Star_How Warren Beatty Seduced America
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Allen, John, 327–28
Allen, Nancy, 159–60
Allen, Steve, 234
Allen, Woody, 56–57, 67, 70–73, 82, 101, 254, 255, 276, 358, 541
Allende, Salvador, 530
Allentuck, Dan, 275, 276
All Fall Down, 38, 47–49, 52–53
All the King’s Men, 54
All the President’s Men, 175, 177
Almendros, Néstor, 224
Altman, Robert, 5, 146–48, 150–56, 163–65, 186, 194, 249, 321
Amburn, Ellis, 9
Ameche, Don, 51
America, America, 53, 68, 96
American Beauty, 538
American Broadcasting Company (ABC), 233, 372
American Cinema, The (Sarris), 65
American Civil Liberties Union (ACLU), 266
American Film Institute Lifetime Achievement Award, 2
American History X, 519
American Hot Wax, 332
American in Paris, An, 67
American President, An, 488
Americans for Democratic Action, 532–33
Anderson, P. T., 488
Andress, Ursula, 41, 158, 491
Andrews, Tommy, 431
Andropov, Yuri, 443
Angels in America (Kushner), 490
Anna Karenina (Tolstoy), 167
Annie Hall, 237, 254, 287
Ann-Margaret, 98
Another 48 Hours, 425
Ansen, David, 426
Anti-Ballistic Missile Treaty, 134
Antonioni, Michelangelo, 50, 65, 118, 165, 201, 320
Apartment, The, 55
Apocalypse Now, 265, 289, 312, 457
Armandt, Lynn, 374
Armstrong, Louis, 127
Armstrong, R. G., 265, 388
Arnheim, Rudolph, 351
Arthur, 318
Ashby, Hal, 147, 175, 208, 213, 259, 319, 387–88, 441
Shampoo directed by, 178, 181–85, 191–96, 202, 203, 209, 211, 212, 216, 234, 355
Ashley, Ted, 148, 164, 232
Associated Artists Productions, 93
Astoria Studios, 358
Atlantic City, 317
Attica riot, 166
Austin Powers: The Spy Who Shagged Me, 512
Aviator, The, 550, 552
Awakenings, 449
Ayres, Jerry, 78, 79, 140
Babbitt, Bruce, 322
Babysitter, The, 79
Bacall, Lauren, 408
Back to the Future
Part II, 387
Part III, 387, 425
Baldwin, Roger, 266
Balis Zorn Gerard Inc., 383
Baltimore Pictures, 467
Bancroft, Anne, 63
Baraka, Amiri, 500, 505
Baranski, Christine, 504
Barclay’s Bank, 315
Bardot, Brigitte, 143
Barefoot in the Park, 53, 135
Baronet Theater (New York), 198
Barot, Clotilde, 133
Barr, Candy, 14
Barrie, Wendy, 442
Barron, Lisbeth, 383
Barron, Zelda, 265, 288
Barron’s Magazine, 313
Barrow, Clyde, 66, 81, 89, 102, 108,
258
movie about, see Bonnie and Clyde
Barton Fink, 500
Bates, Kathy, 388
Batman, 421, 426, 429
Batman Returns, 449, 452
Battlefield Earth, 542
Beat, The, 361
Beatles, 113, 131, 158
Beatty, Benjamin MacLean (son), 484, 529
Beatty, Ella (daughter), 510
Beatty, Ira (father), 26, 43, 83, 106, 365–67, 383–84
Beatty, Isabel Ashley (daughter), 510,
529
Beatty, Kathlyn (daughter), 462, 529
Beatty, Kathlyn “Tat” (mother), 26, 83, 106, 223, 384, 452, 462
Beatty, Warren
Adjani’s relationship with, 340, 341, 352, 384
in Adler’s acting class, 21–22
American Film Institute Lifetime Achievement Award of, 2
arrival in New York of, 19–21, 34
Caron’s relationship with, 67–68, 70, 77, 79–80
childhood and adolescence of, 11, 14–15, 19–20
Christie’s relationship with, 6, 101, 112–13, 120, 123–25, 142–44, 155–56, 158, 160, 169, 179, 196–97, 217, 219, 286, 297
Collins’s relationship with, 5, 13–14, 16–19, 27, 31–32, 36–38, 46
directing style of, 319–21, 550–51
exploratory presidential campaign of, 528–38, 547
and father’s death, 366–67, 383–84
feminism and, 216–18
in Hart campaigns, 322–25, 336–40, 371–78, 395–97
health obsession of, 18, 283
