A Bullet for Cinderella
Page 1
Praise for John D. MacDonald
“My favorite novelist of all time.”
—DEAN KOONTZ
“For my money, John D. MacDonald’s Travis McGee is one of the great characters in contemporary American fiction—not crime fiction; fiction, period—and millions of readers surely agree.”
—The Washington Post
“MacDonald isn’t simply popular; he’s also good.”
—ROGER EBERT
“MacDonald’s books are narcotic and, once hooked, a reader can’t kick the habit until the supply runs out.”
—Chicago Tribune Book World
“Travis McGee is one of the most enduring and unusual heroes in detective fiction.”
—Baltimore Sun
“John D. MacDonald remains one of my idols.”
—DONALD WESTLAKE
“A dominant influence on writers crafting the continuing series character.”
—SUE GRAFTON
“The Dickens of mid-century America—popular, prolific and … conscience-ridden about his environment … a thoroughly American author.”
—The Boston Globe
“It will be for his crisply written, smoothly plotted mysteries that MacDonald will be remembered.”
—USA Today
“MacDonald had the marvelous ability to create attention-getting characters who doubled as social critics. In MacDonald novels, it is the rule rather than the exception to find, in the midst of violence and mayhem, a sentence, a paragraph, or several pages of rumination on love, morality, religion, architecture, politics, business, the general state of the world or of Florida.”
—Sarasota Herald-Tribune
BY JOHN D. MACDONALD
The Brass Cupcake
Murder for the Bride
Judge Me Not
Wine for the Dreamers
Ballroom of the Skies
The Damned
Dead Low Tide
The Neon Jungle
Cancel All Our Vows
All These Condemned
Area of Suspicion
Contrary Pleasure
A Bullet for Cinderella
Cry Hard, Cry Fast
You Live Once
April Evil
Border Town Girl
Murder in the Wind
Death Trap
The Price of Murder
The Empty Trap
A Man of Affairs
The Deceivers
Clemmie
Cape Fear (The Executioners)
Soft Touch
Deadly Welcome
Please Write for Details
The Crossroads
The Beach Girls
Slam the Big Door
The End of the Night
The Only Girl in the Game
Where Is Janice Gantry?
One Monday We Killed Them All
A Key to the Suite
A Flash of Green
The Girl, the Gold Watch & Everything
On the Run
The Drowner
The House Guest
End of the Tiger and Other Stories
The Last One Left
S*E*V*E*N
Condominium
Other Times, Other Worlds
Nothing Can Go Wrong
The Good Old Stuff
One More Sunday
More Good Old Stuff
Barrier Island
A Friendship: The Letters of Dan Rowan and John D. MacDonald, 1967–1974
The Travis McGee Series
The Deep Blue Good-by
Nightmare in Pink
A Purple Place for Dying
The Quick Red Fox
A Deadly Shade of Gold
Bright Orange for the Shroud
Darker Than Amber
One Fearful Yellow Eye
Pale Gray for Guilt
The Girl in the Plain Brown Wrapper
Dress Her in Indigo
The Long Lavender Look
A Tan and Sandy Silence
The Scarlet Ruse
The Turquoise Lament
The Dreadful Lemon Sky
The Empty Copper Sea
The Green Ripper
Free Fall in Crimson
Cinnamon Skin
The Lonely Silver Rain
The Official Travis McGee Quizbook
A Bullet for Cinderella is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
2013 Random House eBook Edition
Copyright © 1955 by John D. MacDonald.
Introduction copyright © 2013 by Dean Koontz
All rights reserved.
Published in the United States by Random House Trade Paperbacks, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.
RANDOM HOUSE TRADE PAPERBACKS and colophon are trademarks of Random House, Inc.
eISBN: 978-0-307-82695-4
www.atrandom.com
Cover design: Joe Montgomery
v3.1
Contents
Cover
Other Books by This Author
Title Page
Copyright
Introduction
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
About the Author
The Singular John D. MacDonald
Dean Koontz
When I was in college, I had a friend, Harry Recard, who was smart, funny, and a demon card player. Harry was a successful history major, while I passed more time playing pinochle than I spent in class. For the three and a half years that I required to graduate, I heard Harry rave about this writer named John D. MacDonald, “John D” to his most ardent readers. Of the two of us, Harry was the better card player and just generally the cooler one. Consequently, I was protective of my position, as an English major, to be the better judge of literature, don’t you know. I remained reluctant to give John D a look.
Having read mostly science fiction, I found many of my professors’ assigned authors markedly less exciting than Robert Heinlein and Theodore Sturgeon, but I was determined to read the right thing. For every Flannery O’Connor whose work I could race through with delight, there were three like Virginia Woolf, who made me want to throw their books off a high cliff and leap after them. Nevertheless, I continued to shun Harry’s beloved John D.
