Crime Beat

by Scott Nicholson

  It started way back then, with my story about the girl with psychokinesis. You don’t believe in psychokinesis. But that’s okay. It’s not what you believe that matters. It’s what I believe, and what I know.

  I wrote that story in the early 1970’s. Well, actually, I didn’t get to write it. But I thought about it almost every day for two years. This girl is in high school, see, and all her classmates pick on her because she’s so weird. Her mom’s a religious zealot, and the girl doesn’t have anybody to turn to when her mental powers start developing. PK always comes on with adolescence, see?

  I never figured out how it was going to end, but I really was going to start writing. I bought a Royal typewriter and a bunch of paper. You can look it up, it’s all in that civil suit I brought against that creep who stole my story. I can’t mention his name, because of legal reasons, but one day the truth will come out.

  So anyway, imagine my anger when that story came out as a bestseller in paperback, movie rights sold, and that low-down dirty thief quit his day job and became an overnight success. Sure, his agent put this spin on later, about how the guy wrote six hours a day for fifteen years, about how he’d been submitting stories since he was twelve or so, and that he’d been publishing short stories in naughty magazines. But you know the lengths they go to when they have to cover their tracks. And everybody knows they got the millions. Millions that should be mine.

  Ah, you just crossed out the question mark, didn’t you? “Episodic paranoia.” No doubt about it, in your mind. You’re smug, Doctor. As smug as they are. Everybody’s right, and I’m wrong.

  Go on? Sure, I’ll go on. See, I’m controlling my temper. Just like the last doctor told me to do. And you’re thinking that if you let me talk, I’ll calm down and you can be done with me in time for your five o’clock martini. See me smile.

  Back before I was a writer, when I was just a kid, I had this other idea. About a woman who has the Devil’s baby. When the book came out about that one, I just figured it was a coincidence. But then when that guy stole my idea about the little girl who gets possessed by Satan and a Catholic priest tries to save her, I decided I’d better become a writer, too. I figured that if my ideas were so good that other people wanted to steal them, I’d better write them myself. That’s when I came up with the psychokinesis idea.

  Have I ever written anything? Sure, I have. I get a good sentence or two down, and then I stare at the paper. It’s called “writer’s block,” and only creative people get it. That’s why you breeze right through those papers you submit to the trade journals. That’s the reason all these other writers are so prolific. It’s easy when somebody else is doing your thinking for you.

  Well, I decided I’d hurry through my next couple of books before somebody could steal my ideas. Except that one guy types faster than I do. So he beat me to the one about the virus that wipes out most of the world so God and the Devil can fight over the survivors, and he beat me to the one about the haunted hotel. And get this...

  Whenever I got writer’s block, do you know what I used to type? “All work and no play makes Jack a dull boy.” And you-know-who steals it and everybody thinks it’s the most clever thing to ever grace a page. And they call me crazy.

  His best trick was when he “released” all these books that he’d supposedly written before he got famous. I had all of those ideas in one night, right after the PK book came out. You know, the walking race where only the winner survives, the same idea again except this time it’s set in the future and the competitors are paid to run for their lives, one where a man blows up stuff because he doesn’t like progress, and one where a kid shoots up his high school. That last one was so dumb I didn’t think anybody would steal it. But you-know-who types a lot faster than he thinks, so he’d probably mailed it to his publisher before he realized what it was about.

  And he was clever, because he knew I was on to him. He even came up with a pen name for those books so that I would have to sue him twice. I guess he figured I couldn’t afford lawyers’ fees. I was just a poor writer, see? Never mind that I’d never actually published anything.

  It was bad enough when only a few people were picking my brain. Once in a while, I could feel them, up there in my skull, tiptoeing around and fighting each other for the best ideas. But then people across the ocean got into the act. People in England and some people who couldn’t even speak English. That’s what I call power, when your ideas are so universal that they cross lingual and cultural barriers. But my head was getting crowded.

