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Solovyov and Larionov

Page 30

by Eugene Vodolazkin


  ‘Then the skull’s contours show through only after death.’

  It was darkening outside. Kologrivov spoke of blood

  circulation. In front of him was a yellowed diagram of lesser and greater blood circulation. Arteries were denoted in red, veins in blue. The general liked this combination of colors.

  He unbuttoned one of his tunic sleeves and examined his

  blue veins. This did not escape the pharmacist’s gaze. He

  continued his story about blood: a person has an average

  of five or six liters. It is pumped by the heart, (weight: around 300 grams), which consists of two halves, left and

  right. Each half has an atrium and a ventricle. Kologrivov circled them with the pointer. The atrium received blood,

  the ventricle pushed it out.

  ‘Cold metal pierces my living heart . . .’ the general softly declaimed.

  ‘The most perfect pump in the world.’

  ‘Piercing something so well thought-out,’ said the general, choosing his words, ‘a creation so refined and vital, is that not a crime?’

  ‘Instant unnatural death.’

  ‘What could be more unnatural . . .’

  The general fell silent. He discovered there was a double

  ‘n’ in the last word he had uttered.

  Pharmacist Kologrivov explained briefly about the diges-

  tive system and the nervous system. At the general’s request, he moved on to examine natural death. Now there were

  posters in the foreground depicting the body at various ages.

  After hesitating slightly, Kologrivov took out a depiction of 580VV_txt.indd 278

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  a person’s development in the womb and hung that along-

  side the others. He scratched the back of his head.

  ‘I don’t see the one about conception,’ said Kologrivov.

  ‘You want to say that conception is the beginning of

  natural death?’

  ‘Perhaps. I suspect our delivery boy took that one.’

  Kologrivov talked about conception without the poster.

  Addressing the time in the womb, he showed the embryo’s

  position. This pose was familiar to the general. His soldiers sat this way in Perekop during autumn 1920. The general

  ordered them to use their last supplies of kindling wood to light fires. He forced the soldiers to jump over them. He

  raced around that icy desert like a madman, saving the

  remnants of his army. He attempted to rouse his soldiers,

  prodded them under the ribs, pounded their cheeks . . .

  Could an embryo be roused? As he listened to pharmacist

  Kologrivov, the general felt an understanding coming to him in hindsight. His soldiers had no longer thirsted for victory.

  They were not dreaming of women. Or money. They were

  not even dreaming of warmth. Their exhaustion was deeper

  than wishes like those. More than anything on earth, his

  soldiers wanted to return to their mothers’ wombs.

  The transformation of a pink, wrinkled creature into a

  child. Adolescent age. Pubic hair growing in, enlargement

  of the member (for men), change of voice. Awakening of

  sexual instincts.

  ‘That was the age I suddenly realized I would die, too,’

  said the general. ‘This was the time of first nocturnal emissions.’

  ‘Immortality leaves along with innocence,’ said the phar-

  macist. He moved the pointer again from the Adolescent 580VV_txt.indd 279

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  poster to the Child poster. ‘Children don’t believe they’ll die.’

  Complete rebuilding of the body. Intense growth of the

  skeleton and muscle mass. Changes in the hormonal realm,

  the metabolism, etcetera. The body begins having a smell,

  especially the soles of the feet. Socks have to be changed as frequently as possible. Pimples. Under no circumstances should they be squeezed with dirty hands. A child’s soft

  features sharpen, cheekbones become prominent. A beard

  and mustache begin growing (primarily for men). The

  human body develops—Kologrivov approached the image

  of David—until around the age of thirty.

  ‘And then?’ asked the general, admiring.

  ‘It develops then, too, but in the opposite direction.’

  Kologrivov sighed and pointed to the poster Person at age 40–50 years (Male. Frontal View). The fat layer under the skin thickens. The skin stretches. The face becomes flabby and

  bloated. The body accumulates stores of fat, particularly in the stomach and hips. The torso seems disproportionally

  large, even caricature-like, compared to the legs. Round fatty lumps begin forming on the legs and arms. On other parts

  of the body, too. They distort the former rigor of its lines and speak of metabolic troubles. Increased growth of hair

  on the back, chest, brow ridge, and in/on the ears and nose.

  It goes from bad to worse. Hair grays. The smell of an

  old person’s bitter sweat appears. The skin withers and

  bunches up in wrinkles. The body’s aging is accompanied

  by sclerotic thickening of the arteries. They become tight and fragile, and threaten to rupture. The teeth gradually

  fall out. This can be partially rectified with false teeth (if made carelessly, they make pronunciation whistle slightly) 580VV_txt.indd 280

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  but even a measure such as this is not capable of breaking the general negative tendency. Discs flatten between verte-brae, the spine loses its elasticity and settles. The person shrinks in height. The organs become impossibly worn out.

