Carver sc-5

by Tom Cain

  Novak lay there, half-dazed, writhing as she tried to draw up her elbows and her good left leg to push herself upright. Alix told herself to remain detached, and let the training that had been drummed into her twenty years before take over. This was a necessary means to a justifiable end. Lives were at stake: she could not afford to be squeamish.

  She waited till Novak’s knee was bent to ninety degrees, presenting an ideal target. Then she took a deep breath, gathered her strength and jabbed her heel hard into the soft skin at the side of the joint, dragging another bubbling, coughing attempt at a scream from Novak’s blood-filled mouth. Alix aimed one more kick with her shoe’s pointed toe at Novak’s temple, putting her down again and leaving her flat out on the floor, barely conscious and hardly able to breathe.

  Keeping half an eye on Novak, knowing that she could still be a deadly threat as long as there was breath in her body and a pulse, however faint, in her veins, Alix kicked off her shoes and pulled off her hold-ups. She grabbed hold of Novak’s wrists, and while Novak was still too stunned to resist passed one of the holdups around them in a figure-of-eight pattern. Next, she pulled both ends hard, till the nylon stocking dug into the flesh of Novak’s wrists, and knotted them tight. She repeated the same process with Novak’s ankles, provoking more muffled moans as she pulled the legs straight and worked the devastated knee joints.

  Novak was immobilized. Now Alix needed some means of making her talk. She scrabbled through her evening bag, looking for something that could inflict pain: even a metal nail file, jabbed under an eye, would do. She found an even better option: a small bottle of eau de parfum spray. But that was only half of what Alix had in mind. Novak’s bag had fallen from her hand. Alix opened it. Sure enough, she kept a packet of cigarettes and a lighter there. Alix removed the lighter. Then, with it in one hand and the perfume in the other, she returned to Novak’s prone, twitching body.

  Alix knelt down astride Novak’s chest, with her knees digging into her upper arms on either side. She looked down at Novak’s eyes. They were open but still unfocused. Alix slapped the side of Novak’s face and saw the other woman blink several times as she tried to focus her sight and gather her wits.

  ‘Watch,’ said Alix.

  She pressed down the top of the scent bottle, spraying it above Novak’s head. Then she flicked the lighter and lifted it towards the cloud of perfume. It caught fire, turning into a jet of flame. Alix placed the lighter down on the floor. Then she used her now empty hand to brush away the hair from Novak’s forehead. It was a strangely tender gesture, but its purpose could not have been more brutal. Alix lowered the scent bottle till the flame was touching the skin that she had just exposed. She forced herself to leave it there for a couple of seconds, long enough to make Novak screw her eyes shut and make another high-pitched gurgling sound.

  Time was passing. The unknown danger was drawing closer. Alix leaned down and hissed in Novak’s ear. ‘In case you were wondering, I’m not too scared or too soft to burn what’s left of your face. They’ll be able to fix the nose… eventually. But burns… that’s much tougher.’

  Alix could see the effort of concentration it took Novak to produce a mushy, slurring response that was so indistinct that Alix had to stop and think before she could distinguish the three words: ‘Screw you, bitch.’

  ‘I’m in a hurry. I’m not going to give you any chances. You wouldn’t give me any. Just tell me: what’s going to happen? Why are they all in danger?’

  Novak twisted her lips into a defiant smile, her scarlet lipstick now invisible beneath the thick coating of her even richer, thicker red blood. ‘Too late. Can’t stop it,’ she said.

  Alix picked up the lighter again, drew another flame from the scent bottle, and held it against Novak’s left cheek, waiting fully five seconds till the nauseating smell of burnt hair and grilling skin filled her nostrils. The horror of what she was doing was so great and so real that it all but overpowered her will.

  ‘I won’t stop,’ Alix said, almost to persuade herself as much as Novak. And as the words left her mouth she saw a sudden flicker in Novak’s eyes and a twitch at the corner of her mouth as Novak detected the first signs of weakness.

  ‘Yes, you will,’ she mumbled.

