Year's Best Weird Fiction, Vol. 2

by Nathan Ballingrud

  —I feel like I know so many parts of you, he says to me, trying not to pant. And now, I will know all of them.

  *

  There is a story they tell, about a girl dared by her peers to venture to a local graveyard after dark. This was her folly: when they told her that standing on someone’s grave at night would cause the inhabitant to reach up and pull her under, she scoffed. Scoffing is the first mistake a woman can make.

  I will show you, she said.

  Pride is the second mistake.

  They gave her a knife to stick into the frosty earth, as a way of proving her presence and her theory.

  She went to that graveyard. Some storytellers say that she picked the grave at random. I believe she selected a very old one, her choice tinged by self-doubt and the latent belief that if she were wrong, the intact muscle and flesh of a newly dead corpse would be more dangerous than one centuries gone.

  She knelt on the grave and plunged the blade deep. As she stood to run she found she couldn’t escape. Something was clutching at her clothes. She cried out and fell down.

  When morning came, her friends arrived at the cemetery. They found her dead on the grave, the blade pinning the sturdy wool of her skirt to the ground. Dead of fright or exposure, would it matter when the parents arrived? She was not wrong, but it didn’t matter any more. Afterwards, everyone believed that she had wished to die, even though she had died proving that she could live.

  As it turns out, being right was the third, and worst, mistake.

  *

  My parents are pleased about the marriage. My mother says that even though girls nowadays are starting to marry late, she married father when she was nineteen, and was glad that she did.

  When I select my wedding gown, I am reminded of the story of the young woman who wished to go to a dance with her lover, but could not afford a dress. She purchased a lovely white frock from a second-hand shop, and then later fell ill and passed from this earth. The coroner who performed her autopsy discovered she had died from exposure to embalming fluid. It turned out that an unscrupulous undertaker’s assistant had stolen the dress from the corpse of a bride.

  The moral of that story, I think, is that being poor will kill you. Or perhaps the moral is that brides never fare well in stories, and one should avoid either being a bride, or being in a story. After all, stories can sense happiness and snuff it out like a candle.

  We marry in April, on an unseasonably cold afternoon. He sees me before the wedding, in my dress, and insists on kissing me deeply and reaching inside of my bodice. He becomes hard, and I tell him that I want him to use my body as he sees fit. I rescind my first rule, given the occasion. He pushes me against the wall and puts his hand against the tile near my throat, to steady himself. His thumb brushes my ribbon. He does not move his hand, and as he works himself in me he says I love you, I love you, I love you. I do not know if I am the first woman to walk up the aisle of St George’s with semen leaking down her leg, but I like to imagine that I am.

  *

  For our honeymoon, we go on a trip I have long desired: a tour of Europe. We are not rich but we make it work. We go from bustling, ancient metropolises to sleepy villages to alpine retreats and back again, sipping spirits and pulling roasted meat from bones with our teeth, eating spaetzle and olives and ravioli and a creamy grain I do not recognize but come to crave each morning. We cannot afford a sleeper car on the train, but my husband bribes an attendant to permit us one hour in an empty room, and in that way we couple over the Rhine.

  (If you are reading this story out loud, make the sound of the bed under the tension of train travel and lovemaking by straining a metal folding chair against its hinges. When you are exhausted with that, sing the half remembered lyrics of old songs to the person closest to you, thinking of lullabies for children.)

  *

  My cycle stops soon after we return from our trip. I tell my husband one night, after we are spent and sprawled across our bed. He glows with delight.

  —A child, he says. He lies back with his hands beneath his head. A child. He is quiet for so long that I think that he’s fallen asleep, but when I look over his eyes are open and fixed on the ceiling. He rolls on his side and gazes at me.

  —Will the child have a ribbon?

  I feel my jaw tighten. My mind skips between many answers, and I settle on the one that brings me the least amount of anger.

  —There is no saying, now, I tell him finally.

  He startles me, then, by running his hand around my throat. I put up my hands to stop him but he uses his strength, grabbing my wrists with one hand as he touches the ribbon with the other. He presses the silky length with his thumb. He touches the bow delicately, as if he is massaging my sex.

  —Please, I say. Please don’t.

  He does not seem to hear. Please, I say again, my voice louder, but cracking in the middle.

  He could have done it then, untied the bow, if he’d chosen to. But he releases me and rolls back on his back. My wrists ache, and I rub them.

  —I need a glass of water, I say. I get up and go to the bathroom. I run the tap and then frantically check my ribbon, tears caught in my lashes. The bow is still tight.

  *

  There is a story I love about a pioneer husband and wife killed by wolves. Neighbours found their bodies torn open and strewn around their tiny cabin, but never located their infant daughter, alive or dead. People claimed they saw the girl running with a wolf pack, loping over the terrain as wild and feral as any of her companions.

