Complete Works of James Joyce

by Unknown

  The cabby read out of the paper he had got hold of that the former viceroy, earl Cadogan, had presided at the cabdrivers’ association dinner in London somewhere. Silence with a yawn or two accompanied this thrilling announcement. Then the old specimen in the corner who appeared to have some spark of vitality left read out that sir Anthony MacDonnell had left Euston for the chief secretary’s lodge or words to that effect. To which absorbing piece of intelligence echo answered why.

  — Give us a squint at that literature, grandfather, the ancient mariner put in, manifesting some natural impatience.

  — And welcome, answered the elderly party thus addressed.

  The sailor lugged out from a case he had a pair of greenish goggles which he very slowly hooked over his nose and both ears.

  — Are you bad in the eyes? the sympathetic personage like the townclerk queried.

  — Why, answered the seafarer with the tartan beard, who seemingly was a bit of a literary cove in his own small way, staring out of seagreen portholes as you might well describe them as, I uses goggles reading. Sand in the Red Sea done that. One time I could read a book in the dark, manner of speaking. The Arabian Nights Entertainment was my favourite and Red as a Rose is She.

  Hereupon he pawed the journal open and pored upon Lord only knows what, found drowned or the exploits of King Willow, Iremonger having made a hundred and something second wicket not out for Notts, during which time (completely regardless of Ire) the keeper was intensely occupied loosening an apparently new or secondhand boot which manifestly pinched him as he muttered against whoever it was sold it, all of them who were sufficiently awake enough to be picked out by their facial expressions, that is to say, either simply looking on glumly or passing a trivial remark.

  To cut a long story short Bloom, grasping the situation, was the first to rise from his seat so as not to outstay their welcome having first and foremost, being as good as his word that he would foot the bill for the occasion, taken the wise precaution to unobtrusively motion to mine host as a parting shot a scarcely perceptible sign when the others were not looking to the effect that the amount due was forthcoming, making a grand total of fourpence (the amount he deposited unobtrusively in four coppers, literally the last of the Mohicans), he having previously spotted on the printed pricelist for all who ran to read opposite him in unmistakable figures, coffee 2d, confectionery do, and honestly well worth twice the money once in a way, as Wetherup used to remark.

  — Come, he counselled to close the séance.

  Seeing that the ruse worked and the coast was clear they left the shelter or shanty together and the élite society of oilskin and company whom nothing short of an earthquake would move out of their dolce far niente. Stephen, who confessed to still feeling poorly and fagged out, paused at the, for a moment, the door.

  — One thing I never understood, he said to be original on the spur of the moment. Why they put tables upside down at night, I mean chairs upside down, on the tables in cafes. To which impromptu the neverfailing Bloom replied without a moment’s hesitation, saying straight off:

  — To sweep the floor in the morning.

  So saying he skipped around, nimbly considering, frankly at the same time apologetic to get on his companion’s right, a habit of his, by the bye, his right side being, in classical idiom, his tender Achilles. The night air was certainly now a treat to breathe though Stephen was a bit weak on his pins.

  — It will (the air) do you good, Bloom said, meaning also the walk, in a moment. The only thing is to walk then you’ll feel a different man. Come. It’s not far. Lean on me.

  Accordingly he passed his left arm in Stephen’s right and led him on accordingly.

  — Yes, Stephen said uncertainly because he thought he felt a strange kind of flesh of a different man approach him, sinewless and wobbly and all that.

  Anyhow they passed the sentrybox with stones, brazier etc. where the municipal supernumerary, ex Gumley, was still to all intents and purposes wrapped in the arms of Murphy, as the adage has it, dreaming of fresh fields and pastures new. And apropos of coffin of stones the analogy was not at all bad as it was in fact a stoning to death on the part of seventytwo out of eighty odd constituencies that ratted at the time of the split and chiefly the belauded peasant class, probably the selfsame evicted tenants he had put in their holdings.

