The Mammoth Book of Modern Ghost Stories

by Peter Haining

  I tore the letter open – there fell out several pages of MS. music, and a letter in which Basil, dating from Treheale, and writing in a bold firm hand – bolder and firmer, I thought, than of old – said that he had been making a good deal of progress and working very hard (which must account for his silence), and he ventured to enclose some of his last work which he hoped I would like, but he wanted a candid opinion. He added that he had got quarters at a delightful farmhouse, not far from Grampound. That was all.

  Stay! That was not all. The letter finished on the third side; but, as I closed it, I saw written on the fourth page, very small, in a weak loose hand, and as if scribbled in a ferocious haste, as a man might write (so it came oddly into my head) who was escaped for a moment from the vigilance of a careful gaoler, a single sentence. “Vyvyan will take this; and for God’s sake, dear Leonard, if you would help a friend who is on the edge (I dare not say of what), come to me tomorrow, UNINVITED. You will think this very strange, but do not mind that – only come – unannounced, do you see . . .”

  The line broke off in an unintelligible flourish. Then on each corner of the last page had been scrawled a cross, with the same ugly and slovenly haste as the crosses on the envelope.

  My first thought was that Basil was mad; my next thought that he had drifted into some awkward situation, fallen under some unfortunate influence – was perhaps being blackmailed – and I knew his sensitive character well enough to feel sure that whatever the trouble was it would be exaggerated ten times over by his lively and apprehensive mind. Slowly a situation shaped itself. Basil was a man, as I knew, of an extraordinary austere standard of morals, singularly guileless, and innocent of worldly matters.

  Someone, I augured, some unscrupulous woman, had, in the remote spot where he was living, taken a guileful fancy to my poor friend, and had doubtless, after veiled overtures, resolved on a bolder policy and was playing on his sensitive and timid nature by some threat of nameless disclosures, some vile and harrowing innuendo.

  I read the letter again – and still more clear did it seem to me that he was in some strange durance, and suffering under abominable fears. I rose from my chair and went to find a time-table, that I might see when I could get to Grampound, when again a shuffling footstep drew to my door, an uncertain hand knocked at the panel, and Mr Vyvyan again entered the room. This time his confusion was even greater, if that were possible, than it had previously been. He had forgotten to give me a further message; and he thereupon gave me a filthy scrap of paper, nibbled and stained like the envelope, apologized with unnecessary vehemence, uttered a strangled cough and stumbled from the room.

  It was difficult enough to decipher the paper, but I saw that a musical phrase had been written on it; and then in a moment I saw that it was a phrase from an old, extravagant work of Basil’s own, a Credo which we had often discussed together, the grim and fantastic accompaniment of the sentence “He descended into hell.”

  This came to me as a message of even greater urgency, and I hesitated no longer. I sat down to write a note to the father of my family of pupils, in which I said that important business called me away for two or three days. I looked out a train, and found that by catching the 10 o’clock limited mail I could be at Grampound by 6 in the morning. I ordered a hasty dinner and I packed a few things into a bag, with an oppressive sense of haste. But, as generally happens on such occasions, I found that I had still two or three hours in hand; so I took up Netherby’s music and read it through carefully.

  Certainly he had improved wonderfully in handling; but what music it was! It was like nothing of which I had ever even dreamed. There was a wild, intemperate voluptuousness about it, a kind of evil relish of beauty which gave me a painful thrill. To make sure that I was not mistaken, owing to the nervous tension which the strange event had produced in me, I put the things in my pocket and went out to the house of a friend, Dr Grierson, an accomplished and critical musician who lived not far away.

