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Dead Man's Island

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by Carolyn G. Hart




  Dead Man's Island

  Henrie O - One

  by

  Carolyn G Hart

  Prologue

  I don't con­si­der myself an

  angel, aven­ging or ot­her­wi­se, but I can't al­ways ac­cept fa­te as the an­s­wer. Ti­ming ma­kes all the dif­fer-

  ence.

  There exists a rat­her char­ming scho­ol of tho­ught that the mo­to­rist who lo­oms out of the fog at pre­ci­sely the right mo­ment or the fat­herly old man who ta­kes a lost child's hand and le­ads her to sa­fety are he­aven­sent mes­sen­gers.

  Unknown to them­sel­ves, of co­ur­se.

  It was the epi­so­de in the ho­tel lobby that ma­de me, Hen­ri­et­ta O'Dw­yer Col­lins, pon­der the im­pon­de­rab­le and my ro­le in it.

  Had I co­me dow­n­s­ta­irs one mi­nu­te la­ter, Wil­la Ben­son wo­uld ha­ve be­en sit­ting pretty.

  But I was strol­ling past the re­cep­ti­on area a few mi­nu­tes af­ter eight with not­hing mo­re in mind than a

  leisurely jog. Mid­way down the po­lis­hed pink-and-whi­te-mar­b­led hal­lway, my right sho­ela­ce flop­ped lo­ose. I prop­ped my Re­ebok on the ed­ge of the he­avy blue por­ce­la­in plan­ter. As I ti­ed the la­ce, I glan­ced at the mir­ror that ref­lec­ted me in navy swe­ats and, be­hind me, the hal­lway and the or­na­te ma­ho­gany front desk.

  That's why I saw the sle­ek, sa­tis­fi­ed, sly lo­ok on Wil­la Ben­son's plump fa­ce as she tur­ned away from the front desk and lo­oked down at the en­ve­lo­pe in her pudgy hands. What ma­de it do­ubly in­te­res­ting was the con­t­rast bet­we­en that un­gu­ar­ded ex­p­res­si­on, one of ma­li­ce la­ced with amu­se­ment and con­tem­p­tu­o­us ple­asu­re, and her usu­al de­me­anor of chirpy con­ge­ni­ality as she de­alt with the ne­eds of Ma­mie Du­vall, the fra­il, el­derly wo­man whom she ser­ved as a com­pa­ni­on.

  So I yan­ked on the sho­ela­ce, re­wor­ked it, and con­ti­nu­ed to watch the mir­ror and the pink-che­eked, mot­her­ly-lo­oking wo­man with the en­ve­lo­pe in her hand.

  What ma­de it triply in­te­res­ting was that she didn't open the en­ve­lo­pe. In­s­te­ad, she mo­ved out of sight of the clerk, rip­ped the en­ve­lo­pe-the uno­pe­ned en­ve­lo­pe-in half, then stuf­fed the pi­eces in her pur­se, still lo­oking ple­ased and sa­tis­fi­ed in a tho­ro­ughly nasty way.

  I sup­po­se most pe­op­le might ha­ve se­en all of the abo­ve and shrug­ged, thin­king it no­ne of the­ir bu­si­ness, no mat­ter how in­t­ri­gu­ing. Not I. As so­on as the ele­va­tor do­or clo­sed be­hind Wil­la, I wal­ked to the lobby desk.

  There are clerks and clerks. This yo­ung lady had a big smi­le and she al­ways tri­ed to ple­ase.

  "Any mes­sa­ges for me, Ani­ta?"

  "No, Mrs. Col­lins. I just sor­ted the ma­il."

  I half- turned, then pa­used. "Oh, Mrs. Du­vall's ex­pec­ting an im­por­tant let­ter. I told her I'd ask."

  "It's on its way to her right now. The lady who's with her, Mrs. Ben­son, just pic­ked it up."

  So I was right. This was ma­il for Ma­mie Du­vall -not for her ca­nary-fa­ced com­pa­ni­on.

  I bre­at­hed an audib­le sigh of re­li­ef. "Oh, I do ho­pe it was the let­ter from She­ila, the one she's ho­ping for."

  "Well," Ani­ta sa­id brightly, "it was pos­t­mar­ked from Pho­enix-and it lo­oked li­ke a wo­man's han­d­w­ri­ting."

  "That's the one." I be­amed. "I be­li­eve I'll go right up and talk to her."