  News of her would ripple through the local settlements. She menaced a hunter in a winter forest—though perhaps he was less menaced than startled at a tiny naked girl baring her teeth and howling. A young woman trying to take down a horse. People even saw her ripping open a chicken in an explosion of feathers.

  Many years later, she was said to be seen resting in the rushes along a riverbank, suckling two wolf cubs. I like to imagine that they came from her body, the lineage of wolves tainted human just the once. They certainly bloodied her breasts, but she did not mind because they were hers and only hers.

  *

  My stomach swells. Inside of me, our child is swimming fiercely, kicking and pushing and clawing. On a walk in the park, the same park where my husband had proposed to me the year before, I gasp and stagger to the side, clutching my belly and hissing through my teeth to Little One, as I call it, to stop. I go to my knees, breathing heavily and near weeping. A woman passing by helps me to sit up and gives me some water, telling me that the first pregnancy is always the worst.

  My body changes in ways I do not expect—my breasts are large, swollen and hot, my stomach lined with pale marks, the inverse of a tiger’s. I feel monstrous, but my husband seems renewed with desire, as if my novel shape has refreshed our list of perversities. And my body responds: in the line at the supermarket, receiving communion in church, I am marked by a new and ferocious want, leaving me slippery and swollen at the slightest provocation. When he comes home each day, my husband has a list in his mind of things he desires from me, and I am willing to provide them and more.

  —I am the luckiest man alive, he says, running his hands across my stomach.

  In the mornings, he kisses me and fondles me and sometimes takes me before his coffee and toast. He goes to work with a spring in his step. He comes home with one promotion, and then another. More money for my family, he says. More money for our happiness.

  *

  I am in labour for twenty hours. I nearly wrench off my husband’s hand, howling obscenities that do not seem to shock the nurse. I am certain I will crush my own teeth to powder. The doctor peers down between my legs, his white eyebrows making unreadable Morse code across his forehead.

  —What’s happening? I ask.

  —I’m not satisfied this will be a natural birth, the doctor says. Surgery may be necessary.

  —No, please, I say. I don’t want that, please.

  —If there’s no movement soon, we’re g
oing to do it, the doctor says. It might be best for everyone. He looks up and I am almost certain he winks at my husband, but pain makes the mind see things differently than they are.

  I make a deal with Little One, in my mind. Little One, I think, this is the last time that we are going to be just you and me. Please don’t make them cut you out of me.

  Little One is born twenty minutes later. They do have to make a cut, but not across my stomach as I had feared. The doctor cuts down, and I feel little, just tugging, though perhaps it is what they have given me. When the baby is placed in my arms, I examine the wrinkled body from head to toe, the colour of a sunset sky, and streaked in red.

  No ribbon. A boy. I begin to weep, and curl the unmarked baby into my chest.

  (If you are reading this story out loud, give a paring knife to the listener and ask them to cut the tender flap of skin between your index finger and thumb. Afterwards, thank them.)

  *

  There is a story about a woman who goes into labour when the attending physician is tired. There is a story about a woman who herself was born too early. There is a story about a woman whose body clung to her child so hard they cut her to retrieve him. There is a story about a woman who heard a story about a woman who birthed wolf cubs in secret. Stories have this way of running together like raindrops in a pond. They are each borne from the clouds separately, but once they have come together, there is no way to tell them apart.

  (If you are reading this story out loud, move aside the curtain to illustrate this final point to your listeners. It’ll be raining, I promise.)

  *

  They take the baby so that they may fix me where they cut. They give me something that makes me sleepy, delivered through a mask pressed gently to my mouth and nose. My husband jokes around with the doctor as he holds my hand.

  —How much to get that extra stitch? he asks. You offer that, right?—Please, I say to him. But it comes out slurred and twisted and possibly no more than a small moan. Neither man turns his head toward me.

  The doctor chuckles. You aren’t the first—

  I slide down a long tunnel, and then surface again, but covered in something heavy and dark, like oil. I feel like I am going to vomit.

  —the rumor is something like—

  —like a vir—

  And then I am awake, wide awake, and my husband is gone and the doctor is gone. And the baby, where is—

  The nurse sticks her head in the door.

  —Your husband just went to get a coffee, she says, and the baby is asleep in the bassinet.

  The doctor walks in behind her, wiping his hands on a cloth.

  —You’re all sewn up, don’t you worry, he said. Nice and tight, everyone’s happy. The nurse will speak with you about recovery. You’re going to need to rest for a while.

  The baby wakes up. The nurse scoops him from his swaddle and places him in my arms again. He is so beautiful I have to remind myself to breathe.

  *

  My son is a good baby. He grows and grows. We never have another child, though not for lack of trying. I suspect that Little One did so much ruinous damage inside of me that my body couldn’t house another.

  —You were a poor tenant, Little One, I say to him, rubbing shampoo into his fine brown hair, and I shall revoke your deposit.

  He splashes around in the sink, cackling with happiness.

