Aztec Blood

by neetha Napew

  Lazaro, as he was called, had a background not unsimilar to Guzman. He was the son of a miller who plied his trade along the banks of the Rio Torme. Unfortunately for Lazaro, like Guzman, his father was a ne'er-do-well. After being caught cheating his customers, he was sent off as a mule driver to the Moorish wars and ended up getting killed.

  Lazaro's mother ran an inn, but she was not a great businesswoman. She ended up getting involved with a Moor, who was a groom for a nobleman. She birthed a baby by the Moor, a dark-skinned child who brought scandal to Lazaro's mother and doom to the Moor when the nobleman found he was stealing to support his secret family. The Moor was "soundly flogged, and his flesh tickled with drops of scalding fat."

  Unable to support the family, Lazaro's mother apprenticed him to a blind beggar, who he is to lead about. The blind beggar immediately starts teaching Lazaro lessons in life. Before leaving town, he has Lazaro take him to the stone statue of a bull. Then he tells Lazaro to put his ear close to the bull in order to hear a strange noise. As the naive boy does, the old man thumps his head against the stone. And then laughed at the trick he had played on the boy. "You scamp, you ought to know that a blind man's boy should have more cunning than the devil himself."

  As I read, I came to believe that this mean-spirited blind man was the devil himself. But Lazaro came to admire the man's very churlishness and to understand what he was being taught.

  "I have no silver or gold to give you, but what is far better, I can impart to you the result of my experience, which will always enable you to live; for though God has created me blind, He has endowed me with faculties that have served me well in the course of my life."

  But Lazaro had also never met such an avaricious and wicked an old curmudgeon. "He allowed me to die almost daily of hunger, without troubling himself about my necessities; and, to say the truth, if I had not helped myself by means of a ready wit and nimble fingers, I should have closed my account from sheer starvation."

  Life became a daily battle of wits between the stingy old man and the hungry boy eager to fill his belly. The old man kept his bread and meats in a linen sack he kept closed at the mouth by an iron ring and padlock. Lazaro created a small opening in a bottom seam and soon was feasting on choice foods. The boy learned to hide in his mouth alms tossed to the beggar and to steal wine by putting a hole in the bottom of the beggar's wine jar and plugging it with wax. Catching the boy drinking from the jug, the old man smashed the jug against the boy's face.

  Over time, Lazaro suffered much abuse and developed hatred for the blind man. He got some revenge by taking him along the roughest roads and through the deepest mud. Finally deciding to quit this tramp tyrant's service, and in disgust over all the beatings and starvation he had endured, Lazaro led the blind man to a place where it was necessary for the man to jump across a narrow stream. He positioned the old man so that when he leaped, the man would collide with a stone pillar. The blind man stepped back, then made a leap "as nimble as a goat" and collided with the pillar. It knocked him unconscious.

  From this time on the luckless Lazaro went from the hands of one bad master to another. In one humorous account, Lazaro became the servant for a gentleman who was broke. By one devious scheme after another, the servant Lazaro found himself supplying the impoverished gentleman his daily bread!

  For a time he served a pair of con artists who had a scam involving the pope's edicts called "bulls." One would go into a church and claim that he had holy bulls from the pope that could cure illnesses. A constable would charge into the church and call the other man a fraud. The constable would then collapse on the floor as if he had been struck dead. The man with the bulls would lay one of the papers on the constable's head and the man would recover. Seeing the "miracle," the people in the church would rush to buy the blessed edicts.

  The good life would ultimately come to Lazaro when he married a servant of an archpriest. It was whispered in the community that the marriage had been arranged because the woman was the priest's lover, but Lazaro, to whom fortune was smiling by bequests of the priest, found the situation to his benefit. When his wife passed away, misfortune came back to Lazaro, but of these difficulties, he tells the reader that it "would be too cruel and severe a task for me to pretend to recount."

  In truth, I found Lazaro was not as much fun to read as Guzman. The book was not as long, nor were the adventures as exciting, but the woes of Lazaro, including the blackness of the heart of so many he encountered, may have been a more realistic view of the world.

