Complete Works of Thomas Hardy (Illustrated)

by Thomas Hardy

  ‘Surely,’ she said to herself, ‘I faced the north at starting:’ and yet on walking now with her back where her face had been set, she did not approach any marks on the horizon which might seem to signify the town. Thus dubiously, but with little real concern, she walked on till the evening light began to turn to dusk, and the shadows to darkness.

  Presently in front of her Ethelberta saw a white spot in the shade, and it proved to be in some way attached to the head of a man who was coming towards her out of a slight depression in the ground. It was as yet too early in the evening to be afraid, but it was too late to be altogether courageous; and with balanced sensations Ethelberta kept her eye sharply upon him as he rose by degrees into view. The peculiar arrangement of his hat and pugree soon struck her as being that she had casually noticed on a peg in one of the rooms of the ‘Red Lion,’ and when he came close she saw that his arms diminished to a peculiar smallness at their junction with his shoulders, like those of a doll, which was explained by their being girt round at that point with the straps of a knapsack that he carried behind him. Encouraged by the probability that he, like herself, was staying or had been staying at the ‘Red Lion,’ she said, ‘Can you tell me if this is the way back to Anglebury?’

  ‘It is one way; but the nearest is in this direction,’ said the tourist — the same who had been criticized by the two old men.

  At hearing him speak all the delicate activities in the young lady’s person stood still: she stopped like a clock. When she could again fence with the perception which had caused all this, she breathed.

  ‘Mr. Julian!’ she exclaimed. The words were uttered in a way which would have told anybody in a moment that here lay something connected with the light of other days.

  ‘Ah, Mrs. Petherwin! — Yes, I am Mr. Julian — though that can matter very little, I should think, after all these years, and what has passed.’

  No remark was returned to this rugged reply, and he continued unconcernedly, ‘Shall I put you in the path — it is just here?’

  ‘If you please.’

  ‘Come with me, then.’

  She walked in silence at his heels, not a word passing between them all the way: the only noises which came from the two were the brushing of her dress and his gaiters against the heather, or the smart rap of a stray flint against his boot.

  They had now reached a little knoll, and he turned abruptly: ‘That is Anglebury — just where you see those lights. The path down there is the one you must follow; it leads round the hill yonder and directly into the town.’

  ‘Thank you,’ she murmured, and found that he had never removed his eyes from her since speaking, keeping them fixed with mathematical exactness upon one point in her face. She moved a little to go on her way; he moved a little less — to go on his.

  ‘Good-night,’ said Mr. Julian.

  The moment, upon the very face of it, was critical; and yet it was one of those which have to wait for a future before they acquire a definite character as good or bad.

  Thus much would have been obvious to any outsider; it may have been doubly so to Ethelberta, for she gave back more than she had got, replying, ‘Good-bye — if you are going to say no more.’

  Then in struck Mr. Julian: ‘What can I say? You are nothing to me. . . . I could forgive a woman doing anything for spite, except marrying for spite.’

  ‘The connection of that with our present meeting does not appear, unless it refers to what you have done. It does not refer to me.’

  ‘I am not married: you are.’

  She did not contradict him, as she might have done. ‘Christopher,’ she said at last, ‘this is how it is: you knew too much of me to respect me, and too little to pity me. A half knowledge of another’s life mostly does injustice to the life half known.’

  ‘Then since circumstances forbid my knowing you more, I must do my best to know you less, and elevate my opinion of your nature by forgetting what it consists in,’ he said in a voice from which all feeling was polished away.

  ‘If I did not know that bitterness had more to do with those words than judgment, I — should be — bitter too! You never knew half about me; you only knew me as a governess; you little think what my beginnings were.’

  ‘I have guessed. I have many times told myself that your early life was superior to your position when I first met you. I think I may say without presumption that I recognize a lady by birth when I see her, even under reverses of an extreme kind. And certainly there is this to be said, that the fact of having been bred in a wealthy home does slightly redeem an attempt to attain to such a one again.’