  I found the great man at home smoking leisurely. He had a bird-like demeanour, like an ancient stork, as he sat blinking through spectacles astride of a long pointed nose. He had a slight acquaintance with Netherby, and when I mentioned that I had received some new music from him, which I wished to submit to him, he showed obvious interest. “A promising fellow,” he said, “only of course too transcendental.” He took the music in his hand; he settled his spectacles and read. Presently he looked up; and I saw in the kind of shamefaced glance with which he regarded me that he had found something of the same incomprehensible sensuality which had so oddly affected myself in the music. “Come, come,” he said rather severely, “this is very strange stuff – this won’t do at all, you know. We must just hear this!” He rose and went to his piano; and peering into the music, he played the pieces deliberately and critically.

  Heard upon the piano, the accent of subtle evil that ran through the music became even more obvious. I seemed to struggle between two feelings – an over-powering admiration, and a sense of shame at my own capacity for admiring it. But the great man was still more moved. He broke off in the middle of a bar and tossed the music to me.

  “This is filthy stuff,” he said. “I should say to you – burn it. It is clever, of course – hideously, devilishly clever. Look at the progression – F sharp against F natural, you observe” (and he added some technical details with which I need not trouble my readers).

  He went on: “But the man has no business to think of such things. I don’t like it. Tell him from me that it won’t do. There must be some reticence in art, you know – and there is none here. Tell Netherby that he is on the wrong tack altogether. Good heavens,” he added, “how could the man write it? He used to be a decent sort of fellow.”

  It may seem extravagant to write thus of music, but I can only say that it affected me as nothing I had ever heard before. I put it away and we tried to talk of other things; but we could not get the stuff out of our heads. Presently I rose to go, and the Doctor reiterated his warnings still more emphatically. “The man is a criminal in art,” he said, “and there must be an end once and for all of this: tell him it’s abominable!”

  I went back; caught my train; and was whirled sleepless and excited to the West. Towards morning I fell into a troubled sleep, in which I saw in tangled dreams the figure of a man running restlessly among stony hills. Over and over again the dream came to me; and it was with a grateful heart, though very weary, that I saw a pale light of dawn in the east, and the dark trees and copses along the line becoming more and more defined, by swift gradations, in the chilly autumn air.

  It was very still and peaceful when we drew up at Grampound station. I enquired my way to Treheale; and I was told it was three or four miles away. The porter looked rather enquiringly at me; there was no chance of obtaining a vehicle, so I resolved to walk, hoping that I should be freshened by the morning air.

  Presently a lane struck off from the main road, which led up a wooded valley, with a swift stream rushing along; in one or two places the chimney of a deserted mine with desolate rubbish-heaps stood beside the road. At one place a square church-tower, with pinnacles, looked solemnly over the wood. The road rose gradually. At last I came to a little hamlet, perched high up on the side of the valley. The scene was incomparably beautiful; the leaves were yellowing fast, and I could see a succession of wooded ridges, with a long line of moorland closing the view.

  The little place was just waking into quiet activity. I found a bustling man taking down shutters from a general shop which was also the post-office, and enquired where Mr Netherby lived. The man told me that he was in lodgings at Treheale – “the big house itself, where Farmer Hall lives now; if you go straight along the road,” he added, “you will pass the lodge, and Treheale lies up in the wood.”

  I was by this time very tired – it was now nearly seven – but I took up my bag again and walked along a road passing between high hedges. Presently the wood closed in again, and I saw a small plastered lodge with a tha
tched roof standing on the left among some firs. The gate stood wide open, and the road which led into the wood was grass-grown, though with deep ruts, along which heavy laden carts seemed to have passed recently.

  The lodge seemed deserted, and I accordingly struck off into the wood. Presently the undergrowth grew thicker, and huge sprawling laurels rose in all directions. Then the track took a sudden turn; and I saw straight in front of me the front of a large Georgian house of brown stone, with a gravel sweep up to the door, but all overgrown with grass.

  I confess that the house displeased me strangely. It was substantial, homely, and large; but the wood came up close to it on all sides, and it seemed to stare at me with its shuttered windows with a look of dumb resentment, like a great creature at bay.

  I walked on, and saw that the smoke went up from a chimney to the left. The house, as I came closer, presented a front with a stone portico, crowned with a pediment. To left and right were two wings which were built out in advance from the main part of the house, throwing the door back into the shadow.