Five or six years after college, I was a full-time writer with numerous credits in science fiction, struggling to move into suspense and mainstream work. I was making progress but not fast enough to suit me. By now I knew that John D was widely admired, and I finally sat down with one of his books. In the next thirty days, I read thirty-four of them. The singular voice and style of the man overwhelmed me, and the next novel I wrote was such an embarrassingly slavish imitation of a MacDonald tale that I had to throw away the manuscript.
I apologized to Harry for doubting him. He was so pleased to hear me proclaiming the joys of John D that he only said “I told you so” on, oh, twenty or thirty occasions.
Over the years, I have read every novel by John D at least three times, some of them twice that often. His ability to evoke a time and place—mostly Florida but also the industrial Midwest, Las Vegas, and elsewhere—was wonderful, and he could get insid
e an occupation to give you the details and the feel of it like few other writers I’ve ever read. His pacing was superb, the flow of his prose irresistible, and his suspense watch-spring tight.
Of all his manifest strengths as a writer, however, I am most in awe of his ability to create characters who are as real as anyone I’ve met in life. John D sometimes paused in the headlong rush of his story to spin out pages of background on a character. At first when this happened, I grumbled about getting on with the story. But I soon discovered that he could make the character so fascinating that when the story began to race forward again, I wanted it to slow down so I could learn more about this person who so intrigued and/or delighted me. There have been many good suspense novelists in recent decades, but in my experience, none has produced characters with as much humanity and truth as those in MacDonald’s work.
Like most who have found this author, I am an admirer of his Travis McGee series, which features a first-person narrator as good as any in the history of suspense fiction and better than most. But I love the standalone novels even more. Cry Hard, Cry Fast. Where Is Janice Gantry? The Last One Left. A Key to the Suite. The Drowner. The Damned. A Bullet for Cinderella. The Only Girl in the Game. The Crossroads. All These Condemned. Those are not my only favorites, just a few of them, and many deal with interesting businesses and occupations. Mr. MacDonald’s work gives the reader deep and abiding pleasure for many reasons, not the least of which is that it portrays the contemporary life of his day with as much grace and fidelity as any writer of the period, and thus it also provides compelling social history.
In 1985, when my publisher, Putnam, wanted to send advance proof copies of Strangers to Mr. MacDonald among others, I literally grew shaky at the thought of him reading it. I suggested that they shouldn’t send it to him, that, as famous and prolific as he was, the proof would be an imposition on him; in truth, I feared that he would find the novel unsatisfying. Putnam sent it to him anyway, and he gave us an enthusiastic endorsement. In addition, he wrote to me separately, in an avuncular tone, kindly advising me how to avoid some of the pitfalls of the publishing business, and he wrote to my publisher asking her to please carefully consider the packaging of the book and not condemn it to the horror genre. She more or less condemned it to the genre anyway, but I took his advice to heart.
In my experience, John D. MacDonald, the man, was as kind and thoughtful as his fiction would lead you to believe that he must be. That a writer’s work accurately reflects his soul is a rarer thing than you might imagine, but in his case, the reflection is clear and true. For that reason, it has been a special honor, in fact a grace, to be asked to write this introduction.
Reader, prepare to be enchanted by the books of John D. MacDonald. And Harry, I am not as much of an idiot as I was in years gone by—though I know you won’t let me get away with claiming not to be to any degree an idiot anymore.
• ONE •
A steady April rain was soaking the earth. It hadn’t been bad to drive through until dusk came. In the half-light it was hard to see the road. The rain was heavy enough to reflect my headlights back against the windshield. My mileage on the speedometer told me I couldn’t be very far from Hillston.
When I saw the motel sign ahead on the right I slowed down. It looked fairly new. I turned in. The parking area was paved with those round brown pebbles that crunch under the tires. I parked as close to the office as I could get and ran from the car into the office. A woman with the bright cold eyes and thin sharp movements of a water bird rented me a room far back from the highway sound. She said the place was just four miles from the Hillston city limits.
Once I saw the room I decided that it would do. It would be a good place to stay while I did what had to be done in Hillston. I stretched out on the bed and wondered if I had been smart to use my right name on the motel register. But if I could find the money, there would be no one to say that I was the one who had taken it. And using my right name wouldn’t make any difference at all.
When at last the rain eased up I went and found a small roadside restaurant. The girl behind the counter told me where I could buy a bottle of liquor. She seemed open to any invitation to help me drink it up, but though she was reasonably pretty I was not interested. I had this other thing on my mind and I wanted to go back alone and have some drinks and think about it and wonder how I could do it.
Maybe you saw pictures of us, the ones who were really bad off when the prisoners were exchanged. I was one of the litter cases. My stomach had stopped digesting the slop they fed us, and I was down to ninety-three pounds. One more week and I would have been buried up there beyond the river like so many others were. I was in bad shape. Not only physically but mentally. I was too sick to be flown back. Memory was all shot. I went right into hospital and they started feeding me through a tube.
