by A. R. Wise
The most important part of Celeste's story is her relationship with Hailey, and I anguished over doing my best not to cheapen that. While there was a sex scene, I hope by the end of this book it was apparent that the relationship between the two of them was integral to the plot, and that they weren't used as just an excuse to have a sex scene in the book. I wanted this to be the defining love story of the series, and I needed Hailey's death to be crushing. She represents innocence lost, as Cobra explains in the calf murder scene, and when she is gone, Cobra is forced to become a new person. Hailey's death is the loss of childlike innocence, and it is the major tragedy of this book. The fact that they had never loved someone else, and that their sexual experience was approached with such naïve exploration, was meant to strengthen their connection. Their love was unfettered by societal restraints, and just as Cobra begins to wonder if their bond is acceptable in the grander world, she loses Hailey forever. That is crushing. It's almost as if society itself (and the wolves that linger) couldn't let their love survive.
The other tragedy, in my opinion, is the death of Stitch. That character will definitely return in future Broken Pieces stories (as with Reagan, this changed – expect to learn more about Stitch in Deadlocked 7), because there's a lot to tell about her past and why she knows so much about the Body Factories.
The Deadlocked series has done more for me than I could've ever fathomed it would. Fans of these books have literally changed my life, and my only desire is to write books that you love reading. I want this series, and any other books I write, to entertain and challenge you in ways you weren't expecting, and I hope that I accomplished that with Deadlocked 5.
If you enjoy the series, please take a moment to let some friends know about it. The ebook revolution is swelling, and it's thanks to the fantastic community of readers that are gathering around their favorite new authors and telling people they know about them. You are, quite seriously, changing the course of modern literature, and I cannot thank you enough for it.
For more information about Deadlocked 6, and other books by A.R Wise, head to www.arwisebooks.com. Also, visit the Facebook fan page for AR Wise as well to keep up to date on what is happening in the world of Deadlocked.
Finally, email me any time you'd like. I love hearing from fans of the series. You can reach me at [email protected].
8-27-12: I am going through each book and re-editing them to try and get rid of grammatical errors that have a bad habit of being overlooked. I'm also trying to make sure I remember all of the little details about the story before I release part 6.
Reading through it this time, I was really surprised by how affected I was by the assault on Vineyard. The party that they have right before the attack does such a great job (in my opinion) of bringing the characters to life and giving a glimpse of the way this world could be. The Deadlocked series gets so mired down in action that it's nice to have a scene like that - one that shows the characters in a calmer, more friendly light. And oddly, one of the moments that affects me the most is when Harrison leans in to tell Stitch that no one should've ever even dreamed of trying to stitch her mouth closed. I love that part, and it is one of the reasons that Stitch's death makes me so sad. She's really the unappreciated character in this book, and I refuse to let her go out without further exploring her past. She's got a lot of secrets to tell, and I plan on making sure she gets the chance!
I also relate to Ben, as he leaves the party and spends some time alone on the rooftop. I've already explained how I loved his conversation with Harrison, but I also appreciate his recognition of his own flaws as he sits sentry at the entrance to Vineyard. There are a few sentences that explains his entire character:
I put my feet up and stared off into the starry night. I had no desire to return to the party, but I was oddly reassured by the noise. It made me happy to guard them, and the recognition of that was a revelation that I blamed on too much wine.
Ben is no good at social interaction. He's spent his entire life avoiding it, convinced that the world was better off without society. Then, as he sits on that roof and listens to the party behind him, he realizes his role. He might not ever be a part of a fully functioning society, but he likes the idea of their existence, and he wants to protect that ideal.
That was always the plan for Ben, and it's a theme that will be explored in future books, but I never even realized that I gave it away until reading through the book this time. Those few sentences reveal everything about Ben's theme.
Now, there's of course a much larger secret hidden in Ben's storyline, as you saw there at the very end. His story, as well as Celeste's, will guide the entire series!
