Complete Works of Thomas Hardy (Illustrated)

by Thomas Hardy

  This preoccupation of the Hardys with the music of the parish church and less solemn assemblies did not, to say the least, assist their building business, and it was somewhat of a relief to Thomas Hardy the Second’s young wife — though musical herself to a degree — when ecclesiastical changes after the death of Thomas Hardy the First, including the cession of the living by Murray, led to her husband’s 1 Mal/cin, a damp rag for swabbing out an oven.

  abandoning in 1841 or 1842 all connection with the choir. The First Thomas’s death having been quite unexpected, inasmuch as he was playing in the church one Sunday, and brought in for burial on the next, there could be no such quiring over his grave as he had performed over the graves of so many, owing to the remaining players being chief mourners. And thus ended his devoted musical services to Stinsford Church, in which he had occupied the middle seat of the gallery with his bass-viol on Sundays for a period of thirty-five years — to no worldly profit; far the reverse, indeed.

  After his death the building and masoning business also saw changes, being carried on by his widow, her sons assisting — an unsatisfactory arrangement which ultimately led to the division of the goodwill between the brothers.

  The second Thomas Hardy, the author’s father, was a man who in his prime could be, and was, called handsome. To the courtesy of his manners there was much testimony among the local county-ladies with whom he came in contact as a builder. All the Dorset Hardys have more or less a family likeness (of which the Admiral may be considered the middle type), and the present one was a good specimen. He was about five feet nine in height, of good figure, with dark Vandyke-brown hair, and a beard which he wore cut back all round in the custom of his date; with teeth that were white and regular to nearly the last years of his life, and blue eyes that never faded grey; a quick step, and a habit of bearing his head a little to one side as he walked. He carried no stick or umbrella till past middle life, and was altogether an open-air liver, and a great walker always. He was good, too, when young, at hornpipes and jigs, and other folk-dances, performing them with all the old movements of leg-crossing and hop, to the delight of the children, till warned by his wife that this fast perishing style might tend to teach them what it was not quite necessary they should be familiar with, the more genteel ‘country-dance’ having superseded the former.

  Mrs. Hardy once described him to her son as he was when she first set eyes on him in the now removed west gallery of Stinsford Church, appearing to her more travelled glance (she had lived for a time in London, Weymouth, and other towns) and somewhat satirical vision, ‘ rather amusingly old-fashioned, in spite of being decidedly good-looking — wearing the blue swallow-tailed coat with gilt embossed buttons then customary, a red and black flowered waistcoat, Wellington boots, and French-blue trousers’. The sonnet which follows expresses her first view of him.

  A CHURCH ROMANCE (Mellstock, circa 1836)

  She turned in the high pew, until her sight

  Swept the west gallery, and caught its row

  Of music-men with viol, book, and bow

  Against the sinking, sad tower-window light.

  She turned again; and in her pride’s despite

  One strenuous viol’s inspirer seemed to throw

  A message from his string to her below,

  Which said: ‘ I claim thee as my own forthright!’

  Thus their hearts’ bond began, in due time signed,

  And long years thence, when Age had scared Romance,

  At some old attitude of his or glance

  That gallery-scene would break upon her mind,

  With him as minstrel, ardent, young, and trim,

  Bowing ‘New Sabbath’ or ‘Mount Ephraim’.

  Mrs. Hardy herself was rather below the middle height with chestnut hair and grey eyes, and a trim and upright figure. Her movement also in walking being buoyant through life, strangers approaching her from behind imagined themselves, even when she was nearly seventy, about to overtake quite a young woman. The Roman nose and countenance inherited from her mother would better have suited a taller build. Like her mother, too, she read omnivorously. She sang songs of the date, such as the then popular Haynes Bayly’s ‘Isle of Beauty’, and ‘Gaily the Troubadolir’; also ‘Why are you wandering here, I pray?’ and ‘Jeannette and Jeannot’. The children had a quaint old piano for their practice, over which she would sigh because she could not play it herself.

  Thomas Hardy the Third, their eldest child of a family of four (and the only one of the four who married, so that he had no blood- nephew or niece), showed not the physique of his father. Had it not been for the common sense of the estimable woman who attended as monthly nurse, he might never have walked the earth. At his birth he was thrown aside as dead till rescued by her as she exclaimed to the surgeon,’ Dead! Stop a minute: he’s alive enough, sure!’

  Of his infancy nothing has been handed down save the curious fact that on his mother’s returning from out-of-doors one hot afternoon, to him asleep in his cradle, she found a large snake curled up upon his breast, comfortably asleep like himself. It had crept into the house from the heath hard by, where there were many.

  Though healthy he was fragile, and precocious to a degree, being able to read almost before he could walk, and to tune a violin when of quite tender years. He was of ecstatic temperament, extraordinarily sensitive to music, and among the endless jigs, hornpipes, reels, waltzes, and country-dances that his father played of an evening in his early married years, and to which the boy danced a pas seul in the middle of the room, there were three or four that always moved the child to tears, though he strenuously tried to hide them. Among the airs (though he did not know their names at that time) were, by the way, ‘Enrico’ (popular in the Regency), ‘The Fairy Dance’, ‘Miss Macleod of Ayr’ (an old Scotch tune to which Burns may have danced), and a melody named ‘My Fancy-Lad’ or ‘Johnny’s gone to sea’. This peculiarity in himself troubled the mind of ‘Tommy’ as he was called, and set him wondering at a phenomenon to which he ventured not to confess. He used to say in later life that, like Calantha in Ford’s Broken Heart, he danced on at these times to conceal his weeping. He was not over four years of age at this date.

