Crushed Shells and Mud

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Crushed Shells and Mud Page 3

by Ben Musgrave


  DEREK

  Lydia?

  VINCENT

  Yes, Lydia.

  DEREK

  No.

  VINCENT

  Are you in love with her?

  DEREK

  No!

  VINCENT

  Would you like to hold her hand?

  DEREK

  Vince!

  VINCENT

  Give her little feather-kisses.

  DEREK

  Shut up!

  VINCENT

  And read her poetry?

  DEREK

  No!

  VINCENT

  Read her poetry and then take her into that caravan, and try to

  VINCENT pushes DEREK hard, against the side of the caravan, then pins him there.

  Find a way in.

  VINCENT pushes his hand up DEREK’s face, smearing his nose.

  DEREK

  Get off!

  VINCENT

  (Forcing against DEREK.) Try and pop / your

  DEREK

  Getoff / Vince!

  VINCENT

  Try and pop your little chap in!

  Beat. VINCENT lets DEREK go.

  I’m really sorry, Derek, that was inappropriate.

  Pause.

  I’m sorry, I really am.

  DEREK

  Are you alright, mate?

  VINCENT

  Yeah.

  DEREK

  Is it your dad?

  How are you feeling?

  VINCENT

  Oh fuck off, Derek.

  Just fuck off.

  LYDIA enters.

  LYDIA

  Hi.

  DEREK

  Hi.

  VINCENT

  Your man’s been beating back the path.

  DEREK

  Should be able to get down, now.

  LYDIA goes over to the path and looks down to the sea.

  LYDIA

  It must have been a lot of work!

  DEREK

  It needed doing.

  Beat.

  I was thinking of having a swim.

  LYDIA

  I don’t have my kit.

  DEREK

  Another time, perhaps?

  VINCENT

  (To LYDIA.) I’ve got something for you, as it happens.

  Pause. He gets out a brown paper bag containing some weed.

  It’s sweet.

  LYDIA

  Yeah?

  VINCENT

  Like you.

  LYDIA smiles, shaking her head – ‘that old one’.

  (To DEREK.) Can we go inside the caravan?

  Do you mind, Derek?

  DEREK

  Not at all.

  VINCENT

  Are you sure?

  DEREK

  Let me just clear some things.

  VINCENT

  Don’t trouble yourself, mate.

  DEREK goes in. VINCENT turns to LYDIA.

  VINCENT

  He’s tidying away his writing.

  LYDIA

  I’m sorry?

  VINCENT

  He does his writing in there.

  LYDIA

  Oh!

  DEREK

  (Popping his head round the door.) What?

  VINCENT

  I was saying you do your writing in there.

  DEREK

  (Embarrassed.) Not really.

  VINCENT

  Nothing to be embarrassed about!

  LYDIA

  What writing do you do, Derek?

  DEREK

  (Embarrassed.) Do you want the light on?

  LYDIA

  No / it’s fine.

  DEREK

  I’ll put it on.

  DEREK goes back in, and turns the light on.

  Pause. He comes out.

  It’s ready.

  VINCENT goes inside. LYDIA goes to the door.

  LYDIA

  (Of the weed.) Come and join us, Derek?

  Pause. DEREK outside.

  DEREK

  No I’m okay.

  VINCENT

  (From inside.) Derek, we might be some time!

  DEREK and LYDIA.

  DEREK

  I need to get back, anyway.

  Do the tea.

  Maybe I’ll see you soon?

  Pause.

  LYDIA

  Yeah, we should…

  DEREK

  I could show you the pools.

  LYDIA

  (Heartbreakingly non-committal.) Sure.

  DEREK

  I can do most times.

  LYDIA

  Okay.

  Pause. DEREK has prewritten his number on a piece of paper. He gives it to her.

  DEREK

  This is my number, if you need anything.

  She takes it. Smiles.

  I’ll see you around, anyway.

  LYDIA

  Yeah.

  Pause.

  DEREK

  Have a good night.

  Pause.

  LYDIA

  Have a good night, Derek.

  She goes into the caravan. Pause. The sun.

  The sea. The sound of it. DEREK exits.

  Scene Four

  A Meditation

  In the darkness, a recording: the voice of the OLD LADY. A meditation.

  OLD LADY

  I’ve got my heart.

  I’ve got my heart.

  I’ve got my blood.

  I’ve got my blood.

  I’ve got my wings.

  I’ve seen the way.

  I’m going to be born.

  I’m going to be born any day.

  Any day this search will be over.

  Any day I’ll find you.

  And take you home.

  Scene Five

  Seeing

  A few days later.

  By the caravan. Dusk.

  LYDIA enters, from the path, anxious that she’s been followed. She looks around. She knocks on the door of the caravan. Nobody answers. So she goes in. She turns the light on. Now she can be seen through one of the windows.

  DEREK enters from the track.

  LYDIA unbuttons her blouse.

  There is a dark mark on her belly.

  She examines it. She feels the burden of something. She quickly buttons up again.

  DEREK sees everything.

  Then, fiddling in her bag, LYDIA takes out a little syringe kit. She loads a syringe from a little medical bottle. Then she injects herself with the syringe. She does this quite briskly, professionally.

  DEREK is riveted.

  LYDIA holds some cotton wool to her arm, then closes her eyes. Then she gets up, clears away.

  DEREK hides.

  She opens up the caravan door and steps out.

  She stretches, like a dancer. Some steps.

  At the mouth of the path she takes a moment to take in this world.

  Then she walks down the track.

  When she has gone, DEREK goes closer to the caravan. He takes the blooded handkerchief out of his notebook.

  He looks at it, fearful, awestruck – like it has all the power in the universe.