  My eyes grew heavy after I finished the book, and I lay back and shut them. I awoke when I heard a rock bounce near me. I jerked awake, startled.

  The girl who'd led me to the Jaguar Knights had flung the rock. She was on the hillside a little above me. She turned quickly when I looked up at her, and I got only a brief glimpse at her features.

  "Señorita!" I yelled. "We must talk!"

  I followed her. We had searched for her after the naualli disappeared but had not been able to find her. As I followed, I determined that I would not permit myself to be ambushed this time. If she disappeared into the bushes, I would run back to the campsite and get Mateo. If he was there.

  I had gone no more than a hundred paces when she stopped. She kept her back to me as I approached. When she turned, I saw not a young girl, but a demon. The naualli had flayed her face, removing it in the manner of Aztec priests who skinned victims and wore the skin. The naualli had donned her face and clothes.

  He screamed at me and charged, raising his obsidian knife high. The knife was still bloody from skinning the girl.

  I pulled my own knife though I knew I would have little chance. My blade was much smaller, and he was a killer in a rage. I backed away from him, lashing out defensively with my knife. I was taller than him and my arms were longer, but his rage and insanity were vast. He swung his knife wildly, not caring if I slashed back. His blade sliced my forearm and I staggered backward. My heel caught on a rock and I stumbled, slipping down into a small crevice. I took a rough tumble, hitting jagged rocks that dug into my back, slamming my head against a rock.

  The fall saved my life because it took me out of reach of the madman. He stood on the edge of the crevice. Letting out a bloodcurdling scream, he held the knife high as he prepared to leap down at me.

  I saw a movement out of the corner of my eye. The naualli saw it too, and turned, swinging the knife.

  The Healer came at the naualli, shaking a large feather, a bright green plume.

  I gaped in shock and screamed for the Healer to stop. The old man had no chance waving a feather against the demon with a knife. I scrambled up the side of the crevice, yelling for the Healer to stop.

  My movements were frantic, and I was slipping back a foot for every two I went up. The Healer shook the feather at the naualli, and the naualli swung his knife at the Healer. The knife hit the Healer in the stomach. It went in, up to the hilt.

  For a moment the two old men stood perfectly still, like two stone statues embracing each other, the Healer with the feather in his hand, the naualli with his hand on the hilt of the knife. They slowly moved apart, and as they did, the Healer went down to his knees and the naualli moved away from him.

  I made it up to the top and onto my feet. I charged the naualli but stopped and watched him in amazement. Instead of crouching in a knife fighter's stance to meet my attack, he pranced away, ripping off the girl face. He grinned gaily and danced and laughed.

  Holding the knife again high in the air, he plunged it into his own heart.

  I now realized why the Healer had been shaking a feather in the man's face. He had yoyotli or some other dream dust from a flower weaver on the feather.

  The Healer lay on the ground on his back. His shirt was bloody. I knelt beside him with a heavy heart. "I will go for help," I said, but I knew it was useless.

  "No, my son, stay with me. It is too late. This morning I heard the call of the uactli, the bird of death."

  "No—"
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  "I will go now to the place where my ancestors have gone. I am old and tired and it is a long trip." He slowly faded, his breath leaving him as I held him in my arms and cried.

  He had once told me that he had come from the stars. I believed that. There had been an otherworldliness to him. I had no doubt that he had journeyed to earth from the stars, and it would be to the stars that he returned.

  Like the fray, he had been a father to me. As his son, it was my duty to prepare him for his journey.

  I had to leave him to get help to move his body to a proper place for the burial I would give him. When I returned to the camp, both Don Julio and Mateo were there.

  "I received a message from an indio," Don Julio said. "He had been sent by the Healer a couple of days ago. The message was that the naualli had died trying to attack you. I got here and found out Mateo knew nothing of it."

  "That's because it just happened," I said. I told them about the fight with the naualli, and the feather that had "killed" the magician.

  "How could the old man know about the fight before it ever happened?" Mateo asked.