  One or two more characteristics of his personality at this childhood-time can be recounted. In those days the staircase at Bockhampton (later removed) had its walls coloured Venetian red by his father, and was so situated that the evening sun shone into it, adding to its colour a great intensity for a quarter of an hour or more. Tommy used to wait for this chromatic effect, and, sitting alone there, would recite to himself ‘And now another day is gone’ from Dr. Watts’s Hymns, with great fervency, though perhaps not for any religious reason, but from a sense that the scene suited the lines.

  It is not therefore to be wondered at that a boy of this sort should have a dramatic sense of the church services, and on wet Sunday mornings should wrap himself in a tablecloth, and read the horning Prayer standing in a chair, his cousin playing the clerk with loud Amens, and his grandmother representing the congregation. The sermon which followed was simply a patchwork of the sentences used by the vicar. Everybody said that Tommy would have to be a parson, being obviously no good for any practical pursuit; which remark caused his mother many misgivings.

  One event of this date or a little later stood out, he used to say, more distinctly than any. He was lying on his back in the sun, thinking how useless he was, and covered his face with his straw hat. The sun’s rays streamed through the interstices of the straw, the lining having disappeared. Reflecting on his experiences of the world so far as he had got, he came to the conclusion that he did not wish to grow up. Other boys were always talking of when they would be men; he did not want at all to be a man, or to possess things, but to remain as he was, in the same spot, and to know no more people than he already knew (about half a dozen). Yet this early evidence of that lack of social ambition which followed him through life was shown when he was in perfect health and happy circumstances.
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br />   Afterwards he told his mother of his conclusions on existence, thinking she would enter into his views. But to his great surprise she was very much hurt, which was natural enough considering she had been near death’s door in bringing him forth. And she never forgot what he had said, a source of much regret to him in after years.

  When but little older he was puzzled by what seemed to him a resemblance between two marches of totally opposite sentiments — ‘See the conquering hero comes’ and ‘The Dead March in Saul’. Some dozen years were to pass before he discovered that they were by the same composer.

  It may be added here that this sensitiveness to melody, though he was no skilled musician, remained with him through life.

  1848. First School Until his fifth or sixth year his parents hardly supposed he would survive to grow up, but at eight he was thought strong enough to go to the village school, to learn the rudiments before being sent further afield; and by a curious coincidence he was the first pupil to enter the new school-building, arriving on the day of opening, and awaiting tremulously and alone, in the empty room, the formal entry of the other scholars two-and-two with the schoolmaster and mistress from the temporary premises near. The school is still standing much in its original condition.

  Here he worked at Walkingame’s Arithmetic and at geography, in both of which he excelled, though his handwriting was indifferent. About this time his mother gave him Dryden’s Virgil, Johnson’s Rasselas, and Paul and Virginia. He also found in a closet A History of the Wars — a periodical dealing with the war with Napoleon, which his grandfather had subscribed to at the time, having been himself a volunteer. The torn pages of these contemporary numbers with their melodramatic prints of serried ranks, crossed bayonets,

  huge knapsacks, and dead bodies, were the first to set him on the train of ideas that led to The Trumpet-Major and The Dynasts.

  A Journey The boy Thomas’s first experience of travel was when, at eight or nine years old, his mother took him with her — ‘for protection’, as she used to say — being then an attractive and still young woman — on a visit to her sister in Hertfordshire. As the visit lasted three weeks or a month he was sent while there to a private school, which appears to have been somewhat on the Squeers model. Since, however, he was only a day-scholar this did not affect him much, though he was mercilessly tyrannized over by the bigger boys whom he could beat hollow in arithmetic and geography.

  Their return from this visit was marked by an experience which became of interest in the light of after events. The Great Northern Railway to London was then only in process of construction, and it was necessary to go thither by coach from Hertfordshire in order to take the train at Waterloo Station for Dorchester. Mrs. Hardy had not been to London since she had lived there for some months twelve years earlier. The coaching-inn was The Cross-Keys, St. John Street, Clerkenwell, and here mother and boy put up for the night. It was the inn at which Shelley and Mary Godwin had been accustomed to meet at week-ends not two-score years before, and was at this time unaltered from its state during the lovers’ romantic experiences there — the oval stone staircase, the skylight, and the hotel entrance being untouched. As Mrs. Hardy and her little boy took a room rather high up the staircase for economy, and the poet had probably done so for the same reason, there is a possibility that it may have been the same as that occupied by our most marvellous lyrist.

  They stayed but a short time in London, but long enough for him to see and remember some of the streets, the Pantheon, then a fashionable pantechnicon, Cumberland Gate into Hyde Park, which then could boast of no Marble Arch, and the pandemonium of Smithfield, with its mud, curses, and cries of ill-treated animals. Also, that when passing through the city on the way up, they stopped at the point now called Swiss Cottage, and looked back at the outside of London creeping towards them across green fields.