It was during the months in the military hospital back in this country that I began to sort things out and began to remember more of the details about Timmy Warden of Hillston. When the intelligence people had interrogated me I had told them how Timmy died but nothing more than that. I didn’t tell them any of the stuff Timmy had told me.
We were both captured at the same time in that action near the reservoir. I’d known him casually. He was in a different platoon. We were together most of the time after we were captured. Enough has already been written about how it was. It wasn’t good.
That prison camp experience can change your attitude toward life and toward yourself. It did that to Timmy Warden. His one thought was to survive. It was that way with all of us, but Timmy seemed more of a fanatic than anybody else. He had to get back.
He told me about it one night. That was after he’d gotten pretty weak. I was still in fair shape. He told me about it in the dark, whispering to me. I couldn’t see his face.
“Tal, I’ve got to get back and straighten something out. I’ve got to. Every time I think about it I’m ashamed. I thought I was being smart. I thought I was getting what I wanted. Maybe I’ve grown up now. I’ve got to get it straightened out.”
“What was it you wanted?”
“I wanted it and I got it, but I can’t use it now. I wanted her too, and had her, but she’s no good to me now.”
“I’m not following this so good, Timmy.”
He told me the story then. He had been in business with his brother George Warden. George was older by six years. George took him in as a partner. George had a flair for salesmanship and promotion. Timmy was good on the books, as he had a natural knack for figure work. They had a building supply business, a retail hardware outlet, a lumberyard, and several concrete trucks.
And George had a lush, petulant, amoral, discontented young wife named Eloise.
“I didn’t make any play for her, Tal. It just seemed to happen. She was my brother’s wife and I knew it was bad, but I couldn’t stop. We had to sneak around behind his back. Hillston isn’t a very big city. We had to be very careful. I guess I knew all the time what she was. But George thought she was the best thing that ever walked. She was the one who talked me into running away with her, Tal. She was the one who said we’d have to have money. So I started to steal.”
He told me how he did it. A lot of the gimmicks didn’t make much sense to me. He did all the ordering, handled the bank accounts and deposits. It was a big and profitable operation. He took a little bit here, a little bit there, always in cash. All the time he was doing it he was carrying on the affair with Eloise. He said it took nearly two years to squirrel away almost sixty thousand dollars. The auditors didn’t catch it.
“I couldn’t open a bank account with the money, and I knew better than to put it in a safety-deposit box. I put the money in those old-fashioned jars. The kind with the red rubber washer and the wire that clamps the top on. I’d fill them and bury them. George kept worrying about why we weren’t making more money. I kept lying to him. Eloise was getting more restless all the time and more careless. I was afraid George would find out, and I didn’t know
what he’d do. She had me sort of hypnotized. We finally set the date when we were going to run away. Everything was planned. And then they called me up. I was reserve. There wasn’t a damn thing I could do about it. I told Eloise that when I got out we’d go through with it the way we planned. But now I’m stuck here. And now I don’t want to go through with it. I want to get back there and give the money back to George and tell him the whole thing. I’ve had too much chance to think it over.”
“How do you know she hasn’t taken the money and left?”
“I didn’t tell her where I put it. It’s still there. Nobody can find it.”
His story gave me a lot to think about. Timmy Warden sank lower and lower. By that time those of us who were left alive had become expert on how long the dying would last. And I knew that Timmy was one of the dying. I knew he’d never leave there alive. I tried to find out where the money was buried. But I’d waited a little too long. He was out of his head. I listened to him rave. I listened to every word he said.
But in his raving he never gave away the hiding place. It was in a moment of relative lucidity that he told me. It was afternoon and he caught my wrist with his wasted hand. “I’m not going to make it, Tal.”
“You’ll make it.”
“No. You go back there and straighten it out. You can do that. Tell George. Give him the money. Tell him everything.”
“Sure. Where is the money?”
“Tell him everything.”
“Where’s the money hidden?”
“Cindy would know,” he said, suddenly breathless with weak, crazy laughter. “Cindy would know.” And that’s all I could get out of him. I was still strong enough then to use a shovel. I helped dig the hole for Timmy Warden that night.
Back in the stateside hospital I thought about that sixty thousand dollars. I could see those fruit jars with the tight rolls of bills inside the glass. I would dig them out and rub the dirt off and see the green gleam of the money. It helped pass the time in the hospital.
Finally they let me out. The thought of the money was no longer on the surface of my mind. It was hidden down underneath. I would think about it, but not very often. I went back to my job. It seemed pretty tasteless to me. I felt restless and out of place. I’d used up a lot of emotional energy in order to stay alive and come back to this, back to my job and back to Charlotte, the girl I had planned to marry. Now that I was back neither job nor girl seemed enough.