Vanity Fair (illustrated)

by William Makepeace Thackeray

  Shortly after Jos’s first appearance at Brompton, a dismal scene, indeed, took place at that humble cottage at which the Sedleys had passed the last ten years of their life. Jos’s carriage (the temporary one, not the chariot under construction) arrived one day and carried off old Sedley and his daughter — to return no more. The tears that were shed by the landlady and the landlady’s daughter at that event were as genuine tears of sorrow as any that have been outpoured in the course of this history. In their long acquaintanceship and intimacy they could not recall a harsh word that had been uttered by Amelia She had been all sweetness and kindness, always thankful, always gentle, even when Mrs. Clapp lost her own temper and pressed for the rent. When the kind creature was going away for good and all, the landlady reproached herself bitterly for ever having used a rough expression to her — how she wept, as they stuck up with wafers on the window, a paper notifying that the little rooms so long occupied were to let! They never would have such lodgers again, that was quite clear. After-life proved the truth of this melancholy prophecy, and Mrs. Clapp revenged herself for the deterioration of mankind by levying the most savage contributions upon the tea-caddies and legs of mutton of her locataires. Most of them scolded and grumbled; some of them did not pay; none of them stayed. The landlady might well regret those old, old friends, who had left her.

  As for Miss Mary, her sorrow at Amelia’s departure was such as I shall not attempt to depict. From childhood upwards she had been with her daily and had attached herself so passionately to that dear good lady that when the grand barouche came to carry her off into splendour, she fainted in the arms of her friend, who was indeed scarcely less affected than the good-natured girl. Amelia loved her like a daughter. During eleven years the girl had been her constant friend and associate. The separation was a very painful one indeed to her. But it was of course arranged that Mary was to come and stay often at the grand new house whither Mrs. Osborne was going, and where Mary was sure she would never be so happy as she had been in their humble cot, as Miss Clapp called it, in the language of the novels which she loved.

  Let us hope she was wrong in her judgement. Poor Emmy’s days of happiness had been very few in that humble cot. A gloomy Fate had oppressed her there. She never liked to come back to the house after she had left it, or to face the landlady who had tyrannized over her when ill-humoured and unpaid, or when pleased had treated her with a coarse familiarity scarcely less odious. Her servility and fulsome compliments when Emmy was in prosperity were not more to that lady’s liking. She cast about notes of admiration all over the new house, extolling every article of furniture or ornament; she fingered Mrs. Osborne’s dresses and calculated their price. Nothing could be too good for that sweet lady, she vowed and protested. But in the vulgar sycophant who now paid court to her, Emmy always remembered the coarse tyrant who had made her miserable many a time, to whom she had been forced to put up petitions for time, when the rent was overdue; who cried out at her extravagance if she bought delicacies for her ailing mother or father; who had seen her humble and trampled upon her.

  Nobody ever heard of these griefs, which had been part of our poor little woman’s lot in life. She kept them secret from her father, whose improvidence was the cause of much of her misery. She had to bear all the blame of his misdoings, and indeed was so utterly gentle and humble as to be made by nature for a victim.

  I hope she is not to suffer much more of that hard usage. And, as in all griefs there is said to be some consolation, I may mention that poor Mary, when left at her friend’s departure in a hysterical condition, was placed under the medical treatment of the young fellow from the surgery, under whose care she rallied after a short period. Emmy, when she went away from Brompton, endowed Mary with every article of furniture that the house contained, only taking away her pictures (the two pictures over the bed) and her piano — that little old piano which had now passed into a plaintive jingling old age, but which she loved for reasons of her own. She was a child when first she played on it, and her parents gave it her. It had been given to her again since, as the reader may remember, when her father’s house was gone to ruin and the instrument was recovered out of the wreck.