  As I wa­ited for the ele­va­tor, I saw my own ref­lec­ti­on: dark ha­ir sil­ve­red at the tem­p­les, dark eyes that ha­ve se­en much and re­mem­be­red much, a Ro­man-co­in pro­fi­le, a le­an and an­gu­lar body with an ap­pe­aran­ce of for­ward mo­ti­on even when at rest-and the angry light in my eyes. I can't abi­de me­an­ness. And I didn't ne­ed a mi­nu­te's con­si­de­ra­ti­on to de­ci­de that Wil­la Ben­son was up to so­met­hing very me­an in­de­ed.

  I didn't go to Mrs. Du­vall's ro­om, of co­ur­se, but to my own and my te­lep­ho­ne. So­me­ti­mes you pick up as much by what pe­op­le don't say as what they do, and I fi­gu­red I had a li­ne on Ma­mie Du­vall.

  I'd pla­yed brid­ge se­ve­ral eve­nings with a trio of el­derly wo­men, one of whom was Mrs. Du­vall. Ma­mie Du­vall was a soft-vo­iced wi­dow with a pa­le, aris-

  tocratic fa­ce, mo­ur­n­ful blue eyes, and a sad dro­op to her mo­uth. She had the le­ast to say, but she lis­te­ned hun­g­rily to the ot­her pla­yers' ta­les of fa­mily and fri­ends. Bon­ho­mie was en­co­ura­ged at Mo­na­han Ho­use, an ami­ab­le, qu­i­etly fri­endly com­po­und in the She­nan­do­ahs of­fe­ring golf and hor­se­back ri­ding, ten­nis and cro­qu­et, gently spec­ta­cu­lar vi­ews of wo­oded rid­ges and val­leys, se­da­te ac­ti­vi­ti­es-bird walks, brid­ge, gu­est lec­tu­res -for gu­ests, even spa wa­ters for wan he­al­th-se­ekers. Not, ac­tu­al­ly, my usu­al kind of va­ca­ti­on spot, but an old fri­end ow­ned it, and I'd co­me for a we­ek's vi­sit. I was le­aving to­mor­row. So, I un­der­s­to­od, was Mrs. Du­vall.

  I had a lap­top and mo­dem with me. It was child's play to tap in­to the ho­tel system. I pul­led up the Du­vall re­gis­t­ra­ti­on: Mrs. Mar­gu­eri­te Du­vall, 2903 Eg­ret Marsh Ro­ad, Pen­sa­co­la, FL 32505. Ten mi­nu­tes la­ter, co­ur­tesy of the Pen­sa­co­la lib­rary system, I had the te­lep­ho­ne num­bers of her ne­ig­h­bors on eit­her si­de and ac­ross the stre­et. I did a lit­tle mo­re ex­p­lo­ra­tory work - new­s­pa­per mor­gu­es are so hel­p­ful - and ca­me up with the da­te of de­ath for Mar­gu­eri­te's hus­band and, mo­re im­por­tant, the obi­tu­ary list of sur­vi­vors: his da­ug­h­ter, Pa­me­la Du­vall Wil­son of Pho­enix, Ari­zo­na, and one gran­d­son, Tho­mas Char­les Wil­son, al­so of Pho­enix.

  Dolly Gar­ri­son, who li­ved ac­ross the stre­et from Mrs. Du­vall, ne­ver sus­pec­ted I wasn't a long-lost co­usin of Mrs. Du­vall's trying to get in to­uch. "Why, it's the fun­ni­est thing. First Ma­mie's da­ug­h­ter cal­led, oh, a co­up­le of days ago, and now you! Pam says her mot­her's num­ber is un­lis­ted! Why on earth! No­body I know has an un­lis­ted num­ber…"

  I wor­ked fast. Ne­ed­less to say, I mis­sed my jog, but by the end of the day I knew all abo­ut Mar­gu­eri­te Du­vall, her da­ug­h­ter, Pam, and her gran­d­son, Tommy. I knew abo­ut Ma­mie Du­vall's bro­ken hip and the wo­man, Wil­la Ben­son, who'd an­s­we­red her ad for li­ve-in help. But the re­al low-down ca­me when I tal­ked to Pam. "I've writ­ten and writ­ten…"

  The last- minute air­li­ne tic­ket and the chan­ge to my own re­ser­va­ti­ons and the pur­c­ha­se of two mo­re last-mi­nu­te tic­kets was pri­cey, but I hap­pen, thanks to so­me re­cently pub­lis­hed no­vels, to be rat­her well-he­eled at the mo­ment. (Is that per­haps a qu­ali­fi­ca­ti­on for aven­ging an­gels?)