Howard Hughes project of, 180–81, 220, 331, 385, 386, 406–9, 418–20, 423, 490, 545, 549–52
Hyser’s relationship with, 366–69, 384, 402–6
introduction to Hollywood establishment of, 39–42
interviews with, 1–4
Kael and, 118, 208–9, 272–73, 315–16
Keaton’s relationship with, 6, 229, 254–55, 258, 259, 285–88, 296–303, 361, 435
MacLeod and, 223, 363–64, 383, 526
Madonna’s relationship with, 409–12, 414–17, 430
and Manson killings, 144–45
marriage and family of Bening and, 10, 438–40, 450–52, 462–63, 484–85, 528, 529, 544
in McGovern campaign, 166–75
mentor relationships of, 33, 39–40, 74–75, 101, 399
MGM five-year contract of, 18, 25, 47
Michel’s relationship with, 341–45, 415–16, 432–33
movies of, see titles of specific movies
Mulholland Drive house of, 190–91, 202–4
and old women, 135–36, 447
Oscar nominations and wins of, 5, 123, 259, 317–18, 460, 510
Phillips’s relationship with, 197, 203–6, 221–23
political activism of, 132–37, 139–40
roles turned down by, 53, 78–79, 94, 141, 166, 549
Schwarzenegger referenda opposed by, 547–48
sexual exploits of, 6–7, 9, 14, 16, 17, 45–46, 54, 90, 149, 159–63, 179–80, 239, 297–99, 357, 361–62, 431–32, 442, 549
television work of, 20–21, 25
theater performances of, 22–27, 34
Toback’s friendship with, 244–46, 442–43
Toback’s observations on character of, 284, 446–48, 462
Toronto Film Festival tribute to, 326–28
Towne’s friendship with, 78–79, 156–58, 211–13, 244, 394
and What’s New, Pussycat?, 55–57, 66, 70–73, 77, 82, 83
Wood’s relationship with, 6, 13, 46–49, 51, 58–60, 72, 75
Beauty and the Beast, 456
Becket, 73
Begelman, David, 187–89, 207, 208, 211, 233, 445–46
Begley, Ed, Jr., 449
Behind the Green Door, 251
Bell, Marshall, 4, 411, 430–31, 439, 465, 490
Belmondo, Jean-Paul, 109, 491
Bening, Annette, 160, 341, 389, 471–77, 489, 502, 530, 534, 536, 552
in The American President, 488
in Bugsy, 425, 432, 438, 445, 448–51, 454, 455, 457
in Love Affair, 464, 469, 484
marriage and family of Beatty and, 10, 438–40, 450–52, 462–63, 484–85, 528, 529, 544
Oscar nominations of, 449, 538
Bening, Grant, 450
Bening, Shirley, 450
Benton, Robert, 64–66, 73–74, 80–81, 83–84, 87, 89, 91–94, 96–99, 108, 117–18, 123, 126–28, 130, 209
Benton, Sally, 117
Berg, Jeff, 389–91, 401, 418–19, 423, 445
Berg, Scott, 472, 479–81
Bergen, Candice, 226, 325
Bergman, Ingmar, 50, 65, 209
Berlin, Isaiah, 320
Berlin, Jeannie, 230
Bernhard,
Sandra, 328, 409, 411, 416–17, 501
Berry, Halle, 500–501, 504, 507, 508
Bertolucci, Bernardo, 265
Bessant, Don, 113, 120
Beverly Hills Cop II, 380
Beymer, Richard, 24
Biden, Joe, Jr., 322, 375, 394, 395
Big Brass Ring, The, 326
Big Heat, The, 445
Big Love, 217, 294
Big Sleep, The, 408
Bill, Tony, 183, 488
Billy Bathgate, 454, 455
Binyon, Claude, 56
Bird, Rose, 209
Birth of a Nation, The, 122, 406
Black Entertainment Television (BET), 506
Black Sunday, 233
Blade, 512
Blake, William, 141
Blatty, William Peter, 79
Bloom, Claire, 127
Blow-Up, 122
Bluhdorn, Charlie, 198, 233, 270–71, 309–10, 312, 314
Blum, David, 348
Bob and Carol and Ted and Alice, 166
Body and Soul, 54
Bogart, Humphrey, 408
Bogdanovich, Peter, 65, 234, 386
Boiler Room, 538
Bolsheviks, 224, 225, 274, 281, 307
Bolshoi Ballet, 90
Bonanza, 146
Bonaparte, Napoleon, 167, 274–75
Bondarchuk, Sergei, 137
Bonnie and Clyde, 1, 6, 51, 58, 80–123, 125–33, 136, 137, 139, 147, 183, 191, 226, 255, 256, 269, 278, 433, 514, 548