  Major Dobbin was exceedingly pleased when, as he was superintending the arrangements of Jos’s new house — which the Major insisted should be very handsome and comfortable — the cart arrived from Brompton, bringing the trunks and bandboxes of the emigrants from that village, and with them the old piano. Amelia would have it up in her sitting-room, a neat little apartment on the second floor, adjoining her father’s chamber, and where the old gentleman sat commonly of evenings.

  When the men appeared then bearing this old music-box, and Amelia gave orders that it should be placed in the chamber aforesaid, Dobbin was quite elated. “I’m glad you’ve kept it,” he said in a very sentimental manner. “I was afraid you didn’t care about it.”

  “I value it more than anything I have in the world,” said Amelia.

  “Do you, Amelia?” cried the Major. The fact was, as he had bought it himself, though he never said anything about it, it never entered into his head to suppose that Emmy should think anybody else was the purchaser, and as a matter of course he fancied that she knew the gift came from him. “Do you, Amelia?” he said; and the question, the great question of all, was trembling on his lips, when Emmy replied —

  “Can I do otherwise? — did not he give it me?”

  “I did not know,” said poor old Dob, and his countenance fell.

  Emmy did not note the circumstance at the time, nor take immediate heed of the very dismal expression which honest Dobbin’s countenance assumed, but she thought of it afterwards. And then it struck her, with inexpressible pain and mortification too, that it was William who was the giver of the piano, and not George, as she had fancied. It was not George’s gift; the only one which she had received from her lover, as she thought — the thing she had cherished beyond all others — her dearest relic and prize. She had spoken to it about George; played his favourite airs upon it; sat for long evening hours, touching, to the best of her simple art, melancholy harmonies on the keys, and weeping over them in silence. It was not George’s relic. It was valueless now. The next time that old Sedley asked her to play, she said it was shockingly out of tune, that she had a headache, that she couldn’t play.

  Then, according to her custom, she rebuked herself for her pettishness and ingratitude and determined to make a reparation to honest William for the slight she had not expressed to him, but had felt for his piano. A few days afterwards, as they were seated in the drawing-room, where Jos had fallen asleep with great comfort after dinner, Amelia said with rather a faltering voice to Major Dobbin —

  “I have to beg your pardon for something.”

  “About what?” said he.

  “About — about that little square piano. I never thanked you for it when you gave it me, many, many years ago, before I was married. I thought somebody else had given it. Thank you, William.” She held out her hand, but the poor little woman’s heart was bleeding; and as for her eyes, of course they were at their work.

  But William could hold no more. “Amelia, Amelia,” he said, “I did buy it for you. I loved you then as I do now. I must tell you. I think I loved you from the first minute that I saw you, when George brought me to your house, to show me the Amelia whom he was engaged to. You were but a girl, in white, with large ringlets; you came down singing — do you remember? — and we went to Vauxhall. Since then I have thought of but one woman in the world, and that was you. I think there is no hour in the day has passed for twelve years that I haven’t thought of you. I came to tell you this before I went to India, but you did not care, and I hadn’t the heart to speak. You did not care whether I stayed or went.”

  “I was very ungrateful,” Amelia said.

  “No, only indifferent,” Dobbin continued desperately. “I have nothing to make a woman to be otherwise. I know what you are feeling now. You are hurt in your heart at the
discovery about the piano, and that it came from me and not from George. I forgot, or I should never have spoken of it so. It is for me to ask your pardon for being a fool for a moment, and thinking that years of constancy and devotion might have pleaded with you.”

  “It is you who are cruel now,” Amelia said with some spirit. “George is my husband, here and in heaven. How could I love any other but him? I am his now as when you first saw me, dear William. It was he who told me how good and generous you were, and who taught me to love you as a brother. Have you not been everything to me and my boy? Our dearest, truest, kindest friend and protector? Had you come a few months sooner perhaps you might have spared me that — that dreadful parting. Oh, it nearly killed me, William — but you didn’t come, though I wished and prayed for you to come, and they took him too away from me. Isn’t he a noble boy, William? Be his friend still and mine” — and here her voice broke, and she hid her face on his shoulder.

