Complete Works of Robert Louis Stevenson (Illustrated)

by Robert Louis Stevenson

  “When word came to Mr. Carthew’s ears, the turn up was ‘orrible,” continued Mr. Higgs. “I remember it as if it was yesterday. The bell was rung after her la’ship was gone, which I answered it myself, supposing it were the coffee. There was Mr. Carthew on his feet. ‘‘Iggs,’ he says, pointing with his stick, for he had a turn of the gout, ‘order the dog-cart instantly for this son of mine which has disgraced hisself.’ Mr. Norris say nothink: he sit there with his ‘ead down, making belief to be looking at a walnut. You might have bowled me over with a straw,” said Mr. Higgs.

  “Had he done anything very bad?” I asked.

  “Not he, Mr. Dodsley!” cried the lady — it was so she had conceived my name. “He never did anythink to all really wrong in his poor life. The ‘ole affair was a disgrace. It was all rank favouritising.”

  “Mrs. ‘Iggs! Mrs. ‘Iggs!” cried the butler warningly.

  “Well, what do I care?” retorted the lady, shaking her ringlets. “You know it was yourself, Mr. ‘Iggs, and so did every member of the staff.”

  While I was getting these facts and opinions, I by no means neglected the child. She was not attractive; but fortunately she had reached the corrupt age of seven, when half a crown appears about as large as a saucer and is fully as rare as the dodo. For a shilling down, sixpence in her money-box, and an American gold dollar which I happened to find in my pocket, I bought the creature soul and body. She declared her intention to accompany me to the ends of the earth; and had to be chidden by her sire for drawing comparisons between myself and her uncle William, highly damaging to the latter.

  Dinner was scarce done, the cloth was not yet removed, when Miss Agnes must needs climb into my lap with her stamp album, a relic of the generosity of Uncle William. There are few things I despise more than old stamps, unless perhaps it be crests; for cattle (from the Carthew Chillinghams down to the old gate-keeper’s milk-cow in the lane) contempt is far from being my first sentiment. But it seemed I was doomed to pass that day in viewing curiosities, and smothering a yawn, I devoted myself once more to tread the well-known round. I fancy Uncle William must have begun the collection himself and tired of it, for the book (to my surprise) was quite respectably filled. There were the varying shades of the English penny, Russians with the coloured heart, old undecipherable Thurn-und-Taxis, obsolete triangular Cape of Good Hopes, Swan Rivers with the Swan, and Guianas with the sailing ship. Upon all these I looked with the eyes of a fish and the spirit of a sheep; I think indeed I was at times asleep; and it was probably in one of these moments that I capsized the album, and there fell from the end of it, upon the floor, a considerable number of what I believe to be called “exchanges.”

  Here, against all probability, my chance had come to me; for as I gallantly picked them up, I was struck with the disproportionate amount of five-sous French stamps. Some one, I reasoned, must write very regularly from France to the neighbourhood of Stallbridge-le-Carthew. Could it be Norris? On one stamp I made out an initial C; upon a second I got as far as CH; beyond which point, the postmark used was in every instance undecipherable. CH, when you consider that about a quarter of the towns in France begin with “chateau,” was an insufficient clue; and I promptly annexed the plainest of the collection in order to consult the post-office.

  The wretched infant took me in the fact. “Naughty man, to ‘teal my ‘tamp!” she cried; and when I would have brazened it off with a denial, recovered and displayed the stolen article.

  My position was now highly false; and I believe it was in mere pity that Mrs. Higgs came to my rescue with a welcome proposition. If the gentleman was really interested in stamps, she said, probably supposing me a monomaniac on the point, he should see Mr. Denman’s album. Mr. Denman had been collecting forty years, and his collection was said to be worth a mint of money. “Agnes,” she went on, “if you were a kind little girl, you would run over to the ‘All, tell Mr. Denman there’s a connaisseer in the ‘ouse, and ask him if one of the young gentlemen might bring the album down.”

  “I should like to see his exchanges too,” I cried, rising to the occasion. “I may have some of mine in my pocket-book and we might trade.”