  1849-1850

  By another year he was judged to be strong enough to walk further than to the village school, and after some postponements he was sent to a Dorchester day-school, whose headmaster his mother had learnt to be an exceptionally able man, and a good teacher of Latin, which was quite enough to lead her to waive the fact that the school was Nonconformist, though she had no nonconforming tendencies whatever.

  It is somewhat curious, and shows the honour with which the school was conducted, that the boy did not know till he had been there several months that it was a Nonconformist school, a large number, probably a majority, of the boys coming like himself from Church-of-England homes, having been attracted thither by the reputation of the said master; though Thomas used to wonder why the familiar but rather boring Church Catechism had vanished — or rather all of it except the Ten Commandments, in which the pupils were made proficient once a week. However, though nominally unorthodox during the week Thomas was kept strictly at church on Sundays as usual, till he knew the Morning and Evening Services by heart including the rubrics, as well as large portions of the New Version of the Psalms. The aspect of that time to him is clearly indicated in the verses ‘Afternoon Service at Mellstock’, included in Moments of Vision.

  The removal of the boy from Bockhampton school seriously wounded the lady of the manor who had erected it, though she must have guessed that he had only been sent there till sturdy enough to go further. To his mother this came as an unpleasant misunderstanding. While not wishing to be uncivil she had, naturally, not consulted the other at all in taking him away, considering his interests solely, the Hardys being comparatively independent of the manor, as their house and the adjoining land were a family lifehold, and the estate- work forming only part of Mr. Hardy’s business. That the school to which he was removed was not a Church-of-England one was another rock of offence to this too sensitive lady, though, as has been stated, it was an accident as unwished by the boy’s mother as by the squire’s wife. The latter had just built a model school at her own expense and, though it was but small, had provided it with a well-trained master and mistress; had made it her hobby, till it was far superior to an ordinary village school. Moreover under her dignity lay a tender heart, and having no children of her own she had grown passionately fond of Tommy almost from his infancy — he is said to have been an attractive little fellow at this time — whom she had been accustomed to take into her lap and kiss until he was quite a big child. He quite reciprocated her fondness.

  Shortly before or after the boy’s removal the estate-building work was taken out of the hands of Tommy’s father, who went further afield to replace it, soon obtaining a mansion to enlarge, and other contracts, and thus not suffering much from his loss of business in the immediate vicinity of his home. He would have left the parish altogether, the house his grandfather John had built for his father Thomas the First, as stated, being awkwardly small and ill-arranged, and the spot inconvenient for a builder. But as the rambling dwelling, field, and sandpits attached were his for life, he remained.

  Thomas Hardy the youngest, however, secretly mourned the loss of his friend the landowner’s wife, to whom he had grown more attached than he cared to own. In fact, though he was only nine or ten and she must have been nearly forty, his’feeling for her was almost that of a lover. He had been wont to make drawings of animals in water-colours for her, and to sing to her, one of his songs being ‘ I’ve journeyed over many lands, I’ve sailed on every sea’, which was comical enough considering the extent of his travels. He so much longed to see her that he jumped at the offer of a young woman of the village to take him to a harvest-supper at which he knew she would be present, one of the farms on the estate being carried on by the landowner himself as a hobby, with the aid of a bailiff — much to his pecuniary loss as it turned out. The young woman* a small farmer’s daughter, called for young Thomas on the afternoon of the festivity. Together they went off, his mother being away from home, though they left word where he had gone. The ‘Supper’, an early meal at that date, probably about four o’clock, was over by the time they reached the barn, and tea was going on, after which th
ere was singing and dancing, some non-commissioned officers having been invited from the barracks by the Squire as partners for the girls. The Squire showed himself by no means strait-laced in this respect. What his wife thought is not recorded. It may be remarked in passing that here probably began Thomas’s extensive acquaintance with soldiers of the old uniforms and long service, which was to serve him in good stead when he came to write The Trumpet-Major and The Dynasts.

  Presently the manor-lady, her husband, and a house-party arrived to lead off some dances. As soon ks she saw litde Thomas — who had no business whatever there — she came up to him and said reproachfully:

  ‘O Tommy, how is this? I thought you had deserted me!’

  Tommy assured her through his tears that he had not deserted her, and never would desert her: and then the dance went on. He being wildly fond of dancing, she gave him for a partner a little niece of hers about his own age staying at her house, who had come with her. The manor-house party remained for a few figures and then left, but Tommy perforce stayed on, being afraid to go home without the strapping young woman his companion, who was dancing with the soldiers. There he wearily waited for her till three in the morning, having eaten and drunk nothing since one o’clock on the previous day, through his fear of asking the merry-makers for food. What the estate owner’s tender wife would have given him had she but known of his hunger and thirst, and how carefully have sent him home had she been aware of his dilemma! A reproof from both his parents when Tommy reached home ended the day’s adventure. It was the only harvest-supper and dance that he ever saw, save one that he dropped into by chance years after.