The Cripple and His Talismans

by Anosh Irani

  So I went round and round the tree. After all, I was a lost soul, too — I did not know where to go. Even though there were a few people near the tree, they ignored me. Then an old woman, as bent as the tree itself, joined me. She walked as though it was a marriage ceremony and she was my ancient bride. Perhaps her husband had abandoned her on their wedding day many years ago. If it made her feel better, who was I to enlighten her? We both circled, but she soon wandered off toward the balloon factory in the distance. I must have circled the tree one hundred times.

  I was so dizzy the residents of Jalebee Road flew toward me.

  The street children came first. They flew sideways and they were all scratching their heads and laughing. In their laughter I could hear the shouts of their fathers, too: drunk, angry at the walls, washing the dirt off their lips with every sip. Suddenly Gura’s words made sense. All answers lie in the sounds of the streets.

  So I closed my eyes and opened myself up to the sounds around me. The blaring horn of a truck said “move out of the way or I’ll kill you”; the wind blew through the old, bare tree and made a wailing sound as it yearned for leaves. But it was the bark of a stray dog that made me open my eyes. It sounded like the cough of a wise old man who had walked down from the hills, past the plains and into this winding pit.

  There was a deep gash in the dog’s white skin. As it licked the flies off the wound, I saw its cold, silver eyes. The dog was blind. Yet it looked straight at me and smiled. Was it laughing at my deformity? Then it sniffed the earth, licked an ant-ridden packet of Glucose biscuits and walked past me toward a narrow lane. Just before it entered the lane, it turned around and spoke in garbled sounds, dog language, in which A’s are yells, B’s are cries, C’s are pleas and D’s are direct commands.

  I heard a distinct D. Follow me, it said.

  And then I understood Gura’s final words. Even the blind can find the In-charge. A blind animal would lead me, if I was humble enough to allow it. It went past the cheap tailors and roadside barbers, and stopped outside a small cigarette shop. It was very dark and all I could see at the counter was a light bulb. It was so dim it seemed to spread darkness around with confidence, as if it were a cure for light. Not a soul was around. The dog whimpered, raised its hind leg and watered the parched earth.

  I leaned over the counter and saw a dark man, born of the night bulb itself, hiding in his own shop, speaking to his glass jars filled with sweets, whistling to his packets of supari and paan masala, counting money fast-fast. I asked him if he was the In-charge.

  “Yes, I’m the In-charge,” he finally whispered.

  So now here I stand, late at night, in one of the by-lanes of Jalebee Road, and stare at the map the In-charge has just given me. I hope it gives me some clue as to where I must go next. It can be north or south of the shop. You will know, the In-charge said.

  I hear a sound, a cough.

  A man is asleep on a handcart, a rag over his eyes to stop the streetlight from invading. Slowly he turns in his sleep. The rag of cloth is off his face. Maybe I should take my first bearings from him. His head is north, his feet south. One uses one’s head to think, so maybe that is where I should head. But one uses feet to walk. So perhaps south is where I should walk.

  The logic of the armless.

  The man coughs again. I see his face clearly and another thought strikes me. The man looks South Indian. I shall go south.

  As I walk, I wonder what I am doing here. I am sensible, literate. I should handle my loss with dignity.

  I question the In-charge’s actions. Why can’t he just tell me where I must go? As I look behind me, the beedi shop is now the size of a sugar cube. Maybe I have walked far enough. I look at the map again. The first spiral is light. The second spiral, my destination, darker.

  The human mind is weak. Scribbles on a chit of paper taunt it. I think about the fried eggs I had in the morning. Did I put too much pepper on them? Whenever I am reminded of my arm, I try to think of mundane things. This tactic is as useful as the map I hold.

