Complete Works of Robert Louis Stevenson (Illustrated)

by Robert Louis Stevenson

  The other end is all religious. It is here that an overhanging and tip-tilted horn, a good sea-mark for Hatiheu, bursts naked from the verdure of the climbing forest, and breaks down shoreward in steep taluses and cliffs. From the edge of one of the highest, perhaps seven hundred or a thousand feet above the beach, a Virgin looks insignificantly down, like a poor lost doll, forgotten there by a giant child. This laborious symbol of the Catholics is always strange to Protestants; we conceive with wonder that men should think it worth while to toil so many days, and clamber so much about the face of precipices, for an end that makes us smile; and yet I believe it was the wise Bishop Dordillon who chose the place, and I know that those who had a hand in the enterprise look back with pride upon its vanquished dangers. The boys’ school is a recent importation; it was at first in Tai-o-hae, beside the girls’; and it was only of late, after their joint escapade, that the width of the island was interposed between the sexes. But Hatiheu must have been a place of missionary importance from before. About midway of the beach no less than three churches stand grouped in a patch of bananas, intermingled with some pine-apples. Two are of wood: the original church, now in disuse; and a second that, for some mysterious reason, has never been used. The new church is of stone, with twin towers, walls flangeing into buttresses, and sculptured front. The design itself is good, simple, and shapely; but the character is all in the detail, where the architect has bloomed into the sculptor. It is impossible to tell in words of the angels (although they are more like winged archbishops) that stand guard upon the door, of the cherubs in the corners, of the scapegoat gargoyles, or the quaint and spirited relief, where St. Michael (the artist’s patron) makes short work of a protesting Lucifer. We were never weary of viewing the imagery, so innocent, sometimes so funny, and yet in the best sense - in the sense of inventive gusto and expression - so artistic. I know not whether it was more strange to find a building of such merit in a corner of a barbarous isle, or to see a building so antique still bright with novelty. The architect, a French lay brother, still alive and well, and meditating fresh foundations, must have surely drawn his descent from a master-builder in the age of the cathedrals; and it was in looking on the church of Hatiheu that I seemed to perceive the secret charm of mediaeval sculpture; that combination of the childish courage of the amateur, attempting all things, like the schoolboy on his slate, with the manly perseverance of the artist who does not know when he is conquered.

  I had always afterwards a strong wish to meet the architect, Brother Michel; and one day, when I was talking with the Resident in Tai-o-hae (the chief port of the island), there were shown in to us an old, worn, purblind, ascetic-looking priest, and a lay brother, a type of all that is most sound in France, with a broad, clever, honest, humorous countenance, an eye very large and bright, and a strong and healthy body inclining to obesity. But that his blouse was black and his face shaven clean, you might pick such a man to-day, toiling cheerfully in his own patch of vines, from half a dozen provinces of France; and yet he had always for me a haunting resemblance to an old kind friend of my boyhood, whom I name in case any of my readers should share with me that memory - Dr. Paul, of the West Kirk. Almost at the first word I was sure it was my architect, and in a moment we were deep in a discussion of Hatiheu church. Brother Michel spoke always of his labours with a twinkle of humour, underlying which it was possible to spy a serious pride, and the change from one to another was often very human and diverting. ‘Et vos gargouilles moyen-âge,’ cried I; ‘comme elles sont originates!’ ‘N’est-ce pas? Elles sont bien drôles!’ he said, smiling broadly; and the next moment, with a sudden gravity: ‘Cependant il y en a une qui a une patte de cassé; il faut que je voie cela.’ I asked if he had any model - a point we much discussed. ‘Non,’ said he simply; ‘c’est une église idéale.’ The relievo was his favourite performance, and very justly so. The angels at the door, he owned, he would like to destroy and replace. ‘Ils n’ont pas de vie, ils manquent de vie. Vous devriez voir mon église à la Dominique; j’ai là une Vierge qui est vraiment gentille.’ ‘Ah,’ I cried, ‘they told me you had said you would never build another church, and I wrote in my journal I could not believe it.’ ‘Oui, j’aimerais bien en fairs une autre,’ he confessed, and smiled at the confession. An artist will understand how much I was attracted by this conversation. There is no bond so near as a community in that unaffected interest and slightly shame-faced pride which mark the intelligent man enamoured of an art. He sees the limitations of his aim, the defects of his practice; he smiles to be so employed upon the shores of death, yet sees in his own devotion something worthy. Artists, if they had the same sense of humour with the Augurs, would smile like them on meeting, but the smile would not be scornful.