  Ah, you just crossed out a word. Now it’s just “paranoia.” And you’re about to write “delusions of grandeur.” Why do they let you have a pencil and not me?

  We both know why, don’t we? Because then I would write down my ideas before they could steal them. The hospital’s in on it, too. Yes, you can smile about it, like you’ve got a secret. But we both know better.

  Let’s see, where were we? Because you are my audience and I don’t want to lose you.

  Oh, yes. My idea about a bunch of old men who had fallen in love with a ghost a long time ago. A different writer got that one. But instead of getting mad, I became more determined than ever. I quit my job and did nothing but think all the time, getting wonderful ideas one after another. Psychic vampires, sympathetic vampires who are more romantic than scary, a killer clown that’s really a UFO buried under the ground, a puzzle box that opens another dimension, giant rats that live in the sewer system, paranormal investigators who discover a haunted town, a child that’s really the Antichrist, so many ideas I could hardly keep track.

  Everyone was stealing from me. Even writers who could barely make out a shopping list. Only the critics called it the “horror boom,” and you couldn’t pass the paperback rack in the supermarket without an army of foil-covered monsters grinning out at you. My monsters. Some I wasn’t too proud of, but they’re like children. You still have to love them, even the dumb and ugly ones.

  I just kept getting ideas, and they kept stealing them. They got richer while I got madder. And I mean “mad” in the real way, not in the crazy way. But the maddest I ever got was when that British writer pulled a satire on me.

  See, he wrote this story you may have read. Called it “Next Time You’ll Know Me. “ I know the story, and I’ve never even read it. Because I met him at a convention, and as I was shaking his hand, I was thinking that I hoped he didn’t steal any of my ideas, because then I’d have to get him, and he seemed like such a nice man.

  Of course, I’d never get him in real life, because only crazy people do things like that. But he looked at me, and he had a twinkle in his eye, and he started writing the story right there in his head. My story! About how a psycho thinks writers are stealing his ideas. I was going to say something, to claim copyright infringement, but the next woman in line pushed me away so she could shake the famous writer’s hand.

  Ever wonder where ideas come from? No, I suppose not. You don’t have very much imagination. I guess you can’t afford to, in your line of work.

  Well, see, I wondered about where ideas came from, after that British writer made me so mad. And it took me years of thinking about it before I realized that ideas came from me. So I made myself stop getting them, so the other writers couldn’t steal them.

  Of course, some great ideas still slip out once in a while. I can’t shut down such a wondrous force all the time. So you-know-who manages to steal two or three per year, and a few others are still getting their share. But the “horror boom” faded, and if you’ll notice, publishers are avoiding horror books right now because I stopped letting my good ideas loose.

  Shutting down wasn’t easy for a writer like me, who loves ideas more than the actual writing. It was hard work, and gave me a headache. That, and the stress of all those lawsuits I filed against the thieves. That’s why I did all those bad things that put me behind these walls. Or in front of them, depending on how you look at it.

  Why is it I only had ideas for horror stories? Le
ave it to a shrink to ask something like that. Oh, you’ll really going to have a field day with that, aren’t you? Well, ideas just come, and you can’t do anything about them. Unless you’re me.

  I know you’re going to look in your diagnostic manual tonight and come up with some long explanation of why you think I’m crazy. Except you don’t call it “crazy,” do you? These are kinder, gentler times. You have to call it a “behavioral disorder.”

  I don’t care what label you attach to me. I don’t believe in psychology. I don’t believe in insanity. I don’t believe in shrinks.

  Oh, you’re offended? Well, let me fill you in on a little secret, because you’re not as good at reading minds as your predecessor. Did the hospital tell you why he resigned? Of course not. All you shrinks keep your secrets, even from each other.

  Well, I’ll tell you why he left. We were sitting here, just like you and I are doing, and I was telling him my story. And all of a sudden I got this great idea for a novel. It just slipped out before I even realized what I was thinking about. And it’s a doozy. I may as well tell you about it, because it’s too late for you to steal it. Plus, no offense, but I don’t think you have what it takes to be a real writer like me.