  ‘Eat it,’ Alix said, and this time she ran the flame across the raw flesh and bone of Novak’s nose and then left it licking at her lips as Novak’s body twitched and her head thrashed from side to side to escape the blistering heat.

  ‘Stop! Please stop!’ Novak begged, and Alix let go of the nozzle, killing the fire.

  There were tears in Novak’s eyes. She was crying in pain, and that was somehow the hardest thing of all for Alix to bear. ‘For God’s sake, just tell me what I need to know,’ she pleaded.

  Novak looked at her. ‘Grenade attack. Through windows. Everybody dies.’ And then, as Alix got to her feet, she added, ‘But you’re too late… you’re much too late.’

  93

  For the past few months, every time Zorn had landed a major investor, he had started buying ‘put’ options on the shares of the corporations they owned or managed, betting that the value of those corporations would go down. He was, essentially, taking a bet on the value of their deaths. And each had a different price on his head.

  A faceless chief executive, for example, who had siphoned off billions from a multinational bank, would not be missed for long. There was always another greedy cipher in a suit waiting to take his place. So his company’s shares would be rocked, but not devastated, by his passing. A brilliant entrepreneur, on the other hand, whose vision had transformed a fledgling computer brand into an iconic global technology brand, was a very different matter. Men like that — and they were almost invariably men — were stars. Their customers were also their fans. Remove them, and the companies they had created might not collapse, but they would be shaken to their very foundations. And their share prices would drop like stones.

  During his brief shift as a waiter, Zorn had confirmed the presence of several such individuals scattered amidst the guests thronging the Goldsmiths’ Hall. So now he started buying ‘puts’ on their shares, doubling and even trebling the size of his existing positions, looking for options that needed to be exercised at the earliest possible dates. Since the market was rising, no one was interested in options that depended on prices falling within the next week, or less. That made those options dirt cheap. So Zorn was able to make his money go much further, leveraging his cash so that any fall in the market would net him staggering profits. Of course, by the same token, any rise would render his options worthless. But the prices were not going to rise. That he, and he alone, knew for sure.

  As he put the last components of his plan in place, Zorn was struck for a moment by the extraordinary reality of what he was doing. An act of mass-murder was about to take place at his request, the second in the space of just four days. It struck him that he was not remotely bothered. He didn’t feel bad about it at all. He wanted people to die. He wanted other children to feel the same way he had done when fate had robbed him of his parents. He wanted to wallow in death.

  A few metres away, Braddock shifted his position and reached for the cord that controlled the window blinds.

  He looked at Zorn.

  ‘It’s show time,’ he said. Then he lifted the grenade launcher to his shoulder.

  94

  Carver emerged from the side entrance to the Goldsmiths’ Hall and had himself patched through to the spotters on the far side of Gresham Street. ‘I assume you’re armed.’

  ‘Yeah.’

  ‘Are you using laser sights?’

  ‘Yeah.’

  ‘Well, do me a favour and switch them on. Then track me. Whoever I talk to, point the sights at them.’

  ‘Got it.’

  Carver crossed Gutter Lane, looking down it as he went. He could see the lights from the party on one side of the narrow street. He could see the Wax Chandlers’ Hall on the other side, so close the two buildings almost seemed in t
ouching distance. He started to get a very bad feeling indeed.

  Two security guards in cheap black suits and over-gelled hair were standing on either side of the entrance to the Wax Chandlers’ Hall. Beyond them a short flight of steps led up through an arched portico to the interior of the building.

  Carver went up to the nearest guard and produced his Ministry of Defence ID.

  ‘I need to get into the building,’ he said.

  ‘No, you don’t,’ said the guard. ‘No one gets in unless they’re on the list. You’re not on the list. You don’t get in.’

  He gave a smug, self-satisfied nod, as if delighted by his awesome powers of reasoning.

  ‘Yes, I do,’ Carver said.

  ‘You got a problem, mate?’ asked the second security guard, lumbering towards Carver.