  The street gets darker. This is strange since the streetlights are at an equal distance from each other and all of them work. With each step I take, darkness envelops me. I feel the tip of her fingers, the softness of her palm, the warmth of her hands against my face. I hear her hum — it is the sound of the universe and only I am meant to hear it, under a sky that is as black as the hands that touch me. Darkness prays for me, a prayer that will keep me in its womb for as long as I can remain. Even comfort gets hard to bear, she says. I believe her because a mother is to be believed. As she recedes, she glides down my arm and leaves. A mother has many children, she says. She must care for them all.

  I have entered the darker spiral.

  You will know, the In-charge said. The mosquitoes know. The man on the handcart knows. My feet know and they will take me there.

  I take off my slippers and throw them to the side of the street. The soles of my feet are pleased to feel patches of dirt and soil. Open drains gush around me. Dirty water speaks underneath us all. I am certain the games are near.

  I walk a little farther and I see three, maybe four bodies come toward me. Their walk is slow and deliberate. I try to remain calm. They can take nothing from a cripple. To my left, I see three forms about fifty feet away, slightly thinner, shapely. Where are all these people coming from?

  Two armoured vehicles, the colour of rust, glide to the centre of the road and halt. I cannot see the drivers. Headlights burn the earth. On the ground, the outline of a large circle is drawn in white chalk. The human forms are closer and real. They converge on this centre, which is being built around me. I can see the people now, and I know I have found the place.

  The games have found me.

  Of course the In-charge knew I would find the games. It was never in my hands to begin with. Some sort of army has decided to meet here. There are women with acid burns, their faces the road map to ancient ruins. Women I cannot look at because I know that only man can inflict such impairment. Their saris wound around them with preciseness, the women take protection in any form, even a thin layer of cloth. There are beggars, some on wooden platforms with wheels. The stumps of their feet shine in the headlights as if they have been oiled meticulously. Even stumps look different. God is a genius: no two arms look alike. Cut them off, and no two stumps are identical. What more proof does one require of God’s creation?

  I look at their faces and I am not surprised that I recognize some of them. It is not a mystery that all beggars look the same. They are the same, floating beggars. You see them at one traffic light, asking for money in God’s name. You see them at another traffic light, pleading that one of their relatives is dead and money is needed for the funeral. You think: this beggar has a resemblance to the one seen in another part of the city, or at the previous signal. Clouds float, and when you look up from taxis, you can swear they follow you. Beggars do the same.

  The floaters come to the edge of the circle. Wheels scrape on concrete. Blue sari-clad eunuchs are present, too. Most of them are man-made; all that was man in them was removed.

  The armoured trucks are still running. I am certain they contain valued goods.

  Then, through the stream of acid women, I see the In-charge. He looks blacker here, in the face of headlights. There are at least fifty people now, representations of everything that is wrong with the world, everything that will remain unchanged because normal people are in charge. Here we all have one heartbeat, one drum that God beats, upon which he inflicts soulful migraines.

  The In-charge raises his right arm. He wears a lungi and a white vest, and I notice that he is well fed. His hands might be thin and beautiful, but his stomach is a lewd protuberance.

  The doors of the two armoured trucks open. From each armoured truck steps a human form that is hard to behold. I feel normal in their presence. These are not figments of an armless man’s delirium. These are lepers. I try to remember the hum of darkness, thinking it will soothe me, but I cannot
.

  The only thing that differentiates the lepers is the cloth that covers them from lower belly to knee. One is black, the other white. Perhaps this is why I have been sent here, to feel better about myself. In the presence of the diminished, greatness can be achieved. Arm or no arm, I am now a giant.

  The armoured trucks make sense. If an ordinary vehicle were to transport these two, they might not make it here. They are so fragile, the wind might blow their fingers off. The engines shut off.

  Silence.

  We could have heard a bird chirp in another universe.

  A sound: the scraping of feet.

  The leper in black holds one leg and walks, assisting the leg itself with a hand that is wrapped in bandages. The other has a stronger walk but his face has receded more, itching to kiss skull. They walk to the centre of the circle and face each other. I cannot see their eyes and I am glad. The In-charge positions himself between the two.

