The Bostonians, Vol. II

by Henry James

  "If you don't agree with her, take her up on the platform, and have it out there; the public would like that, first-rate!" Mr. Filer said to Ransom, as if he thought this suggestion practical.

  "She had prepared a lovely address!" Selah remarked mournfully, as if to the company in general.

  No one appeared to heed the observation, but his wife broke out again. "Verena Tarrant, I should like to slap you! Do you call such a man as that a gentleman? I don't know where your father's spirit is, to let him stay!"

  Olive, meanwhile, was literally praying to her kinsman. "Let her appear this once, just this once: not to ruin, not to shame! Haven't you any pity; do you want me to be hooted? It's only for an hour. Haven't you any soul?"

  Her face and voice were terrible to Ransom; she had flung herself upon Verena and was holding her close, and he could see that her friend's suffering was faint in comparison to her own. "Why for an hour, when it's all false and damnable? An hour is as bad as ten years! She's mine or she isn't, and if she's mine, she's all mine!"

  "Yours! Yours! Verena, think, think what you're doing!" Olive moaned, bending over her.

  Mr. Filer was now pouring forth his nature in objurgations and oaths, and brandishing before the culprits—Verena and Ransom—the extreme penalty of the law. Mrs. Tarrant had burst into violent hysterics, while Selah revolved vaguely about the room and declared that it seemed as if the better day was going to be put off for quite a while. "Don't you see how good, how sweet they are—giving us all this time? Don't you think that when they behave like that—without a sound, for five minutes—they ought to be rewarded?" Verena asked, smiling divinely, at Ransom. Nothing could have been more tender, more exquisite, than the way she put her appeal upon the ground of simple charity, kindness to the great good-natured, childish public.

  "Miss Chancellor may reward them in any way she likes. Give them back their money and a little present to each."

  "Money and presents? I should like to shoot you, sir!" yelled Mr. Filer. The audience had really been very patient, and up to this point deserved Verena's praise; but it was now long past eight o'clock, and symptoms of irritation—cries and groans and hisses—began again to proceed from the hall. Mr. Filer launched himself into the passage leading to the stage, and Selah rushed after him. Mrs. Tarrant extended herself, sobbing, on the sofa, and Olive, quivering in the storm, inquired of Ransom what he wanted her to do, what humiliation, what degradation, what sacrifice he imposed.

  "I'll do anything—I'll be abject—I'll be vile—I'll go down in the dust!"

  "I ask nothing of you, and I have nothing to do with you," Ransom said. "That is, I ask, at the most, that you shouldn't expect that, wishing to make Verena my wife, I should say to her, 'Oh yes, you can take an hour or two out of it!' Verena," he went on, "all this is out of it—dreadfully, odiously—and it's a great deal too much! Come, come as far away from here as possible, and we'll settle the rest!"

  The combined effort of Mr. Filer and Selah Tarrant to pacify the public had not, apparently, the success it deserved; the house continued in uproar and the volume of sound increased. "Leave us alone, leave us alone for a single minute!" cried Verena; "just let me speak to him, and it will be all right!" She rushed over to her mother, drew her, dragged her from the sofa, led her to the door of the room. Mrs. Tarrant, on the way, reunited herself with Olive (the horror of the situation had at least that compensation for her), and, clinging and staggering together, the distracted women, pushed by Verena, passed into the vestibule, now, as Ransom saw, deserted by the policeman and the reporter, who had rushed round to where the battle was thickest.

  "Oh, why did you come—why, why?" And Verena, turning back, threw herself upon him with a protest which was all, and more than all, a surrender. She had never yet given herself to him so much as in that movement of reproach.

  "Didn't you expect me, and weren't you sure?" he asked, smiling at her and standing there till she arrived.

  "I didn't know—it was terrible—it's awful! I saw you in your place, in the house, when you came. As soon as we got here I went out to those steps that go up to the stage and I looked out, with my father—from behind him—and saw you in a minute. Then I felt too nervous to speak! I could never, never, if you were there! My father didn't know you, and I said nothing, but Olive guessed as soon as I came back. She rushed at me, and she looked at me—oh, how she looked! and she guessed. She didn't need to go out to see for herself, and when she saw how I was trembling she began to tremble herself, to believe, as I believed, we were lost. Listen to them, listen to them, in the house! Now I want you to go away—I will see you to-morrow, as long as you wish. That's all I want now; if you will only go away it's not too late, and everything will be all right!"

  Preoccupied as Ransom was with the simple purpose of getting her bodily out of the place, he could yet notice her strange, touching tone, and her air of believing that she might really persuade him. She had evidently given up everything now—every pretence of a different conviction and of loyalty to her cause; all this had fallen from her as soon as she felt him near, and she asked him to go away just as any plighted maiden might have asked any favour of her lover. But it was the poor girl's misfortune that whatever she did or said, or left unsaid, only had the effect of making her dearer to him and making the people who were clamouring for her seem more and more a raving rabble.

  He indulged not in the smallest recognition of her request, and simply said, "Surely Olive must have believed, must have known, I would come."