  Ethelberta smiled a smile of many meanings.

  ‘However, we are wasting words,’ he resumed cheerfully. ‘It is better for us to part as we met, and continue to be the strangers that we have become to each other. I owe you an apology for having been betrayed into more feeling than I had a right to show, and let us part friends. Good night, Mrs. Petherwin, and success to you. We may meet again, some day, I hope.’

  ‘Good night,’ she said, extending her hand. He touched it, turned about, and in a short time nothing remained of him but quick regular brushings against the heather in the deep broad shadow of the moor.

  Ethelberta slowly moved on in the direction that he had pointed out. This meeting had surprised her in several ways. First, there was the conjuncture itself; but more than that was the fact that he had not parted from her with any of the tragic resentment that she had from time to time imagined for that scene if it ever occurred. Yet there was really nothing wonderful in this: it is part of the generous nature of a bachelor to be not indisposed to forgive a portionless sweetheart who, by marrying elsewhere, has deprived him of the bliss of being obliged to marry her himself. Ethelberta would have been disappointed quite had there not been a comforting development of exasperation in the middle part of his talk; but after all it formed a poor substitute for the loving hatred she had expected.

  When she reached the hotel the lamp over the door showed a face a little flushed, but the agitation which at first had possessed her was gone to a mere nothing. In the hall she met a slender woman wearing a silk dress of that peculiar black which in sunlight proclaims itself to have once seen better days as a brown, and days even better than those as a lavender, green, or blue.

  ‘Menlove,’ said the lady, ‘did you notice if any gentleman observed and followed me when I left the hotel to go for a walk this evening?’

  The lady’s-maid, thus suddenly pulled up in a night forage after lovers, put a hand to her forehead to show that there was no mistake about her having begun to meditate on receiving orders to that effect, and said at last, ‘You once told me, ma’am, if you recollect, that when you were dressed, I was not to go staring out of the window after you as if you were a doll I had just manufactured and sent round for sale.’

  ‘Yes, so I did.’

  ‘So I didn’t see if anybody followed you this evening.’

  ‘Then did you hear any gentleman arrive here by the late train last night?’

  ‘O no, ma’am — how could I?’ said Mrs. Menlove — an exclamation which was more apposite than her mistress suspected, considering that the speaker, after retiring from duty, had slipped down her dark skirt to reveal a light, puffed, and festooned one, put on a hat and feather, together with several pennyweights of metal in the form of rings, brooches, and earrings — all in a time whilst one could count a hundred — and enjoyed half-an-hour of prime courtship by an honourable young waiter of the town, who had proved constant as the magnet to the pole for the space of the day and a half that she had known him.

  Going at once upstairs, Ethelberta ran down the passage, and after some hesitation softly opened the door of the sitting-room in the best suite of apartments that the inn could boast of.

  In this room sat an elderly lady writing by the light of two candles with green shades. Well knowing, as it seemed, who the intruder was, she continued her occupation, and her visitor advanced and stood beside the
table. The old lady wore her spectacles low down her cheek, her glance being depressed to about the slope of her straight white nose in order to look through them. Her mouth was pursed up to almost a youthful shape as she formed the letters with her pen, and a slight move of the lip accompanied every downstroke. There were two large antique rings on her forefinger, against which the quill rubbed in moving backwards and forwards, thereby causing a secondary noise rivalling the primary one of the nib upon the paper.

  ‘Mamma,’ said the younger lady, ‘here I am at last.’

  A writer’s mind in the midst of a sentence being like a ship at sea, knowing no rest or comfort till safely piloted into the harbour of a full stop, Lady Petherwin just replied with ‘What,’ in an occupied tone, not rising to interrogation. After signing her name to the letter, she raised her eyes.

  ‘Why, how late you are, Ethelberta, and how heated you look!’ she said. ‘I have been quite alarmed about you. What do you say has happened?’

  The great, chief, and altogether eclipsing thing that had happened was the accidental meeting with an old lover whom she had once quarrelled with; and Ethelberta’s honesty would have delivered the tidings at once, had not, unfortunately, all the rest of her attributes been dead against that act, for the old lady’s sake even more than for her own.