  Half an hour later Mr. Denman arrived himself with a most unconscionable volume under his arm. “Ah, sir,” he cried, “when I ‘eard you was a collector, I dropped all. It’s a saying of mine, Mr. Dodsley, that collecting stamps makes all collectors kin. It’s a bond, sir; it creates a bond.”

  Upon the truth of this, I cannot say; but there is no doubt that the attempt to pass yourself off for a collector falsely creates a precarious situation.

  “Ah, here’s the second issue!” I would say, after consulting the legend at the side. “The pink — no, I mean the mauve — yes, that’s the beauty of this lot. Though of course, as you say,” I would hasten to add, “this yellow on the thin paper is more rare.”

  Indeed I must certainly have been detected, had I not plied Mr. Denman in self-defence with his favourite liquor — a port so excellent that it could never have ripened in the cellar of the Carthew Arms, but must have been transported, under cloud of night, from the neighbouring vaults of the great house. At each threat of exposure, and in particular whenever I was directly challenged for an opinion, I made haste to fill the butler’s glass, and by the time we had got to the exchanges, he was in a condition in which no stamp collector need be seriously feared. God forbid I should hint that he was drunk; he seemed incapable of the necessary liveliness; but the man’s eyes were set, and so long as he was suffered to talk without interruption, he seemed careless of my heeding him.

  In Mr. Denman’s exchanges, as in those of little Agnes, the same peculiarity was to be remarked, an undue preponderance of that despicably common stamp, the French twenty-five centimes. And here joining them in stealthy review, I found the C and the CH; then something of an A just following; and then a terminal Y. Here was also the whole name spelt out to me; it seemed familiar, too; and yet for some time I could not bridge the imperfection. Then I came upon another stamp, in which an L was legible before the Y, and in a moment the word leaped up complete. Chailly, that was the name; Chailly-en-Biere, the post town of Barbizon — ah, there was the very place for any man to hide himself — there was the very place for Mr. Norris, who had rambled over England making sketches — the very place for Goddedaal, who had left a palette-knife on board the Flying Scud. Singular, indeed, that while I was drifting over England with the shyster, the man we were in quest of awaited me at my own ultimate destination.

  Whether Mr. Denman had shown his album to Bellairs, whether, indeed, Bellairs could have caught (as I did) this hint from an obliterated postmark, I shall never know, and it mattered not. We were equal now; my task at Stallbridge-le-Carthew was accomplished; my interest in postage-stamps died shamelessly away; the astonished Denman was bowed out; and ordering the horse to be put in, I plunged into the study of the time-table.

  CHAPTER XXI. FACE TO FACE.

  I fell from the skies on Barbizon about two o’clock of a September afternoon. It is the dead hour of the day; all the workers have gone painting, all the idlers strolling, in the forest or the plain; the winding causewayed street is solitary, and the inn deserted. I was the more pleased to find one of my old companions in the dining-room; his town clothes marked him for a man in the act of departure; and indeed his portmanteau lay beside him on the floor.

  “Why, Stennis,” I cried, “you’re the last man I expected to find here.”

  “You won’t find me here long,” he replied. “King Pandion he is dead; all his friends are lapped in lead. For men of our antiquity, the poor old shop is played out.”

  “I have had playmates, I have had companions,” I quoted in return. We were both moved, I think, to meet again in this scene of our old pleasure parties so unexpectedly, after so long an interval, and both already so much altered.

  “That is the sentiment,” he replied. “All, all are gone, the old familiar faces. I have been here a week, and the only living
creature who seemed to recollect me was the Pharaon. Bar the Sirons, of course, and the perennial Bodmer.”

  “Is there no survivor?” I inquired.

  “Of our geological epoch? not one,” he replied. “This is the city of Petra in Edom.”

  “And what sort of Bedouins encamp among the ruins?” I asked.

  “Youth, Dodd, youth; blooming, conscious youth,” he returned. “Such a gang, such reptiles! to think we were like that! I wonder Siron didn’t sweep us from his premises.”

  “Perhaps we weren’t so bad,” I suggested.

