The Birds and the Beasts Were There

by Margaret Millar

  To those of my fellow

  bird-watchers who have

  completed their life lists:

  Adelaide Garvin

  Pat Haworth Higginson

  Edouard Jacot

  Egmont Rett

  COLLECTED MILLAR

  The First Detectives

  The Paul Prye Mysteries

  The Invisible Worm (1941)

  The Weak-Eyed Bat (1942)

  The Devil Loves Me (1942)

  Inspector Sands Mysteries

  Wall of Eyes (1943)

  The Iron Gates [Taste of Fears] (1945)

  Dawn of Domestic Suspense

  Fire Will Freeze (1944)

  Experiment in Springtime (1947)

  The Cannibal Heart (1949)

  Do Evil in Return (1950)

  Rose’s Last Summer (1952)

  The Master at Her Zenith

  Vanish in an Instant (1952)

  Wives and Lovers (1954)

  Beast in View (1955)

  An Air That Kills (1957)

  The Listening Walls (1959)

  Legendary Novels of Suspense

  A Stranger in My Grave (1960)

  How Like an Angel (1962)

  The Fiend (1964)

  Beyond This Point Are Monsters (1970)

  The Tom Aragon Novels

  Ask for Me Tomorrow (1976)

  The Murder of Miranda (1979)

  Mermaid (1982)

  First Things, Last Things

  Banshee (1983)

  Spider Webs (1986)

  Collected Short Fiction (2017)

  It’s All in the Family (1948) (semi-autobiographical children’s book)

  MEMOIR

  The Birds and the Beasts Were There (1968)

  The Birds and the Beasts Were There

  © 1967 The Margaret Millar Charitable Unitrust

  This volume published in 2018 by Syndicate Books

  www.syndicatebooks.com

  Distributed by

  Soho Press, Inc.

  853 Broadway

  New York, NY 10003

  Library of Congress Cataloging-in-Publication Data is available

  ISBN: 978-1-68199-033-0

  eISBN: 978-1-68199-026-2

  Cover and interior design by Jeff Wong

  Printed in the United States of America

  10 9 8 7 6 5 4 3 2 1

  Foreword

  The house in which this book was written barely survived the disastrous Coyote Fire of 1964 described in the final chapters of this book. But in 1977 it was completely destroyed in the Sycamore Fire and all that remains of it is this book.

  Bird population’s change and so do bird watcher populations. The dramatic increase in the latter accounts for the increase, or apparent increase, in the number of bird species observed since the beginning of my bird journal.

  As this foreword is being written, October 1990, our city is in its fourth year of severe drought and wildfires. The mobility of birds helps them survive such disasters. In the nineties our canyons will still echo with the shrill calls of the red-shouldered hawk, “Here, here, come here!,” the beguiling invitation of the quail to “Sit right down, sit right down,” and on hot dry dusty days the very sensible request of the olive-sided flycatcher, “Quick, three beers! Quick, three beers!”

  Who says birds have no brains?

  —M. M.

  1

  Houdunit

  It was the beginning of summer and I was approaching a corner in my life. I did not know that it was waiting for me, let alone that it would be of great significance; and when I turned it, there was no artillery salute, no bands played, no thunder rolled. The only sound was a quick, light tapping that seemed to be coming from the enclosed lanai on the lower floor. I was upstairs in the living room reading a book in an attempt to relax. My husband had left that morning on a trip to Mexico and I was already regretting my decision not to accompany him.

  There was no one else in the house, yet the tapping continued. The dogs were lying beside my chair—not to indicate their devotion—so much as to make sure I didn’t go any place without them. Normally they barked at the drop of a decibel half a mile away, but they didn’t stir until I reminded them sharply that they were supposed to be watchdogs. Then, responding to my tone, they started tearing up and down the room in a loud and disorganized demon­stration of watch doggedness. By the time they stopped, so had the tapping.

  A few minutes later it began again, louder and more purposeful, as if the interruption had served merely to increase the performer’s determination. That a performer existed I had no doubt: the noise didn’t sound mechanical, like air in the plumbing or a defect in the water heater, and the wind wasn’t strong enough to budge a butterfly.

  I went downstairs, the dogs at my heels. The rooms—lanai and storage room, piano alcove, my husband’s study and bath—were empty, as expected, and outside there was nothing unusual—no curious child from one of the houses across the canyon, no lost dog or straying cat. As I started back upstairs I heard the tapping again. This time it was closer and I could tell exactly where it was coming from—the window of the bath between my bedroom and my office. The new development wasn’t exactly reassuring since that particular window was fifteen feet from the ground and no nearby tree provided access to it. The added fact that the dogs weren’t making a fuss forced me to conclude that the originator of the noise was not of this world.

  Twilight in the empty house did not provide the best occasion for speculating about the spirit world and who, among its occupants, might be trying to get in touch with me. I thought of various relatives and friends, and even my childhood hero, Houdini, who had promised his faithful followers that if he could possibly communicate from the spirit world he would do so on the anniversary of his death. I had to check several reference books before learning that he had died in Detroit, Michigan, the end of October 1926. This was Santa Barbara, California, the end of June. It seemed unlikely that Houdini could have made such a gross mistake, so I crossed him off the list.

