The Last Year of Being Single

by Sarah Tucker

  The Last Year of

  Being Single

  The Last Year of Being Single

  Sarah Tucker

  SARAH TUCKER

  is British, in her thirties and is an award-winning travel journalist and broadcaster. She’s worked as a travel correspondent on national U.K. media—the BBC, Classic FM, Sky News and Jazz FM—for many years. She’s also the author of several bestselling books on traveling with children.

  The Last Year of Being Single is her intensely honest, wickedly funny and sexy debut novel.

  Sarah has room for only one man in her life, and that’s her four-year-old son, Thomas, with whom she lives in England and France.

  ACKNOWLEDGMENTS

  How I came to write this book is a story in itself. At a Christmas party, talking to a fellow guest about life, I made a casual remark that I had a novel inside me.

  She gave me her card and said she worked for a publisher… This book is the result.

  A huge “thank you” to: Karin (the woman with the card), who gave me the break. Sam, the editor who made it happen and is the kindest, most astute and enthusiastic person you could ever meet. Thank you so much for believing in me. Paul, who struck the deal without pain and helped me to my first Mini Cooper (S). Yellow with white roof.

  To my son, Thomas, who is, and will always be, my sunshine, my true love and inspiration.

  To my coterie of friends—especially Jo Moore, Amanda Hall, Claire Beale, Helen Davies, Steve and Paul—who over the past year have proved to be the best friends anyone could ever hope for.

  To Simon and Caroline, who both think I should put on my gravestone “Sarah—someone who was so very frustrating but gave incredible pleasure.” I aim to do both. To Kim and Linda and Karin, for listening. Lots. To Hazel and Doreen. I love you both loads. Thank you for being there.

  CONTENTS

  AUTUMN

  SEPTEMBER

  OCTOBER

  WINTER

  NOVEMBER

  DECEMBER

  JANUARY

  FEBRUARY AND MARCH

  SPRING

  APRIL

  MAY

  SUMMER

  JUNE

  JULY

  AUGUST

  SEPTEMBER

  AUTUMN

  SEPTEMBER

  ACTION LIST

  Have fun.

  Join gym and work out three times a week. Kick-box and yoga.

  Buy goldfish and put in wealth area (have attended Feng Shui class and am told fish in wealth area brings in money). Unhappy as wealth area has toilet in it, which means most goes down the drain. Instructor recommends I put toilet in dining room. Or move.

  Buy lots of goldfish and make sure they don’t die.

  Buy lots of orange candles and light them, ensuring they don’t burn anything.

  Be wonderful to Paul.

  THE DARK PRINCE

  1st September

  I’ve met the man of my wet dreams.

  Well, almost. I imagined some six foot two, dark, olive-skinned, firm-torsoed prince of a man, on a dark, steamy-breathed steed, thundering mercilessly towards me through a forest full of bluebells (aka sex scene from Ryan’s Daughter) and whisking me off my feet and then ravishing me almost senseless amongst aforementioned bluebells. In my dream I have huge, voluptuous breasts and long dark eyelashes—two wish-list firsts. Alas, I have neither in real life. There are no mosquitoes, worms or spiders to distract from the pleasure—and it’s a warm eighty degrees and the breeze is light. He takes me in his arms and then he takes me. Ripping clothes (aka sex scene up against wall and over luxuriant sofa in Basic Instinct with Michael Douglas and tall brown-haired actress wearing brown underwear can’t remember name of but she looked like she enjoyed it). I try to resist his advances. Fail, obviously. He always respects me afterwards.

  The dark prince in reality is dark and brooding and has deep black-brown eyes which are set too close together. His eyebrows meet in the middle, which means, according to all Cosmopolitan articles, he is not to be trusted, undoubtedly a wolf and ruthlessly dominant in bed. He has the look of Rufus Sewell. Shiny jet-black hair, curly almost tight ringlets which look good enough to pull. He has a strong, defined masculine body. Harvey Keitel in The Piano masculine body. I visualise him gently toying, stroking, softly kissing my ankles as I play on a piano at least to Grade 7 level. He is completely overcome by the beauty of my calves. I revert back to reality. He looks how men should look rather than how men think men should look. I scan further. He has large hands. No wedding ring. He stares un-smilingly, never lifting his gaze from my eyes.