  "She would have been sure if you hadn't become so unexpectedly quiet after I left Marmion. You seemed to concur, to be willing to wait."

  "So I was, for a few weeks. But they ended yesterday. I was furious that morning, when I learned your flight, and during the week that followed I made two or three attempts to find you. Then I stopped—I thought it better. I saw you were very well hidden; I determined not even to write. I felt I could wait—with that last day at Marmion to think of. Besides, to leave you with her awhile, for the last, seemed more decent. Perhaps you'll tell me now where you were."

  "I was with father and mother. She sent me to them that morning, with a letter. I don't know what was in it. Perhaps there was money," said Verena, who evidently now would tell him everything.

  "And where did they take you?"

  "I don't know—to places. I was in Boston once, for a day; but only in a carriage. They were as frightened as Olive; they were bound to save me!"

  "They shouldn't have brought you here to-night then. How could you possibly doubt of my coming?"

  "I don't know what I thought, and I didn't know, till I saw you, that all the strength I had hoped for would leave me in a flash, and that if I attempted to speak—with you sitting there—I should make the most shameful failure. We had a sickening scene here—I begged for delay, for time to recover. We waited and waited, and when I heard you at the door talking to the policeman, it seemed to me everything was gone. But it will still come back, if you will leave me. They are quiet again—father must be interesting them."

  "I hope he is!" Ransom exclaimed. "If Miss Chancellor ordered the policeman, she must have expected me."

  "That was only after she knew you were in the house. She flew out into the lobby with father, and they seized him and posted him there. She locked the door; she seemed to think they would break it down. I didn't wait for that, but from the moment I knew you were on the other side of it I couldn't go on—I was paralysed. It has made me feel better to talk to you—and now I could appear," Verena added.

  "My darling child, haven't you a shawl or a mantle?" Ransom returned, for all answer, looking about him. He perceived, tossed upon a chair, a long, furred cloak, which he caught up and, before she could resist, threw over her. She even let him arrange it, and, standing there, draped from head to foot in it, contented herself with saying, after a moment:

  "I don't understand—where shall we go? Where will you take me?"

  "We shall catch the night-
train for New York, and the first thing in the morning we shall be married."

  Verena remained gazing at him, with swimming eyes. "And what will the people do? Listen, listen!"

  "Your father is ceasing to interest them. They'll howl and thump, according to their nature."

  "Ah, their nature's fine!" Verena pleaded.

  "Dearest, that's one of the fallacies I shall have to woo you from. Hear them, the senseless brutes!" The storm was now raging in the hall, and it deepened, to such a point that Verena turned to him in a supreme appeal.

  "I could soothe them with a word!"

  "Keep your soothing words for me—you will have need of them all, in our coming time," Ransom said, laughing. He pulled open the door again, which led into the lobby, but he was driven back, with Verena, by a furious onset from Mrs. Tarrant. Seeing her daughter fairly arrayed for departure, she hurled herself upon her, half in indignation, half in a blind impulse to cling, and with an outpouring of tears, reproaches, prayers, strange scraps of argument and iterations of farewell, closed her about with an embrace which was partly a supreme caress, partly the salutary castigation she had, three minutes before, expressed the wish to administer, and altogether for the moment a check upon the girl's flight.

  "Mother, dearest, it's all for the best, I can't help it, I love you just the same; let me go, let me go!" Verena stammered, kissing her again, struggling to free herself, and holding out her hand to Ransom. He saw now that she only wanted to get away, to leave everything behind her. Olive was close at hand, on the threshold of the room, and as soon as Ransom looked at her he became aware that the weakness she had just shown had passed away. She had straightened herself again, and she was upright in her desolation. The expression of her face was a thing to remain with him for ever; it was impossible to imagine a more vivid presentment of blighted hope and wounded pride. Dry, desperate, rigid, she yet wavered and seemed uncertain; her pale, glittering eyes straining forward, as if they were looking for death. Ransom had a vision, even at that crowded moment, that if she could have met it there and then, bristling with steel or lurid with fire, she would have rushed on it without a tremor, like the heroine that she was. All this while the great agitation in the hall rose and fell, in waves and surges, as if Selah Tarrant and the agent were talking to the multitude, trying to calm them, succeeding for the moment, and then letting them loose again. Whirled down by one of the fitful gusts, a lady and a gentleman issued from the passage, and Ransom, glancing at them, recognised Mrs. Farrinder and her husband.

