Eyeless In Gaza

by Aldous Huxley

  ‘Ah, but here’s Joan,’ she cried, interrupting her praise of him, and added, in a tone that was charged with sprightly meaning, ‘You won’t want to go on talking with her tiresome old mother – will he, Joanie?’

  The two young people looked at one another in a speechless embarrassment.

  The door suddenly flew open and Mr Thursley hurried into the room. ‘Look at this!’ he cried in a voice that trembled with rage, and held out a glass ink-pot. ‘How do you expect me to do my work with an eighth of an inch of sediment? Dipping, dipping, dipping the whole morning. Never able to write more than two words at a time . . .’

  ‘Here’s Brian, Daddy,’ said Joan in the hope, which she knew in advance was vain, that the stranger’s presence might shame him into silence.

  His pointed nose still white with rage, Mr Thursley glared at Brian, shook hands and, turning away, at once went on with his angry complaint. ‘It’s always like that in this house. How can one be expected to do serious work?’

  ‘Oh, God,’ Joan inwardly prayed, ‘make him stop, make him shut up.’

  ‘As if he couldn’t fill the pot himself!’ Brian was thinking. ‘Why doesn’t she tell him so?’

  But it was impossible for Mrs Thursley to say or even think anything of the kind. He had his sermons, his articles in the Guardian, his studies in Neo-Platonism. How could he be expected to fill his own ink-pot? For her as well as for him it was obvious, it had become, after these five and twenty years of abjectly given and unreflectingly accepted slavery, completely axiomatic that he couldn’t do such a thing. Besides, if she were to suggest in any way that he wasn’t perfectly right, his anger would become still more violent. Goodness only knew what he mightn’t do or say – in front of Brian! It would be awful. She began to make excuses for the empty ink-pot. Abject excuses on her own behalf, on Joan’s, on her servants’. Her tone was at once deprecatory and soothing; she spoke as though she were dealing with a mixture between Jehovah and a very savage dog that might bite at any moment.

  The gong – the Thursleys had a gong that would have been audible from end to end of a ducal mansion – rumbled up to a thunderous fortissimo that reduced even the vicar to silence. But as the sound ebbed, he began again.

  ‘It’s not as though I asked for very much,’ he said.

  ‘He’ll be quieter when he’s had something to eat,’ Mrs Thursley thought, and led the way into the dining-room, followed by Joan. Brian wanted the vicar to precede him; but even in his righteous anger Mr Thursley remembered his good manners. Laying his hand on Brian’s shoulder, he propelled him towards the door, keeping up all the time a long-range bombardment of his wife.

  ‘Only a little quiet, only the simplest material conditions for doing my work. The barest minimum. But I don’t get it. The house is as noisy as a railway station, and my ink-pot’s neglected till I have nothing but a little black mud to write with.’

  Under the bombardment, Mrs Thursley walked as though shrunken and with bowed head. But Joan, Brian noticed, had gone stiff; her body was rigid and ungraceful with excess of tension.

  In the dining-room they found the two boys, Joan’s younger brothers, already standing behind their chairs. At the sight of them, Mr Thursley reverted from his ink-pot to the noise in the house. ‘Like a railway station,’ he repeated, and the righteous indignation flared up in him with renewed intensity. ‘George and Arthur have been rushing up and down the stairs and round the garden the whole morning. Why can’t you keep them in order?’

  They were all at their places now; Mrs Thursley at one end of the table, her husband at the other; the two boys on her left; Joan and Brian on her right. They stood there, waiting for the vicar to say grace.

  ‘Like hooligans,’ said Mr Thursley; the flames of wrath ran through him; he was filled with a tingling warmth, horribly delicious. ‘Like savages.’

  Making an effort, he dropped his long cleft chin on his chest and was silent. His nose was still deathly pale with anger: like marine animals in an aquarium, the nostrils contracted and expanded in a pulse of regular but fluttering movement. In his right hand he still held the ink-pot.

  ‘Benedictus benedicat, per Jesum Christum Dominum nostrum,’ he said at last in his praying voice, which was deep, with the suspicion of a tremolo, and charged with transcendental significance.