casting of, 84–86, 96–99, 305
earnings of, 121, 126
editing of, 111–14, 265
genre conventions in, 381
historical sources for, see Barrow, Clyde; Parker, Bonnie
Oscar nominations and wins for, 5, 123, 125–28, 333
Penn and directing of, 80, 84, 87–90, 95, 165
pre-release screenings of, 114–16
rerelease of, 122–23, 125–26, 164, 397
reviews of, 117–18, 209
script development for, 73–74, 84, 89–93, 95–96, 181, 211–12
shooting of, 101–10
social and political subtexts of, 128–32
studio deal for, 83, 93–95, 186
Boogie Nights, 488, 512
Boorman, John, 117
Boorstin, Daniel, 176
Boorstin, Jon, 176–79
Booth, Shirley, 25–26
Born Free, 85
Bosanquet, Simon, 288
Boston Globe, 325
Bottin, Rob, 449
Boyer, Charles, 464
Boys in the Band (Crowley), 22
Boys Don’t Cry, 538
Brackman, Jake, 159
Bradley, Bill, 168, 171, 323–25, 338–40, 372–73, 377, 378, 395, 406, 528–32, 534–37, 551
Brando, Marlon, 6, 20, 24, 30, 35, 48, 50, 80, 81, 354, 443, 465
in The Chase, 88
in Countess from Hong Kong, 86
directed by Kazan, 28
Mulholland Drive house of, 190
in Reflections in a Golden Eye, 121
in The Ugly American, 18
Breakfast Club, The, 362
Breathless, 60, 65, 109
Brecht, Bertolt, 2, 388, 426
Brewster McCloud, 152, 153
Bride Wore Black, The, 74
Bringing Up Baby, 465
British Academy of Film and Television Arts (BAFTA), 72
Broadhurst, William C. “Billy,” 374, 378
Broca, Philippe de, 491
Brooks, Mel, 234
Brooks, Richard, 158, 273
Brosnan, Pierce, 470–71
Brown, Blair, 292
Brown, G. Mac, 332, 358–59, 362–65, 382
Brown, Jim, 245, 490
Brown, Norman O., 129
Brownstein, Ron, 170, 323, 324, 340
Bruckheimer, Jerry, 425
Brugge, Pieter Jan, 505
Bryant, Louise, 224, 225, 264, 265, 278, 296
movie about, see Reds
Bugsy, 6, 44, 431–51, 461–62, 466, 469, 527, 528, 546, 550
aftermath of, 461, 542
casting of, 425, 438–39
earnings of, 457
genre conventions in, 381
marketing of, 413, 453–60, 486
Oscar nominations and wins for, 460–61, 493
reviews of, 457
scoring of, 467
script development for, 331, 418, 427, 434
shooting of, 441–45, 448–51
studio deal for, 428, 429, 434–35
Bullitt, 236
Bulworth, 6, 129, 381, 464, 487, 489–512, 528, 534–38, 542, 546, 549
Burke, James Lee, 342
Burning Hills, The, 29
Burton, Richard, 45, 141–43, 149, 230
Bus Stop (Inge), 23
Bush, Barbara, 313
Bush, George H. W., 372, 377
Bush, George W., 533
Bush, Kathy, 323, 324
Butch Cassidy and the Sundance Kid, 166, 468
Butterfield 8, 32
Caddell, Pat, 8, 386, 421, 427, 491, 493, 528, 530
and Hart campaign, 325, 337–40, 375–77, 497
in McGovern campaign, 169–70, 173, 174
and Reds, 284, 295, 306, 312, 313, 315, 435
Cagney, James, 99, 115, 427
Cahiers du Cinéma, 55, 65
California, University of, Los Angeles (UCLA), 203
California Nurses Association, 548
Callas, Maria, 143
Calley, John, 6, 148
Camelot, 94, 113
Camille, 40
Campaign for Economic Democracy, 323
Canby, Vincent, 148, 164, 197, 208, 209, 314–15, 426
Candidate, The, 157
Candy, John, 389
Cannes Film Festival, 53, 143
Cannon, Dyan, 235, 258
Canonero, Milena, 314, 388, 391, 399, 411, 449, 467, 471, 501
Cape Fear, 456
Capetanos, Leon, 517
Capra, Frank, 501, 505, 510
Capra, Frank, III, 501
Capshaw, Kate, 420
Capucine, 41, 55–56, 71, 72
Caron, Glenn Gordon, 204, 417, 465–84, 487, 513, 540, 544, 550
Caron, Leslie, 6, 9, 58, 70–72, 81, 84–87, 112, 128, 217, 464, 511, 513
Beatty’s relationship with, 67–68, 70, 77, 79–80
Carpenter, Karen, 207