  I had occasion to see much of this excellent man. He sailed with us from Tai-o-hae to Hiva-oa, a dead beat of ninety miles against a heavy sea. It was what is called a good passage, and a feather in the Casco’s cap; but among the most miserable forty hours that any one of us had ever passed. We were swung and tossed together all that time like shot in a stage thunder-box. The mate was thrown down and had his head cut open; the captain was sick on deck; the cook sick in the galley. Of all our party only two sat down to dinner. I was one. I own that I felt wretchedly; and I can only say of the other, who professed to feel quite well, that she fled at an early moment from the table. It was in these circumstances that we skirted the windward shore of that indescribable island of Ua-pu; viewing with dizzy eyes the coves, the capes, the breakers, the climbing forests, and the inaccessible stone needles that surmount the mountains. The place persists, in a dark corner of our memories, like a piece of the scenery of nightmares. The end of this distressful passage, where we were to land our passengers, was in a similar vein of roughness. The surf ran high on the beach at Taahauku; the boat broached-to and capsized; and all hands were submerged. Only the brother himself, who was well used to the experience, skipped ashore, by some miracle of agility, with scarce a sprinkling. Thenceforward, during our stay at Hiva-oa, he was our cicerone and patron; introducing us, taking us excursions, serving us in every way, and making himself daily more beloved.

  Michel Blanc had been a carpenter by trade; had made money and retired, supposing his active days quite over; and it was only when he found idleness dangerous that he placed his capital and acquirements at the service of the mission. He became their carpenter, mason, architect, and engineer; added sculpture to his accomplishments, and was famous for his skill in gardening. He wore an enviable air of having found a port from life’s contentions and lying there strongly anchored; went about his business with a jolly simplicity; complained of no lack of results - perhaps shyly thinking his own statuary result enough; and was altogether a pattern of the missionary layman.

  CHAPTER VIII - THE PORT OF ENTRY

  The port - the mart, the civil and religious capital of these rude islands - is called Tai-o-hae, and lies strung along the beach of a precipitous green bay in Nuka-hiva. It was midwinter when we came thither, and the weather was sultry, boisterous, and inconstant. Now the wind blew squally from the land down gaps of splintered precipice; now, between the sentinel islets of the entry, it came in gusts from seaward. Heavy and dark clouds impended on the summits; the rain roared and ceased; the scuppers of the mountain gushed; and the next day we would see the sides of the amphitheatre bearded with white falls. Along the beach the town shows a thin file of houses, mostly white, and all ensconced in the foliage of an avenue of green puraos; a pier gives access from the sea across the belt of breakers; to the eastward there stands, on a projecting bushy hill, the old fort which is now the calaboose, or prison; eastward still, alone in a garden, the Residency flies the colours of France. Just off Calaboose Hill, the tiny Government schooner rides almost permanently at anchor, marks eight bells in the morning (there or thereabout) with the unfurling of her flag, and salutes the setting sun with the report of a musket.

  Here dwell together, and share the comforts of a club (which may
be enumerated as a billiard-board, absinthe, a map of the world on Mercator’s projection, and one of the most agreeable verandahs in the tropics), a handful of whites of varying nationality, mostly French officials, German and Scottish merchant clerks, and the agents of the opium monopoly. There are besides three tavern-keepers, the shrewd Scot who runs the cotton gin-mill, two white ladies, and a sprinkling of people ‘on the beach’ - a South Sea expression for which there is no exact equivalent. It is a pleasant society, and a hospitable. But one man, who was often to be seen seated on the logs at the pier-head, merits a word for the singularity of his history and appearance. Long ago, it seems, he fell in love with a native lady, a High Chiefess in Ua-pu. She, on being approached, declared she could never marry a man who was untattooed; it looked so naked; whereupon, with some greatness of soul, our hero put himself in the hands of the Tahukus, and, with still greater, persevered until the process was complete. He had certainly to bear a great expense, for the Tahuku will not work without reward; and certainly exquisite pain. Kooamua, high chief as he was, and one of the old school, was only part tattooed; he could not, he told us with lively pantomime, endure the torture to an end. Our enamoured countryman was more resolved; he was tattooed from head to foot in the most approved methods of the art; and at last presented himself before his mistress a new man. The fickle fair one could never behold him from that day except with laughter. For my part, I could never see the man without a kind of admiration; of him it might be said, if ever of any, that he had loved not wisely, but too well.

