Book Read Free

Crushed Shells and Mud

Page 8

by Ben Musgrave


  I just want you to know that any information you have, it’s all safe, we’re not going to do anything.

  DEREK

  I don’t know anything.

  PETER

  Sure.

  DEREK

  I don’t want another attack.

  PETER

  That’s not what we’re about, Derek.

  We don’t want violence.

  Now, if you wanna talk to ’em, be friends with ’em, that’s your prerogative, it’s a free country.

  DEREK

  I don’t

  PETER

  But honestly

  Be careful, brother.

  It breaks my heart to see a clever kid like you in a pickle.

  Cos you are in a pickle aren’t you?

  I know you’re worried about her. But that’s good.

  It shows you have a heart.

  (Approvingly.) Derek, you’ve got a heart in you.

  (To VINCENT.) He cares for all God’s creatures, don’t he, Vince?

  I hope you were never a cunt to him.

  VINCENT

  No!

  PETER

  (To DEREK, of VINCENT.) Was he a cunt?

  VINCENT

  I wasn’t, was I?

  DEREK

  No, you were alright.

  PETER

  That girl, Lydia… She’s still sending Vince dirty letters, talking about how she wants him inside her.

  Pretty saucy material, actually.

  X-rated.

  On the news… they’re not telling us what’s happening.

  They’re keeping it quiet.

  But it’s going fucking nuts all over Essex, Kent, Cambridgeshire.

  They’re everywhere.

  They’re crawling out of the cracks in the earth

  Like cockroaches, like earwigs

  They’re coming out of the sea.

  They’re dangerous.

  And they make us feel like shit.

  They make us feel like we lack something.

  That we don’t know how to feel.

  That we should feel something different.

  Pause.

  Your feelings are your feelings, Derek.

  They are only true.

  They are only honest

  And God will forgive you.

  Pause.

  Will you help us?

  More and more young people are joining.

  You won’t be alone.

  Girls, too.

  Pause. DEREK nods. PETER comes and embraces him.

  We’ll love you, Derek.

  We’ll love you, as one of us.

  Come and find us, tomorrow.

  At The Lion.

  Two o’clock.

  We’ve got plans, mate.

  Pause. PETER and VINCENT exit by the track.

  Pause. DEREK watches them go.

  He takes VINCENT’s shirt off. He examines his body.

  From the sea-path, SARAH enters.

  DEREK turns to her.

  DEREK

  How much of that did you hear?

  Pause. All of it.

  SARAH

  We know all about Peter…

  We know what he does.

  His son… contracted it.

  He chucked him out, even though…

  Well, he had his own story.

  And he went off the rails.

  And into fights, drugs.

  He used to drive a truck down the A12, picking up girls along the way.

  He was lost.

  The League turned him.

  Pause.

  I need to talk about Lydia.

  I don’t really want you anywhere near us, but it seems I have no choice,

  It’s too dangerous, here.

  There’s something happening.

  There’s chatter.

  I’m concerned.

  We were supposed to be moving her today.

  But she’s gone downhill.

  She’s become very ill.

  She isn’t responding to the treatment.

  I don’t think she can go on much longer

  Pause.

  She’s been playing your CD.

  The same song over and over.

  Pause.

  You’re a good boy I think, struggling all your life, not knowing what’s it all about.

  Even that first time I saw you, I knew you had courage.

  I think it’s been growing inside you.

  Since that last time.

  Blooming.

  I can see you shining, Derek.

  I can see it in you.

  And you can be reborn.

  Pause.

  Come to her.

  DEREK

  What can I do?

  I can’t do a thing.

  I’m hopeless.

  SARAH

  Tell her she’s alright.

  Just tell her she’s alright.

  DEREK

  Why?

  SARAH

  If you don’t, I think she’ll die.

  Scene Four

  The Miracle

  SARAH’s cottage, that night. LYDIA is in a chair. The moon is full.

  LYDIA is listening to a wonderful song from between 1994 and 1997. She looks very ill.

  There are a few lit candles on the table.

  DEREK and SARAH have just entered.

  LYDIA is paler, thinner. DEREK approaches.

  LYDIA

  I like this song.

  DEREK

  Yeah?

  LYDIA

  It’s good.

  I used to listen to this song in the car.

  Pause.

  My dad used to play it.

  Pause.

  He ‘liked his music’.

  DEREK

  Sarah asked me to come.

  LYDIA

  Sarah should leave me alone.

  SARAH

  Sarah wants you to live.

  LYDIA

  Sarah’s just embarrassing.

  Pause.

  SARAH leaves DEREK and LYDIA alone.

  Pause. LYDIA turns the music off.

  You shouldn’t have come.

  You come to laugh at me?

  Stare at me again.

  DEREK

  No.

  LYDIA

  Then what?

  DEREK looks at her.

  DEREK

  I don’t know.

  LYDIA

  Stare at my mark?

  DEREK

  No.

  LYDIA

  You should get out of here before you get infected.

  DEREK

  You won’t infect me.

  Pause.

  LYDIA

  But you fear it?

  Pause.

  How could you betray me?

  Pause.

  It keeps going round and round my head.

  How could you?

  I thought you had such courage.

  DEREK

  No.

  LYDIA

  No, no courage.

  DEREK

  I’ve never had any.

  I’m no good.