  His first impression of me is my backside. I am leaning over my desk. Trying to get my briefing notes out of a drawer so crammed with briefing notes that it refuses to open. He ‘h-hum’s. I turn round.

  ‘You Sarah Giles?’ he snarls.

  ‘Me Sarah Giles,’ I joke.

  He doesn’t smile. I flush. Sort of Tarzan meets Jane intro.

  I am meeting this dark, brooding Keitel look-a-like for lunch. He hasn’t arrived on a black steed. He’s arrived on the 11.25 from East Croydon to Victoria. He is briefing me on how newly privatised Rogerson Railways is supposed to communicate with its customers. He is a specialist, I am advised, in management consultancy gobbledy-gook. The current buzz-words are ‘customer focus.’ Not passenger focus. Must learn jargon. Passengers are out. Customers are in. This makes loads of difference to the service provided, according to the management consultants. The trains still fail to arrive on time. But the angry passengers are now called angry customers. So there’s a difference. I’m told.

  The man of my wet dream is a regional director of a regional headquarters of a region of Rogerson Railways. He thinks he is important. I don’t care if he isn’t. I wanna be his customer, for lunch at least.

  ‘You’re taking me to lunch,’ he snarls again, still staring unblinking at me.

  ‘Er, yes. Pizza Express.’

  ‘Whatever. I prefer pubs myself. A beer man. English beer only. None of that foreign muck.’

  I don’t like beer—English or foreign muck—so I make no comment. He asks me to lead the way. I wish I’d worn something short and tight and sexy and, as the Brazilians do, ‘dressed to undress’. Instead I’m wearing eight-year-old Laura Ashley blue and pink flowery culottes and a white T-shirt which leaves everything to the imagination. I do as he asks, realising that everyone in the office is now looking at me. At us. Leaving the office together. I turn round, realising I’ve forgotten my bag. He’s a few paces behind me. Staring at my bum. He looks up, unabashed, unblushing. I flush again.

  ‘Forgot bag,’ I explain.

  He says nothing. He just stares.

  We say nothing in the lift. We say nothing as we cross the road to one of the few decent places to eat in Euston Square. I’ve pre-booked, but every other table is taken by people I know in the office. They all look up and smile at me and stare at him. This dark prince has a reputation. I am warned he is a womaniser. That he is amoral. That men hate him. That I am to stay away from him and keep him at arm’s length. That he is dangerous. Of course this makes him utterly irresistible to me and any other girl who has been told to keep clear. Half the people sitting on the other tables have told me as much. All eyes watch as we sit down. I feel as though the wolf will pounce any moment and start nibbling at my calves. Actually, I fantasise about it. Then I revert back to reality.

  The only downside of my dark, brooding anti-hero is his name. John Wayne. How can an anti-hero be called John Wayne? There is something almost Easter Bunny about that name. The name denotes someone stoic and noble and macho, but ever so slightly cuddly and loveable. How can anyone live up to that? The Hollywood actor was alway
s the good guy. The faithful husband. The leader. The man’s man. The saviour of every Western, who married Maureen O’Hara in The Quiet Man and never even got to see her naked. He never ravished anyone in his life. How could I take this cowboy seriously?

  ‘You don’t look like John Wayne,’ I say

  He looks bored. Disappointed. ‘Everyone says that. That is the first thing everyone says to me. No, I don’t look like the actor John Wayne. My mother, however, thought it was a good name. He was a good actor and a nice man and played good roles. So she gave me this name. And I like it. Sarah Giles, on the other hand, is ordinary and bland. And you, Sarah Giles, are unoriginal.’

  He is obviously from the treat-them-mean-keep-them-keen school of how to talk to women. Either that or he utterly detests my company already.