  ‘No… you do. Look at your mate’s head.’

  ‘What the fuck are you going on about?’

  ‘Look at his head.’

  A red laser dot was glowing right in the centre of the security guard’s forehead.

  ‘Oh shit…’

  ‘You got one too, mate!’ the first guard shouted.

  ‘So here’s the thing,’ Carver went on. ‘You’re both currently under observation by Metropolitan Police snipers. With me so far?’

  The men nodded.

  ‘Now, I’m about to go in this building. Try to stop me and they’ll shoot. Or stand up against the wall, legs apart, hands flat against the wall, and don’t move, and you won’t have a bullet where those red dots are. What do you reckon?’

  The men spun round and raced for the wall. Carver walked up the stairs, drawing his gun as he went, relieved that he had not had to use it earlier: if Zorn was in here, he didn’t want him alerted by the sound of gunfire.

  95

  Alix ran up the staircase towards the reception. She heard the sound of laughter and then, as she got to the first-floor landing and turned left towards the Livery Hall, it was followed by applause that was merely polite to begin with, but then built to a cheering, hooting, foot-stamping crescendo. When she saw the screens at the very far end of the room, she understood why. Malachi Zorn was about to speak to his loyal disciples, every one of whom expected to be told just how much richer they were this evening than they had been at the start of the week.

  She took her eyes from the screen and, all thoughts of Azarov driven from her mind tried to scan the room for Carver. It was no good. She’d never find him in this crowd. Her stomach seemed to be gripped by sharp steel claws as Celina Novak’s words echoed in her memory: ‘You’re much too late.’ No… she couldn’t be. To win Carver back again, only to lose him for ever, would be more than she could bear. She pushed her way through the people, ignoring the protests as she barged against bodies and stepped on toes, turning her head this way and that in the desperate hope that she might, by pure chance, catch sight of the man she loved.

  Up on stage, Zorn began to speak: ‘Thank you… thank you… No, really, that’s enough!’ The joke broke the spell, and the laughter faded away into an expectant silence. ‘So… I guess you want to hear how the fund is doing, huh?’

  There was another laugh, and a couple of good-humoured heckles from the crowd. ‘Damn right we do!’ shouted one man.

  Mort Lockheimer had spent the days since the Rosconway attack working through endless trading permutations in his mind, trying to decide just how much had already been added to the value of his personal Zorn Global fund. Now he was punching the air and whooping like a fan at a ball game. ‘Show me the money!’ he yelled.

  ‘How come you don’t get that excited over me?’ asked Charlene.

  ‘Oh, baby, just you wait!’ he replied. Then he tilted his head back and screamed, ‘Mo-ney!! Mo-ney!!’

  Zorn watched, enthralled, his fingers jammed in his ears, as Braddock lifted the futuristic black gun to his shoulder and pressed a button on its side. The gun hummed as it charged itself for a few seconds, getting ready to fire. Then Braddock set his sights on the first window: the one directly opposite the stage on which Drinkwater would now be speaking.

  Braddock was now seeing the world through his weapon’s fire-control system. In the middle of the viewfinder there was a small red cross. He lined it up on the window, pressed another button, and let the laser-based system calculate the distance to the window and transmit that information to the grenade now sitting in the barrel. He adjusted the range so that the round would explode after it had travelled three metres beyond the window. Then he fired. And even before the noise of the explosion had died away he was swinging the gun towards the next window.

  Alix was aware that something had smashed through one of the great windows that ran the length of the room. The air itself seemed to explode as a blast erupted above the guests’ heads, shattering one of the chandeliers, which plunged to the floor. The fragmented metal from the grenade combined with shards of broken crystal from the chandelier to create a flesh-shredding volley of shrapnel that sliced into the people crammed within the blast radius.

  Alix screamed in terror. Something hit her skull. There was a momentary burst of pain more intense than any she had ever known. And then everything went black.