There was also one other surprising development since the release of Deadlocked 5. I have received more criticism for the inclusion of a lesbian sex scene in this book than anything else I’ve ever written (except perhaps the death of David in part one). A lot of people said that they found the scene offensive and that it should’ve been cut. This shocks me. First off, Cobra and Hailey needed motivation to leave the Facility, and their sensual experience is the catalyst that starts their escape. Second, it’s endemic of our culture that we find sex more offensive than violence. The Deadlocked books are intensely violent, yet one love scene is considered more offensive than anything else in here? I’m not trying to be overly critical of people’s opinions here – we’re all entitled to be offended by whatever we want. However, I think it’s worth taking a moment to think about the implication there.
By all means, please come and visit me at the website, or on Facebook. And don't hesitate to send me an email letting me know what you think of the series. I respond to everyone, and love to hear what impressions people have of the books.
Also, I’ve been occasionally giving away signed covers and other prizes on the Facebook page, so make sure to go there to learn how to get one!
DEADLOCKED 6 Sneak Peek
PRELUDE
"I have to admit, Bea," said Audrey as she sat in the plush cushion of the chair on the deck, "I'm a little jealous of you." She held her drink by the stem of the glass, and the miniature umbrella, a relic of the old world, spun along the rim as the toothpick handle was pushed around by the ice cubes. Her strawberry daiquiri on the rocks was sour and heavy on the rum, so she was waiting for the ice to melt a little more.
Beatrice chuckled and her martini sloshed over the side. She held a thin cigarette in her right hand, between her index and middle finger, and brought it to her lips to take a long drag. She coughed, her lungs not used to the indulgent burn, and waved away the haze.
"Lord have mercy, you're going to give me a heart attack." Beatrice's accent was thickly British, although it had been two decades since she'd left the UK for the island nation where they lived now. "Dame Audrey Winchell is jealous of me?" She fanned herself, pretending to be on the verge of fainting.
"Stop teasing." Audrey settled back into the cushion and looked up at the blue sky. Gulls chattered from the shore, and a cool breeze rustled the curtains as it brought in the scent of the sea. "You know what I mean."
A young, tan man was treading the sandy shore, wearing nothing more than a Speedo. His muscular figure, wet with a layer of sweat, gleamed in the sunlight. Audrey put her hand to her forehead, above her sunglasses, to block the glare as she lecherously gazed at him. It was William Packard, and he'd been in for his surgery just weeks ago. She wondered how long it would take for him to pad his new physique with a layer of fat from his legendary sweet tooth.
"Believe me, Audrey, I'm far from lucky. You have no reason to be jealous." Bea set her drink on the granite countertop of her kitchen. Her heels clicked on the wood floor as she made her way to the luggage near the entrance to the room. This area of her home was designed to mimic a cabana. Her large, modern mansion was in view, stretching out across the beach, perched upon the edge of the white sands where the lush vegetation encroached. From this room, she could see the wide expanse of her property, and down to her nearest neighbor
's abode, half a mile away.
She unzipped the front pouch of her Louis Vuitton and pulled out her pack of cigarettes. It was a long, green box that had been hidden away for two decades in anticipation of this day. She took another cigarette out and offered it to Audrey.
"No, thank you. You know I can't have any of that."
"Come on, celebrate with me," said Bea.
"No," she said again, with more insistence. "I have to be careful. I have another few years to wait before I can celebrate. Besides, it's been so long since I smoked one of those that I'm not even sure I'd know how to anymore."
Bea coughed and nodded. "Same here." She examined the lit cigarette between her fingers. "I forgot how much they burn your throat. To be honest," she scrunched her nose and shook her head, "I don't even really like them anymore."
"I wonder if you'll still want to smoke them after tomorrow," said Audrey. She leaned forward and lifted her sunglasses to look at Bea.
"I don't know." Bea shrugged and put the pack into her bag. "I never thought to ask."
"I guess we'll find out soon enough. How long is your flight?"
"Sixteen hours," said Bea with a grumble that was followed by a long sigh. "I hate flying, and the last hour is in a wretched helicopter. I'm not looking forward to that even a little bit."