  So they turned on to chatting about music, a form of art for which Bloom, as a pure amateur, possessed the greatest love, as they made tracks arm in arm across Beresford place. Wagnerian music, though confessedly grand in its way, was a bit too heavy for Bloom and hard to follow at the first go-off but the music of Mercadante’s Huguenots, Meyerbeer’s Seven Last Words on the Cross and Mozart’s Twelfth Mass he simply revelled in, the Gloria in that being, to his mind, the acme of first class music as such, literally knocking everything else into a cocked hat. He infinitely preferred the sacred music of the catholic church to anything the opposite shop could offer in that line such as those Moody and Sankey hymns or Bid me to live and i will live thy protestant to be. He also yielded to none in his admiration of Rossini’s Stabat Mater, a work simply abounding in immortal numbers, in which his wife, Madam Marion Tweedy, made a hit, a veritable sensation, he might safely say, greatly adding to her other laureis and putting the others totally in the shade, in the jesuit fathers’ church in upper Gardiner street, the sacred edifice being thronged to the doors to hear her with virtuosos, or virtuosi rather. There was the unanimous opinion that there was none to come up to her and suffice it to say in a place of worship for music of a sacred character there was a generally voiced desire for an encore. On the whole though favouring preferably light opera of the Don Giovanni description and Martha, a gem in its line, he had a penchant, though with only a surface knowledge, for the severe classical school such as Mendelssohn. And talking of that, taking it for granted he knew all about the old favourites, he mentioned par excellence Lionel’s air in Martha, M’appari, which, curiously enough, he had heard or overheard, to be more accurate, on yesterday, a privilege he keenly appreciated, from the lips of Stephen’s respected father, sung to perfection, a study of the number, in fact, which made all the others take a back seat. Stephen, in reply to a politely put query, said he didn’t sing it but launched out into praises of Shakespeare’s songs, at least of in or about that period, the lutenist Dowland who lived in Fetter lane near Gerard the herbalist, who anno ludendo hausi, Doulandus, an instrument he was contemplating purchasing from Mr Arnold Dolmetsch, whom B. did not quite recall though the name certainly sounded familiar, for sixtyfive guineas and Farnaby and son with their dux and comes conceits and Byrd (William) who played the virginals, he said, in the Queen’s chapel or anywhere else he found them and one Tomkins who made toys or airs and John Bull.

  On the roadway which they were approaching whilst still speaking beyond the swingchains a horse, dragging a sweeper, paced on the paven ground, brushing a long swathe of mire up so that with the noise Bloom was not perfectly certain whether he had caught aright the allusion to sixtyfive guineas and John Bull. He inquired if it was John Bull the political celebrity of that ilk, as it struck him, the two identical names, as a striking coincidence.

  By the chains the horse slowly swerved to turn, which perceiving, Bloom, who was keeping a sharp lookout as usual, plucked the other’s sleeve gently, jocosely remarking:

  — Our lives are in peril tonight. Beware of the steamroller.

  They thereupon stopped. Bloom looked at the head of a horse not worth anything like sixtyfive guineas, suddenly in evidence in the dark quite near so that it seemed new, a different grouping of bones and even flesh because palpably it was a fourwalker, a hipshaker, a blackbuttocker, a taildangler, a headhanger putting his hind foot foremost the while the lord of his creation sat on the perch, busy with his thoughts. But such a good poor brute he was sorry he hadn’t a lump of sugar but, as he wisely reflected, you could scarcely be prepared for every emergency that might crop up. He was just a big nervous foolish noodl
y kind of a horse, without a second care in the world. But even a dog, he reflected, take that mongrel in Barney Kiernan’s, of the same size, would be a holy horror to face. But it was no animal’s fault in particular if he was built that way like the camel, ship of the desert, distilling grapes into potheen in his hump. Nine tenths of them all could be caged or trained, nothing beyond the art of man barring the bees. Whale with a harpoon hairpin, alligator tickle the small of his back and he sees the joke, chalk a circle for a rooster, tiger my eagle eye. These timely reflections anent the brutes of the field occupied his mind somewhat distracted from Stephen’s words while the ship of the street was manoeuvring and Stephen went on about the highly interesting old.