  A little girl, no older than ten or eleven, with long black hair parted from the centre into two neat plaits, runs to the lepers with two garlands in her hands. Faces with the geography of hell are treated to the scent of heaven. The lepers bend low to accept their garlands. They are humble.

  “Sisters and brothers,” shouts the In-charge. “To see so many good persons in one gathering warms me. Our custom will remain the same as always. We will start after our prayer.”

  Something touches my feet. I look down, and it is a beggar seated on the ground. He has no legs. He extends his arm. I do not know what to do. He takes my hand. I feel someone’s palm on the stump of my left shoulder. It is a eunuch’s. I look around and everyone is holding hands — acid women connected to eunuchs, eunuchs to amputees, amputees to beggars.

  What are they all praying for? Their limbs to grow back? I tell myself that destiny exists; if not, what can explain my body being touched by these people?

  Then the In-charge raises his arms, looks to the sky and closes his eyes. He chants, and I have never heard anything like it. It is the song of a dying man sending his last words to heaven, asking the ones who are already there to come receive him. Everyone joins in. Slowly the chants fade, as if large birds are transporting these sounds on their backs and carrying them far away from us.

  I open my eyes only when I hear the shuffling of feet. The In-charge stares at his watch. “It’s midnight,” he says. “Let the games begin!”

  He then lifts the little girl in his arms and joins the crowd.

  The lepers walk to opposite sides of the circle.

  The one in black screams. It is a summons to all the lepers of the city; in every sewer, under every bridge, beside every beedi shop, there is a leper who hears it and feels the juice of life in his sores.

  The one in white does not move, but his fingers are curled into a fist. He waits for the other to come to him.

  Now the two are only feet apart.

  They are illuminated by the headlights.

  The one in white strikes first; a blow to the face.

  The crowd roars. A eunuch shouts to the skies: “Forgive them!”

  Forgive whom? For what?

  The beggar beside me spits, whether in disgust or glee I cannot tell. He thumps his tin can to the floor repeatedly.

  The one in white moves again. With great force he steps onto the other’s foot. There is a deep hole in it, near the ankle. The outer rim of the hole is black, the inner rim is yellow and the core is white as ivory. With his heel still dug in, the leper in white thrusts his hands onto his opponent’s chest, pushing him away. He lifts his foot and watches the leper in black fall to the floor. The sight is terrifying. Three toes lie on the concrete.

  I look for the In-charge, for some signal to explain this horror, but he is not visible. I want to look away, but the only sound I hear is that of the beggar’s tin can beating the concrete.

  In the glare of the headlights I see the whites of the lepers’ eyes. The vanquished one does not recover from the onslaught. He lies on the ground, as torn as the garland petals that lie by his feet. He looks to the sky. Is there a spirit world up there? Is there a separate one for lepers? Does the soul of a leper have leprosy?

  At this moment I could donate the excess of blood in me to each hospital in the city, it pounds so hard, gushes so furiously. It could spurt from my mouth and make the city brighter.

  I could make dying oxen dance.

  The In-charge reappears. He raises both his arms. I wish I could raise mine. I have raised my arms in the past, but only to pull things down, curtains and people alike. It is sometimes more convenient to raze lives than raise them.

  The In-charge walks to the centre of the circle and goes to the lepers. No, he walks past them and comes toward me.

  Do not come here. I do not wish to be singled out, a sparrow among lions.

  An endless row of eyes stares at me.

  It is easy to stand on a pulpit and lecture about how the world sits on a dog’s tongue, that each time the dog licks excrement it coats the world with a layer. That we are all bad people, and that we must be punished. I ask all holy men to stand here today. Wisdom will escape them like worms from fruit. They will feel naked and shake, and hope that their eyes do not meet a leper’s.

  “You must be part of the proceedings,” the In-charge says.

  “Please, I’m okay,” I reply. I would give my other arm to be somewhere else.