  The ghostly noise stopped when darkness fell and I heard nothing more until the following morning, shortly after dawn. Once more I searched the house, upstairs and down, inside and out, and found nothing out of the ordinary. But I had no sooner gone out to the kitchen to make breakfast when the tapping started again from one of the east windows of the lanai; it was followed by a series of sounds as if someone was trampling around in the leaf litter underneath the ceanothus shrubs. The eeriest part of the whole thing was that the dogs didn’t react to the sound, though their ears are twenty times keener than mine and they must certainly have heard it. Perhaps the performer was so well known to them that they con­sidered him unworthy of their attention. If this was the case, why hadn’t I seen him? Was my failure due to a deficiency of vision or of perception?

  I was finishing breakfast when Bertha Blomstrand, who’d recently built a house across the road, telephoned to ask if I was wide awake enough to come over and see something peculiar. She advised me to make as little noise as possible, which, translated bluntly, meant to leave the dogs at home.

  Bertha was waiting for me at the front door. She motioned me to be silent, then led me through the house to a window which looked out on the driveway, where her car was parked. It was a small foreign model, so common it could be seen on any street at any time. The only unusual thing about it was the left rear hubcap, which was being vigorously attacked by a brown bird. The bird would fling himself at the hubcap, beat it
with his wings and peck it with such force that we could hear the sound clearly through the closed window. This was not love, like a parakeet seeing himself in a mirror. This was war. The chrome of the hubcap showed the bird a mortal enemy.

  Thus the source of the tapping on my windows was discovered, and it was not Houdini whodunit. It was a little brown bird who acquired a name before he even had an identity—Houdunit.

  I went back home, relieved that the culprit was nothing more formidable, yet curiously unsatisfied. What species did he belong to? Had he engaged in previous fights with his enemy in the left rear hubcap of Bertha’s car and in the window of the lanai and of the upstairs bathroom? And why only this one hubcap out of four, these two windows out of many?

  I had come to the corner and only one step was necessary to take me around it. The step seemed a very small one: later in the morning, when I went to the supermarket for groceries, I bought a thirty-nine-cent box of parakeet seed.

  Some kinds of addiction are considered incurable. A heroin addict can be kept off his drug in a prison cell for years but the result is not a cure. A bird watcher can be confined to a room with the blinds drawn and the windows closed tight. But when one of the windows is opened and a snatch of bird song drifts in, when a blind is raised and a small creature wings by, or certain leaves in a tree stir without wind, the addiction is more powerful than ever. It carries with it, however, a lifetime guarantee. Wherever you go in this world—the rain forests of the Amazon, the Arctic tundra, the Mojave Desert, the Swiss Alps, the Taj Mahal, the top of the Empire State Building or the middle of Main Street, Peoria, Illi­nois—no matter where you find yourself, there’ll be birds to watch and you’ll never again be bored.

  I sprinkled half the parakeet seed on the ledge outside the living room. This ledge, which was to become the setting for hundreds of itinerant players to act their comedies and tragedies, was four feet wide and covered with roofing material which provided safe footing. It ran the length of two rooms, some fifteen yards, and had been intended mainly as an overhang for the lanai and patio on the lower level.

  Nature had provided the ledge with a varied and colorful back­drop. At one end was a gnarled Australian tea tree, with a grove of ceanothus behind it. Entwined throughout the branches of the ceanothus were the strong, swift runners of a rampaging trumpet vine which had been in bloom since January. At the other end of the ledge we’d built a porch, which quickly became overgrown with cotoneaster and bougainvillaea. In the background an elder­berry bush had grown to tree size, and beyond it stood a row of huge Monterey pines. Looking straight out across the ledge from the chair where I generally sat, I could see first a long privet hedge, unclipped and as tall as a man, a lemon tree and some young loquats, a pittosporum forty feet high and almost as wide, a num­ber of old live oak trees and some enormous blue gum eucalyptus.

  Our property slanted down about thirty feet to a flat area that had been an access road at one time. Though a previous owner had stuck a few concrete flagstones around it, it wasn’t enough of anything to have a name. We called it the lower terrace only for purposes of identification. From here the ground sloped down into a canyon with a creek at the bottom. This creek, unlike most of the ones in southern California in the summer, had water in it. Its banks were strewn with boulders, and wildly overgrown with mugwort, native blackberry, deadly nightshade and poison oak. This last we made no attempt to get rid of, having learned that a fair-sized patch of poison oak is as good a way to discourage tres­passers as a fence and a Keep Out sign. The final backdrop was the Santa Ynez range of mountains, a changing mass of greens and greys and violets depending on the light.

  This, then, was our ledge, a stage whose most dramatic mo­ments up to that point were when Ken and I washed the picture windows.

  The first customer for the parakeet seed was Houdunit—or his brother, sister, cousin, aunt—followed a few minutes later by a small, energetic brownish bird with striped underparts. It was promptly joined by another bird of the same size, shape and behav­ior but with a red breast and face. In spite of the difference in coloration they were obviously a pair. From their quick discovery of the food and their unhesitating descent on it, it also seemed obvious that they were a part of the neighborhood, a bright, lively, tuneful part. Yet I had never seen or heard them before. They might as well have been silent creatures of the darkest night. How could I have missed them?