  Enough of the small talk. I tell him that I’ve been told to speak to him because he knows about customer focus and that I’ve got to write this report on customer focus and why the regional part of the regional part of Rogerson Railways is failing to communicate with its customers when disruption occurs. He tells me it’s because management is bad and no one communicates. He then asks me if I have a boyfriend and what he does.

  I have a boyfriend. His name is Paul. I tell him he works for a bank.

  I ask him if he has a girlfriend.

  He says this is very personal.

  I say he’s asked me a personal question so I’ve got a right to ask him one too.

  He says he has. That her name is Amanda and that she is curvy, has fat calves, short squat legs, likes pink, has big tits and large eyes and eyelashes and long blonde hair. I visualise Miss Piggy. Then I revert back to reality.

  ‘What have you been told about me?’ he says, unblinking and staring straight into me rather than at me. I swear he has not blinked for a good hour.

  I tell him that I’ve heard he is a womaniser. That I am not to trust him. That he is amoral and that he will probably make a pass at me and try to seduce me. But that he is also well thought of professionally and has a good mind.

  He smiles. It scares me. It looks very unnatural. Like when Wednesday smiled for the first time in Addams Family Values. I ask him to stop smiling and look mean and brooding again. He laughs, which looks more natural than the smile, but the laugh still looks out of place on his face.

  We order.

  John has a pizza. No fuss. With everything on it.

  I order salade niçoise. With dressing on the side. No potatoes. No anchovies. No dough balls. Extra tuna.

  John says he will have my dough balls.

  I say I will have the dough balls after all, but can we have them on a separate plate?

  I order Diet Coke.

  No, they don’t do English beer. Only the foreign muck.

  He orders Diet Coke too.

  I ask him why he has a fetish for English beer. He says he always has. He says he lives in Surrey in a yellow cottage by a railway line and is surrounded by five pubs within walking distance which all do good English beer. It makes him salivate just thinking about it. At which point he starts to salivate just thinking about it. Methinks this is unsexy, so I ask him what else makes him salivate.

  ‘Cats and women’s legs. I can’t see your legs, so I don’t know if you would make me salivate,’ he says straight-faced, ‘but I have two cats. Hannah and Jessica.’

  I try to flirt. I tell him I have nice legs because I used to be a dancer and that I would like to have a cat. He says that he can’t tell me if my legs are good because I’m wearing a disgusting pair of culottes. He also says he will report me to the animal cruelty society if I get a cat, because as I am working full time I won’t be able to look after it properly. He is not joking. Or at least I think he is not joking. He doesn’t smile while he is saying this, which is some relief.

  I interview him about customer focus. I fantasise about him drinking beer in a pub in Surrey. It’s the summer. There’s him and me. I’m wearing a short white dress. Hannah and Jessica are there, rubbing their bodies round my ankles and his ankles. And I start to run my fingers through his hair. Very slowly. Then I revert back to reality. Get real, Giles. I’m talking to a guy who works for a regional part of a regional part of the railways called John Wayne.

  2nd September

  7 a.m. Flatmate Karen is still not up yet. Completely scatty, she makes me feel and look organised. I love her for it. It’s some feat to do that. She is nanny to a four-year-old who is being hot-housed by his financial advisor parents. He can speak two other languages fluently. French and pocket money. She gets a taxi to pick her up every morning at six forty-five a.m. The taxi driver knocks on the door. He usually bangs it a few times. She is always asleep. She gets changed, washed, brushed in five minutes. Between the change and wash I tell her I’ve met a man called John Wayne. She laughs very loudly.

  ‘Does he ride well?’

  ‘Er, no. He has a girlfriend. And, Karen, I have a boyfriend.’

  Door slams. Boyfriend Paul is two years younger than me. Very sensible. Good with money. Attractive. Charming. Everyone likes him. Everyone thinks he is sensible, good with money. Including me. Been going out with him for five years. Not all good, but know I love him, been through a lot with him, and he is a ‘good catch’. Everyone likes him. Except Karen, who thinks he is too straight for me and has something missing and has a dark side. Her most affectionate nickname for him is Flatliner.

  ‘You need someone with some va-va-voom, Sarah. He’s a non-starter. He’s insecure and controlling. And a potential bully. And you don’t want that.’