  “Don’t let me depress you,” said he. “We were both Anglo-Saxons, anyway, and the only redeeming feature to-day is another.”

  The thought of my quest, a moment driven out by this rencounter, revived in my mind. “Who is he?” I cried. “Tell me about him.”

  “What, the Redeeming Feature?” said he. “Well, he’s a very pleasing creature, rather dim, and dull, and genteel, but really pleasing. He is very British, though, the artless Briton! Perhaps you’ll find him too much so for the transatlantic nerves. Come to think of it, on the other hand, you ought to get on famously. He is an admirer of your great republic in one of its (excuse me) shoddiest features; he takes in and sedulously reads a lot of American papers. I warned you he was artless.”

  “What papers are they?” cried I.

  “San Francisco papers,” said he. “He gets a bale of them about twice a week, and studies them like the Bible. That’s one of his weaknesses; another is to be incalculably rich. He has taken Masson’s old studio — you remember? — at the corner of the road; he has furnished it regardless of expense, and lives there surrounded with vins fins and works of art. When the youth of to-day goes up to the Caverne des Brigands to make punch — they do all that we did, like some nauseous form of ape (I never appreciated before what a creature of tradition mankind is) — this Madden follows with a basket of champagne. I told him he was wrong, and the punch tasted better; but he thought the boys liked the style of the thing, and I suppose they do. He is a very good-natured soul, and a very melancholy, and rather a helpless. O, and he has a third weakness which I came near forgetting. He paints. He has never been taught, and he’s past thirty, and he paints.”

  “How?” I asked.

  “Rather well, I think,” was the reply. “That’s the annoying part of it. See for yourself. That panel is his.”

  I stepped toward the window. It was the old familiar room, with the tables set like a Greek P, and the sideboard, and the aphasiac piano, and the panels on the wall. There were Romeo and Juliet, Antwerp from the river, Enfield’s ships among the ice, and the huge huntsman winding a huge horn; mingled with them a few new ones, the thin crop of a succeeding generation, not better and not worse. It was to one of these I was directed; a thing coarsely and wittily handled, mostly with the palette-knife, the colour in some parts excellent, the canvas in others loaded with mere clay. But it was the scene, and not the art or want of it, that riveted my notice. The foreground was of sand and scrub and wreckwood; in the middle distance the many-hued and smooth expanse of a lagoon, enclosed by a wall of breakers; beyond, a blue strip of ocean. The sky was cloudless, and I could hear the surf break. For the place was Midway Island; the point of view the very spot at which I had landed with the captain for the first time, and from which I had re-embarked the day before we sailed. I had already been gazing for some seconds, before my attention was arrested by a blur on the sea-line; and stooping to look, I recognised the smoke of a steamer.

  “Yes,” said I, turning toward Stennis, “it has merit. What is it?”

  “A fancy piece,” he returned. “That’s what pleased me. So few of the fellows in our time had the imagination of a garden snail.”

  “Madden, you say his name is?” I pursued.

  “Madden,” he repeated.

  “Has he travelled much?” I inquired.

  “I haven’t an idea. He is one of the least autobiographical of men. He sits, and smokes, and giggles, and sometimes he makes small jests; but his contributions to the art of pleasing are generally confined to looking like a gentleman and being one. No,” added Stennis, “he’ll never suit you, Dodd; you like more head on your liquor. You’ll find him as dull as ditch water.”

  “Has he big blonde side-whiskers like tusks?” I asked, mindful of the photograph of Goddedaal.

  “Certainly not: why should he?” was the reply.

  “Does he write many letters?” I continued.

  “God knows,” said Stennis. “What is wrong with you? I never saw you taken this way before.”

  “The fact is, I think I know the man,” said I. “I think I’m looking for him. I rather think he is my long-lost brother.”

  “Not twins, anyway,” returned Stennis.

  And about the same time, a carriage driving up to the inn, he took his departure.

