Book Read Free

Collected Fiction

Page 86

by Henry Kuttner


  —ARTHUR MACHEN.

  TWO men died; possibly three. So much is known. The tabloids ran flaming headlines telling of the mysterious mutilation and death of Kenneth Scott, noted Baltimore author and occultist, and later, they capitalized similarly on the disappearance of Robert Ludwig, whose correspondence with Scott was well known in literary circles. The equally strange and even more ghastly death of Paul Edmond, while separated from the scene of the Scott horror by the width of a continent, was clearly connected with it. This was shown by the presence of a certain much-discussed object which was found clutched in Edmond’s rigid hands—and which the credulous claim caused his death. While this solution is improbable, it is nevertheless true that Paul Edmond bled to death because his carotid artery was severed, and it is also true that there are features about the case difficult to explain in the light of present-day science.

  The tabloids made a great deal of Edmond’s diary, and even conventional papers found it difficult to handle that unusual document in a fashion that would not lay them open to the charge of yellow journalism. The Hollywood Citizen-News solved the problem for its contemporaries by quoting the least fantastic portions of the diary, and hinting plainly that Edmond had been a fiction writer, and that the man’s notes had never been intended as a truthful summary of events. The privately printed pamphlet, On the Sending Out of the Soul, which played so important a part in the diary, seems to be of purely fictional origin. None of the local booksellers has heard of it, and Mr. Russell Hodgkins, California’s most noted bibliophile, declares that the title and the volume must have originated in the mind of the ill-fated Paul Edmond.

  Yet, according to Edmond’s diary and certain other papers and letters discovered in his desk, it was this pamphlet which caused Ludwig and Edmond to undertake the disastrous experiment. Ludwig had decided to visit his California correspondent, making a leisurely voyage from New York by way of the Panama Canal. The Carnatic docked on August 15th, and Ludwig spent several hours wandering through San Pedro. It was there, in a musty “swap shop,” that he bought the pamphlet, On the Sending Out of the Soul. When the young man arrived at Edmond’s Hollywood apartment he had the booklet with him.

  Both Ludwig and Edmond were deeply interested in the occult. They had dabbled in witchcraft and demonology, as a result of their acquaintance with Scott, who possessed one of the best occult libraries in America.

  Scott was a strange man. Slender, sharp-eyed, and taciturn, he spent most of his time in an old brownstone house in Baltimore. His knowledge of esoteric matters was little short of phenomenal; he had read the Chhaya Ritual, and in his letters to Ludwig and Edmond had hinted at the real meanings behind the veiled hints and warnings in that half-legendary manuscript. In his great library were such names as Sinistrari, Zancherius, and the ill-famed Gougenot des Mousseau; and in his library safe he had, it was rumored, an immense scrapbook filled with excerpts copied from such fantastic sources as the Book of Karnak, the monstrous Sixtystone, and the blasphemous Elder Key, of which only two copies are reputed to exist on earth.

  It was little wonder, therefore, that the two students were anxious to tear aside the veil and view the astounding mysteries of which Scott hinted so cautiously. In his diary Edmond confessed that his own curiosity was the direct cause of the tragedy.

  Yet it was Ludwig who bought the booklet and pored over it with Edmond in the latter’s apartment. Certainly Edmond described the pamphlet plainly enough, and it is strange, therefore, that no bibliophile could identify it. According to the diary, it was quite small, about four by five inches, bound in coarse brown paper, and yellowed and crumbling with age. The printing—in Eighteenth Century type with the long s—was crudely done, and there was neither a date-line nor a publisher’s imprint. There were eight pages; seven of them filled with what Edmond called the usual banal sophisms of mysticism, and on the last page were the specific directions for what would nowadays be known as “projecting one’s astral.”

  The general process was familiar to both students. Their researches had informed them that the soul—or in modern occult language, “astral body”—is supposed to be an ethereal double or ghost, capable of projection to a di-stance. But the specific directions—finding these was unusual. Nor did they seem difficult to follow. Edmond has purposely been vague about these preparations, but one gathers that the two students visited several chemists before obtaining the ingredients needed. Where they secured the cannabis indica later discovered on the scene of the tragedy is a mystery, but not, of course, one impossible of solution.