  I ma­de a gre­at show of de­light and sur­p­ri­se when I re­ac­hed row 10 on the flight to Pen­sa­co­la and fo­und I had the win­dow se­at next to Mrs. Du­vall and Wil­la. I in­sis­ted that Mrs. Du­vall ta­ke the win­dow se­at. I was happy to sit in the cen­ter.

  I to­ok par­ti­cu­lar ple­asu­re in no­ting Wil­la's not-qu­ite-con­ce­aled re­li­ef at be­ing re­li­eved of duty.

  I ha­ven't as­ked to­ugh qu­es­ti­ons for mo­re than half a cen­tury wit­ho­ut le­ar­ning how to get pe­op­le to talk.

  Mamie Du­vall was a he­ar­t­b­re­ak wa­iting to be un­lo­aded.

  "… can't find any tra­ce of my da­ug­h­ter. Wil­la's hel­ped me. She's cal­led ever­yo­ne who knew Pam, but she and Tommy left her apar­t­ment wit­ho­u
t le­aving an ad­dress and I ha­ven't he­ard from her-not a pho­ne call, not a let­ter-for al­most a ye­ar now. Wil­la even tal­ked to the po­li­ce in Pho­enix-that's whe­re Pam li­ved-but they told her all they co­uld do was fi­le a mis­sing-per­sons re­port." Ma­mie's fa­ce crum­p­led.

  "Something aw­ful's hap­pe­ned to Pam and Tommy. No word, not­hing…"

  I dred­ged it all out, how Wil­la had han­d­led ever­y­t­hing, had ma­de all the in­qu­iri­es.

  Mamie pres­sed a sod­den han­d­ker­c­hi­ef to her red­de­ned eyes. "I don't know what I wo­uld do wit­ho­ut Wil­la. She's the only per­son I ha­ve in the who­le world now."

  I re­ac­hed out, gently held a fra­il arm in my hand. "No, you aren't alo­ne. In fact, I ha­ve won­der­ful news for you. Pam is all right. She's be­en trying to get in to­uch with you for mo­re than a ye­ar. She lo­ves you very much, and she and Tommy will be at the air­port when we land."

  My vo­ice is cle­ar. It car­ri­es.

  Willa's he­ad jer­ked to­ward me. Shock lo­ose­ned the mus­c­les in her fa­ce. The­re was no smug­ness the­re

  now.

  1

  I flew to St. Lo­u­is the next

  day, then dro­ve to Derry Hills, my pre­sent fa­irly per­ma­nent re­si­den­ce. I kept thin­king of mot­her and da­ug­h­ter re­uni­ted, the sac­cha­ri­ne in­ter­lo­per van­qu­is­hed. In con­t­rast, how for­tu­na­te I was in my li­fe, even tho­ugh I was now a wi­dow. My re­la­ti­on­s­hip with my own da­ug­h­ter, Emily, is strong and lo­ving, and I ta­ke gre­at de­light in Emily's fa­mily. For myself, I'd spent mo­re than fifty ye­ars as a re­por­ter, enj­oying every mi­nu­te. Tho­se days are be­hind me now, but I fa­ce new chal­len­ges every day. I wel­co­me them.

  My li­fe is full. And happy.

  I was glad to be back, sud­denly eager to get to work on my new bo­ok. I hur­ri­ed in­si­de the ho­use. I was just un­zip­ping my su­it­ca­se when the pho­ne rang. I re­ac­hed for it with no he­si­ta­ti­on.

  "My de­ar, it's go­od to he­ar yo­ur vo­ice."

  That was all Cha­se sa­id. He didn't iden­tify him­self. He didn't ne­ed to. Even af­ter all the­se ye­ars I re­cog­ni­zed that con­fi­dent, as­ser­ti­ve vo­ice. Truth to tell, I wo­uld know it an­y­w­he­re this si­de of the gra­ve. Still, it was cha­rac­te­ris­tic of Cha­se to as­su­me he wo­uld in­s­tantly be known, cha­rac­te­ris­tic of that fi­ne, ca­re­less ar­ro­gan­ce that had va­ul­ted him to im­men­se we­alth and po­wer.