  The Residency stands by itself, Calaboose Hill screening it from the fringe of town along the further bay. The house is commodious, with wide verandahs; all day it stands open, back and front, and the trade blows copiously over its bare floors. On a week-day the garden offers a scene of most untropical animation, half a dozen convicts toiling there cheerfully with spade and barrow, and touching hats and smiling to the visitor like old attached family servants. On Sunday these are gone, and nothing to be seen but dogs of all ranks and sizes peacefully slumbering in the shady grounds; for the dogs of Tai-o-hae are very courtly-minded, and make the seat of Government their promenade and place of siesta. In front and beyond, a strip of green down loses itself in a low wood of many species of acacia; and deep in the wood a ruinous wall encloses the cemetery of the Europeans. English and Scottish sleep there, and Scandinavians, and French maîtres de manoeuvres and maîtres ouvriers: mingling alien dust. Back in the woods, perhaps, the blackbird, or (as they call him there) the island nightingale, will be singing home strains; and the ceaseless requiem of the surf hangs on the ear. I have never seen a resting-place more quiet; but it was a long thought how far these sleepers had all travelled, and from what diverse homes they had set forth, to lie here in the end together.

  On the summit of its promontory hill, the calaboose stands all day with doors and window-shutters open to the trade. On my first visit a dog was the only guardian visible. He, indeed, rose with an attitude so menacing that I was glad to lay hands on an old barrel-hoop; and I think the weapon must have been familiar, for the champion instantly retreated, and as I wandered round the court and through the building, I could see him, with a couple of companions, humbly dodging me about the corners. The prisoners’ dormitory was a spacious, airy room, devoid of any furniture; its whitewashed walls covered with inscriptions in Marquesan and rude drawings: one of the pier, not badly done; one of a murder; several of French soldiers in uniform. There was one legend in French: ‘Je n’est’ (sic) ‘pas le sou.’ From this noontide quietude it must not be supposed the prison was untenanted; the calaboose at Tai-o-hae does a good business. But some of its occupants were gardening at the Residency, and the rest were probably at work upon the streets, as free as our scavengers at home, although not so industrious. On the approach of evening they would be called in like children from play; and the harbour-master (who is also the jailer) would go through the form of locking them up until six the next morning. Should a prisoner have any call in town, whether of pleasure or affairs, he has but to unhook the window-shutters; and if he is back again, and the shutter decently replaced, by the hour of call on the morrow, he may have met the harbour-master in the avenue, and there will be no complaint, far less any punishment. But this is not all. The charming French Resident, M. Delaruelle, carried me one day to the calaboose on an official visit. In the green court, a very ragged gentleman, his legs deformed with the island elephantiasis, saluted us smiling. ‘One of our political prisoners - an insurgent from Raiatea,’ said the Resident; and then to the jailer: ‘I thought I had ordered him a new pair of trousers.’ Meanwhile no other convict was to be seen - ‘Eh bien,’ said the Resident, ‘où sont vos prisonniers?’ ‘Monsieur le Résident,’ replied the jailer, saluting with soldierly formality, ‘comme c’est jour de fête, je les ai laissé aller à la chasse.’ They were all upon the mountains hunting goats! Presently we came to the quarters of the women, likewise deserted - ‘Où sont vos bonnes femmes?’ asked the Resident; and the jailer cheerfully responded: ‘Je crois, Monsieur le Résident, qu’elles sont allées quelquepart faire une visite.’ It had been the design of M. Delaruelle, who was much in love with the whimsicalities of his small realm, to elicit something comical; but not even he expected anything so perfect as the last. To complete the picture of convict life in Tai-o-hae, it remains to be added that these criminals draw a salary as regularly as the President of the Republic. Ten sous a day is their hire. Thus they have money, food, shelter, clothing, and, I was about to write, their liberty. The French are certainly a good-natured people, and make easy masters. They are besides inclined to view the Marquesans with an eye of humorous indulgence. ‘They are dying, poor devils!’ said M. Delaruelle: ‘the main thing is to let them die in peace.’ And it was not only well said, but I believe expressed the general thought. Yet there is another element to be considered; for these convicts are not merely useful, they are almost essential to the French existence. With a people incurably idle, dispirited by what can only be called endemic pestilence, and inflamed with ill-feeling against their new masters, crime and convict labour are a godsend to the Government.