  On August 15th Ludwig, apparently without Edmond’s knowledge, wrote to Scott by air-mail, describing the pamphlet and its contents, and asking for advice.

  On the night of August 18th, approximately half an hour after Kenneth Scott received Ludwig’s letter, the two young occultists undertook their disastrous experiment.

  2

  LATER, Edmond blamed himself. In the diary he mentions Ludwig’s uneasiness, as though the latter sensed some hidden danger. Ludwig suggested postponing the trial for a few days, but Edmond laughed at his fears. It ended with the two placing the required ingredients in a brazier and kindling the mixture.

  There were other preparations, too, but Edmond is quite vague. He makes one or two furtive references to “the seven lamps” and “the infra color,” but nothing can be made of these terms. The two had decided to attempt projection of their astral bodies across the continent; they would attempt communication with Kenneth Scott. One can detect a tinge of youthful vanity in this.

  Cannabis indica formed one of the ingredients of the mixture in the brazier; that has been ascertained by analysis. It was the presence of this Indian drug which led so many to believe that the later entries in Edmond’s diary were evolved from nothing more tangible than the fantasies of an opium or hashish dream, directed along the curious channels they took merely because of the students’ preoccupation with those things at the time. Edmond dreamed he saw Scott’s house in Baltimore. But it must be remembered that he had been staring at a photograph of that house which he had placed on the table before him; and he was consciously willing to go there. Nothing is more logical therefore, than that Edmond simply dreamed what he wanted to dream.

  But Ludwig had the identical vision, or, at least, so he stated afterward—unless Edmond, in that entry, lied. It is the opinion of Professor Perry L. Lewis, a recognized expert on dream-phenomena, that Edmond, during his hashish vision, spoke of his illusions aloud, with no conscious intention of so doing, nor any later memory of it—and that Ludwig, as in a hypnotic trance, simply saw the phantasms Edmond’s words conjured up in his mind.

  Edmond states in his diary that after watching the burning contents of the brazier for some minutes, he fell into a state of somnolent trance, in which he saw his surroundings clearly, but with certain curious alterations which can only be attributed to the action of the drug. The marijuana smoker may see a tiny hall bedroom metamorphose itself into a huge vaulted chamber; similarly, Edmond stated that the room in which he sat seemed to enlarge. Oddly, however, the growth was of a strangely abnormal type; the geometry of the room gradually became all wrong. Edmond stresses this point without attempting to explain it. Just when the shifting became noticeable he does not mention, but presently he found himself in the midst of a chamber which, although recognizably his own, had changed until it centered at a certain point.

  The notes are almost incoherent here. Edmond obviously found it difficult to describe what he saw in his vision. All the lines and curves of the room, he insists with odd emphasis, seemed to point at one specific spot, the brazier where the mixture of drugs and chemicals was smoldering.

  Very faintly a persistent ringing came to his ears, but this dwindled and at last died away altogether. At the time Edmond thought the sound due to the effects of the drug. It was not until later that he learned of Scott’s frantic efforts to reach him by means of longdistance telephone. The shrill ringing grew fainter and faded into silenc
e.

  Edmond was of an experimental turn of mind. He tried to shift his gaze to specific objects he remembered, a vase, a lamp, a table. But the room seemed to possess an indescribable viscid fluidity, so that he found his stare inevitably slipping along warped lines and curves until he was again watching the brazier. And it was then that he became conscious of something unusual faking place at that spot.

  The mixture no longer smoldered. Instead, a strange crystal formation was building itself up within the brazier. This object Edmond found impossible to describe; he could only say that it seemed a continuation of the warped lines of the room, carrying them beyond the point where they centered. Apparently unconscious of the insanity of such a concept, he goes on to say that his eyes began to ache as he watched the crystalline object, but he could not turn away his gaze.

  The crystal drew him. He felt an abrupt and agonizing suction; there was a high-pitched thrumming in the air, and suddenly he was drifting with increasing velocity toward the thing in the brazier. It sucked him in—such is Edmond’s inexplicable phrase; he felt a moment of incredible cold, and then a new vision rose up before him.