  With the noise of pent-up movement suddenly released they all sat down.

  ‘Screaming and howling,’ said Mr Thursley, reverting from the tone of piety to his original harshness. ‘How am I expected to do my work?’ With an indignant bang, he put the ink-pot down on the table in front of him, then unfolded his napkin.

  At the other end of the table Mrs Thursley was cutting up the mock duck with an extraordinary rapidity.

  ‘Pass that to your father,’ she said to the nearest boy. It was essential to get him eating as soon as possible.

  A second or two later the parlour-maid was offering Mr Thursley the vegetable. Her apron and cap were stiff with starch and she was as well drilled as a guardsman. The vegetable dishes were hideous, but had been expensive; the spoons were of heavy Victorian silver. With them, the vicar helped himself first to boiled potatoes, then to cabbage, mashed and moulded into damp green bricks.

  Still indulging himself in the luxury of anger, ‘Women simply don’t understand what serious work is,’ Mr Thursley went on; then started eating.

  When she had helped the others to their mock duck, Mrs Thursley ventured a remark. ‘Brian’s just off to Germany,’ she said.

  Mr Thursley looked up, chewing his food very rapidly with his front teeth, like a rabbit. ‘What part of Germany?’ he asked, darting a sharp inquisitorial look at Brian. His nose had flushed again to its normal colour.

  ‘M-marburg.’

  ‘Where there’s the university?’

  Brian nodded.

  Startlingly, with a noise like coke being poured down a chute, Mr Thursley burst out laughing. ‘Don’t take to beer-drinking with the students,’ he said.

  The storm was over. In part out of the thankfulness of her heart, in part to make her husband feel that she had found his joke irresistible, Mrs Thursley also laughed. ‘Oh, no,’ she cried, ‘don’t take to that!’

  Brian smiled and shook his head.

  ‘Water or soda-water?’ the parlour-maid asked confidentially, creaking with starch and whalebone as she bent over him.

  ‘W-water, please.’

  After lunch, when the vicar had returned to his study, Mrs Thursley suggested, in her bright, embarrassingly significant way, that the two young people should go for a walk. The ogival front door slammed behind them. Like a prisoner at last restored to liberty, Joan drew a deep breath.

  The sky was still overcast, and beneath the low ceiling of grey cloud the air was soft and as though limp with fatigue, as though weary with the burden of too much summer. In the woods, into which they turned from the high-road, the stillness was oppressive, like the intentional silence of sentient beings, pregnant with unavowed thoughts and hidden feelings. An invisible tree-creeper started to sing; but it was as if the clear bright sound were coming from some other time and place. They walked on hand in hand; and between them was the silence of the wood and at the same time the deeper, denser, more secret silence of their own unexpressed emotions. The silence of the complaints she was too loyal to utter and the pity that, unless she complained, it would, he felt, be insulting for him to put into words; her longing for the comfort of his arms and those desires he did not wish to feel.

  Their path led them between great coverts of rhododendrons, and suddenly they were in a narrow cleft, hemmed in by high walls of the impenetrable, black-green foliage. It was a solitude within a solitude, the image of their own private silence visibly hollowed out of the greater stillness of the wood.

  ‘Almost f-frightening,’ he whispered, as they stood there listening – listening (for there was nothing else for them to hear) to their own heart-beats and each other’s breathing and all the words that h
ung unspoken between them.

  All at once, she could bear it no longer, ‘When I think of what it’ll be like at home . . .’ The complaint had uttered itself, against her will. ‘Oh, I wish you weren’t going, Brian!’

  Brian looked at her and, at the sight of those trembling lips, those eyes bright with tears, he felt himself as it were disintegrated by tenderness and pity. Stammering her name, he put his arm about her. Joan stood for a little while quite still, her head bent, her forehead resting on his shoulder. The touch of her hair was electric against his lips, he breathed its perfume. All at once, as though waking from sleep, she stirred into motion and, drawing a little away from him, looked up into his face. Her regard had a desperate, almost inhuman fixity.

  ‘Darling,’ he whispered.

  Joan’s only answer was to shake her head.