  96

  Carver heard the gun blast, drew the Sig Sauer from inside his jacket, and ran pell-mell up the next flight of stairs and along the corridor on the floor above. Whatever had just gone off, it was a lot more than a conventional rifle. And from the direction the noise had come from, on the western side of the building, it had been fired in the direction of the Goldsmiths’ Hall. There were five hundred people crammed in there, but Carver only cared about one of them: Alix. He prayed that she was still stuck in traffic. Or that the security people were taking their time letting her in. Or that she was stuck down in the basement, fixing her face in the ladies’ room. Anything would do, just so long as she hadn’t made it to the party.

  The noise had come from somewhere along this corridor. The lights weren’t on up here, but someone was certainly home.

  Carver took a second to take a breath and calm his racing pulse and heaving chest, then eased open the door to the main conference room and went in, his gun out ahead of him, seeing nothing but the dark shapes of the display panels boasting of Bandekar Technologies’ achievements and the lighting rig above them. There were no lights on here, either, and all the blinds were down. But as his eyes acclimatized to the dark, Carver could detect a door open at the far end of the room, and that the room beyond it was very slightly brighter than this one. At least one blind was open. And that, Carver knew, was where the shooter would be. He made his way forward, trying to combine speed with stealth as best he could. He had no idea that there were two dead bodies lying on the floor, half-hidden behind the panels… not until he tripped on Ashok Bandekar’s outstretched arm, and stumbled and bumped into the side of one of the panels. It wasn’t much noise, just a body against a metal frame, and a slight, involuntary grunt at the shock of the impact. But in that dark and silent room it sounded to Carver like an avalanche.

  The routine was easy. Acquire the target, allow the fire-control system to set its range and… what was that? Braddock couldn’t hear much through his ear protectors, but some soldier’s instinct, honed over years of combat, was warning him of danger. He paused for a moment and frowned. Zorn was motionless, his rapt gaze entirely focused on the chaos visible through the shattered window of the Goldsmiths’ Hall. No, the threat was outside the room.

  Braddock lowered the Punisher and turned his head in the direction the sound had come from, peering towards the open door to the conference room. He could see the black silhouettes of the display panels, but there was no sign of anything or anyone else. He was half-tempted to fire a grenade through the door, set to explode inside the conference room. That would soon solve the problem, if there was one. But he only had four rounds, and they were all needed to do the job on the Goldsmiths’ Hall. He looked hard for another second, lifting one of the protectors off his ear to listen for
any sound on the far side of the door. But he saw and heard nothing. He gave a sharp twitch of irritation, then turned back to the window, raising the gun again. He’d lost several precious seconds, and every one of them represented a fraction less time to get away when the job was done.

  Braddock lifted the gun again and pointed it at the second window. The distance was set. He just had to add in the three-metre delay.

  That was done. He was ready to fire.

  From behind the display panel, Carver saw a man holding a stubby weapon that looked like an overweight sub-machine gun peering in his direction. He tried to stay completely motionless, holding his breath until he saw the man turn away from him and move into a firing position, aiming through a half-open window. Another man was crouched beside him, gazing out of the window. From his silhouette, he looked like the elusive waiter.

  Carver came out from behind the panel and dashed for the door, his gun out in front of him.

  Braddock turned and pointed his weapon towards Carver, who was already diving for the floor, rolling to one side, hitting the ground as the gun went off. He felt the round punch through the air above his head. It sped through the open door and exploded at the back of the conference room, blasting the wall behind him with a hail of metal fragments. The wall held firm, sheltering Carver and the other two men. Their respite only lasted a matter of seconds.

  Carver came to a halt on his stomach, his arms out in front of him, pointing towards the window, both hands still clasping the Sig.

  Braddock was getting to his feet, his gun still aiming in Carver’s direction.

  Carver fired four times, ignoring the waiter, aiming only at Braddock. The range was no more than five or six metres. The rounds went right through Braddock’s torso and into the window behind him, shattering the glass.

  Braddock staggered backwards, dropped the Punisher, lost his balance, and fell backwards through the window, taking the blind, wrapped around him like an impromptu funeral shroud.