  GRAY fog, and instability. Edmond stressed this curious feeling of flux, which he declared existed within himself. He felt, he says oddly, like a cloud of smoke, wavering and drifting aimlessly. But when he glanced down he saw his own body, fully clothed and apparently quite substantial.

  Now a dreadful feeling of uneasiness began to oppress his mind. The fog thickened and whirled; the nightmare, causeless fear familiar to the opium-taker clutched him in its grip. Something, he felt, was approaching, something utterly horrible and frightful in its potent menace. Then, quite suddenly, the fog was gone.

  Far beneath him he saw what at first he took to be the sea. He was hanging unsupported in empty air, and a surging grayness shimmered and crawled from horizon to horizon. The fluctuating leaden surface was dotted and speckled with round dark blobs these were innumerable. Without conscious volition he felt himself drawn down vertically, and as he approached the mysterious grayness he saw it more clearly.

  He could not determine its nature. It seemed merely a sea of gray slime, protoplasmic and featureless. But the dark blobs became recognizable as heads.

  Into Edmond’s mind flashed the memory of a narrative he had once read, written in the Twelfth Century by the monk Alberico, and purporting to be the record of a descent into hell. Like Dante, Alberico had seen the torments of the damned; the blasphemers (he wrote in his stilted, pedantic Latin) had been immersed to their necks in a lake of molten metal. Edmond remembered Alberico’s description now. Then he saw that the heads were not those of beings partly submerged in the gray slime; instead, they were homogenous with the grayness. They grew from it!

  Edmond’s fear had left him. With oddly detached curiosity he scanned the fantastic surface below. There were human heads bobbing and nodding from the gray sea, uncountable thousands of them, but by far the greater number of the heads were not human. Some of these latter bore traces of the anthropoid, but others were scarcely recognizable as living objects.

  For the heads lived. Their eyes stared with awful agony; their lips writhed in soundless laments; tears coursed down the sunken cheeks of many. Even the horribly inhuman heads—bird-like, reptilian, monstrous things of living stone and metal and vegetable matter—showed traces of the unceasing torment that gnawed at them. Down toward the ghastly horde Edmond was drawn.

  Again blackness enveloped him. It was transitory, but as he emerged from momentary unconsciousness he felt (he says) curiously changed. Something had happened to him during that fateful period of darkness. There seemed to be a cloudy vagueness shadowing his mind, so that he viewed his surroundings darkly and through a kind of haze. In this new vision he seemed to be high in the air above a silent, moonlit city, and rapidly moving downward.

  There was a full moon, and by its light he recognized the old browns tone house toward which he was descending. It was Kenneth Scott’s home, made familiar to him by the photograph. A vague thrill of triumph warmed him; the experiment, then, had succeeded.

  The house loomed up before him. He was hovering outside an open, unlighted window. Peering in, he recognized the slender form of Kenneth Scott seated at a desk. The occultist’s lips were tightly compressed, and a worried scowl darkened his face. A great book with yellowed parchment pages was open before the man, who was studying it carefully. Occasionally his worried eyes would turn to the telephone on the desk beside him. Edmond made an attempt to call to Scott, and the latter looked up, staring through the window.

  Instantly a shocking change transformed Scott’s face. The man seemed to become quite insane with fear. He sprang up from the desk, overturning his chair, and simultaneously Edmond felt an impelling urge dragging him forward.

  WHAT happened after that is confused and hazy. Edmond’s notes are fragmentary at this point, and it is only possible to gather that Edmond was in the room and pursuing the frantic Scott in a fashion that was inexplicable and utterly abnormal. He was flowing—and Scott was caught and engulfed—and here Edmond’s notes break off utterly, as though he had been overcome by remembrance of the episode.

  Merciful blackness swallowed Edmond then, but there was one more flashing vision before the dream faded and was gone. Again he seemed to be outside Scott’s window, swiftly retreating into the night, and through the open square of yellow radiance was visible part of Scott’s desk and the crumpled body of the man himself lying on the carpet beyond it. At least Edmond assumed that it was Scott’s body, for either the man was lying with his head doubled at an impossible angle out of sight beneath his torso, or else he was headless.