  "Well, Miss Chancellor," said that more successful woman, with considerable asperity, "if this is the way you're going to reinstate our sex!" She passed rapidly through the room, followed by Amariah, who remarked in his transit that it seemed as if there had been a want of organisation, and the two retreated expeditiously, without the lady's having taken the smallest notice of Verena, whose conflict with her mother prolonged itself. Ransom, striving, with all needful consideration for Mrs. Tarrant, to separate these two, addressed not a word to Olive; it was the last of her, for him, and he neither saw how her livid face suddenly glowed, as if Mrs. Farrinder's words had been a lash, nor how, as if with a sudden inspiration, she rushed to the approach to the platform. If he had observed her, it might have seemed to him that she hoped to find the fierce expiation she sought for in exposure to the thousands she had disappointed and deceived, in offering herself to be trampled to death and torn to pieces. She might have suggested to him some feminine firebrand of Paris revolutions, erect on a barricade, or even the sacrificial figure of Hypatia, whirled through the furious mob of Alexandria. She was arrested an instant by the arrival of Mrs. Burrage and her son, who had quitted the stage on observing the withdrawal of the Farrinders, and who swept into the room in the manner of people seeking shelter from a thunderstorm. The mother's face expressed the well-bred surprise of a person who should have been asked out to dinner and seen the cloth pulled off the table; the young man, who supported her on his arm, instantly lost himself in the spectacle of Verena disengaging herself from Mrs. Tarrant, only to be again overwhelmed, and in the unexpected presence of the Mississippian. His handsome blue eyes turned from one to the other, and he looked infinitely annoyed and bewildered. It even seemed to occur to him that he might, perhaps, interpose with effect, and he evidently would have liked to say that, without really bragging, he would at least have kept the affair from turning into a row. But Verena, muffled and escaping, was deaf to him, and Ransom didn't look the right person to address such a remark as that to. Mrs. Burrage and Olive, as the latter shot past, exchanged a glance which represented quick irony on one side and indiscriminating defiance on the other.

  "Oh, are you going to speak?" the lady from New York inquired, with her cursory laugh.

  Olive had already disappeared; but Ransom heard her answer flung behind her into the room. "I am going to be hissed and hooted and insulted!"

  "Olive, Olive!" Verena suddenly shrieked; and her piercing cry might have reached the front. But Ransom had already, by muscular force, wrenched her away, and was hurrying her out, leaving Mrs. Tarrant to heave herself into the arms of Mrs. Burrage, who, he was sure, would, within a minute, loom upon her attractively through her tears, and supply her with a reminiscence, destined to be valuable, of aristocratic support and clever composure. In the outer labyrinth hasty groups, a little scared, were leaving the hall, giving up the game. Ransom, as he went, thrust the hood of Verena's long cloak over her head, to conceal her face and her identity. It quite prevented recognition, and as they mingled in the issuing crowd he perceived the quick, complete, tremendous silence which, in the hall, had greeted Olive Chancellor's rush to the front. Every sound instantly dropped, the hush was respectful, the great public waited, and whatever she should say to them (and he thought she might indeed be rather embarrassed) it was not apparent that they were likely to hurl the benches at her. Ransom, palpitating with his victory, felt now a little sorry for her, and was relieved to know that, even when exasperated, a Boston audience is not ungenerous. "Ah, now I am glad!" said Verena, when they reached the street. But though she was glad, he presently discovered that, beneath her hood, she was in tears. It is to be feared that with the union, so far from brilliant, into which she was about to enter, these were not the last she was destined to shed.

  THE END

  End of Project Gutenberg's The Bostonians, Vol. II (of II), by Henry James

  *** END OF THIS PROJECT GUTENBERG EBOOK THE BOSTONIANS, VOL. II (OF II) ***

  ***** This file should be named 19718-h.htm or 19718-h.zip *****

  This and all associated files of various formats will be found in:

  http://www.gutenberg.org/1/9/7/1/19718/

  Produced by Suzanne Lybarger, Mary Meehan and the Online

  Distributed Proofreading Team at http://www.pgdp.net

  Updated editions will replace the previous one--the old editions

  will be renamed.

  Creating the works from public domain print editions means that no

  one owns a United States copyright in these works, so the Foundation

  (and you!) can copy and distribute it in the United States without

  permission and without paying copyright royalties. Special rules,

  set forth in the General Terms of Use part of this license, apply to

  copying and distributing Project Gutenberg-tm electronic works to

  protect the PROJECT GUTENBERG-tm concept and trademark. Project

  Gutenberg is a registered trademark, and may not be used if you

  charge for the eBooks, unless you receive specific permission. If you

  do not charge anything for copies of this eBook, complying with the

  rules is very easy. You may use this eBook for nearly any purpose

  such as creation of derivative works, reports, performances and

  research. They may be modified and printed and given away--you may do

  practically ANYTHING with public domain eBooks.
Redistribution is

  subject to the trademark license, especially commercial

  redistribution.

  *** START: FULL LICENSE ***

  THE FULL PROJECT GUTENBERG LICENSE

  PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

  To protect the Project Gutenberg-tm mission of promoting the free

  distribution of electronic works, by using or distributing this work

  (or any other work associated in any way with the phrase "Project

  Gutenberg"), you agree to comply with all the terms of the Full Project

  Gutenberg-tm License (available with this file or online at

  http://gutenberg.org/license).

  Section 1. General Terms of Use and Redistributing Project Gutenberg-tm

  electronic works

  1.A. By reading or using any part of this Project Gutenberg-tm

  electronic work, you indicate that you have read, understand, agree to

  and accept all the terms of this license and intellectual property

  (trademark/copyright) agreement. If you do not agree to abide by all