  The Major folded his arms round her, holding her to him as if she was a child, and kissed her head. “I will not change, dear Amelia,” he said. “I ask for no more than your love. I think I would not have it otherwise. Only let me stay near you and see you often.”

  “Yes, often,” Amelia said. And so William was at liberty to look and long — as the poor boy at school who has no money may sigh after the contents of the tart-woman’s tray.

  CHAPTER LX

  Returns to the Genteel World

  Good fortune now begins to smile upon Amelia. We are glad to get her out of that low sphere in which she has been creeping hitherto and introduce her into a polite circle — not so grand and refined as that in which our other female friend, Mrs. Becky, has appeared, but still having no small pretensions to gentility and fashion. Jos’s friends were all from the three presidencies, and his new house was in the comfortable Anglo-Indian district of which Moira Place is the centre. Minto Square, Great Clive Street, Warren Street, Hastings Street, Ochterlony Place, Plassy Square, Assaye Terrace (“gardens” was a felicitous word not applied to stucco houses with asphalt terraces in front, so early as 1827) — who does not know these respectable abodes of the retired Indian aristocracy, and the quarter which Mr. Wenham calls the Black Hole, in a word? Jos’s position in life was not grand enough to entitle him to a house in Moira Place, where none can live but retired Members of Council, and partners of Indian firms (who break, after having settled a hundred thousand pounds on their wives, and retire into comparative penury to a country place and four thousand a year); he engaged a comfortable house of a second- or third-rate order in Gillespie Street, purchasing the carpets, costly mirrors, and handsome and appropriate planned furniture by Seddons from the assignees of Mr. Scape, lately admitted partner into the great Calcutta House of Fogle, Fake, and Cracksman, in which poor Scape had embarked seventy thousand pounds, the earnings of a long and honourable life, taking Fake’s place, who retired to a princely park in Sussex (the Fogles have been long out of the firm, and Sir Horace Fogle is about to be raised to the peerage as Baron Bandanna) — admitted, I say, partner into the great agency house of Fogle and Fake two years before it failed for a million and plunged half the Indian public into misery and ruin.

  Scape, ruined, honest, and broken-hearted at sixty-five years of age, went out to Calcutta to wind up the affairs of the house. Walter Scape was withdrawn from Eton and put into a merchant’s house. Florence Scape, Fanny Scape, and their mother faded away to Boulogne, and will be heard of no more. To be brief, Jos stepped in and bought their carpets and sideboards and admired himself in the mirrors which had reflected their kind handsome faces. The Scape tradesmen, all honourably paid, left their cards, and were eager to supply the new household. The large men in white waistcoats who waited at Scape’s dinners, greengrocers, bank-porters, and milkmen in their private capacity, left their addresses and ingratiated themselves with the butler. Mr. Chummy, the chimney-purifier, who had swept the last three families, tried to coax the butler and the boy under him, whose duty it was to go out covered with buttons and with stripes down his trousers, for the protection of Mrs. Amelia whenever she chose to walk abroad.

  It was a modest establishment. The butler was Jos’s valet also, and never was more drunk than a butler in a small family should be who has a proper regard for his master’s wine. Emmy was supplied with a maid, grown on Sir William Dobbin’s suburban estate; a good girl, whose kindness and humility disarmed Mrs. Osborne, who was at first terrified at the idea of having a servant to wait upon herself, who did not in the least know how to use one, and who always spoke to domestics with the most reverential politeness. But this maid was very useful in the family, in dexterously tending old Mr. Sedley, who kept almost entirely to his own quarter of the house and never mixed in any of the gay doings which took place there.