  The brain starts to contain excess amounts of water, making its work more difficult. In the end, it becomes hard for the person to live. He dies.

  The horns of the evening’s last boats sounded outside

  the window.

  ‘Does that mean,’ asked the general, ‘that life is the fundamental reason for a person’s death?’

  Pharmacist Kologrivov sat on a chair and looked calmly

  at the general. ‘One might, Your Excellency, say just that.’

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  1 5

  Solovyov arrived in the regional capital early in the morning.

  They told him he would be unable to reach the Kilometer 715 station by rail. Even local trains no longer stopped there.

  Solovyov took a bus.

  The bus was old, just like in his childhood. Solovyov had

  not even seen vehicles like this in Petersburg. When the bus went over potholes, it shook for a long time, convulsively, as if it had an asthmatic cough. When the doors opened at

  the stops, the bus made a sound like glass being pressed.

  Solovyov got out at the village where his school was. He

  would need to go the rest of the way on foot.

  Solovyov began heading along the familiar road but then

  he stopped, turned, and walked briskly toward the school.

  A padlock hung on the front door. Summer vacation,

  Solovyov remembered. It was vacation. He walked up to

  one of the windows and pressed his forehead to the glass.

  The Russian literature room developed, hazily, behind

  poplars reflected in the glass. The seats were flipped up.

  Any answer began with those seats clattering; it ended with clattering, too.

  ‘Why is the military trilogy titled The Living and the Dead?

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  So . . .’ and the teacher’s finger would search the list in the grade book, ‘Solovyov!’

  Solovyov’s seat flipped up. In actuality, the general had

  only two folders. When he learned that everyone he had

  attended school with had died, he transferred them from

  the Dead folder to the Living folder. And that was that. Would Solovyov himself have done the same? That was another

  question entirely. But his classmates’ absence behind the

  desks gaped. It was like death. Worse than death because

  in their distinct absence, his classmates were simulating their existence somewhere (most likely not far away). Their

  shadows were visiting the glass factory. Or a cowshed penetrated by drafts. Maybe the tractor-repair station that served local collective farms.

  ‘Whose side is the author of And Quiet Flows the Don on?

  Does anyone have any thoughts in that regard?’

  Nobody did. They did not know for certain whose side

  the author was on. Or who, basically, the author was. The

  grade books and textbooks were on the teacher’s desk. There were fat folders on the Materials for Distribution shelf. Were there any Living and Dead folders there? Did the school maintain records like that?

  Without even realizing it himself, Solovyov had walked

  to the library. He stood on the front steps for a few minutes.

  What could he even begin talking about with Nadezhda

  Nikiforovna? He could tell her about what happened

  yesterday. Or maybe a week ago. It was impossible to tell

  a life. Several years in Petersburg had changed him a lot but to her he was his previous self. Previous. Solovyov felt awkward remembering his childhood dreams. He decided

  not to go in.

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  He went in anyway. A young woman was sitting in

  Nadezhda Nikiforovna’s place. Solovyov did not know her.

  ‘Would you like to register?’ she asked.

  ‘I’m already registered.’

  The woman nodded, unsure, and Solovyov realized she

  had not been here long. There was no cameo ring on her

  hand. There was a small ring with an emerald. It would not make a good sound when touching a shelf. Just a quiet

  plasticky sound.

  ‘What are you interested in?’

  Solovyov was interested in where Nadezhda Nikiforovna

  was, but he did not say that.

  ‘Do you have Captain Blood: His Odyssey?’

  Solovyov waited for her to vanish behind the cabinets

  before he left the library on tiptoe. He was afraid the new employee would announce Nadezhda Nikiforovna’s death

  to him as she handed him the book.

  He walked toward the forest; the Kilometer 715 station lay beyond it. In the woods, he was surprised that the formerly two-lane road was in disrepair and had narrowed, transforming into a path. The ferns beside the road, which always used to be trampled and stunted, had grown tall. They

  swayed in a warm breeze that carried the smell of the

  collective farm. Solovyov and Leeza had walked to school

  along this road. Very few people walked along it now, that was obvious.

  Solovyov could walk here with his eyes closed. He could

  easily repeat all the words he and Leeza had said in this

  forest. He remembered precisely, down to every fir tree he saw, what had been said where. Or rather he had forgotten, but he remembered when he saw the trees. It seemed to

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  him that at one time he had left those words to hang here, and now he was simply gathering them from the fluffy

  boughs as he walked along.

  Solovyov was thinking about what Leeza would say when

  they met. He sensed his own guilt for his silence but his

  feeling for her was so complete that he was experiencing

  no fear at all before their meeting. The ardor that was rising in waves within Solovyov’s chest was capable of—he had

  no doubt of this—melting away both his guilt and her

  possible feeling of offense. Possible. Deep down, Solovyov did not even think that Leeza might be offended at him.