  ‘I saw a great cruel bird chasing a harmless duck!’ she exclaimed innocently. ‘And I ran after to see what the end of it would be — much further than I had any idea of going. However, the duck came to a pond, and in running round it to see the end of the fight, I could not remember which way I had come.’

  ‘Mercy!’ said her mother-in-law, lifting her large eyelids, heavy as window-shutters, and spreading out her fingers like the horns of a snail. ‘You might have sunk up to your knees and got lost in that swampy place — such a time of night, too. What a tomboy you are! And how did you find your way home after all!’

  ‘O, some man showed me the way, and then I had no difficulty, and after that I came along leisurely.’

  ‘I thought you had been running all the way; you look so warm.’

  ‘It is a warm evening. . . . Yes, and I have been thinking of old times as I walked along,’ she said, ‘and how people’s positions in life alter. Have I not heard you say that while I was at Bonn, at school, some family that we had known had their household broken up when the father died, and that the children went away you didn’t know where?’

  ‘Do you mean the Julians?’

  ‘Yes, that was the name.’

  ‘Why, of course you know it was the Julians. Young Julian had a day or two’s fancy for you one summer, had he not? — just after you came to us, at the same time, or just before it, that my poor boy and you were so desperately attached to each other.’

  ‘O yes, I recollect,’ said Ethelberta. ‘And he had a sister, I think. I wonder where they went to live after the family collapse.’

  ‘I do not know,’ said Lady Petherwin, taking up another sheet of paper. ‘I have a dim notion that the son, who had been brought up to no profession, became a teacher of music in some country town — music having always been his hobby. But the facts are not very distinct in my memory.’ And she dipped her pen for another letter.

  Ethelberta, with a rather fallen countenance, then left her mother-in-law, and went where all ladies are supposed to go when they want to torment their minds in comfort — to her own room. Here she thoughtfully sat down awhile, and some time later she rang for her maid.

  ‘Menlove,’ she said, without looking towards a rustle and half a footstep that had just come in at the door, but leaning back in her chair and speaking towards the corner of the looking-glass, ‘will you go down and find out if any gentleman named Julian has been staying in this house? Get to know it, I mean, Menlove, not by directly inquiring; you have ways of getting to know things, have you not? If the devoted George were here now, he would help — ’

  ‘George was nothing to me, ma’am.’

  ‘James, then.’

  ‘And I only had James for a week or ten days: when I found he was a married man, I encouraged his addresses very little indeed.’

  ‘If you had encouraged him heart and soul, you couldn’t have fumed more at the loss of him. But please to go and make that inquiry, will you, Menlove?’

  In a few minutes Ethelberta’s woman was back again. ‘A gentleman of that name stayed here last night, and left this afternoon.’

  ‘Will you find out his address?’

  Now the lady’s-maid had already been quick-witted enough to find out that, and indeed all about him; but it chanced that a fashionable illustrated weekly paper had just been sent from the bookseller’s, and being in want of a little time to look it over before it reached her mistress’s hands, Mrs. Menlove retired, as if to go and ask the question — to stand meanwhile under the gas-lamp in the passage, inspecting the fascinating engravings. But as time will not wait for tire-women, a natural length of absence soon elapsed, and she returned again and said,

  ‘His address is, Upper Street, Sandbourne.’

  ‘Thank you, that will do,’ replied her mistress.

  The hour grew later, and that dreamy period came round when ladies’ fancies, that have lain shut up close as their fans during the day, begin to assert themselves anew. At this time a good guess at Ethelberta’s thoughts might have been made from her manner of passing the minutes away. Instead of reading, entering notes in her diary, or doing any ordinary thing, she walked to and fro, curled her pretty nether lip within her pretty upper one a great many times, made a cradle of her locked fingers, and paused with fixed eyes where the walls of the room set limits upon her walk to look at nothing but a picture within her mind.

  CHAPTER 2.