  My friends also don’t like him much. They thought he was OK in the early years but as he did better at work gradually became an arrogant, boorish, self-serving prat. But I don’t see much of them these days.

  My insecure, sensible control-freak Flatliner lives in a two-up, two-down in Chelmsford. I have a two-bedroom flat in an old Victorian house in Brentwood. Largest commuter town in the country. Full of back-office suits wanting to be front-office Ferrari-drivers. I have a flatmate who pays her rent on time and is fun as well as funny and sensitive and has a boyfriend who doesn’t understand her and lives up the road and is in awe of her and threatened by her and treats her badly. And I have a job at the railways as Situation Manager (I recover situations, or cover over situations—whatever is more pertinent to the issue). During the six months I’ve been there, the company has sponsored me to go on three positive thinking, power and assertiveness training courses in wonderful country hotels in the Lake District and New Forest. And I still can’t say no.

  So life is sweet. Ish. Boring but sweet. Until I meet John Wayne.

  3rd September

  I disagree with Karen. My boyfriend is not boring. I met him at his twenty-first birthday party. He was going out with someone called Gillian. I was going out with someone called David. I thought he was cute, had a smooth dark brown voice and had the most amazing long eyelashes. He told me later he also thought I was cute but that I wouldn’t stop talking about David.

  I then met him two years later. At Liverpool Street Station. He liked my legs. He saw me from the back. He told his friend he knew me. His friend bet him fifty pounds he didn’t. He came up to me. Introduced himself and won the bet. He also got a date with me.

  The date went well. In a local pub, called the Dead Duck, beamed, mid-eighteenth-century, lighting so low you couldn’t see what you were eating or drinking. And it had an unfortunate sewer problem. Despite the stench of sulphur in the pretty beer garden outside, we managed to make each other feel good. He had lovely eyes. The sort you get lost in. An open, honest face. And a wonderful smile. No pretension or artifice other than he worked in the City in a bank and was aware he was surrounded by people who were full of both.

  He invited me back to his two-up, two-down in Chelmsford, which he’d just bought with a heavily subsidised mortgage. He asked if I wanted to see his etchings. The charm of it is that he genuinely did want me to see his etchings. Fabulous and imaginative drawi
ngs of dragons and horses and knives and outstretched hands, and swords and leopards and weird and wired shapes and images. Some quite disturbing, others quite delicate and poignant. He had a wide and diverse interest in music. A passion for everything from heavy metal to gentle classics. He played the electric guitar very badly. His rendition of Status Quo’s ‘Whatever You Want’ was diabolical but I said he played OK. He spoke eloquently and with sincerity. He made me laugh. He intrigued me. He loved to cook (although not to wash and dry). He was sensitive and interesting and was interested in me as a person. He asked insightful questions. He gave open answers. He didn’t try to impress and smiled knowingly when I did. He didn’t try to kiss me, and I said I would call him some time next week.

  He called the next day. I said I was going to Monte Carlo and would he like to come down for the weekend? Other men had asked if they could join me, but I’d said no. But I asked Paul. Instinctively I knew he was the one. The one you know you are going to love. I suggested we have lunch before I left. On the day I was due to fly out. I took the train to London and met him for a lunch. Neither of us touched the food. We just looked at each other. I told him I had to rush home to get my suitcase so I could then come back into London and get on a flight from Heathrow. The madness somehow seemed logical then, and in keeping with the surreal nature of our relationship.

  I went. I didn’t hear from him for a week and thought he’d changed his mind. I then received a call.

  ‘Hi, it’s Paul.’

  I had forgotten who Paul was.

  ‘Er, Paul who?’

  ‘Have you forgotten me already? Paul O’Brian. Etchings. Brilliant guitar player.’

  ‘Er, ah, yes. Etchings.’

  I remembered. But lots can happen in seven days. Monte Carlo had turned my head in a week. I’d forgotten this un-pretentious doe-eyed boy for the bright lights and fast cars of the principality. When I heard his voice I felt he was coming to save me from myself. Almost heaven-sent.