  Scene Six

  Derek Knows

  By the caravan. A grey morning.

  DEREK and LYDIA.

  DEREK

  Thanks for coming

  LYDIA

  Sorry I

  DEREK

  Thank you.

  LYDIA

  (A little briskly.) I can’t stay that long.

  DEREK

  Sure.

  LYDIA

  I’m sorry I didn’t call.

  DEREK

  Don’t worry about that.

  LYDIA

  It’s been really busy.

  DEREK

  I know…

  Finding your feet.

  LYDIA

  Yes.

  Pause.

  DEREK

  Lydia… there’s something I have to say to you.

  Pause.
/>   LYDIA

  (Getting the wrong end of the stick.) Derek, I think you’re really / sweet

  DEREK

  No, you misunderstand / me.

  LYDIA

  Really, I think you’re lovely, / but

  DEREK

  Please listen to / me.

  LYDIA

  I’m not sure / that.

  DEREK

  No, I understand.

  LYDIA

  I’m not really in a / place…

  DEREK

  That wasn’t why…

  Lydia, I want you to know that you can trust me.

  Pause.

  LYDIA

  What are you talking about?

  DEREK

  I can help you, Lydia.

  LYDIA

  To what?

  DEREK

  If you need it.

  LYDIA

  I don’t know what you mean.

  DEREK

  I was walking here last night.

  And the…

  The light was on. In the caravan.

  Pause.

  And I saw you.

  Pause.

  With the needle.

  Pause.

  There’s a new shot, isn’t there?

  LYDIA

  What do you mean?

  DEREK

  I read that they’re trialling a new drug.

  LYDIA

  I don’t know what you’re talking about.

  DEREK

  And I saw the mark.

  LYDIA

  You were watching me?

  DEREK

  I was just there.

  LYDIA

  You were watching me?

  DEREK

  I was in the wrong / place.

  LYDIA

  You can’t watch me!

  DEREK

  At the wrong time.

  LYDIA

  It’s nothing!

  DEREK

  I’m so sorry.

  LYDIA

  (Desperate.) It’s nothing! It wasn’t that!

  DEREK

  My heart goes out to / you

  LYDIA

  No, no, no!

  DEREK

  If there’s anything I can do.

  LYDIA

  You don’t know what you’re saying!

  You don’t know.

  DEREK

  Please.

  LYDIA

  Little fucking

  Fucking nothing.

  Creep.

  She screws herself up, the ugliness of her anger.

  Get away from me! Get away!

  Beat.

  He starts to stumble off, but she suddenly struggles.

  He hears.

  He turns round.

  LYDIA

  (Struggles.) Oh shit.

  She closes her eyes, feeling like she will faint.

  DEREK turns back.

  DEREK

  Are you okay?

  LYDIA

  Just go!

  Pause. DEREK doesn’t know what to do. She starts to crumple.

  DEREK

  Can I help you?

  LYDIA

  No.

  DEREK

  Please sit.

  She sits.

  It’s okay.

  It’ll be okay.

  Pause. DEREK goes to give her a bottle of water from his bag.

  She drinks it, without her lips touching the rim.

  LYDIA

  My lips haven’t touched it.

  DEREK

  It’s okay.

  Pause. DEREK tries to approach.

  LYDIA

  Don’t come close.

  DEREK

  Why not?

  LYDIA

  You could die.

  DEREK

  I won’t die.

  Pause.

  LYDIA

  Was it obvious?

  DEREK

  No.

  LYDIA

  It isn’t obvious!

  DEREK

  I was in the wrong place at the wrong time.

  Pause.

  You don’t have to be friends with me.

  You don’t have to see me.

  But I just want you to know you can trust me.

  I’ll be your excuse, if you need one.

  I’ll be your lookout.

  I won’t ask for anything.

  I won’t breathe a word!

  Pause. LYDIA looks at him. He smiles.

  Pause. The sound of the sea.

  It’s high tide now.

  Everything’s washed away.

  Forgotten.

  LYDIA suddenly struggles.

  It’ll be okay, don’t you worry.

  You’ll be as right as rain.

  LYDIA rallies.

  LYDIA

  Do you have any food?

  DEREK runs inside the caravan and comes out with an apple and a chocolate bar.

  He hands her the apple, and then:

  DEREK

  Chocolate.

  Pause. LYDIA eats.

  Is it okay?

  She’s stronger now.

  Are you feeling any better?

  LYDIA

  I can control it.

  With my shot

  If I’m lucky I might live for ages.

  I might live to be old.

  It doesn’t matter at all on a day-to-day – (Of whatever is inside her body.) It doesn’t wake up!

  It’s sleeping.

  I ignore it.

  It doesn’t concern me.

  You can’t get it from just touching me.

  You could touch me now and you’d never get it.

  And not through

  Not through

  Kissing.

  The medication… suppresses it.

  I’m not contagious any more.

  And I’m so careful

  The idea of passing it / on

  DEREK

  You don’t need / to

  LYDIA

  I want you to know that.

  Pause.

  I went… to the pub… with Vince.

  There was this guy.

  He was doing a speech.

  He was so clever.

  You could see his eyes dart around the room.

  Every time he looked at you:

  ‘Is he one?’ ‘Is she one?’

  He looked at me, and he knew.

  DEREK

  He couldn’t.

  LYDIA

  I don’t know how but he did.

  You saw my mark?

  It’s horrible.

  DEREK

  No.

  LYDIA

  It’s foul.

  DEREK

  It’s just a mark.

  Pause.

  LYDIA

  (The nightmare looming again.) I can’t do it again.

  I can’t.

  Pause.

  Last time, I had to move, when they found out. In Sussex.

 

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