  I shrugged and smiled with sadness. "The birds told him."

  The Healer would not go to Mictlán, the Dark Place of the underworld. He had died in battle as a warrior. He would go to the paradise of the Eastern Heaven.

  With the help of the dream diviner, I prepared the Healer's body, dressing him in his finest clothes, his cape of rare feathers and his wondrous headpiece. I built a high pile of wood and laid the Healer's body atop the pile. Alongside the body, I placed a supply of maize, beans, and cocoa beans to sustain him on his journey to the Eastern Heaven.

  His yellow dog had never left his side during all of the preparations. I killed the dog as gently as I could and laid him at the Healer's feet so the dog could guide him.

  When the preparations were done, I lit the wood. I stood by as the pyre roared. The fire burned and the smoke raised into the night. I stayed until the last wisp of smoke, the last essence of the Healer, had risen to the stars.

  Don Julio and Mateo came to the funeral place in the morning. Mateo led a horse that Don Julio indicated I was to ride.

  "You are coming with us," the don said. "You have been a thief and a liar, a young rogue, old in the wrong ways of men. Now it is time for you to live another life, that of a gentleman. Get on your horse, Don Cristo. You are going to learn the ways of a caballero."

  PART FOUR

  While I swam in a sea of knowledge, I lived in a world of ignorance and fear.

  —Cristo the Bastardo

  SEVENTY-ONE

  So began the next phase of my life, the polishing of the scabrous soul of a lépero street urchin into a Spanish gentleman.

  "You will learn how to ride a horse, fight with a sword, shoot a musket, eat with a fork, and dance with a lady. Perhaps along the way you will teach me a few things," Don Julio said. "Hopefully, none which will cause my head to be impaled upon a city gate."

  And who was to be my teacher? Who else but a man who boasted he had killed a hundred men, loved a thousand women, stormed castle walls, bloodied the decks of ships, and wrote ballads and plays that made grown men weep?

  Mateo did not suffer the new assignment with great pleasure. We were both banished to the don's hacienda and forbidden to enter the capital. No doubt the don reasoned that neither of us was ready to present ourselves in the City of Mexico.

  Furthermore, neither of us were certain of the don's motives. It seemed evident Mateo was exiled to the hacienda because it was still not safe for him to show his face in the capital—the judge who wanted to hang him was still in power. I did not know why he sent me to the hacienda with a new identify—as his cousin.

  "He likes you," Mateo said. "Don Julio has suffered much as a converso. He sees something in you beyond the lying, thieving lépero I know you to be."

  Both of us had the suspicion that besides the desire to reward us for striking a lethal blow against the Jaguar Knights, the don had ulterior motives. We questioned whether he had an assignment so hazardous that those performing it would need new identities and be completely in his thrall, an assignment so dangerous no one else would accept.

  Don Julio owned two great houses, one on a hacienda fifty leagues south of the City of Mexico and the other in the city itself. I was to learn that when he wasn't traveling, he spent most of his time at the hacienda while his wife remained in the City of Mexico.

  Under the encomiendas, indios had to pay tribute granted to the conquistadors. They were often worked and branded as slaves. These grants slowly evolved into the hacienda system as conquistador blood lines died out, the vast grants were broken up, or tribute was replaced by land holdings. Many haciendas were as large as encomienda grants, having villages or even small towns within their borders. Other than the actual branding of indios and the direct payment of tribute, the old system had faded in name only. Indios paid tribute to the hacienda owner in the form of cheap labor. The indio was tied to the land. The land fed the family, clothed them, protected them. And the land belonged to a Spaniard. In essence, the feudal nature of the European baronial estates, in which nobles were served by peasants who worked the land, had been transferred to New Spain.

  Few hacienda owners actually lived on their vast estates. Most, like Don Julio's wife, lived all or most of the year in the City of Mexico so they could enjoy the pleasures and conveniences of life in one of the grand capitals of the world. The unusual relationship between Don Julio and his wife, where they lived apart most of the time, was not discussed. I eventually discovered why the scholarly don would want to stay away from the tempestuous woman.