  Theft is practically the sole crime. Originally petty pilferers, the men of Tai-o-hae now begin to force locks and attack strong-boxes. Hundreds of dollars have been taken at a time; though, with that redeeming moderation so common in Polynesian theft, the Marquesan burglar will always take a part and leave a part, sharing (so to speak) with the proprietor. If it be Chilian coin - the island currency - he will escape; if the sum is in gold, French silver, or bank-notes, the police wait until the money begins to come in circulation, and then easily pick out their man. And now comes the shameful part. In plain English, the prisoner is tortured until he confesses and (if that be possible) restores the money. To keep him alone, day and night, in the black hole, is to inflict on the Marquesan torture inexpressible. Even his robberies are carried on in the plain daylight, under the open sky, with the stimulus of enterprise, and the countenance of an accomplice; his terror of the dark is still insurmountable; conceive, then, what he endures in his solitary dungeon; conceive how he longs to confess, become a full-fledged convict, and be allowed to sleep beside his comrades. While we were in Tai-o-hae a thief was under prevention. He had entered a house about eight in the morning, forced a trunk, and stolen eleven hundred francs; and now, under the horrors of darkness, solitude, and a bedevilled cannibal imagination, he was reluctantly confessing and giving up his spoil. From one cache, which he had already pointed out, three hundred francs had been recovered, and it was expected that he would presently disgorge the rest. This would be ugly enough if it were all; but I am bound to say, because it is a matter the French should set at rest, that worse is continually hinted. I heard that one man was kept six days with his arms bound backward round a barrel; and it is the universal report that every gendarme in the South Seas is equipped with something in the nature of a thumbscrew. I do not know this. I never had the face to ask any of the gen
darmes - pleasant, intelligent, and kindly fellows - with whom I have been intimate, and whose hospitality I have enjoyed; and perhaps the tale reposes (as I hope it does) on a misconstruction of that ingenious cat’s-cradle with which the French agent of police so readily secures a prisoner. But whether physical or moral, torture is certainly employed; and by a barbarous injustice, the state of accusation (in which a man may very well be innocently placed) is positively painful; the state of conviction (in which all are supposed guilty) is comparatively free, and positively pleasant. Perhaps worse still, - not only the accused, but sometimes his wife, his mistress, or his friend, is subjected to the same hardships. I was admiring, in the tapu system, the ingenuity of native methods of detection; there is not much to admire in those of the French, and to lock up a timid child in a dark room, and, if he proved obstinate, lock up his sister in the next, is neither novel nor humane.

  The main occasion of these thefts is the new vice of opium-eating. ‘Here nobody ever works, and all eat opium,’ said a gendarme; and Ah Fu knew a woman who ate a dollar’s worth in a day. The successful thief will give a handful of money to each of his friends, a dress to a woman, pass an evening in one of the taverns of Tai-o-hae, during which he treats all comers, produce a big lump of opium, and retire to the bush to eat and sleep it off. A trader, who did not sell opium, confessed to me that he was at his wit’s end. ‘I do not sell it, but others do,’ said he. ‘The natives only work to buy it; if they walk over to me to sell their cotton, they have just to walk over to some one else to buy their opium with my money. And why should they be at the bother of two walks? There is no use talking,’ he added - ‘opium is the currency of this country.’