  The forest became sparser and Solovyov saw the first

  houses: his and Leeza’s houses. The road led to them. In

  another minute or two, four more houses came into view on

  the right, and the station platform was on the left. Solovyov noticed there was no longer a Kilometer 715 sign on the platform. None of the passengers on long-distance trains could now learn exactly what station they were riding through.

  Solovyov began walking more slowly as he left the woods.

  The path disappeared completely right at his house. Tall

  grass wound around his legs and caught in the buckles on

  his sandals. It was attempting to hold him there. To prevent his unexpected return. What awaited him beyond the tightly drawn, sun-faded curtains? He stopped and looked at his

  house. He had not been here for six years.

  The little gate would not open; Solovyov had to climb

  over it. When he found himself on the other side of the

  gate, he began pulling up the grass and thistle that had

  grown between the bricks in the path. Solovyov stomped

  on the thistle then took the broken stalks with two fingers and carefully tossed them aside.

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  Once he was able to open the gate, Solovyov dragged his

  bag into the yard. The yard had turned into a jungle. The

  plants stood as motionlessly as if they were in a photograph, and even the freight train passing by (his feet sensed the earth’s trembling) did not disturb their peace. Solovyov

  remembered a children’s book, The Land of the Dense Grasses.

  He had read it on the recommendation of Nadezhda

  Nikiforovna, who might also have turned to grass. Solovyov trampled tall, fragile August stems as he made his way to

  the front steps. The dandelions’ white parachutes flew out from under his feet.

  Wild cherry was growing on the front steps. It had fought

  its way through separated boards and had already spread

  its branches to the railing. Solovyov touched the sapling’s trunk, drawing his index finger along it. The trunk was soft and smooth, as if it had been polished. Quiet set in after the train left. This was full, absolute quiet; anything further would be non-existence. Solovyov sensed himself growing

  into nature. His house and yard had already become nature.

  His turn was coming now. Solovyov pulled out the sapling

  with one tug and felt like a killer. He understood he had

  no other option.

  Solovyov fumbled behind the door jamb and took out a

  key. He did this before he remembered this was where the

  key lay. His hand remembered this motion. The key worked.

  At first it spun emptily, unable to handle the lock’s rusted mechanism, but then a familiar click sounded on the second rotation and the door creaked open.

  He entered a chilly dimness. Everything remained the

  same as on the day he left. Everything but this: the ideal cleanliness found only in abandoned houses. Solovyov had

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  left hastily six years ago. He was going to take his entrance exam
s and packed up a suitcase, just tossing aside unnecessary things. Leeza stopped him when he began stuffing

  everything into cabinets. She said she would tidy it all up.

  She looked at him, half-sitting on the windowsill. Solovyov remembered the motion of her fingers, touching the boards

  on the windowsill one by one, as if they were playing a

  piece nobody could hear.

  He walked into the room and drew open the drapes.

  There were neither spiders nor cobwebs in the corners of

  the ceiling (they had been swept away by a twig broom

  wrapped in gauze). Because there were no flies. Solovyov

  realized that when a fly flew in from outside, buzzing. It was the only living being he had encountered thus far at

  Kilometer 715. The fly flitted uncertainly around spots on the tablecloth that had not come out in the laundry and

  then flew over to the doorknob.

  A sturdy rag looped around the knobs on both sides of

  the door: Solovyov’s grandmother had tied rags on the doors so they closed firmly and would not blow open in a draft.

  She had placed cardboard under wobbling table legs. Glued

  strips of newspaper to cracks in the glass. This was the

  inventiveness of old age. The resourcefulness of debility. Of an overall debility, of an inability to change anything in life.

  When Solovyov left the house after his grandmother’s death, he was leaving that inescapability, too. He was afraid he

  would inherit it, too, along with the house.

  There was a sound of shuffling shoes on the front steps.

  They were purposely loud, striving to attract attention. That was superfluous in the ongoing quiet. Solovyov turned

  slowly, ‘Yegorovna!’

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  ‘You came back, my dear one . . .’

  Taking tiny steps, Yegorovna walked into the room and

  pressed herself against Solovyov. Awkwardly, without

  bending, he caught her with his arm and felt an old person’s cool tears running down his neck.

  ‘How’s life treating you, Yegorovna?’

  ‘Life?’ she pulled away, puzzled and almost offended.

  ‘We’re living it out! Yevdokia Firsova and I. Remember

  Yevdokia?’ Her chin, fuzzy with little gray hairs, began

  trembling. ‘We’re the two waiting for death. Just two at the whole station.’

 

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