  That ended the dream. Edmond awoke to find the room in darkness, and Ludwig stirring sleepily near by. Both students were distracted and overwrought. They argued excitedly for some time, with occasional semi-hysterical outbursts, and Ludwig revealed that his vision had been identical with Edmond’s. It is a pity that neither of them took the trouble to analyze the situation and look for a logical explanation, but both, of course, were mystics, and thoroughly credulous.

  The telephone rang. An impatient operator asked if Edmond would receive a call from Baltimore. She had, she said, been ringing the apartment for some time without getting a response. Edmond cut her off abruptly and requested that the connection be put through. But this could not be done. The operator at the Baltimore exchange reported that her party did not answer, and, after a futile exchange of questions, Edmond hung up. It was then Ludwig confessed to writing Scott, bemoaning the reticence that had made him refrain from telling the Baltimore occultist the purpose of the experiment—the destination to which the astrals were directed.

  Nor were their fears calmed by the discovery of the object in the brazier. Apparently part of the vision at least had been founded on truth; the unknown chemicals had crystallized into a thing that appeared to be all planes and angles. It was formed of some brittle substance resembling frosted glass, was roughly pyramidal, and measured about six inches from apex to base. Ludwig wanted to smash it at once, but Edmond prevented him.

  Their arguments were brought to an end by the arrival of a telegram from Scott. It read:

  ATTEMPT NO EXPERIMENTS WITH PAMPHLET YOU MENTION STOP TREMENDOUSLY DANGEROUS AND MAY MEAN MY DEATH STOP AM WRITING YOU TODAY BY AIR MAIL FULL DETAILS STOP ADVISE YOU BURN PAMPHLET

  KENNETH SCOTT

  3

  THERE were two more communications which resulted in Paul Edmond’s temporary stay at a Hollywood hospital. The first was an item which appeared in time for the morning edition of the Los Angeles Times of August 20th. It stated briefly that Kenneth Scott, well-known author and occultist, residing in Baltimore, Maryland, had been mysteriously murdered. There were no clues to indicate the identity of the assailant, and the body had not been discovered until the afternoon of the 19th. The fact that the victim’s head had been severed from his body and was inexplicably missing made identification at first doubtful, but Scot
t’s physician confirmed the logical supposition. A quantity of grayish slime smeared on the carpet added another element of mystery to the case. Scott’s head, the coroner declared, had been cleanly severed from his body by a sharp blade. Police stated that an arrest would be made shortly.

  Needless to say, that arrest was never made. The tabloids seized the juicy morsel and made much of it, and an enterprising reporter unearthed the fact that Scott had sent an air-mail letter from the Baltimore Central post office shortly before the time at which his death had been fixed. It was this communication which was the direct cause of Edmond’s nervous collapse and his retirement to a hospital.

  The letter was found in Edmond’s apartment, but it sheds little light on the case. Scott was a visionary, and his letter bears an almost suspicious resemblance to his fictional work.

  “Both of you know” (ran part of the long letter) “how much truth there is often to be found behind old legends and folk-lore. The Cyclops is no longer a myth, as any doctor familiar with monstrous births can tell you. And you know how my theories regarding the Elixir Vitae have been confirmed by the discovery of heavy water. Well, the myth of the Hydra is based on such a truth.

  “There are innumerable tales of multi-headed monsters, all springing from the actual entity of whose real existence a very few have known through the ages. This creature did not originate on earth, but in the gulfs Outside. It was, after a fashion, a valupine entity, living not on the blood of its victims but on their heads—their brains. This may sound strange to you, but you know by this time that there are beings Outside whose needs and flesh are not as ours. Through the eons this entity has ravened in the abyss beyond our dimension, sending out its call to claim victims where it could. For this entity, by absorbing the heads and brains of intelligent creatures both of this world and of other planets, emerges with its powers and vitality greatly augmented.

 

‹ Prev