  1 didn't an­s­wer.

  "Henrie, ple­ase he­ar me out." The­re was a fa­int so­und that might ha­ve be­en the ghost of la­ug­h­ter. "Or sho­uld 1 call you Hen­rie O?"

  That ca­ught my at­ten­ti­on as not­hing el­se co­uld ha­ve. It ar­gu­ed know­led­ge of me, Hen­ri­et­ta O'Dw­yer Col­lins, long past the ti­me we'd sha­red.

  "Hello, Cha­se." I sa­id it ple­asantly and evenly, as tho­ugh we had par­ted the day be­fo­re, not fo­ur de­ca­des be­fo­re. I he­ard my own vo­ice, con­t­rol­led and non­com­mit­tal, with a sud­den sen­se of ine­vi­ta­bi­lity. Sub­con­s­ci­o­usly 1 had, for mo­re than half a li­fe­ti­me, ex­pec­ted this call. "What do you want?"

  That drew a fa­mi­li­ar bark of la­ug­h­ter. "God, you ne­ver chan­ge, do you?"

  I didn't con­t­ra­dict him. But, of Bo­ur­se, 1 had. The yo­ung wo­man he re­cal­led was al­most lost in the mists of me­mory, and tho­se par­ti­cu­lar me­mo­ri­es I had no in­ten­ti­on of re­sur­rec­ting. The rec­k­less yo­ung re­por­ter whom Cha­se had known so well was now a wo­man who had spent fi­ve de­ca­des co­ve­ring fi­res, di­sas­ters, wars, re­vo­lu­ti­ons, mur­ders, and pub­lic scan­dals.

  "What do you want?" It wasn't qu­ite a chal­len­ge, but it ca­me ne­ar.

  He was si­lent. That was unex­pec­ted. Cha­se with

  nothing to say? Had the gla­ci­ers mel­ted? The sun tur­ned back in its or­bit?

  Finally, grud­gingly, he spo­ke in a tro­ub­led to­ne I'd ne­ver ima­gi­ned he­aring from Cha­se. "Hen­rie O" -and the­re was no hint of la­ug­h­ter now, the­re was only a na­ked, hel­p­less ho­nes­ty-"Hen­rie O, I ne­ed yo­ur help."

  I wan­ted to put down that te­lep­ho­ne as if the call had ne­ver co­me. I wan­ted to re­turn to my li­fe as I had li­ved it for so long. But I con­ti­nu­ed to hold the re­ce­iver in a tight grip. Fi­nal­ly, as re­luc­tantly as he had spo­ken, I an­s­we­red. It was the an­s­wer that had be­en fo­re­or­da­ined mo­re than forty ye­ars be­fo­re.

  I to­ok ti­me to glan­ce at my ma­il and sub­s­ti­tu­te fresh clot­hes for so­iled ones. Be­fo­re I clo­sed the su­it­ca­se, I to­ok out the two fra­med pho­tog­raphs I al­ways carry with me. I glan­ced at the pic­tu­re of my la­te hus­band, Ric­hard, and wis­hed that he was he­re now, with his gra­ve tho­ug­h­t­ful­ness and qu­ick, ste­ad­ying hu­mor. It was Ric­hard who had first cal­led me Hen­rie O. He cla­imed I pac­ked mo­re twists and sur­p­ri­ses in­to a sin­g­le day than O. Henry ever did in a short story. The stu­dio por­t­ra­it of my da­ug­h­ter was re­cent, and it cap­tu­red Emily's be­a­uty, glossy ebony ha­ir, vi­vid aqu­ama­ri­ne eyes, a fi­nely bo­ned fa­ce. Emily-the de­light of my li­fe. I lo­oked from one fa­mi­li­ar, be­lo­ved fa­ce to the ot­her, then pla­ced the pho­tog­raphs on my bed and clo­sed the su­it­ca­se. I cal­led Emily's ho­me in the Rio Gran­de val­ley and left the mes­sa­ge that I wo­uld be go­ne for anot­her we­ek, vi­si­ting a fri­end in So­uth Ca­ro­li­na. Then I was re­ady to le­ave. It was

  easy eno­ugh, physi­cal­ly, simply to turn aro­und, pick up the bags, and he­ad back to­ward St. Lo­u­is and the air­port. Cha­se had al­re­ady ma­de a re­ser­va­ti­on for me at the Mar­ri­ott the­re, whe­re the tic­ket for to­mor­row's flight awa­ited me.