  This theme is a recurrent one among new bird watchers. To the uneducated eye, as to the incurious mind, much of the world is in darkness, and a thousand songs are lost on the unlistening ear.

  That afternoon, for the first time in years, I went to the Santa Barbara Museum of Natural History. It is a charming place, a cluster of tile-roofed buildings with inner courts and stone arch­ways and long open-air corridors rambling in all directions. A sycamore-lined creek runs through the area, which is shaded by massive old live oaks and dotted with huge boulders brought down by the creek during winter floods.

  When our daughter, Linda, was in grade school, we used to take her and her friends to the museum on afternoons too hot to hike and too cold to swim in the sea. The children especially liked Bird Hall. They’d stand staring up at the condor and the white pelican suspended from the ceiling, or into the display cases which held the smaller birds, captives long past caring. The children’s com­ments made it clear that they considered the stuffed specimens to be more like toys than real birds who had once walked on lawns or touched treetops or skimmed the surface of the sea. For them then, as for me now, the robin in Bird Hall has little connection with the fat, spectacled comic who appoints himself boss of the berry patch. The scrap of grey in the glass cage bears only a token resemblance to the bustling little busybody we call the bushtit, and the sight of the acorn woodpecker wired to a plaster post sets up no echo in my ears of the marvelously raucous and kinetic dialogue he con­ducts with his friends.

  Movement is the very essence of a bird. The museum of the future should, and probably will, occupy itself less with collecting specimens and more with obtaining good color films and sound tracks of creatures alive, moving and meaningful.

  In Bird Hall I found drab replicas of the birds I’d seen on the ledge—a brown towhee, and a male and female house finch. As I left, I paused to read the information sheet in the display case near the door. It stated that all of the birds inside were from Santa Barbara County and there were nearly 400 of them.

  I had 398 to go.

  2

  How Sweet the Honey

  On the way home I stopped down­town and blew the rest of the month’s expense money on a pair of binoculars, a copy of Roger Tory Peterson’s Field Guide to Western Birds, and a Handbook of California Birds by Brown and Weston. Thus equipped, I confidently expected to spend the balance of the day beside the window identifying all the birds that passed my way or stopped to eat.

  My confidence was ill timed and misplaced. There were a lot of birds, certainly, but they were extremely uncooperative and so were the binoculars. When I was lucky enough to spot a bird quietly perched on a branch, I had to get the binoculars focused on it and adjusted to my eyes, then I had to go through all the illustrations in the Field Guide and the Handbook until I came to a picture that resembled what I’d seen. At this point I invariably discovered that my initial study of the bird hadn’t been thorough enough and that I needed another look at it. By the time the binoculars and I were prepared for another look, the bird was halfway to Los Angeles and I was left gnashing my teeth and suffering from dizziness and a severe headache. (These symptoms are all common among new bird watchers; only the gnashing is permanent.)

  About the middle of the afternoon a brash blue-and-grey bird joined the house finches feeding on the ledge and stayed long enough for me to identify it as a scrub jay. This was my first identification on my own, and though it was a small thing it went to my head like the smell of a cork to an old toper. I began to envisage my ledge
and its surrounding greenery as a place to which birds of all kinds would irresistibly be drawn. I knew nothing whatever about attracting birds, but I’d had quite a lot of experi­ence in attracting people and perhaps the same method could be used—food and drink. Obviously parakeet seed wasn’t going to do the trick alone; I needed to put out several kinds of food.

  I had a vague memory of watching my father, when I was a child in Canada, go through all sorts of shenanigans to keep the birds out of the cherry trees. Nothing had worked, so I reasoned that some birds must be inordinately fond of cherries. I didn’t have any cherries on hand but I found a bunch of grapes, which might possibly be mistaken for cherries by a bird who was a little near­sighted. I also found some bread and four stale doughnuts. The grapes I fastened with a pipe cleaner to a branch of the tea tree at one end of the ledge. The bread I crumbled and scattered with the rest of the parakeet seed. One doughnut I slipped over a twig of the lemon tree, another in the cotoneaster, and the remaining two in the tea tree with the grapes.

  If the arrangements looked as peculiar to the birds as they did to me, they would undoubtedly stay away in droves. To avoid disap­pointment, I decided not to sit around and wait but to go back downtown and purchase a few more bird-luring devices. It was on this trip that I met Harry.

  Harry was the proprietor of a pet shop. Wearing his starched white coat and his sedate yet sympathetic smile, he looked more like a doctor about to diagnose my symptoms and treat the under­lying disease. I didn’t know it at the time but I was the kind of customer, or patient, Harry had been waiting for all his life. I had the disease for which he had the cure.

  His first recommendation was a bird bath. Or rather, two bird baths. Some birds liked the ordinary pedestal-type bath, he said, while others preferred a container placed right on the ground. I didn’t want to be accused of discrimination so I bought a four-dollar clay saucer in addition to the ten-dollar pedestal bath. (“Hang the expense,” Harry said cheerfully.)