  I pulled a large handle which hung beside the door, and a dismal bell rang somewhere in the house – rang on and on as if unable to cease; then footsteps came along the floor within, and the door was slowly and reluctantly unbarred.

  There stood before me a little pale woman with a timid, downcast air. “Does Mr Netherby live here?” I said.

  “Yes; he lodges here, sir.”

  “Can I see him?” I said.

  “Well, sir, he is not up yet. Does he expect you?”

  “Well, not exactly,” I said, faltering; “but he will know my name – and I have come a long way to see him.”

  The woman raised her eyes and looked at me, and I was aware, by some swift intuition, that I was in the presence of a distressed spirit, labouring under some melancholy prepossession.

  “Will you be here long?” she asked suddenly.

  “No,” I said; “but I shall have to stay the night, I think. I travelled all last night, and I am very tired; in fact I shall ask to sit down and wait till I can see Mr Netherby.”

  She seemed to consider a moment, and then led me into the house. We entered a fine hall, with stone flags and pillars on each side. There hung, so far as I could see in the half-light, grim and faded portraits on the walls, and there were some indistinct pieces of furniture, like couched beasts, in the corners. We went through a door and down a passage and turned into a large rather bare room, which showed, however, some signs of human habitation. There was a table laid for a meal.

  An old piano stood in a corner, and there were a few books lying about; on the walls hung large pictures in tarnished frames. I put down my bag, and sat down by the fire in an old armchair, and almost instantly fell into a drowse. I have an indistinct idea of the woman returning to ask if I would like some breakfast, or wait for Mr Netherby. I said hastily that I would wait, being in the oppressed condition of drowsiness when one’s only idea is to get a respite from the presence of any person, and fell again into a heavy sleep.

  I woke suddenly with a start, conscious of a movement in the room. Basil Netherby was standing close beside me, with his back to the fire, looking down at me with a look which I can only say seemed to me to betoken a deep annoyance of spirit. But seeing me awake, there came on to his face a smile of a reluctant and diplomatic kind. I started to my feet, giddy and bewildered, and shook hands.

  “My word,” he said, “you sleep sound, Ward. So you’ve found me out? Well, I’m very glad to see you; but what made you think of coming? and why didn’t you let me know? I would have sent something to meet you.”

  I was a good deal nettled at this ungenial address, after the trouble to which I had put myself. I said, “Well, really, Basil, I think that is rather strong. Mr Vyvyan called on me yesterday with a letter from you, and some music; and of course I came away at once.”

  “Of course,” he said, looking on the ground – and then added rather hastily, “Now, how did the stuff strike you? I have improved, I think. And it is really very good of you to come off at once to criticize the music – very good of you,” he said with some emphasis; “and, man, you look wretchedly tired – let us have breakfast.”

  I was just about to remonstrate, and to speak about the postscript, when he looked at me suddenly with so peculiar and disagreeable a glance that the words literally stuck in my throat. I thought to myself that perhaps the subject was too painful to enter upon at once, and that he probably wished to tell me at his own time what was in the background.

  We breakfasted; and now that I had leisure to look at Basil, I was surprised beyond measure at the change in him. I had seen him last a pale, rather haggard youth, loose-limbed and untidy. I saw before me a strongly-built and firmly-knit man, with a ruddy colour and bronzed cheek. He looked the embodiment of health and well-being. His talk, too, after the first impression of surprise wore off, was extraordinarily cheerful and amusing. Again and again he broke out into loud laughter – not the laughter of an excited or hectic person, but the firm, brisk laugh of a man full to the brim of good spirits and health.