  — What’s this I was saying? Ah, yes! My wife, he intimated, plunging in medias res, would have the greatest of pleasure in making your acquaintance as she is passionately attached to music of any kind.

  He looked sideways in a friendly fashion at the sideface of Stephen, image of his mother, which was not quite the same as the usual handsome blackguard type they unquestionably had an insatiable hankering after as he was perhaps not that way built.

  Still, supposing he had his father’s gift as he more than suspected, it opened up new vistas in his mind such as Lady Fingall’s Irish industries, concert on the preceding Monday, and aristocracy in general.

  Exquisite variations he was now describing on an air Youth here has End by Jans Pieter Sweelinck, a Dutchman of Amsterdam where the frows come from. Even more he liked an old German song of Johannes Jeep about the clear sea and the voices of sirens, sweet murderers of men, which boggled Bloom a bit:

  Von der Sirenen Listigkeit

  Tun die Poeten dichten.

  These opening bars he sang and translated extempore. Bloom, nodding, said he perfectly understood and begged him to go on by all means which he did.

  A phenomenally beautiful tenor voice like that, the rarest of boons, which Bloom appreciated at the very first note he got out, could easily, if properly handled by some recognised authority on voice production such as Barraclough and being able to read music into the bargain, command its own price where baritones were ten a penny and procure for its fortunate possessor in the near future an entrée into fashionable houses in the best residential quarters of financial magnates in a large way of business and titled people where with his university degree of B. A. (a huge ad in its way) and gentlemanly bearing to all the more influence the good impression he would infallibly score a distinct success, being blessed with brains which also could be utilised for the purpose and other requisites, if his clothes were properly attended to so as to the better worm his way into their good graces as he, a youthful tyro in — society’s sartorial niceties, hardly understood how a little thing like that could militate against you. It was in fact only a matter of months and he could easily foresee him participating in their musical and artistic conversaziones during the festivities of the Christmas season, for choice, causing a slight flutter in the dovecotes of the fair sex and being made a lot of by ladies out for sensation, cases of which, as he happened to know, were on record — in fact, without giving the show away, he himself once upon a time, if he cared to, could easily have. Added to which of course would be the pecuniary emolument by no means to be sneezed at, going hand in hand with his tuition fees. Not, he parenthesised, that for the sake of filthy lucre he need necessarily embrace the lyric platform as a walk in life for any lengthy space of time. But a step in the required direction it was beyond yea or nay and both monetarily and mentally it contained no reflection on his dignity in the smallest and it often turned in uncommonly handy to be handed a cheque at a muchneeded moment when every little helped. Besides, though taste latterly had deteriorated to a degree, original music like that, different from the conventional rut, would rapidly have a great vogue as it would be a decided novelty for Dublin’s musical world after the usual hackneyed run of catchy tenor solos foisted on a confiding public by Ivan St Austell and Hilton St Just and their genus omne. Yes, beyond a shadow of a doubt he could with all the cards in his hand and he had a capital opening to make a name for himself and win a high place in the city’s esteem where he could command a stiff figure and, booking ahead, give a grand concert for the patrons of the King street house, given a backerup, if one were forthcoming to kick him upstairs, so to speak, a big if, however, with some impetus of the goahead sort to obviate the inevitable procrastination which often tripped-up a too much fêted prince of good fellows. And it need not detract from the other by one iota as, being his own master, he would have heaps of time to practise literature in his spare moments when desirous of so doing without its clashing with his vocal career or containing anything derogatory whatsoever as it was a matter for himself alone. In fact, he had the ball at his feet and that was the very reason why the other, possessed of a remarkably sharp nose for smelling a rat of any sort, hung on to him at all.

  The horse was just then. And later on at a propitious opportunity he purposed (Bloom did), without anyway prying into his private affairs on the fools step in where angels principle, advising him to sever his connection with a certain budding practitioner who, he noticed, was prone to disparage and even to a slight extent with some hilarious pretext when not present, deprecate him, or whatever you like to call it which in Bloom’s humble opinion threw a nasty sidelight on that side of a person’s character, no pun intended.

