Complete Works of Thomas Hardy (Illustrated)

by Thomas Hardy

  RIGHT HAND.

  1st. Plainly set oval onyx, representing a devil’s head. 2nd. Green jasper intaglio, with red veins. 3rd. Entirely gold, bearing figure of a hideous griffin. 4th. A sea-green monster diamond, with small diamonds round it. 5th. Antique cornelian intaglio of dancing figure of a satyr. 6th. An angular band chased with dragons’ heads. 7th. A facetted carbuncle accompanied by ten little twinkling emeralds; &c. &c.

  LEFT HAND.

  1st. A reddish-yellow toadstone. 2nd. A heavy ring enamelled in colours, and bearing a jacynth. 3rd. An amethystine sapphire. 4th. A polished ruby, surrounded by diamonds. 5th. The engraved ring of an abbess. 6th. A gloomy intaglio; &c. &c.

  Beyond this rather quaint array of stone and metal Mrs. Swancourt wore no ornament whatever.

  Elfride had been favourably impressed with Mrs. Troyton at their meeting about two months earlier; but to be pleased with a woman as a momentary acquaintance was different from being taken with her as a stepmother. However, the suspension of feeling was but for a moment. Elfride decided to like her still.

  Mrs. Swancourt was a woman of the world as to knowledge, the reverse as to action, as her marriage suggested. Elfride and the lady were soon inextricably involved in conversation, and Mr. Swancourt left them to themselves.

  ‘And what do you find to do with yourself here?’ Mrs. Swancourt said, after a few remarks about the wedding. ‘You ride, I know.’

  ‘Yes, I ride. But not much, because papa doesn’t like my going alone.’

  ‘You must have somebody to look after you.’

  ‘And I read, and write a little.’

  ‘You should write a novel. The regular resource of people who don’t go enough into the world to live a novel is to write one.’

  ‘I have done it,’ said Elfride, looking dubiously at Mrs. Swancourt, as if in doubt whether she would meet with ridicule there.

  ‘That’s right. Now, then, what is it about, dear?’

  ‘About — well, it is a romance of the Middle Ages.’

  ‘Knowing nothing of the present age, which everybody knows about, for safety you chose an age known neither to you nor other people. That’s it, eh? No, no; I don’t mean it, dear.’

  ‘Well, I have had some opportunities of studying mediaeval art and manners in the library and private museum at Endelstow House, and I thought I should like to try my hand upon a fiction. I know the time for these tales is past; but I was interested in it, very much interested.’

  ‘When is it to appear?’

  ‘Oh, never, I suppose.’

  ‘Nonsense, my dear girl. Publish it, by all means. All ladies do that sort of thing now; not for profit, you know, but as a guarantee of mental respectability to their future husbands.’

  ‘An excellent idea of us ladies.’

  ‘Though I am afraid it rather resembles the melancholy ruse of throwing loaves over castle-walls at besiegers, and suggests desperation rather than plenty inside.’

  ‘Did you ever try it?’

  ‘No; I was too far gone even for that.’

  ‘Papa says no publisher will take my book.’

  ‘That remains to be proved. I’ll give my word, my dear, that by this time next year it shall be printed.’

  ‘Will you, indeed?’ said Elfride, partially brightening with pleasure, though she was sad enough in her depths. ‘I thought brains were the indispensable, even if the only, qualification for admission to the republic of letters. A mere commonplace creature like me will soon be turned out again.’

  ‘Oh no; once you are there you’ll be like a drop of water in a piece of rock-crystal — your medium will dignify your commonness.’

  ‘It will be a great satisfaction,’ Elfride murmured, and thought of Stephen, and wished she could make a great fortune by writing romances, and marry him and live happily.

  ‘And then we’ll go to London, and then to Paris,’ said Mrs. Swancourt. ‘I have been talking to your father about it. But we have first to move into the manor-house, and we think of staying at Torquay whilst that is going on. Meanwhile, instead of going on a honeymoon scamper by ourselves, we have come home to fetch you, and go all together to Bath for two or three weeks.’