"Victor and I used to fly to Bora Bora from time to time, but it's been years since we've gone. He's just not up to it these days."
"Is he ill?"
Audrey quickly waved off Bea's concerns. "No, no, nothing like that. Just getting old, like all the rest of us."
"You can say that again. All in all, I'm looking forward to a change of scenery. I can't wait to see the cabin they built at the Transfer Facility. From what I've heard, it's in a gorgeous area."
"It's on the mainland though," said Audrey. "Doesn't that make you nervous, what with the living dead and all."
"Darling, that's why we have big men with guns all over the place."
"Still though," said Audrey, "it's a little creepy to think about. Gives me the shivers."
A man's voice chimed in through a speaker in the corner of the room. "Miss Dell, you have a visitor." The home's computer used to speak with a staccato rhythm, but had recently been updated to have a more soothing tone. Bea, however, preferred the original voice and now felt as if a stranger had invaded her home, constantly chattering at her about things that needed to be done.
"Who is it?" asked Bea.
"Mrs. Claire Stanley."
"Ugh," said Audrey.
"Well, let her in. Tell her we're in the Cabana Room." Bea waved dismissively at the speaker and the smoke from her cigarette stung her eyes. She stamped it out on the granite countertop in annoyance.
"Wonderful," said Audrey with sarcastic flare. "Claire's here."
"Stop it," said Bea. "You be nice." She pointed at her friend, who rolled her eyes and then settled back into her chair. Audrey's sunglasses fell off her forehead and to the bridge of her nose as if she'd meant for it to happen as she stared off at the beach.
"Beatrice?" Claire called out from far off.
Bea put her hands to her mouth and shouted down the hall. "In here, Claire."
Claire hurried through the hall. Bea saw her coming and was appalled at her drab outfit. Her neighbor was wearing a robe and slippers, and her hair was a mess. She hadn't even bothered to put on makeup this morning. "Lord have mercy, Claire, you're a mess."
Claire wasn't wearing her wig, and her grey hair was an assault upon Bea and Audrey's refined tastes. Neither of them would've been caught dead outside of the house without their wigs on.
"I came as soon as I heard." Claire put her hand on her bosom as she panted.
"Hello, dear," said Audrey. She barely raised her hand to greet their haggard old neighbor.
Claire ignored Audrey and reached out to hug Bea. The embrace was a shock, and Bea staggered back from the force of it.
"What are you on about?" asked Bea with an uncomfortable chuckle.
Claire retreated from the hug, but held onto Bea's arms as they looked at one another. "You haven't heard?"
"Heard what?" asked Bea.
Audrey raised her large shades and set them in her red wig. She sat up to take notice of their conversation.
Claire let go of Bea's arms and raised her hands over her mouth. There were tears in her eyes. "Didn't you get the message?"
"What message?" asked Bea, concerned by Claire's bizarre entrance.
"Didn't your house tell you?"
"Tell her what?" Audrey shouted, her patience with their flighty neighbor having run out.
"I turned off most of his notifications," said Bea. "I can't stand his new voice. Now, what? What message?"
"I don't want to say." Claire took another step back, as if afraid of Bea.
"God damn it, Claire," said Audrey as she got up from the plush deck chair. "Just get on with it."
"Where's your screen?" asked Claire.
"It's in my bag," said Bea. "I'm leaving for the States today. What bloody message are you on about? Out with it already."
Claire stammered as she explained. "I got the message too, because one of my girls was involved."
"Involved in what?" asked Audrey as she walked in through the patio doors.
"Involved in what?" asked Bea when Claire didn't answer immediately. "What's going on?"
Claire looked like a deer caught in headlights, terrified that she was about to die as Bea and Audrey advanced. Finally, she blurted out the terrible news. "Our girls escaped." Claire clenched her eyes shut and braced for Bea's reaction.
"They what?" Bea screamed in a panic.
Audrey gasped and held her hands over her mouth as she muttered, "Oh my God."
"I'm so sorry, Bea," said Claire.