  But why? What was she denying, what implication of his endearment was she saying no to? ‘But J-joan . . .?’ There was a note of anxiety in his voice.

  Still she did not answer; only looked at him and once more slowly shook her head. How many negations were expressed in that single movement! The refusal to complain; the denial for herself of the possibility of happiness; the sad insistence that all her love and all his availed nothing against the pain of absence; the resolution not to exploit his pity, not to elicit, however much she longed for it, another, a more passionate avowal . . .

  Suddenly, he took her face between his hands and, stooping, kissed her on the mouth.

  But this was what she had resolved not to extort from him, this was the gesture that could avail nothing against her inevitable unhappiness! For a second or two she stiffened her body in resistance, tried to shake her head again, tried to draw back. Then, vanquished by a longing stronger than herself, she was limp in his arms; the shut, resisting lips parted and were soft under his kisses; her eyelids closed, and there was nothing left in the world but his mouth and the thin hard body pressed against her own.

  Fingers stirred the hair above the nape of her neck, slid round to the throat and dropped to her breast. The strength went out of her, she felt herself sinking deeper and deeper into that mysterious other world, behind her eyelids, into the sightless universe of touch.

  Then, without warning, as though in precipitate obedience to some inaudible word of command, he broke away from her. For an instant she thought she was going to fall; but the strength came back to her knees, just in time. She swayed unsteadily, then recovered her balance, and with it the consciousness of the outrage he had inflicted upon her. She had leaned upon him with her whole being, soul as well as body, and he had allowed her to fall, had withdrawn his lips and chest and left her suddenly cold and horribly exposed, defenceless and as if naked. She opened hurt, reproachful eyes and saw him standing there pale and strangely furtive; he met her glance for a moment, then averted his face.

  Her resentful sense of outrage gave place to anxiety. ‘What is it, Brian?’

  He looked at her for a moment, then turned away again. ‘Perhaps we’d better go home,’ he said in a low voice.

  It was a day late in September. Under a pale blue sky the distances were mournful, were exquisitely tender with faint mist. The world seemed remote and unactual, like a memory or an ideal.

  The train came to a standstill. Brian waved to the solitary porter, but he himself, nevertheless, got out with the heaviest of the suitcases. By straining his muscles he found that he was able to relieve his conscience of some of the burden that the ability to buy a poor man’s services tended, increasingly as he grew older, to impose upon it.

  The porter came running up and almost snatched the bag out of Brian’s hand. He too had his conscience. ‘You leave that to me, sir,’ he said, almost indignantly.

  ‘T-two more in the c-c-c . . . inside,’ he emended, long after the porter had stepped into the unpronounceable compartment to collect the remaining pieces. ‘Sh-shall I give a hand?’ he offered. The man was old – forty years older than himself, Brian calculated; white-haired and wrinkled, but called him ‘sir,’ but carried his bags and would be grateful for a shilling. ‘Sh-shall I . . .?’

  The old porter did not even answer, but swung the suitcases down from the rack, taking evident pride in his well-directed strength.

  A touch on his shoulder made Brian turn sharply round. The person who had touched him was Joan.

  ‘In the King’s name!’ she said; but the laughter behind her words was forced, and there was an expression in her eyes of anxiety – the accumulated anxiety of weeks of bewildered speculation. All those queer, unhappy letters he had written from Germany – they had left her painfully uncertain what to think, how to feel, what to expect of him when he came back. In his letters, it was true, he had reproached only himself – with a violence for whose intensity she was unable to account. But to the extent that she was responsible for what had happened in the wood (and of course she was partly responsible; why not? what was so wrong with just a kiss?), she felt that the reproaches were also addressed to her. And if he reproached her, could he still love her? What did he really feel about her, about himself, about their relations to one another? It was because she simply couldn’t wait an unnecessary minute for the answer that she had come, surreptitiously, to meet him at the station.

  Brian stood there speechless; he had not expected to see her so soon, and was almost dismayed at thus finding himself, without preparation, in her presence. Automatically, he held out his hand. Joan took it and pressed it in her own, hard, hard, as if hoping to force the reality of her love upon him; but even while doing so, she swayed away from him in her apprehension, her embarrassed uncertainty of what he might have become, swayed away as she would have done from a stranger.