  “You must earn your right to be here.”

  “I don’t understand.” I say that to buy time.

  “Come with me,” orders the In-charge.

  He holds my hand and takes me to where the leper in black is on the ground. The other leper looks on.

  “Now help him up,” the In-charge tells me.

  “But he’s a leper!”

  “I’m aware of that.”

  “But if I touch him.…”

  “Help him.”

  “Why me?”

  “You must earn the right to be here.”

  “No one told me that.”

  “Do it. Now.”

  I look around.

  I extend my arm.

  For the leper on the ground, it is a shaft of light.

  He holds it with both hands. His hands are hot.

  I lift him.

  The crowd disperses. They turn and go on their way, to their brothels, their begging spaces and their drinking cells.

  “Why is everyone going?” I ask.

  “They are mere spectators. This is your moment.”

  “My moment?”

  “It is why you have met me. Help this man here. He is the victor.” He turns to the leper in black.

  “But he lost,” I say. “The one in white tore off his toes!”

  “The winner is he who loses his ugly parts. The loser is he who is left with them.”

  The leper in black, the one who has been relieved of his rotting toes, looks surprised. The lepers must not have known the rules of the fight. They were tricked. And rightly so, or else they would have ripped off their own body parts.

  “It’s his turn to be free,” says the In-charge.

  “Free?” I ask.

  “He has done his time. As his body slowly comes apart, he will be relieved of it. He will be cleansed soon.”

  The leper in black bows his head. The one in white snarls and walks away.

  “What about him?” I point to the one in white. I am conscious of the manner in which we speak, as though the lepers are not part of our world.

  “He gathered the festering parts, so he lost tonight. He’s not ready. He must do more time.”

  “What does all this have to do with me?”

  The In-charge whispers into the leper’s ear. The leper then looks at me from the corners of his eyes. He turns slowly toward me. I hope he does not touch me.

  The leper puts his hand in his mouth.

  He bites hard onto his forefinger. He does so as though he is eating a dark biscuit.

  Pthuck.

  A snap, like that of a dr
y twig.

  The finger stays in his mouth, caught between his teeth. If I give him a matchstick, he might smoke it. He picks it out of his mouth.

  “Take it,” says the In-charge.

  And dip it in my tea? Offer it to others as a vintage cigar?

  “It’s an offering,” urges the In-charge.

  “I’m okay,” I say.

  “The victor must relinquish his finger. One by one, he will renounce all his body parts until he ceases to exist. Only then will he be cleansed. You cannot let him down.”

  “But …”

  “It’s crucial that you take it.”

  “I …”

  “Do it!”

  “Can’t he give it in a bag?”

  “Listen, friend, do it for your own sake.”

  I extend my arm, a naughty child holding his hand out for the schoolmaster’s cane.

  “Is this how you accept an offering?”

  I cup my hand.

  The finger feels scaly. A dry piece of dog shit.

  The leper taps the stump of my arm.

  He comes close to my ear. His breath captures the essence of an entire hospital.

  “Baba Rakhu,” he whispers.

  A THOUSAND OIL LAMPS

  Not far from Jalebee Road is an old burnt-down mill by the sea. I stop to rest in its ruins. As I left the games, the cries of the lepers tried to pull me back. That is why it took me an hour to get here.

  The mill resembles an ancient temple. I stand under a half-eaten archway. There are hubs in the walls, carved out for the gods. Under the moon the hubs hold light, tempting us to drink it. If only we could drink light.

  Dark leaves move in the trees. I walk toward a slab of stone in the distance. On either side of me there is exposed brick. I hear the waves hit the shore. I want to sit by the sea and watch the small boats in the distance. Men are sea urchins at heart. We like being lost at sea, being rescued and given little huts to live in on the shore. But as time goes by, we lose ourselves in the water again. I take my place on the stone. It is cold. I stare into the night and wonder if the sea looks as widowed during the day.