H Rider Haggard - Smith And The Pharaohs

by Smith

  Ma-Mee looked to Menes to give judgment. Before he could speak the dark-browed Pharaoh who had named her wife strode forward and addressed them.

  "Her Majesty, Heiress of Egypt, Royal Wife, Lady of the Two Lands, has spoken," he cried. "Now let me speak who was the husband of her Majesty. Whether this man was once Horu the sculptor I know not. If so he was also an evil-doer who, by my decree, died in banishment in the land of Kush. Whatever be the truth as to that matter, he admits that he violated the tomb of her Majesty and stole what the old thieves had left. Her Majesty says also - and he does not deny it - that he dared to kiss her hand, and for a man to kiss the hand of a wedded Queen of Egypt the punishment is death. I claim that this man should die to the World before his time, that in a day to come again he may live and suffer in the World. Judge, O Menes."

  Menes lifted his head and spoke, saying:-

  "Repeat to me the law, O Pharaoh, under which a living man must die for the kissing of a dead hand. In my day and in that of those who went before me there was no such law in Egypt. If a living man, who was not her husband, or of her kin, kissed the living hand of a wedded Queen of Egypt, save in ceremony, then perchance he might be called upon to die. Perchance for such a reason a certain Horu once was called upon to die. But in the grave there is no marriage, and therefore even if he had found her alive within the tomb and kissed her hand, or even her lips, why should he die for the crime of love?

  "Hear me, all; this is my judgment in the matter. Let the soul of that priest who first violated the tomb of the royal Ma-Mee be hunted down and given to the jaws of the Destroyer, that he may know the last depths of Death, if so the gods declare. But let this man go from among us unharmed, since what he did he did in reverent ignorance and because Hathor, Goddess of Love, guided him from of old. Love rules this world wherein we meet tonight, with all the worlds whence we have gathered or whither we still must go. Who can defy its power? Who can refuse its rites? Now hence to Thebes!"

  There was a rushing sound as of a thousand wings, and all were gone.

  No, not all, since Smith yet stood before the draped colossi and the empty steps, and beside him, glorious, unearthly, gleamed the vision of Ma-Mee.

  "I, too, must away," she whispered; "yet ere I go a word with you who once were a sculptor in Egypt. You loved me then, and that love cost you your life, you who once dared to kiss this hand of mine that again you kissed in yonder tomb. For I was Pharaoh's wife in name only; understand me well, in name only; since that title of Royal Mother, which they gave me is but a graven lie. Horu, I never was a wife, and when you died, swiftly I followed you to the grave. Oh, you forget, but I remember! I remember many things. You think that the priestly thief broke this figure of me which you found in the sand outside my tomb. Not so. I broke it, because, daring greatly, you had written thereon, 'Beloved' not 'of Horus the God' as you should have done, but of 'Horu the Man'. So when I came to be buried, Pharaoh, knowing all, took the image from my wrappings and hurled it away. I remember, too, the casting of that image, and how you threw a gold chain I had given you into the crucible with the bronze, saying that gold alone was fit to fashion me. And this signet that I bear - it was you who cut it. Take it, take it, Horu, and in its place give me back that which is on your hand, the Bes ring that I also wore. Take it and wear it ever till you die again, and let it go to the grave with you as once it went to the grave with me.

  "Now hearken. When Ra the great sun arises again and you awake you will think that you have dreamed a dream. You will think that in this dream you saw and spoke with a lady of Egypt who died more than three thousand years ago, but whose beauty, carved in stone and bronze, has charmed your heart today. So let it be, yet know, O man, who once was named Horu, that such dreams are oft-times a shadow of the truth. Know that this Glory which shines before you is mine indeed in the land that is both far and near, the land wherein I dwell eternally, and that what is mine has been, is, and shall be yours for ever. Gods may change their kingdoms and their names; men may live and die, and live again once more to die; empires may fall and those who ruled them be turned to forgotten dust. Yet true love endures immortal as the souls in which it was conceived, and from it for you and me, the night of woe and separation done, at the daybreak which draws on, there shall be born the splendour and the peace of union. Till that hour foredoomed seek me no more, though I be ever near you, as I have ever been. Till that most blessed hour, Horu, farewell."