  The grace of that shy, uneasy movement touched him as poignantly as it had touched him at their first meeting. It was the grace, in spite of the embarrassment that the movement expressed, of a young tree in the wind. That was how he had thought of it then. And now it had happened again; and the beauty of the gesture was again a revelation, but more poignant than it had been the first time, because of its implication that he was once again an alien; but an alien, against whose renewed strangeness the pressure on his hand protested, almost violently.

  Her face, as she looked up into his, seemed to waver; and suddenly that artificial brightness was quenched in profound apprehension.

  ‘Aren’t you glad to see me, Brian?’ she asked.

  Her words broke a spell; he was able to smile again, able to speak. ‘G-glad?’ he repeated; and, for answer, kissed her hand. ‘But I didn’t th-think you’d be here. It almost g-gave me a fright.’

  His expression reassured her. During those first seconds of silence, his still, petrified face had seemed the face of an enemy. Now, by that smile, he was transfigured, was once more the old Brian she had loved; so sensitive, so kind and good; and so beautiful in his goodness, beautiful in spite of that long, queer face, that lanky body, those loose, untidily moving limbs.

  Noisily, the train started, gathered speed and was gone. The old porter walked away to fetch a barrow. They were alone at the end of the long platform.

  ‘I thought you didn’t love me,’ she said after a long silence.

  ‘But, J-joan!’ he protested. They smiled at one another; then, after a moment, he looked away. Not love her? he was thinking. But the trouble was that he loved her too much, loved her in a bad way, even though she was the best.

  ‘I thought you were angry with me.’

  ‘But why sh-should I be?’ His face was still averted.

  ‘You know why.’

  ‘I wasn’t a-angry with you.’

  ‘But it was my fault.’

  Brian shook his head. ‘It w-wasn’t.’

  ‘It was,’ she insisted.

  At the thought of what his sensations had been as he held her there, in the dark cleft between the rhododendron coverts, he shook his head a second time, more emphatically.

  The old porter was there again with his barrow and his
comments on the weather, his scraps of news and gossip. They followed him, playing for his benefit their parts as supernumerary characters in the local drama.

  When they were almost at the gate, Joan laid a hand on Brian’s arm. ‘It’s all right, isn’t it?’ Their eyes met. ‘I’m allowed to be happy?’

  He smiled without speaking and nodded.

  In the dogcart on the way to the house he kept remembering the sudden brightening of her face in response to that voiceless gesture of his. And all he could do to repay her for so much love was to . . . He thought of the rhododendron coverts again and was overcome with shame.

  When she learned from Brian that Joan had been at the station, Mrs Foxe felt a sharp pang of resentment. By what right? Before his own mother . . . And besides, what bad faith! For Joan had accepted her invitation to come to lunch the day after Brian’s return. Which meant that she had tacitly admitted Mrs Foxe’s exclusive right to him on the day itself. But here she was, stealing surreptitiously to the station to catch him as he stepped out of the train. It was almost dishonest.

  Mrs Foxe’s passion of indignant jealousy lasted only a few seconds; its very intensity accelerated her recognition of its wrongness, its unworthiness. No sign of what she felt had appeared on her face, and it was with a smile of amused indulgence that she listened to Brian’s vaguely stammered account of the meeting. Then, with a strong effort of the will, she not only shut off the expression of her emotion, but even excluded the emotion itself from her consciousness. All that, as it seemed, an impersonal regard for right conduct justified her in still feeling was a certain regretful disapproval of Joan’s – how should she put it? – disingenuousness. For the girl to have stolen that march upon her was not quite right.

  Not quite right; but still very understandable, she now went on to reflect, very excusable. When one’s in love . . . And Joan’s was an impulsive, emotional character. Which had its fortunate side, Mrs Foxe reflected. The impulses were as strong towards right as towards wrong. If one could canalize that deep and powerful stream of life within her, if one could make the right appeal to what was best in her, if one could confirm her in those fine and generous aspirations of hers – why, she would be a splendid person. Splendid, Mrs Foxe insisted to herself.