Carroll, Diahann, 127
Carter, Jimmy, 172, 174, 322, 336, 488
Carville, James, 530
Cash, Jim, 389, 408
Cassavetes, John, 230, 231, 352
Cassel, Seymour, 388
Castle, William, 207
Castro, Fidel, 271
Catch-22, 234
Catholic Legion of Decency, 114
Cavett, Dick, 164
Central Intelligence Agency (CIA), 175, 377, 443
Chakiris, George, 46
Chamberlain, Wilt, 160
Chambers, Marilyn, 251
Champlin, Charles, 259
Channing, Stockard, 205, 206, 219
Chaplin, Charlie, 6, 86
Chariots of Fire, 304, 314, 317, 318, 321, 339
Chase, The, 80, 88, 98
Chayefsky, Paddy, 226, 267
Cheadle, Don, 500, 504, 507, 508
Chekhov, Anton, 22
Chelsom, Peter, 513, 515, 517–19, 521, 523–26, 537–38, 541, 543, 550
Cher, 52, 364, 417
Chernin, Peter, 491
Chevalier, Maurice, 67, 126
Chicago, University of, 238
Chichester Festival Theatre, 83
Childers, Michael, 23, 29–30, 86, 90–92, 124, 125, 153, 250, 485
Chinatown, 106, 140, 196–98, 201, 202, 211, 236
Chisholm, Shirley, 167
Christensen, Helena, 432–33
Christie, Julie, 85–86, 191, 239, 252, 263, 333, 394, 464, 485, 514
Beatty’s relationship with, 6, 101, 112–13, 120, 123–25, 142–44, 155–56, 158
, 160, 169, 179, 196–97, 217, 219, 286, 297
in Don’t Look Now, 184–85
in Heaven Can Wait, 237, 249–51, 319, 492
in McCabe & Mrs. Miller, 86, 146–56
MacLeod and, 249, 326
Oscar won by, 85, 86, 125
politics of, 125, 132, 134–37, 143, 171
in Shampoo, 140, 183, 190, 196, 207, 211–14, 255–57, 515
Churchill, Winston, 284
Ciccone, Christopher, 410–11, 417
Cimino, Michael, 259, 457
Cirincione, Richie, 361
Citizen Kane, 5, 122, 259, 269, 315, 325, 326
City Slickers, 460
Civil War, 492–93
Clean and Sober, 465, 466
Clegg, Allegra, 440–42, 444, 448, 451, 472–76, 478, 481
Cleopatra, 14, 26, 68, 127
Cleveland Choir, 308
Clift, Montgomery, 20, 24, 28, 50
Clinton, Bill, 166, 172, 174, 322, 376,
488, 489, 495–98, 503, 522, 528,
530
Clinton, Hillary, 489, 533, 548
Clurman, Harold, 21, 22, 39
Coastal Disturbances (Howe), 389
Coca-Cola Corporation, 329, 353, 354, 358, 360, 383
Cocks, Jay, 209, 219
Cocoa Beach, 54
Coen brothers, 387
Cohen, Leonard, 155
Colbert, Claudette, 25
Cold War, 29, 66, 137, 167, 269, 426
Collins, Jackie, 27
Collins, Joan, 5, 13–19, 26, 27, 31–32, 36–40, 42, 44–47, 60, 72, 112, 146, 217
Columbia Broadcasting System (CBS), 20
Columbia Pictures, 46, 62, 78, 111, 233, 314, 428
The Fortune at, 188, 201, 219
Ishtar at, 329–30, 336, 358, 360–61, 365, 379, 383, 486
Shampoo at, 140, 186–90, 207–8, 330
Columbia University, 132
Columbine High School massacre, 527
Combat 146
Come Back, Litttle Sheba (Inge), 23
movie version of, 25
Comedians (Griffiths), 226
Coming Home, 182, 202, 259
Commentary, 244
Communist Labor Party, 225, 266
Communist Party, 1, 28, 223, 224, 246, 260, 263, 266, 281
Compulsion, 22
Congress, U.S., 432
Connally, John, 174
Connery, Sean, 24
Convoy, 256
Cool Hand Luke, 123, 519
Cooper, Gary, 6, 24, 40, 41
Cooper, Marc, 528, 530–37
Coppola, Francis, 5, 218, 312, 320, 321, 386, 457, 511
Corliss, Richard, 315
Corman, Roger, 78, 157, 212
Coronet Theater (New York), 198
Cosmopolitan magazine, 49
Costello, Frank, 433
Cotton Club, 320
Council on Foreign Relations, 324
Countess from Hong Kong, 86
Country Wife, The (Wycherly), 83, 215
Cranston, Alan, 324
Crawford, Joan, 247
Creative Artists Agency (CAA), 178, 428, 511, 512
Creative Management Associates (CMA), 67
Criterion Theater (New York), 164