  Don Julio's hacienda stretched a full day's ride in every direction. Popocatépetl, Smoking Mountain, and Iztaccíhuatl, White Lady—two great volcano mountains that pierce the very heavens with their snow-capped cones—were both in view from the window of my room at the great house. When I sat and watched them, I was always reminded of the enchanting tale of love and tragedy from Aztec lore that the Healer taught me.

  Iztaccíhuatl was the legendary daughter of an Aztec king whose kingdom was under siege. Needing the enemy vanquished, he assembled all of his warriors at the foot of the great temple of Huitzilopochtli, the war god.

  "Iztaccíhuatl is the most beautiful maiden in the land," he told the warriors. "He of you who is the bravest in the battle will claim her as his wife."

  Popocatépetl was the bravest and strongest of all the warriors. And he had long loved Iztaccíhuatl, but only from a distance, for he was of common stock, his father a simple farmer. He was so low in the social order that he had to avert his eyes when the princess was near him.

  Iztaccíhuatl was aware of his love, and the two had met secretly in a garden near her quarters when Popocatépetl had been a palace guard.

  In the battle that ensued, Popocatépetl was the mightiest warrior, turning the tide of the battle and driving the enemy from the walls of the city. Because of his bravery, he pursued the enemy beyond the walls and back to their own land.

  While he was gone, jealous suitors got the ear of the king. Iztaccíhuatl was his only daughter and for her to marry a common soldier, the son of a fanner, was an insult to them. They convinced the king to send assassins to kill Popocatépetl. When the assassins left the palace, the king told Iztaccíhuatl that Popocatépetl had died in battle.

  The grief-stricken princess died of love lost before Popocatépetl arrived back, having defeated the assassins. When Popocatépetl found his love dead because of treachery, he slew the king and all the nobles. Then he built a great temple in the middle of a field and laid the body of his beloved atop it. He set a torch over her body so that she would always have light and warmth. He built another temple for his own body and placed a torch above where he laid down to rest, joining his love in death.

  An eon passed, the temples grew into tall mountains and snow encrusted them for an eternity, but the fires within still burned.

  I have never forgott
en the girl in the coach who saved my life in Veracruz. When I look at White Lady, the mountain resembling the head, breasts, and feet of a sleeping woman, I wonder about what sort of woman the girl Eléna had become....

  The hacienda was not a fertile basin, although year round a river flowed through it. Wheat, maize, beans, peppers, and squash were raised near the river, maguey for pulque, and indio products grew in the more arid areas. Cattle roamed wherever they could find graze. Cattle were raised mostly for their hides because it was not economical to ship the meat great distances, even salted. Chickens and pigs were raised for the dinner pot, deer and rabbit hunted.

  The great house was located at the top of a hill, a mound the shape of a monk's bald pate. At the bottom of the hill, a small indio village, about sixty jacals—mud-walled huts—sprawled along the riverbank. There were no slaves on the property.

  "Slavery is an abomination," Don Julio told me, when I asked why he did not use slave labor. "I am ashamed to admit that my fellow Portuguese people dominate this trade, hunting poor africanos as if they were animals and supplying them to anyone with enough gold. I am also ashamed to admit that many slave owners are cruel and vicious people, who enjoy owning another human being, who get pleasure from the pain they inflict and would buy a slave just to abuse the poor soul. Many of these men breed with their female slaves, lying with them and even with the daughters they produced, without any thought that they are committing rape and incest."

  Ayyo, well I knew the treatment of slaves, from seeing them on the streets of Veracruz, on visits to sugar plantations with the fray, and the incident in which I cut loose the slave called Yanga before he could be castrated.

  A priest came once a month to service the village from a small chapel set at the foot of the hill. After meeting the priest, Mateo spit on the ground.

  "Many brave frays have brought God and civilization to the indios. To this priest, there is only heaven and hell and nothing in between. Any transgression, no matter how small, is a mortal sin in this fool's head. He sees demons and devils in everything and everybody. He would turn his brother over to the Inquisition for missing confession."