up.

  Tatars everywhere, attire:

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  Upon seeing our carriages,

  national. They began firing

  they shot into the air and

  into the air upon seeing our

  shouted something in Tatar.

  armored vehicle. They didn’t

  Maman and my governess,

  understand Russian. I felt

  Dolly, were very frightened

  uneasy but our commissar,

  but Papa explained to them

  comrade Rozaliya S.

  that the Tatars were just

  Zemlyachka, explained that

  welcoming us. Maman waved this was their way of

  her hand to them. One of

  greeting. Meaning, firing

  them rode over to the ladies’ weapons. I saluted them.

  carriage, unfastened

  One of them rode over to

  something from his saddle,

  comrade Zemlyachka and

  and handed it to the stunned handed her a canister. ‘It’s Dolly. ‘It’s kumys,’ smiled

  kumys,’ said the Tatar.

  the Tatar. ‘Drink to your

  ‘Drink to your health.’

  health.’ Maman wanted to

  Comrade Zemlyachka

  pay for it but the Tatar only

  signaled to him that we

  flapped his arms. They shot

  would receive the kumys

  a little more and galloped

  free of charge. The Tatar

  off into the mountains,

  flapped his arms. They

  going about their Tatar

  turned around and galloped

  business. ‘ Charming,’

  into the mountains. ‘Very

  said Dolly.

  nice comrades,’ said

  comrade Zemlyachka.

  Corresponding member Baikalova, who had not received

  one of Tarabukin’s handgrips, was leaning heavily on the armrest closest to Grunsky and ostentatiously squinting to peer at the papers on the table. With exaggerated amiability, the academician pushed them in Baikalova’s direction but />
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  they remained in place. Glancing at the audience, Baikalova threw up her hands.

  ‘You’re sitting up too high,’ Grunsky said, also to the

  audience. ‘And therein lies your misfortune.’

  There was absolute silence in the hall when Tarabukin

  moved on to read the second excerpt.

  Fragment No. 2

  Gen. Larionov

  D.P. Zhloba

  Notes for an

  Report Regarding Entry into

  Autobiography

  the City of Yalta

  Many paupers gathered at

  We found a lumpen element

  the corner of Autskaya and

  by the church at the corners

  Morskaya Streets, by the

  of Autskaya and Morskaya

  Alexander Nevsky Cathedral. Streets. Predominantly of

  This was a strange and

  male gender. Everyone who

  varied public. Alongside old

  sat there was engaged in

  women wrapped in black

  panhandling. The appearance

  there sat young women with of one of the aforementioned

  children, tradesmen who

  persons reminded me of the

  had succumbed to drink,

  proletarian writer A.M.

  and the barefoot tramps whom Gorky. I will not allow the Gorky would describe later.

  thought that this was

  I would not be surprised if

  comrade Gorky, given his

  Gorky himself had been

  location on the isle of Capri.

  sitting there . . . They all

  Everyone crossed themselves.

  crossed themselves devoutly. Comrade Bela Kun warned

  When leaving the service,

  them strictly with regard to

  Maman gave something to

  crossing themselves and

  all of them, without

  seized change from their hats

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  exception. Her favorite was

  as unearned income. A

  a tall, one-legged old man.

  one-legged old man

  He would sit, displaying his

  particularly attracted comrade

  peg leg for all to view.

  Kun’s attention. He smiled at

  When we walked down the

  our comrades and waved to

  stairs, out of the cathedral,

  them with his crutch.

 

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