  He talked of his work, of the country-people that surrounded him, whose peculiarities he seemed to have observed with much relish; he asked me, but without any appearance of interest, what I thought about his work. I tried to tell him what Dr Grierson had said and what I had felt; but I was conscious of being at a strange disadvantage before this genial personality. He laughed loudly at our criticisms. “Old Grierson,” he said, “why, he is no better than a clergyman’s widow: he would stop his ears if you read Shakespeare to him. My dear man, I have travelled a long way since I saw you last; I have found my tongue – and what is more, I can say what I mean, and as I mean it. Grierson indeed! I can see him looking shocked, like a pelican with a stomach-ache.”

  This was a felicitous though not a courteous description of our friend, but I could find no words to combat it; indeed, Basil’s talk and whole bearing seemed to carry me away like a swift stream and in my wearied condition I found that I could not stand up to this radiant personality.

  After breakfast he advised me to have a good sleep and he took me, with some show of solicitude, to a little bedroom which had been got ready for me. He unpacked my things and told me to undress and go to bed, that he had some work to do that he was anxious to finish, and that after luncheon we would have a stroll together.

  I was too tired to resist, and fell at once into a deep sleep. I rose a new man; and finding no one in Basil’s room, I strolled out for a moment on to the drive, and presently saw the odd and timid figure of Mrs Hall coming along, in a big white flapping sort of sun-bonnet, with a basket in her hand. She came straight up to me in a curious, resolute sort of way, and it came into my mind that she had come out for the very purpose of meeting me.

  I praised the beauty of the place, and said that I supposed she knew it well. “Yes,” she said; adding that she was born in the village and her mother had been as a girl a servant at Treheale. But she went on to tell me that she and her husband had lived till recently at a farm down in the valley, and had only been a year or so in the house itself. Old Mr Heale, the last owner, had died three or four years before, and it had proved impossible to let the house. It seemed that when the trustees gave up all idea of being able to get a tenant, they had offered it to the Halls at a nominal rent, to act as caretakers. She spoke in a cheerless way, with her eyes cast down and with the same strained look as of one carrying a heavy burden. “You will have heard of Mr Heale, perhaps?” she said with a sudden look at me.

  “The old Squire, sir,” she said; “but I think people here are unfair to him. He lived a wild life enough, but he was a kind gentleman in his way – and I have often thought it was not his fault altogether. He married soon after he came into the estate – a Miss Tregaskis from down to St Erne – and they were very happy for a little; but she died after they had been married a couple of years, and they had no child; and then I think Mr Heale went nearly mad – nothing went
right after that. Mr Heale shut himself up a good deal among his books – he was a very clever gentleman – and then he got into bad ways; but it was the sorrow in his heart that made him bad – and we must not blame people too much, must we?” She looked at me with rather a pitiful look.

  “You mean,” I said, “that he tried to forget his grief, and did not choose the best way to do it.”

  “Yes, sir,” said Mrs Hall simply. “I think he blamed God for taking away what he loved, instead of trusting Him; and no good comes of that. The people here got to hate him – he used to spoil the young people, sir – you know what I mean – and they were afraid of seeing him about their houses. I remember, sir, as if it were yesterday, seeing him in the lane to St Sibby. He was marching along, very upright, with his white hair – it went white early – and he passed old Mr Miles, the church-warden, who had been a wild young man too, but he found religion with the Wesleyans, and after that was very hard on everyone.

  “It was the first time they had met since Mr Miles had become serious; and Mr Heale stopped in his pleasant way, and held out his hand to Mr Miles; who put his hands behind him and said something – I was close to them – which I could not quite catch, but it was about fellowship with the works of darkness; and then Mr Miles turned and went on his way; and Mr Heale stood looking after him with a curious smile on his face – and I have pitied him ever since. Then he turned and saw me; he always took notice of me – I was a girl then; and he said to me,

  “ ‘There, Mary, you see that. I am not good enough, it seems, for Mr Miles. Well, I don’t blame him; but remember, child, that the religion which makes a man turn his back on an old friend is not a good religion”; but I could see he was distressed, though he spoke quietly – and as I went on he gave a sigh which somehow stays in my mind. Perhaps sir, you would like to look at his picture; he was painted at the same time as Mrs Heale in the first year of their marriage.”