  Elfride assented pleasantly, even gladly; but she saw that, by this marriage, her father and herself had ceased for ever to be the close relations they had been up to a few weeks ago. It was impossible now to tell him the tale of her wild elopement with Stephen Smith.

  He was still snugly housed in her heart. His absence had regained for him much of that aureola of saintship which had been nearly abstracted during her reproachful mood on that miserable journey from London. Rapture is often cooled by contact with its cause, especially if under awkward conditions. And that last experience with Stephen had done anything but make him shine in her eyes. His very kindness in letting her return was his offence. Elfride had her sex’s love of sheer force in a man, however ill-directed; and at that critical juncture in London Stephen’s only chance of retaining the ascendancy over her that his face and not his parts had acquired for him, would have been by doing what, for one thing, he was too youthful to undertake — that was, dragging her by the wrist to the rails of some altar, and peremptorily marrying her. Decisive action is seen by appreciative minds to be frequently objectless, and sometimes fatal; but decision, however suicidal, has more charm for a woman than the most unequivocal Fabian success.

  However, some of the unpleasant accessories of that occasion were now out of sight again, and Stephen had resumed not a few of his fancy colours.

  CHAPTER XIII

  ‘He set in order many proverbs.’

  It is London in October — two months further on in the story.

  Bede’s Inn has this peculiarity, that it faces, receives from, and discharges into a bustling thoroughfare speaking only of wealth and respectability, whilst its postern abuts on as crowded and poverty-stricken a network of alleys as are to be found anywhere in the metropolis. The moral consequences are, first, that those who occupy chambers in the Inn may see a great deal of shirtless humanity’s habits and enjoyments without doing more than look down from a back window; and second they may hear wholesome though unpleasant social reminders through the medium of a harsh voice, an unequal footstep, the echo of a blow or a fall, which originates in the person of some drunkard or wife-beater, as he crosses and interferes with the quiet of the square. Characters of this kind frequently pass through the Inn from a little foxhole of an alley at the back, but they never loiter there.

  It is hardly necessary to state that all the sights and movements proper to the Inn are most orderly. On the fine October evening on which we follow Stephen Smith to this place, a placid porter is sitting on a stool under a sycamore-tree in the midst, with a little cane in his hand. We notice the thick coat of soot upon the branches, hanging underneath them in flakes, as in a chimney. The blackness of these boughs does not at present improve the tree — nearly forsaken by its leaves as it is — but in the spring their green fresh beauty is made doubly beautiful by the contrast. Within the railings is a flower-garden of respectable dahlias and chrysanthemums, where a man is sweeping the leaves from the grass.

  Stephen selects a doorway, and ascends an old though wide wooden staircase, with moulded balusters and handrail, which in a country manor-house would be considered a noteworthy specimen of Renaissance workmanship. He reaches a door on the first floor, over which is painted, in black letters, ‘Mr. Henry Knight’ — ’Barrister-at-law’ being understood but not expressed. The wall is thick, and there is a door at its outer and inner face. The outer one happens to be ajar: Stephen goes to the other, and taps.

  ‘Come in!’ from distant penetralia.

  First was a small anteroom, divided from the inner apartment by a wainscoted archway two or three yards wide. Across this archway hung a pair of dark-green curtains, making a mystery of all within the arch except the spasmodic scratching of a quill pen. Here was grouped a chaotic assemblage of articles — mainly old framed pr
ints and paintings — leaning edgewise against the wall, like roofing slates in a builder’s yard. All the books visible here were folios too big to be stolen — some lying on a heavy oak table in one corner, some on the floor among the pictures, the whole intermingled with old coats, hats, umbrellas, and walking-sticks.

  Stephen pushed aside the curtain, and before him sat a man writing away as if his life depended upon it — which it did.

  A man of thirty in a speckled coat, with dark brown hair, curly beard, and crisp moustache: the latter running into the beard on each side of the mouth, and, as usual, hiding the real expression of that organ under a chronic aspect of impassivity.

  ‘Ah, my dear fellow, I knew ‘twas you,’ said Knight, looking up with a smile, and holding out his hand.