  She bent towards him; her sweet lips touched his brow; the perfume from her breath and hair beat upon him; the light of her wondrous eyes searched out his very soul, reading the answer that was written there.

  He stretched out his arms to clasp her, and lo! she was gone.

  It was a very cold and a very stiff Smith who awoke on the following morning, to find himself exactly where he had lain down - namely, on a cement floor beneath the keel of a funeral boat in the central hall of the Cairo Museum. He crept from his shelter shivering, and looked at this hall, to find it quite as empty as it had been on the previous evening. Not a sign or a token was there of Pharaoh Menes and all those kings and queens of whom he had dreamed so vividly.

  Reflecting on the strange fantasies that weariness and excited nerves can summon to the mind in sleep, Smith made his way to the great doors and waited in the shadow, praying earnestly that, although it was the Mohammedan Sabbath, someone might visit the Museum to see that all was well.

  As a matter of fact, someone did, and before he had been there a minute - a watchman going about his business. He unlocked the place carelessly, looking over his shoulder at a kite fighting with two nesting crows. In an instant Smith, who was not minded to stop and answer questions, had slipped past him and was gliding down the portico, from monument to monument, like a snake between boulders, still keeping in the shadow as he headed for the gates.

  The attendant caught sight of him and uttered a yell of fear; then, since it is not good to look upon an afreet, appearing from whence no mortal man could be, he turned his head away. When he looked again Smith was through those gates and had mingled with the crowd in the street beyond.

  The sunshine was very pleasant to one who was conscious of having contracted a chill of the worst Egyptian order from long contact with a damp stone floor. Smith walked on through it towards his hotel - it was Shepheard's, and more than a mile away - making up a story as he went to tell the hall-porter of how he had gone to dine at Mena House by the Pyramids, missed the last tram, and stopped the night there.

  Whilst he was thus engaged his left hand struck somewhat sharply against the corner of the cigar-box in his pocket, that which contained the relic of the queen Ma-Mee. The pain caused him to glance at his fingers to see if they were injured, and to perceive on one of them the ring he wore. Surely, surely it was not the same that the Director-General had given him! That ring was engraved with the image of the god Bes. On this was cut the cartouche of her Majesty Ma-Mee! And he had dreamed - oh, he had dreamed --!

  To this day Smith is wondering whether, in the hurry of the moment, he made a mistake as to which of those rings the Director-General had given him as part of his share of the spoil of the royal tomb he discovered in the Valley of Queens. Afterwards Smith wrote to ask, but the Director-General could only remember that he gave him one of the two rings, and assured him that that inscribed "Bes Ank, Ank Bes," was with Ma-Mee's other jewels in the Gold Room of the Museum.

  Also Smith is wondering whether any other bronze figure of an old Egyptian royalty shows so high a percentage of gold as, on analysis, the broken image of Ma-Mee was proved to do. For had she not seemed to tell him a tale of the melting of a golden chain when that effigy was cast?

  Was it all only a dream, or was it - something more - by day and by night he asks of Nothingness?

  But, be she near or far, no answer comes from the Queen Ma-Mee, whose proud titles were "Her Majesty the Good God, the justified Dweller in Osiris; Daughter of Amen, Royal Heiress, Royal Sister, Royal Wife, Royal Mother
; Lady of the Two Lands; Wearer of the Double Crown; of the White Crown, of the Red Crown; Sweet Flower of Love, Beautiful Eternally."

  So, like the rest of us, Smith must wait to learn the truth concerning many things, and more particularly as to which of those two circles of ancient gold the Director-General gave him yonder at Cairo.

  It seems but a little matter, yet it is more than all the worlds to him!

  To the astonishment of his colleagues in antiquarian research, Smith has never returned to Egypt. He explains to them that his health is quite restored, and that he no longer needs this annual change to a more temperate clime.

  Now, which of the two royal rings did the Director-General return to Smith on the mummied hand of her late Majesty Ma-Mee?

  The End