  I’m hardly a person at all.

  I’m not right, I’m… despicable.

  He struggles with this.

  I know that now.

  And if there’s anything good to come out of this it’s that it’s set me straight.

  Pause.

  When you came

  I found myself full of dreams.

  LYDIA

  About what?

  DEREK

  About you.

  And about who I might become.

  Pause.

  I liked you.

  Not just the being beautiful and that, but

  But the way you looked for the sea.

  And the way you sank into the water, like you didn’t mind the cold.

  And the way you seemed to love this place.

  And the way something seemed to change inside me.

  And you didn’t la
ugh at me.

  You didn’t make me feel stupid for having those dreams.

  Pause.

  And I felt very strongly that life was beginning

  LYDIA

  And then I fucked that up

  DEREK

  No, I

  LYDIA

  You overheard me, didn’t you?

  DEREK

  It doesn’t matter.

  LYDIA

  Everything I try.

  DEREK

  You were just being young.

  LYDIA

  Nasty.

  DEREK

  It’s okay.

  LYDIA

  So typical of me.

  DEREK

  It’s okay.

  LYDIA

  Everything I touch.

  DEREK places his hand on the place where her mark is.

  DEREK

  It’s just this.

  It’s not you.

  There is something inside me too.

  And it’s not me.

  Pause. He keeps his hand there.

  LYDIA

  I know.

  Pause.

  Did you really like me?

  DEREK

  I still like you.

  LYDIA

  How?

  DEREK

  Of course I do.

  Pause.

  LYDIA

  (Of the mark.) Even with this?

  DEREK

  Yes.

  Can I see it?

  Pause.

  It’s alright, it won’t do me harm.

  Pause. She reveals the mark.

  It’s okay.

  Pause. DEREK touches it.

  It’s okay.

  It is what it is.

  There’s no harm.

  Pause.

  See.

  Pause. She closes her eyes. He closes his eyes.

  It’s just normal.

  We’re just normal.

  We can just be normal.

  Beat. She gets up.

  She plays some music from DEREK’s CD.

  They listen to it.

  Pause.

  LYDIA

  I read your story.

  DEREK

  What story?

  LYDIA

  The one about the trawlerman.

  You remember you gave it to me?

  When we first met?

  DEREK

  Oh yes.

  LYDIA

  I loved it.

  DEREK

  Did you?

  LYDIA

  I thought it was wonderful.

  I felt like you’d really understood his feelings.

  Like you’d got under his skin.

  It was gorgeous.

  DEREK

  Thank you.

  Pause.

  LYDIA

  Before Sussex.

  I was at a dance academy in London.

  We felt very free there, all of us.

  Every day we had to have courage.

  To be and feel how we wanted to be.

  To touch others

  To understand the bodies of others.

  It wasn’t wrong, it was lovely.

  I felt that I was discovering things every day.

  SARAH enters, with a slim medical bag.

  There was a boy called Robbie, and he was my… particular friend.

  I was fifteen and he was seventeen, and I had sex with him.

  Before the panic.

  Before it emerged.

  We weren’t careful enough.

  I was on the pill.

  I didn’t know that he’d slept with other girls before me!

  We were just young!

  Then he got very ill and died.

  And other people at the academy.

  And then I got very ill.

  And my parents

  Couldn’t handle it.

  And started to reject me.

  And wouldn’t come near me.

  And wouldn’t hug me.

  And that’s when it was born inside me.

  Pause. She struggles with it.

  And one day they were gone.

  On a business trip, they said.

  And they put me in a hospital.

  And they didn’t come.

  And when the hospital made enquiries

  It turned out my mother and father had left the country.

  Pause.

  Will you go swimming again, Derek?

  DEREK

  Yeah.

  Pause. She takes his hand. SARAH takes a syringe from her bag.

  LYDIA

  It’s time for my medicine.

  LYDIA nods her head.

  Then SARAH injects LYDIA. Beat. SARAH recites the liturgy.

  SARAH

  You’ve got your heart.

  You’ve got your heart.

  You’ve got your blood.

  You’ve got your blood.

  You’ve got your wings.

  You know the way.

  Pause. SARAH goes back inside. LYDIA and DEREK. The sea. The quiet.

  SARAH re-enters, with a bottle of wine, and some crisp wine glasses. The bottle is already half-drunk, with a cork in it. She looks at them, nervously.

  Can I join you?

  Pause. Yes.

  Only half a bottle, but there it is.

  It’s English wine.

  She pours them a glass of wine, and hands it round.

  This wine was made in the year it first appeared.

  I’m no expert but I’m told it was a very good year.

  Sorry, am I being embarrassing?

  They drink together.

  Do you like it, Derek?

  Pause.

  DEREK

  Yes, I do.

  SARAH

  You can taste elderflower.

  Pause. The sea. The wine.

  I used to live in London. I used to be a nurse at the Royal Free.

  My husband was a surgeon. He was on the front line.

  One day he became very sick, one of the first to bloom.

  To be perfectly honest, I don’t know for sure how he got it.

  He died. And then I got it too.

  And of course they didn’t let me keep my job.

  And my friends were afraid to come close to me.

  To touch me.

  And I began to waste, and fall apart.

  And I hated myself.

  I wanted to see my family.

  This was before the London cordon.

 

‹ Prev