  Okay, the idea. This guy is in the psychiatric ward because he thinks people are stealing his ideas. Only nobody believes him, and they all think he’s crazy. So he escapes, and goes out to get revenge on all the writers who have made millions off of his ideas. Only when he gets out in the real world, he finds out that he’s really just an idea, that he doesn’t even exist at all. So it’s like he’s a ghost, which makes it real easy to get to these famous writers.

  But the hero is smart, he doesn’t kill them or anything. That would be too easy. And they would be famous forever, and readers and critics would never know the lie behind the success stories. So the hero gives the writers bad ideas, sneaks in at night and alters their manuscripts, gives them a mild enough case of writer’s block that they get desperate. I thought about calling the book “Desperation,” but that one guy is so good he steals my titles before I even come up with them.

  Pretty good idea, huh? Well, the doctor snatched it right out of my head, and if you pick up the latest “Publisher’s Weekly,” you’ll see that he just got a six-figure advance on an outline and sample chapter. It can happen to anybody, if you get a good idea. If you steal them from me.

  See how well I’m controlling my anger? I’ll bet you wouldn’t be so calm, if you were in my shoes. But I’m used to it by now. I’m the idea man. I could almost be happy with that, and accept my place in the literary landscape. But the thing that bugs me the most is that nobody else knows. I’m not getting any credit.

  And there’s one more thing. I’m a writer. And some day I’m going to get around to actually writing. One day soon, you’re going to let me have a pencil and some paper, maybe even a typewriter after I prove I’m not a threat to myself or others.

  And I will write down my ideas, all the ones I kept locked away all these years. I have a lot of them. I’m going to be rich. Nobody thinks you’re crazy when you’re rich, even if you’re a horror writer.

  And after I’m cured, when you think about what I’ve said and realize I’m right, you’re going to rubber-stamp my papers and I will be on the outside again. I know, I said a while ago that walls work both ways, but that was crazy talk, and you can see that I’m no longer crazy. You are such a good doctor that you are curing me. I’m feeling much better.

  No, if I get out, I certainly won’t go after all those writers who got rich off of my ideas. That would be acting paranoid. Anyway, I’ll be too busy writing down my new ideas, which will be much better than the old ones. In fact, the readers will forget about all those other writers.

  So that will be my only revenge. I’ll knock them off the bestseller lists. And I’ll let them have only my worst ideas. I’ll make millions, and the critics will eat those “ooh-la-lahs” alive.

  Oh, I may do one more thing. After you let me out, I’m going to fly to the Merseyside. I’m going to hunt down that writer who satired me. I’m not going to stalk him or anything, and I won’t be carrying any sharp objects, except maybe a writing pen.

  Maybe I’ll come up to him in a grocery store, or at a bus stop, or in a dark pub. I’ll look him in the eye and see if it twinkles. I’ll say, “Do you know me yet?”

  And I’ll wait for him to ask for my autograph.

  See me smile.

  THE END

  Return to Table of Contents

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  Try these other thrillers because they are good:

  THE SKULL RING

  By Scott Nicholson

  Julia Stone will remember, even if it kills her.

  With the help of a therapist, Julia is piecing together childhood memories of the night her father vanished. When Julia finds a silver ring that bears the name "Judas Stone," the past comes creeping back. Someone is leaving strange messages inside her house, even though the door is locked. The local handyman offers help, but he has his own shadowy past. And the cop who investigated her father's disappearance has followed her to the small mountain town of Elkwood.

  Now Julia has a head full of memories, but she doesn't know which are real. Julia's therapist is playing games. The handyman is trying to save her, in more ways than one. And a sinister cult is closing in, claiming ownership of Julia's body and soul . . . .