Beatrice grabbed Claire by the shoulders and shook her. "Tell me what happened you dizzy bitch."
"I don't know."
"What happened?" Bea screeched and then slapped Claire. She pushed the old woman away and then fell to her knees in front of her Louis Vuitton. She dug through the clothes and jewelry until she found her tablet PC. She was crying as she pulled it out and fumbled with the buttons to turn it on. Her nails clicked on the metal as her hands shook.
"She doesn't wake up for another few hours," said Bea as she waited for the computer to click on. "I just talked to her yesterday when she got up. Nothing seemed wrong. She didn't sleep well, but that was it. Oh my God, this is a nightmare."
Audrey walked up behind Bea and set her hands on the elderly woman's shoulders, then squeezed in an attempt to comfort her. Claire backed away, one hand over her mouth and the other on the side of her cheek where Bea had slapped her.
"Hurry up, you piece of crap." Bea jostled the tablet as it booted up.
"Do they know if they're still alive?" asked Audrey of Claire.
Claire shook her head and then said, "They don't know. They didn't say."
Bea's tablet finally turned on and she tapped on the letter icon that opened her email. She quickly found the urgent message from Facility 23 and expanded it. She read it to herself as Audrey stared over her shoulder.
"What does it say?" asked Audrey.
Bea shushed her angrily as she continued to read. When she finished, she dropped the tablet to the stone floor and put her hands over her eyes as she cried.
"What did it say?" asked Audrey again.
"Cobra's gone," said Bea. "They don't know where she is."
"Oh my God," said Audrey. "Oh, that's terrible, Bea. I'm so sorry."
Beatrice picked up the tablet and threw it against the wall behind Claire. It shattered and Claire dodged the debris. She yelped and covered her face.
"Computer!" Bea struggled to stand and Audrey helped her up.
"Yes, Miss Dell," answered the amorphous voice of the home's computer.
"Get Jerald Scott on the line."
There was a pause before the voice responded, "I'm sorry, Miss Dell, but Mr. Scott is not currently
available to…"
"Get him on the phone!" Bea was shaking and her face turned red as she screamed at the walls of her home. Audrey backed away as if Bea was hot to the touch.
"Mr. Scott has temporarily put his account on hold while he…"
"Listen to me, you useless twit, you get Jerald on the phone right this instant. Call the Facility, call the Base, call the fucking President if you have to, just get him on the line. Now!"
"I'll do my best," said the computer.
Audrey dared to approach Bea. "Honey, listen. It might not be as bad as you think. They just said she escaped, not that she was dead."
"That's right," said Claire. "I haven't given up on Hailey yet."
"Shut up, Claire," said Bea. "It's not the same. You've still got another one. Cobra's all I have left."
"I'm sure everything will be just fine," said Audrey. "They have ways of finding the girls. If she's out there, they'll catch her. You'll be fine."
Bea stared at the wall of her house and scowled as she said, "I'll find her. If I have to go out there my God damned self, I'll find her."
CHAPTER 1 – A Love Story
Celeste
I was chained up, as were the other bleeding, weeping, battered, and shocked people in the back of the truck with me. The townspeople of Vineyard had been kind, but insistent when they shackled me. It was for my own good, or so they said. We were in danger of turning into the undead monstrosities that they called zombies.
The chains rubbed the skin on my wrist raw, but I'd suffered far worse wounds than that in the past day. My body ached, but the anguish I felt from losing Hailey eclipsed everything else. I couldn't get the image of her bloody face out of my mind. Her already pale skin had turned ghostly on top of that pile of fallen victims. The guards from the Facility had demolished Vineyard, and now we raced away after the last remaining helicopter had been destroyed.
The truck bounced over jagged pavement and wind screamed through the holes in the side of our compartment. The vehicle stank of manure, and I was told that this truck was normally used to transfer livestock. Today, however, it was hauling a load of bleeding, crying humans that had suffered traumatic injuries, both physical and emotional. We were savaged, and dying, as the truck sped through the chilly night.