  I walked till dinner-time in the plain, keeping to the fields; for I instinctively shunned observation, and was racked by many incongruous and impatient feelings. Here was a man whose voice I had once heard, whose doings had filled so many days of my life with interest and distress, whom I had lain awake to dream of like a lover; and now his hand was on the door; now we were to meet; now I was to learn at last the mystery of the substituted crew. The sun went down over the plain of the Angelus, and as the hour approached, my courage lessened. I let the laggard peasants pass me on the homeward way. The lamps were lit, the soup was served, the company were all at table, and the room sounded already with multitudinous talk before I entered. I took my place and found I was opposite to Madden. Over six feet high and well set up, the hair dark and streaked with silver, the eyes dark and kindly, the mouth very good-natured, the teeth admirable; linen and hands exquisite; English clothes, an English voice, an English bearing: the man stood out conspicuous from the company. Yet he had made himself at home, and seemed to enjoy a certain quiet popularity among the noisy boys of the table d’hote. He had an odd, silver giggle of a laugh, that sounded nervous even when he was really amused, and accorded ill with his big stature and manly, melancholy face. This laugh fell in continually all through dinner like the note of the triangle in a piece of modern French music; and he had at times a kind of pleasantry, rather of manner than of words, with which he started or maintained the merriment. He took his share in these diversions, not so much like a man in high spirits, but like one of an approved good nature, habitually self-forgetful, accustomed to please and to follow others. I have remarked in old soldiers much the same smiling sadness and sociable self-effacement.

  I feared to look at him, lest my glances should betray my deep excitement, and chance served me so well that the soup was scarce removed before we were naturally introduced. My first sip of Chateau Siron, a vintage from which I had been long estranged, startled me into speech.

  “O, this’ll never do!” I cried, in English.

  “Dreadful stuff, isn’t it?” said Madden, in the same language. “Do let me ask you to share my bottle. They call it Chambertin, which it isn’t; but it’s fairly palatable, and there’s nothing in this house that a man can drink at all.”

  I accepted; anything would do that paved the way to better knowledge.

  “Your name is Madden, I think,” said I. “My old friend Stennis told me about you when I came.”

  “Yes, I am sorry he went; I feel such a Grandfather William, alone among all these lads,” he replied.

  “My name is Dodd,” I resumed.

  “Yes,” said he, “so Madame Siron told me.”

  “Dodd, of San Francisco,” I continued. “Late of Pinkerton and Dodd.”

  “Montana Block, I think?” said he.

  “The same,” said I.

  Neither of us looked at each other; but I could see his hand deliberately making bread pills.

  “That’s a nice thing of yours,” I pursued, “that panel. The foreground is a little clayey, perhaps, but the lagoon is excellent.”

  “You ought to know,” said he. />
  “Yes,” returned I, “I’m rather a good judge of — that panel.”

  There was a considerable pause.

  “You know a man by the name of Bellairs, don’t you?” he resumed.

  “Ah!” cried I, “you have heard from Doctor Urquart?”

  “This very morning,” he replied.

  “Well, there is no hurry about Bellairs,” said I. “It’s rather a long story and rather a silly one. But I think we have a good deal to tell each other, and perhaps we had better wait till we are more alone.”

  “I think so,” said he. “Not that any of these fellows know English, but we’ll be more comfortable over at my place. Your health, Dodd.”

  And we took wine together across the table.

  Thus had this singular introduction passed unperceived in the midst of more than thirty persons, art students, ladies in dressing-gowns and covered with rice powder, six foot of Siron whisking dishes over our head, and his noisy sons clattering in and out with fresh relays.

  “One question more,” said I: “Did you recognise my voice?”

  “Your voice?” he repeated. “How should I? I had never heard it — we have never met.”

  “And yet, we have been in conversation before now,” said I, “and I asked you a question which you never answered, and which I have since had many thousand better reasons for putting to myself.”

  He turned suddenly white. “Good God!” he cried, “are you the man in the telephone?”

  I nodded.

  “Well, well!” said he. “It would take a good deal of magnanimity to forgive you that. What nights I have passed! That little whisper has whistled in my ear ever since, like the wind in a keyhole. Who could it be? What could it mean? I suppose I have had more real, solid misery out of that ...” He paused, and looked troubled. “Though I had more to bother me, or ought to have,” he added, and slowly emptied his glass.