  Learn more about The Skull Ring and False Recovered Memory Syndrome or view it at Amazon or Amazon UK

  Do you like movies? View the screenplay adaptation at Amazon US or Amazon UK

  SPEED DATING WITH THE DEAD

  By Scott Nicholson

  A paranormal conference at the most haunted hotel in the Southern Appalachian mountains…a man’s promise to his late wife that he’d summon her spirit…a daughter whose imagination goes to dark places…and demonic evil lurking in the remote hotel’s basement, just waiting to be awoken.

  When Digger Wilson brings his paranormal team to the White Horse Inn, he is sceptical that his dead wife will keep her half of the bargain. He doesn’t believe in ghosts. But when one of the conference guests channels a mysterious presence and an Ouija board spells out a pet phrase known only to Digger and his wife, his convictions are challenged. And when people start to disappear, Digger and his daughter Kendra must face the circle of demons that view the hotel as their personal playground. Because soon the inn will be closing for good, angels can’t be trusted, and demons don’t like to play alone….

  Learn more about Speed Dating with the Dead and the 2008 paranormal conference and inn that inspired the novel or view it at Amazon or Amazon UK

  AS I DIE LYING

  By Scott Nicholson

  Richard Coldiron’s first and last novel follows his metafictional journey through a troubled childhood, where he meets his invisible friend, his other invisible friend...and then some who aren’t so friendly.

  There’s Mister Milktoast, the protective punster; Little Hitler, who leers from the shadows; Loverboy, the lusty bastard; and Bookworm, who is thoughtful, introspective, and determined to solve the riddle of Richard’s disintegration into either madness or genius, and of course only makes things worse.

  Richard keeps his cool despite the voices in his head, but he’s about to get a new tenant: the Insider, a malevolent soul-hopping spirit that may or may not be born from Richard’s nightmares and demands a co-writing credit and a little bit of foot-kissing dark worship.

  Now Richard doesn’t know which voice to trust. The book’s been rejected 117 times. The people he loves keep turning up dead. And here comes the woman of his dreams.

  Learn more about As I Die Lying and the six people in Richard Coldiron’s head or view it at Amazon or Amazon UK

  LIQUID FEAR

  By Scott Nicholson

  When Roland Doyle wakes up with a dead woman in his motel room, the only clue is a mysterious vial of pills bearing the label “Take one every 4 hrs or else.”

 
Ten years before, six people were involved in a secret pharmaceutical trial that left one of them murdered and five unable to remember what happened. Now the experiment is continuing, as Dr. Sebastian Briggs wants to finish his research into fear response and post-traumatic stress disorder. He’s backed by a major drug company and an ambitious U.S. Senator, but he also has a personal stake in the outcome.

  Only by taking the mysterious pills can the survivors stave off the creeping phobias and madness that threaten to consume them. But the pills have an unexpected side effect—the survivors start remembering the terrible acts they perpetrated a decade ago. They are lured back to the Monkey House, the remote facility where the original trials took place, and Briggs has prepared it for their arrival.

  Now they are trapped, they each have only one pill left, and cracks are forming in their civilized veneer.

  After the pills are gone, there’s only one option. “Or else.”

  Read about it at Haunted Computer or view it at Amazon US or Amazon UK

  CHRONIC FEAR

  By Scott Nicholson

  Chronic Fear is the second installment of the chilling Fear series, which began with the harrowing Liquid Fear. The story picks up one year after the notorious Monkey House trials, from which the tiny handful of survivors have scattered in the wind. For while the unwitting human guinea pigs are still alive, the experimental drugs to which they were subjected continue to wreak havoc on their emotional stability. World-renowned neurobiologist Dr. Alexis Morgan knows first-hand the horrors of the sadistic experiment: her husband, Mark, was one its victims. As a result, he is plagued by unpredictable bouts of rage and paranoia. Dr. Morgan’s research into the drug leads her to suspect presidential candidate and U. S. Senator Daniel Burchfield of plotting to gain control of the drug for his own purposes, a power play that is sure to result in countless casualties unless she and three Monkey House survivors can outwit the shadowy figures behind the conspiracy—if they don’t lose their own sanity first.