  Knight’s mouth and eyes came to view now. Both features were good, and had the peculiarity of appearing younger and fresher than the brow and face they belonged to, which were getting sicklied o’er by the unmistakable pale cast. The mouth had not quite relinquished rotundity of curve for the firm angularities of middle life; and the eyes, though keen, permeated rather than penetrated: what they had lost of their boy-time brightness by a dozen years of hard reading lending a quietness to their gaze which suited them well.

  A lady would have said there was a smell of tobacco in the room: a man that there was not.

  Knight did not rise. He looked at a timepiece on the mantelshelf, then turned again to his letters, pointing to a chair.

  ‘Well, I am glad you have come. I only returned to town yesterday; now, don’t speak, Stephen, for ten minutes; I have just that time to the late post. At the eleventh minute, I’m your man.’

  Stephen sat down as if this kind of reception was by no means new, and away went Knight’s pen, beating up and down like a ship in a storm.

  Cicero called the library the soul of the house; here the house was all soul. Portions of the floor, and half the wall-space, were taken up by book-shelves ordinary and extraordinary; the remaining parts, together with brackets, side-tables, &c., being occupied by casts, statuettes, medallions, and plaques of various descriptions, picked up by the owner in his wanderings through France and Italy.

  One stream only of evening sunlight came into the room from a window quite in the corner, overlooking a court. An aquarium stood in the window. It was a dull parallelopipedon enough for living creatures at most hours of the day; but for a few minutes in the evening, as now, an errant, kindly ray lighted up and warmed the little world therein, when the many-coloured zoophytes opened and put forth their arms, the weeds acquired a rich transparency, the shells gleamed of a more golden yellow, and the timid community expressed gladness more plainly than in words.

  Within the prescribed ten minutes Knight flung down his pen, rang for the boy to take the letters to the post, and at the closing of the door exclaimed, ‘There; thank God, that’s done. Now, Stephen, pull your chair round, and tell me what you have been doing all this time. Have you kept up your Greek?’

  ‘No.’

  ‘How’s that?’

  ‘I haven’t enough spare time.’

  ‘That’s nonsense.’

  ‘Well, I have done a great many things, if not that. And I have done one extraordinary thing.’

  Knight turned full upon Stephen. ‘Ah-ha! Now, then, let me look into your face, put two and two together, and make a shrewd guess.’

  Stephen changed to a redder colour.

  ‘Why, Smith,’ said Knight, after holding him rigidly by the shoulders, and keenly scrutinising his countenance for a minute in silence, ‘you have fallen in love.’

  ‘Well — the fact is — — ’

  ‘Now, out with it.’ But seeing that Stephen looked rather distressed, he changed to a kindly tone. ‘Now Smith, my lad, you know me well enough by this time, or you ought to; and you know very well that if you choose to give me a detailed account of the phenomenon within you, I shall listen; if you don’t, I am the last man in the world to care to hear it.’

  ‘I’ll tell this much: I HAVE fallen in love, and I want to be MARRIED.’

  Knight looked ominous as this passed Stephen’s lips.

  ‘Don’t judge me before you have heard more,’ cried Stephen anxiously, seeing the change in his friend’s countenance.

  ‘I don’t judge. Does your mother know about it?’

  ‘Nothing definite.’

  ‘Father?’

  ‘No. But I’ll tell you. The young person — — ’

  ‘Come, that’s dreadfully ungallant. But perhaps I understand the frame of mind a little, so go on. Your sweetheart — — ’

  ‘She is rather higher in the world than I am.’

  ‘As it should be.’

  ‘And her father won’t hear of it, as I now stand.’

  ‘Not an uncommon case.’

  ‘And now comes what I want your advice upon. Something has happened at her house which makes it out of the question for us to ask her father again now. So we are keeping silent. In the meantime an architect in India has just written to Mr. Hewby to ask whether he can find for him a young assistant willing to go over to Bombay to prepare drawings for work formerly done by the engineers. The salary he offers is 350 rupees a month, or about 35 Pounds. Hewby has mentioned it to me, and I have been to Dr. Wray, who says I shall acclimatise without much illness. Now, would you go?’

  ‘You mean to say, because it is a possible road to the young lady.’

