Book Read Free

The Literary Mind

Page 28

by Mark Turner


  Kay, Paul, 161 Kingjobn, 64-68 Koestler, Arthur, 72

  La Bruyere, Jean de, 133

  Lakoff, George, 16, 26, 39, 47, 79, 81, 87- 88,179-80

  Langacker, Ronald, 16, 161

  Language, 11; accusative, 156; acquisition of, 159; bioprogram hypothesis, 162; creole, 162; ergative, 156; origin of, 141; viewed by Aristotle as arising by projection from conceptual structure, 160

  Latin, 146

  Lewis, C. S., 7, 169 n

  LIFE Is A JOURNEY, 88-90

  Linguistics, 140

  Macbeth, 40

  MacNeice, Louis, 169 n

  Mahomet, 63

  Mandelblit, Nili, 58, 172 n Mandler, Jean, 24, 181 Manipulation of physical objects, 41 Mapping. See Projection

  Maps, 97

  McClelland, James, 170 n

  Mental space, 10-11; vs. conceptual domain,

  108; temporal, 121

  Meredith, M. Alex, 174 n

  Mervis, Carolyn, 24

  Metaphor, basic, 88

  Metaphor, conduit, 42

  Metonymy, 10, 155

  Milton, 53, 56

  MIND Is A BODY MOVING IN SPACE, 43, 88 Modal structure, 29

  “Moth and the Star, The," 138 Movement complex, 21

  Movement of self, 20-21

  Narrative imagining, 4, 5, 9, 20, 25 Nathan the Prophet (Second Book of Samuel), 6-, and boomerang, 100

  Natural selection, 162-67 “Nature ofThings, The," 133 Nesting of stories, 127, 131

  186 .8 INDEX

  Neural Darwinism, 160, 169 n, 180 Neuronal Group Selection, 23, 111, 160, 180 Nonspatial events, 36

  Oakley, Todd, 58, 172 n

  Objects, 9; manipulation of, 41; prototypical, 21

  Odyssey, 26-27, 33

  Old Man and the Sea, Tbe, 96

  On Interpretation (Aristotle), 160

  On the Soul (Aristotle), 21, 170 n

  Orientation tuning columns, 23

  Ox and the Donkey, Tale of the (Tbe Tbousand and One Nights), 3, 10, 57-61

  Paolo and Francesca (Inferno), 63

  Parable, 5-7, 12-13, 17, 26-27, 57, 85, 118, 141; as argument, 95; as basis of language, 145; common patterns of, 26; literary, 5; as projection and extension of story, 26; and tense, 150; veiled, 101

  Parallel distributed processing, 170 n

  PEOPLE ARE PLANTS, 77, 80-82

  Perception, spatial, 118

  Personification, 80, 96; of Death-in—general as an actor, 32

  Peter Pan, 134

  PiLgr1'm’s Progress, 6, 44

  Pinker, Stephen, 141, 162-65

  Planning, 9, 20

  “Porphyria’s Lover,” 30

  Pound, Ezra, 38, 44

  Prediction, 9, 20

  Projection, 5-6, 8, 10, 163; of actor onto nonactor, 28; constraints on, 53; counterparts in, 10, 86; entrenched, 99; of image schemas, 17; multiple, 50; of nonspatial stories, 49; of spatial stories, 47

  Pronoun, possessive, 66

  Propositional structure, 164

  Proust, Marcel, 38, 44-45, 82, 91-92, 120-- 23, 132

  Proverb, 5, 87

  Realism, 136 Reasoning, abstract, 18

  Reddy, Michael, 42

  Reeke, G. N.,Jr., 180

  Reentrant mapping, 23

  Reentrant signaling and integration, 111.-12 Reichenbach, Hans, 152

  Relations, causal, 18

  Remembrance of Things Past, 38, 132 Resultative construction, 157 Rhetoric of Fiction, Tbe, 74-75, 135 Rikki-Tikki-Tavi, 139

  Rime of the Ancient Mariner, The, 7 Role, 132-34; connectors, 133 Rosch, Eleanor, 24, 180 Rumelhart, David, 170 n

  Rymer, Russ, 140

  Sacks, Oliver, 44

  Samuel, Second Book of (Old Testament), 6,

  100

  Sawyer, J., 180

  Self—movement, 20-21

  Sensation, 117; capacity for, 20; mechanisms of, 170n

  Sequences, 18

  Shahrazad, 3-9, 58-60, 125, 129-30, 137

  Shahriyar, 3-4, 9, 58-60, 125, 130

  Shakespeare, William, 38, 64, 67

  Sheer-Khan, 139

  Soul, 21

  Source and target input spaces, 17, 67, 107

  Spatial perception, 118

  Spenser, Edmund, 53

  Sporns, O. J., 180

  Stein, Barry E., 174 n

  Stimulus field partitioned into concrete objects, 169 n

  Stoppard, Tom, 85

  Story, 5-10; as mental activity, 5, 13; spatial, 13-15; structure of, 141

  Storytelling, 12

  Sun, Douglas, 58, 138

  Sweetser, Eve, 16, 43, 47, 170 n, 171 n, 179

  Syntax as arising from the projection of semantics onto phonology, 160

  Tailor’s story, The (Tbe Thousand and One Nights), 129 Talking animals, 11, 139

  INDEX (2. 187

  Talmy, Leonard, 29, 47-48, 161, 179

  Target and source input spaces, 6, 17, 67, 107

  Temporal space, 121

  Temporal viewpoint and focus, 118, 121, 149

  Tense, 148-52; as grammaticalization of viewpoint and focus, 161

  Tense and parable, 150

  Thanatos (A/testis), 32

  Theophrastus, 133

  Thomas, Francis-Noel, 179

  Thousand and One Nigbts, The, 4, 67, 102, 125-26, 130-32

  Through the Looking Glass, 7

  Thurber, James, 138

  Time, 48, 152

  Time and the Verb, 149

  Troilus and Cressida, 38

  Varieties of Parable, The, 169 n

  Verb phrase, 155

  Viewpoint, 117, 122, 134‘, mental, 126, 131;

  spatial and temporal, 149

  Vision, 12

  Visual cortex, extra—striate, 110

  Visual integration, 111

  Visual representations of mental blends, 98 Vizier, 3-5, 8, 60

  Vocal sound, 141, 144

  Waste/and, Tbe, 7

  Williams, George C., 167

  Williams, Joseph, and Gregory Colomb, 158-59, 176 n

  Word order in English vs. case endings in Latin, 156

  XYZ construction, 104-7

 

 

 


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