  My son touches my ribbon, but never in a way that makes me afraid. He thinks of it as a part of me, and he treats it no differently than he would an ear or finger.

  Back from work, my husband plays games in the yard with our son, games of chase and run. He is too young to catch a ball, still, but my husband patiently rolls it to him in the grass, and our son picks it up and drops it again, and my husband gestures to me and cries Look, look! Did you see? He is going to throw it soon enough.

  Of all the stories I know about mothers, this one is the most real. A young American girl is visiting Paris with her mother when the woman begins to feel ill. They decide to check into a hotel for a few days so the mother can rest, and the daughter calls for a doctor to assess her.

  After a brief examination, the doctor tells the daughter that all her mother needs is some medicine. He takes the daughter to a taxi, gives the driver directions in French, and explains to the girl that, at his home, his wife will give her the appropriate remedy. They drive and drive for a very long time, and when the girl arrives, she is frustrated by the unbearable slowness of this doctor’s wife, who meticulously assembles the pills from powder. When she gets back into the taxi, the driver meanders down the streets, sometimes doubling back on the same avenue. The girl gets out of the taxi to return to the hotel on foot. When she finally arrives, the hotel clerk tells her that he has never seen her before. When she runs up to the room where her mother had been resting, she finds the walls a different colour, the furnishings different than her memory, and her mother nowhere in sight.

  There are many endings to the story. In one of them, the girl is gloriously persistent and certain, renting a room nearby and staking out the hotel, eventually seducing a young man who works in the laundry and discovering the truth: that her mother had died of a contagious and fatal disease, departing this plane shortly after the daughter was sent from the hotel by the doctor. To avoid a citywide panic, the staff removed and buried her body, repainted and furnished the room, and bribed all involved to deny that they had ever met the pair.

  In another version of this story, the girl wanders the streets of Paris for years, believing that she is mad, that she invented her mother and her life with her mother in her own diseased mind. The daughter stumbles from hotel to hotel, confused and grieving, though for whom she cannot say.

  I don’t need to tell you the moral of this story. I think you already know what it is.

  *

  Our son enters school when he is five, and I remember his teacher from that day in the park, when she had crouched to help me. She remembers me as well. I tell her that we have had no more children since our son, and now that he has started school, my days will be altered toward sloth and boredom. She is kind. She tells me that if I am looking for a way to occupy my time, there is a wonderful women’s art class at a local college.

  That night, after my son is in bed, my husband reaches his hand across the couch and slides it up my leg.

  —Come to me, he says, and I twinge with pleasure. I slide off the couch, smoothing my skirt very prettily as I walk over to him on my knees. I kiss his leg, running my hand up to his belt, tugging him from his bonds before swallowing him whole. He runs his hands through my hair, stroking my head, groaning and pressing into me. And I don’t realize that his hand is sliding down the back of my neck until he is trying to loop his fingers through the ribbon. I gasp and pull away quickly, falling back and frantically checking my bow. He is still sitting there, slick with my spit.

  —Come back here, he says.

  —No, I say.

  He stands up and tucks himself into his pants, zipping them up.

  —A wife, he says, should have no secrets from her husband.

  —I don’t have any secrets, I tell him.

  —The ribbon.

  —The ribbon is not a secret, it’s just mine.

  —Were you born with it? Why your throat? Why is it green?

  I do not answer.

  He is silent for a long minute. Then,

  —A wife should have no secrets.

  My nose grows hot. I do not want to cry.

  —I have given you everything you have ever asked for, I say. Am I not allowed this one thing?

  —I want to know.

  —You think you want to know, I say, but you do not.

  —Why do you want to hide it from me?

  —I am not hiding it. It is not yours.

  He gets down very close to me, and I pull back from the smell of bourbon. I hear a creak, and we both look up to see our son’s feet vanishing up the staircase.

  When my husband goes to sleep that n
ight, he does so with a hot and burning anger that falls away only when he starts dreaming. I sense its release, and only then can I sleep, too.

  The next day, our son touches my throat and asks about my ribbon. He tries to pull at it. And though it pains me, I have to make it forbidden to him. When he reaches for it, I shake a can full of pennies. It crashes discordantly, and he withdraws and weeps. Something is lost between us, and I never find it again.

  (If you are reading this story out loud, prepare a soda can full of pennies. When you arrive at this moment, shake it loudly in the face of the person closest to you. Observe their expression of startled fear, and then betrayal. Notice how they never look at you in exactly the same way for the rest of your days.)

  *

  I enroll in the art class for women. When my husband is at work and my son is in school, I drive to the sprawling green campus and the squat grey building where the art classes are held.

  Presumably, the male nudes are kept from our eyes in some deference to propriety, but the class has its own energy—there is plenty to see on a strange woman’s naked form, plenty to contemplate as you roll charcoal and mix paints. I see more than one woman shifting forwards and back in her seat to redistribute blood flow.