  ‘Yes; I was thinking I could go over and make a little money, and then come back and ask for her. I have the option of practising for myself after a year.’

  ‘Would she be staunch?’

  ‘Oh yes! For ever — to the end of her life!’

  ‘How do you know?’

  ‘Why, how do people know? Of course, she will.’

  Knight leant back in his chair. ‘Now, though I know her thoroughly as she exists in your heart, Stephen, I don’t know her in the flesh. All I want to ask is, is this idea of going to India based entirely upon a belief in her fidelity?’

  ‘Yes; I should not go if it were not for her.’

  ‘Well, Stephen, you have put me in rather an awkward position. If I give my true sentiments, I shall hurt your feelings; if I don’t, I shall hurt my own judgment. And remember, I don’t know much about women.’

  ‘But you have had attachments, although you tell me very little about them.’

  ‘And I only hope you’ll continue to prosper till I tell you more.’

  Stephen winced at this rap. ‘I have never formed a deep attachment,’ continued Knight. ‘I never have found a woman worth it. Nor have I been once engaged to be married.’

  ‘You write as if you had been engaged a hundred times, if I may be allowed to say so,’ said Stephen in an injured tone.

  ‘Yes, that may be. But, my dear Stephen, it is only those who half know a thing that write about it. Those who know it thoroughly don’t take the trouble. All I know about women, or men either, is a mass of generalities. I plod along, and occasionally lift my eyes and skim the weltering surface of mankind lying between me and the horizon, as a crow might; no more.’

  Knight stopped as if he had fallen into a train of thought, and Stephen looked with affectionate awe at a master whose mind, he believed, could swallow up at one meal all that his own head contained.

  There was affective sympathy, but no great intellectual fellowship, between Knight and Stephen Smith. Knight had seen his young friend when the latter was a cherry-cheeked happy boy, had been interested in him, had kept his eye upon him, and generously helped the lad to books, till the mere connection of patronage grew to acquaintance, and that ripened to friendship. And so, though Smith was not at all the man Knight would have deliberately chosen as a friend — or even for one of a group of a dozen friends — he somehow was his friend. Circumstance, as usual, did it all. How many of us can say of our most intimate alter ego, leaving alone friends of the outer circle, that he is the man we should have chosen, as embodying the
net result after adding up all the points in human nature that we love, and principles we hold, and subtracting all that we hate? The man is really somebody we got to know by mere physical juxtaposition long maintained, and was taken into our confidence, and even heart, as a makeshift.

  ‘And what do you think of her?’ Stephen ventured to say, after a silence.

  ‘Taking her merits on trust from you,’ said Knight, ‘as we do those of the Roman poets of whom we know nothing but that they lived, I still think she will not stick to you through, say, three years of absence in India.’

  ‘But she will!’ cried Stephen desperately. ‘She is a girl all delicacy and honour. And no woman of that kind, who has committed herself so into a man’s hands as she has into mine, could possibly marry another.’

  ‘How has she committed herself?’ asked Knight cunously.

  Stephen did not answer. Knight had looked on his love so sceptically that it would not do to say all that he had intended to say by any means.

  ‘Well, don’t tell,’ said Knight. ‘But you are begging the question, which is, I suppose, inevitable in love.’

  ‘And I’ll tell you another thing,’ the younger man pleaded. ‘You remember what you said to me once about women receiving a kiss. Don’t you? Why, that instead of our being charmed by the fascination of their bearing at such a time, we should immediately doubt them if their confusion has any GRACE in it — that awkward bungling was the true charm of the occasion, implying that we are the first who has played such a part with them.’

  ‘It is true, quite,’ said Knight musingly.

  It often happened that the disciple thus remembered the lessons of the master long after the master himself had forgotten them.

  ‘Well, that was like her!’ cried Stephen triumphantly. ‘She was in such a flurry that she didn’t know what she was doing.’

  ‘Splendid, splendid!’ said Knight soothingly. ‘So that all I have to say is, that if you see a good opening in Bombay there’s no reason why you should not go without troubling to draw fine distinctions as to reasons. No man fully realises what opinions he acts upon, or what his actions mean.’