  The horse having reached the end of his tether, so to speak, halted and, rearing high a proud feathering tail, added his quota by letting fall on the floor which the brush would soon brush up and polish, three smoking globes of turds. Slowly three times, one after another, from a full crupper he mired. And humanely his driver waited till he (or she) had ended, patient in his scythed car.

  Side by side Bloom, profiting by the contretemps, with Stephen passed through the gap of the chains, divided by the upright, and, stepping over a strand of mire, went across towards Gardiner street lower, Stephen singing more boldly, but not loudly, the end of the ballad.

  Und alle Schiffe brücken.

  The driver never said a word, good, bad or indifferent, but merely watched the two figures, as he sat on his lowbacked car, both black, one full, one lean, walk towards the railway bridge, to be married by Father Maher. As they walked they at times stopped and walked again continuing their tête-à-tête (which, of course, he was utterly out of) about sirens enemies of man’s reason, mingled with a number of other topics of the same category, usurpers, historical cases of the kind while the man in the sweeper car or you might as well call it in the sleeper car who in any case couldn’t possibly hear because they were too far simply sat in his seat near the end of lower Gardiner street and looked after their lowbacked car.

  Episode 17, Ithaca

  Bloom comes home with Stephen, who refuses Bloom’s offer of a place to stay for the night. The two men urinate in the backyard, Stephen departs and wanders off into the night, and Bloom goes to bed. The episode is written in the form of a rigidly organised catechism, and was reportedly Joyce’s favourite episode in the novel. The style is that of a scientific inquiry, with questions furthering the narrative. The deep descriptions range from questions of astronomy to the trajectory of urination.

  What parallel courses did Bloom and Stephen follow returning?

  Starting united both at normal walking pace from Beresford place they followed in the order named Lower and Middle Gardiner streets and Mountjoy square, west: then, at reduced pace, each bearing left, Gardiner’s place by an inadvertence as far as the farther corner of Temple street: then, at reduced pace with interruptions of halt, bearing right, Temple street, north, as far as Hardwicke place. Approaching, disparate, at relaxed walking pace they crossed both the circus before George’s church diametrically, the chord in any circle being less than the arc which it subtends.

  Of what did the duumvirate deliberate during their itinerary?

  Music, literature, Ireland, Dublin, Paris, friendship, woman, prostitution, diet, the infl
uence of gaslight or the light of arc and glowlamps on the growth of adjoining paraheliotropic trees, exposed corporation emergency dustbuckets, the Roman catholic church, ecclesiastical celibacy, the Irish nation, jesuit education, careers, the study of medicine, the past day, the maleficent influence of the presabbath, Stephen’s collapse.

  Did Bloom discover common factors of similarity between their respective like and unlike reactions to experience?

  Both were sensitive to artistic impressions, musical in preference to plastic or pictorial. Both preferred a continental to an insular manner of life, a cisatlantic to a transatlantic place of residence. Both indurated by early domestic training and an inherited tenacity of heterodox resistance professed their disbelief in many orthodox religious, national, social and ethical doctrines. Both admitted the alternately stimulating and obtunding influence of heterosexual magnetism.

  Were their views on some points divergent?

  Stephen dissented openly from Bloom’s views on the importance of dietary and civic selfhelp while Bloom dissented tacitly from Stephen’s views on the eternal affirmation of the spirit of man in literature. Bloom assented covertly to Stephen’s rectification of the anachronism involved in assigning the date of the conversion of the Irish nation to christianity from druidism by Patrick son of Calpornus, son of Potitus, son of Odyssus, sent by pope Celestine I in the year 432 in the reign of Leary to the year 260 or thereabouts in the reign of Cormac MacArt (died 266 A.D.), suffocated by imperfect deglutition of aliment at Sletty and interred at Rossnaree. The collapse which Bloom ascribed to gastric inanition and certain chemical compounds of varying degrees of adulteration and alcoholic strength, accelerated by mental exertion and the velocity of rapid circular motion in a relaxing atmosphere, Stephen attributed to the reapparition of a matutinal cloud (perceived by both from two different points of observation Sandycove and Dublin) at first no bigger than a woman’s hand.