  CHRISTOPHER’S HOUSE — SANDBOURNE TOWN — SANDBOURNE MOOR

  During the wet autumn of the same year, the postman passed one morning as usual into a plain street that ran through the less fashionable portion of Sandbourne, a modern coast town and watering-place not many miles from the ancient Anglebury. He knocked at the door of a flat-faced brick house, and it was opened by a slight, thoughtful young man, with his hat on, just then coming out. The postman put into his hands a book packet, addressed, ‘Christopher Julian, Esq.’

  Christopher took the package upstairs, opened it with curiosity, and discovered within a green volume of poems, by an anonymous writer, the title-page bearing the inscription, ‘Metres by E.’ The book was new, though it was cut, and it appeared to have been looked into. The young man, after turning it over and wondering where it came from, laid it on the table and went his way, being in haste to fulfil his engagements for the day.

  In the evening, on returning home from his occupations, he sat himself down cosily to read the newly-arrived volume. The winds of this uncertain season were snarling in the chimneys, and drops of rain spat themselves into the fire, revealing plainly that the young man’s room was not far enough from the top of the house to admit of a twist in the flue, and revealing darkly a little more, if that social rule-of-three inverse, the higher in lodgings the lower in pocket, were applicable here. However, the aspect of the room, though homely, was cheerful, a somewhat contradictory group of furniture suggesting that the collection consisted of waifs and strays from a former home, the grimy faces of the old articles exercising a curious and subduing effect on the bright faces of the new. An oval mirror of rococo workmanship, and a heavy cabinet-piano with a cornice like that of an Egyptian temple, adjoined a harmonium of yesterday, and a harp that was almost as new. Printed music of the last century, and manuscript music of the previous evening, lay there in such quantity as to endanger the tidiness of a retreat which was indeed only saved from a chronic state of litter by a pair of hands that sometimes played, with the lightness of breezes, about the sewing-machine standing in a remote corner — if any corner could be called remote in a room so small.

  Fire lights and shades from the shaking flames struck in a butterfly flutter on the underparts of the mantelshelf, a
nd upon the reader’s cheek as he sat. Presently, and all at once, a much greater intentness pervaded his face: he turned back again, and read anew the subject that had arrested his eyes. He was a man whose countenance varied with his mood, though it kept somewhat in the rear of that mood. He looked sad when he felt almost serene, and only serene when he felt quite cheerful. It is a habit people acquire who have had repressing experiences.

  A faint smile and flush now lightened his face, and jumping up he opened the door and exclaimed, ‘Faith! will you come here for a moment?’

  A prompt step was heard on the stairs, and the young person addressed as Faith entered the room. She was small in figure, and bore less in the form of her features than in their shades when changing from expression to expression the evidence that she was his sister.

  ‘Faith — I want your opinion. But, stop, read this first.’ He laid his finger upon a page in the book, and placed it in her hand.

  The girl drew from her pocket a little green-leather sheath, worn at the edges to whity-brown, and out of that a pair of spectacles, unconsciously looking round the room for a moment as she did so, as if to ensure that no stranger saw her in the act of using them. Here a weakness was uncovered at once; it was a small, pretty, and natural one; indeed, as weaknesses go in the great world, it might almost have been called a commendable trait. She then began to read, without sitting down.

  These ‘Metres by E.’ composed a collection of soft and marvellously musical rhymes, of a nature known as the vers de société. The lines presented a series of playful defences of the supposed strategy of womankind in fascination, courtship, and marriage — the whole teeming with ideas bright as mirrors and just as unsubstantial, yet forming a brilliant argument to justify the ways of girls to men. The pervading characteristic of the mass was the means of forcing into notice, by strangeness of contrast, the single mournful poem that the book contained. It was placed at the very end, and under the title of ‘Cancelled Words,’ formed a whimsical and rather affecting love-lament, somewhat in the tone of many of Sir Thomas Wyatt’s poems. This was the piece which had arrested Christopher’s attention, and had been pointed out by him to his sister Faith.