  The ren­tal car smel­led li­ke sta­le ci­gars. I had all the win­dows down des­pi­te the la­te-af­ter­no­on August he­at and hu­mi­dity-sod­den air. I hadn't be­en to the So­uth Ca­ro­li­na Low Co­untry in so­me ye­ars. Not, in fact, sin­ce 1979 when I'd co­ve­red the af­ter­math of Hur­ri­ca­ne Da­vid, which had left 78 de­ad and ca­used ne­arly half a bil­li­on dol­lars in da­ma­ges. Hur­ri­ca­ne Hu­go had kil­led 21 when it struck a de­ca­de la­ter. Wor­se was to co­me. The most de­vas­ta­ting na­tu­ral di­sas­ter in Uni­ted Sta­tes his­tory was Hur­ri­ca­ne An­d­rew. Stri­king in the early mor­ning ho­urs of la­te August 1992, this fe­ro­ci­o­us storm kil­led 38 whi­le cut­ting a swath of des­t­ruc­ti­on ac­ross the so­ut­hern tip of Flo­ri­da, ob­li­te­ra­ting 25,000 ho­mes and ca­using $20 bil­li­on in da­ma­ges and anot­her $10 bil­li­on in cle­an-up costs. Ex­perts had long fe­ared that a hur­ri­ca­ne on this sca­le wo­uld wre­ak ha­voc along the he­avily po­pu­la­ted cor­ri­dor run­ning from the tip of Flo­ri­da all the way to Was­hin­g­ton, D.C., but fo­re­cas­ting has be­co­me so ex­pert that eva­cu­ati­on me­asu­res wor­ked well in sa­ving li­ves.

  I glan­ced down at the she­et con­ta­ining di­rec­ti­ons. I'd re­ce­ived the she­et in a Fe­de­ral Ex­p­ress pac­ket that mor­ning at the ho­tel. My flights had be­en une­ven­t­ful, St. Lo­u­is to At­lan­ta, At­lan­ta to Char­les­ton. I'd had

  sions down me­mory la­ne and to spe­cu­la­te abo­ut what lay ahe­ad. The di­rec­ti­ons I'd be­en sent sho­wed the ro­ute to fol­low, but they shed no light on what to ex­pect at jo­ur­ney's end. Simply a two-sen­ten­ce no­te in Cha­se's un­mis­ta­kab­le, bac­k­ward-slan­ted han­d­w­ri­ting:

  You've al­ways had an un­can­ny abi­lity to sniff out the truth, Hen­rie O. I'm co­un­ting on you. Cha­se.

  I fid­dled with the sta­tic-rid­den ra­dio, ca­ught the la­test news-ces­spo­ol po­li­tics do­mi­na­ted the elec­ti­on with he­ated char­ges and co­un­ter­c­har­ges over cri­me and wel­fa­
re is­su­es; mo­re Ame­ri­cans out of work as La­bor Day ap­pro­ac­hed; Tro­pi­cal Storm De­rek chur­ned to­ward the Ca­rib­be­an, pic­king up spe­ed, and was pre­dic­ted to re­ach hur­ri­ca­ne sta­tus by to­mor­row-and enj­oyed the oc­ca­si­onal glim­p­se of he­rons and snowy eg­rets in pat­c­hes of lush marsh. On­ce off the in­ter­s­ta­te I was gra­te­ful for the map as I fol­lo­wed first one, then anot­her and anot­her and anot­her pi­ne-sh­ro­uded blac­k­top, each mo­re dis­tant from ha­bi­ta­ti­on, mo­re re­mo­te. I al­most mis­sed the fi­nal tur­noff, but at the last mi­nu­te bra­ked and whe­eled to my right in­to Cof­fin Po­int La­ne. Gray dust swir­led up from be­ne­ath my whe­els. I blin­ked and co­ug­hed. This track co­uld scar­cely co­unt as a ro­ad. It was just two de­ep ruts in the gray dirt. Long-le­af pi­nes to­we­red over­he­ad, bloc­king out the hazy sun­light. Re­sur­rec­ti­on ferns po­ked in­to the dusky la­ne, slap­ping aga­inst the car. Se­ve­ral mi­les far­t­her on the track plun­ged out from be­ne­ath the pi­nes to

 

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