  Numbers of people came to see Mrs. Osborne. Lady Dobbin and daughters were delighted at her change of fortune, and waited upon her. Miss Osborne from Russell Square came in her grand chariot with the flaming hammer-cloth emblazoned with the Leeds arms. Jos was reported to be immensely rich. Old Osborne had no objection that Georgy should inherit his uncle’s property as well as his own. “Damn it, we will make a man of the feller,” he said; “and I’ll see him in Parliament before I die. You may go and see his mother, Miss O., though I’ll never set eyes on her”: and Miss Osborne came. Emmy, you may be sure, was very glad to see her, and so be brought nearer to George. That young fellow was allowed to come much more frequently than before to visit his mother. He dined once or twice a week in Gillespie Street and bullied the servants and his relations there, just as he did in Russell Square.

  He was always respectful to Major Dobbin, however, and more modest in his demeanour when that gentleman was present. He was a clever lad and afraid of the Major. George could not help admiring his friend’s simplicity, his good humour, his various learning quietly imparted, his general love of truth and justice. He had met no such man as yet in the course of his experience, and he had an instinctive liking for a gentleman. He hung fondly by his godfather’s side, and it was his delight to walk in the parks and hear Dobbin talk. William told George about his father, about India and Waterloo, about everything but himself. When George was more than usually pert and conceited, the Major made jokes at him, which Mrs. Osborne thought very cruel. One day, taking him to the play, and the boy declining to go into the pit because it was vulgar, the Major took him to the boxes, left him there, and went down himself to the pit. He had not been seated there very long before he felt an arm thrust under his and a dandy little hand in a kid glove squeezing his arm. George had seen the absurdity of his ways and come down from the upper region. A tender laugh of benevolence lighted up old Dobbin’s face and eyes as he looked at the repentant little prodigal. He loved the boy, as he did everything that belonged to Amelia. How charmed she was when she heard of this instance of George’s goodness! Her eyes looked more kindly on Dobbin than they ever had done. She blushed, he thought, after looking at him so.

  Georgy never tired of his praises of the Major to his mother. “I like him, Mamma, because he knows such lots of things; and he ain’t like old Veal, who is always bragging and using such long words, don’t you know? The chaps call him ‘Longtail’ at school. I gave him the name; ain’t it capital? But Dob reads Latin like English, and French and that; and when we go out together he tells me stories about my Papa, and never about himself; though I heard Colonel Buckler, at Grandpapa’s, say that he was one of the bravest officers in the army, and had distinguished himself ever so much. Grandpapa was quite surprised, and said, ‘THAT feller! Why, I didn’t think he could say Bo to a goose’ — but I know he could, couldn’t he, Mamma?”

  Emmy laughed: she thought it was very likely the Major could do thus much.

  If there was a sincere liking between George and the Major, it must be confessed that between the boy and his uncle no great love existed. George had got a way of blowing out his cheeks, and putting his hands in his waistcoat pockets, and saying, “God b
less my soul, you don’t say so,” so exactly after the fashion of old Jos that it was impossible to refrain from laughter. The servants would explode at dinner if the lad, asking for something which wasn’t at table, put on that countenance and used that favourite phrase. Even Dobbin would shoot out a sudden peal at the boy’s mimicry. If George did not mimic his uncle to his face, it was only by Dobbin’s rebukes and Amelia’s terrified entreaties that the little scapegrace was induced to desist. And the worthy civilian being haunted by a dim consciousness that the lad thought him an ass, and was inclined to turn him into ridicule, used to be extremely timorous and, of course, doubly pompous and dignified in the presence of Master Georgy. When it was announced that the young gentleman was expected in Gillespie Street to dine with his mother, Mr. Jos commonly found that he had an engagement at the Club. Perhaps nobody was much grieved at his absence. On those days Mr. Sedley would commonly be induced to come out from his place of refuge in the upper stories, and there would be a small family party, whereof Major Dobbin pretty generally formed one. He was the ami de la maison — old Sedley’s friend, Emmy’s friend, Georgy’s friend, Jos’s counsel and adviser. “He might almost as well be at Madras for anything WE see of him,” Miss Ann Dobbin remarked at Camberwell. Ah! Miss Ann, did it not strike you that it was not YOU whom the Major wanted to marry?