The Queen Of the Damned: Vampire Chronicles

by Anne Rice

  "It's not heavy now, my prince," she said. "You are immortal. Truly immortal. My blood is in you. And you will use your new weapons for me as you once used this sword."

  A violent shudder went through me as I touched the sword; it was as if the thing held some latent memory of what it had witnessed; I saw the wolves again; I saw myself standing in the blackened frozen forest ready to kill.

  And I saw myself a year later in Paris, dead, immortal; a monster, and on account of those wolves. "Wolfkiller," the vampire had called me. He had picked me from the common herd because I had slain those cursed wolves! And worn their fur so proudly through the winter streets of Paris.

  How could I feel such bitterness even now? Did I want to be dead and buried down below in the village graveyard? I looked out of the window again at the snow-covered hillside. Wasn't the same thing happening now? Loved for what I'd been in those early thoughtless mortal years. Again I asked, "But whom or what will I kill?" No answer.

  I thought of Baby Jenks again, that pitiful little thing, and all the blood drinkers who were now dead. And I had wanted a war with them, a little war. And they were all dead. All who had responded to the battle call-dead. I saw the coven house in Istanbul burning; I saw an old one she had caught and burned so slowly; one who had fought her and cursed her. I was crying again.

  "Yes, I took your audience from you," she said--"I burnt away the arena in which you sought to shine. I stole the battle! But don't you see? I offer you finer things than you have ever reached for. I offer you the world, my prince."

  "How so?"

  "Stop the tears you shed for Baby Jenks, and for yourself. Think on the mortals you should weep for. Envision those who have suffered through the long dreary centuries-the victims of famine and deprivation and ceaseless violence. Victims of endless injustice and endless battling. How then can you weep for a race of monsters, who without guidance or purpose played the devil's gambit on every mortal they chanced to meet!"

  "I know. I understand-"

  "Do you? Or do you merely retreat from such things to play your symbolic games? Symbol of evil in your rock music. That is nothing, my prince, nothing at all."

  "Why didn't you kill me along with the rest of them?" I asked, belligerently, miserably. I grasped the hilt of the sword in my right hand. I fancied I could see the dried blood of the wolf still on it. I pulled the blade free of the leather scabbard. Yes, the blood of the wolf. "I'm no better than they are, am I?" I said. "Why spare any of us?"

  Fear stopped me suddenly. Terrible fear for Gabrielle and Louis and Armand. For Marius. Even for Pandora and Mael. Fear for myself. There isn't a thing made that doesn't fight for life, even when there is no real justification. I wanted to live; I always had.

  "I would have you love me," she whispered tenderly. Such a voice. In a way, it was like Armand's voice; a voice that could caress you when it spoke to you. Draw you into itself. "And so I take time with you," she continued. She put her hands on my arms, and looked up into my eyes. "I want you to understand. You are my instrument! And so the others shall be if they are wise. Don't you see? There has been a design to all of it-your coming, my waking. For now the hopes of the millennia can be realized at last. Look on the little town below, and on this ruined castle. This could be Bethlehem, my prince, my savior. And together we shall realize all the world's most enduring dreams."

  "But how could that possibly be?" I asked. Did she know how afraid I was? That her words moved me from simple fear into terror? Surely she did.

  "Ah, you are so strong, princeling," she said. "But you were destined for me, surely. Nothing defeats you. You fear and you don't fear. For a century I watched you suffer, watched you grow weak and finally go down in the earth to sleep, and I then saw you rise, the very image of my own resurrection."

  She bowed her head now as if she were listening to sounds from far away. The voices rising. I heard them too, perhaps because she did. I heard the ringing din. And then, annoyed, I pushed them away

  "So strong," she said. "They cannot drag you down into them, the voices, but do not ignore this power; it's as important as any other you possess. They are praying to you just as they have always prayed to me."

  I understood her meaning. But I didn't want to hear their prayers; what could I do for them? What had prayers to do with the thing that I was?

  "For centuries they were my only comfort," she continued. "By the hour, by the week, by the year I listened; it seemed in early times that the voices I heard had woven a shroud to make of me a dead and buried thing, Then I learned to listen more carefully. I learned to select one voice from the many as if picking a thread from the whole. To that voice alone I would listen and through it I knew the triumph and ruin of a single soul."

  I watched her in silence.

  "Then as the years passed, I acquired a greater power-to leave my body invisibly and to go to the single mortal whose voice I listened to, to see then through that mortal's eyes. I would walk in the body of this one, or that one. I would walk in sunshine and in darkness; I would suffer; I would hunger; I would know pain. Sometimes I walked in the bodies of immortals as I walked in the body of Baby Jenks. Often, I walked with Marius. Selfish, vain Marius, Marius who confuses greed with respect, who is ever dazzled by the decadent creations of a way of life as selfish as he is. Oh, don't suffer so. I loved him. I love him now; he cared for me. My keeper." Her voice was bitter but only for that instant. "But more often I walked with one among the poor and the sorrowful. It was the rawness of true life I craved."

  She stopped; her eyes clouded; her brows came together and the tears rose in her eyes, I knew the power of which she spoke, but only slightly. I wanted so to comfort her but when I reached out to embrace her she motioned for me to be still.

  "I would forget who I was, where I was," she continued. "I would be that creature, the one whose voice I had chosen. Sometimes for years. Then the horror would return, the realization that I was a motionless, purposeless thing condemned to sit forever in a golden shrine! Can you imagine the horror of waking suddenly to that realization? That all you have seen and heard and been is nothing but illusion, the observation of another's life? I would return to myself. I would become again what you see before you. This idol with a heart and brain." I nodded. Centuries ago when I had first laid eyes upon her, I had imagined unspeakable suffering locked within her. I had imagined agonies without expression. And I had been right.

  "I knew he kept you there," I said. I spoke of Enkil. Enkil who was now gone, destroyed. A fallen idol. I was remembering the moment in the shrine when I'd drunk from her and he'd come to claim her and almost finished me then and there. Had he known what he meant to do? Was all reason gone even then?

  She only smiled in answer. Her eyes were dancing as she looked out into the dark. The snow had begun again, swirling almost magically, catching the light of the stars and the moon and diffusing it through all the world, it seemed.

  "It was meant, what happened," she answered finally. "That I should pass those years growing ever more strong. Growing so strong finally that no one... no one can be my equal." She stopped. Just for a moment her conviction seemed to waver. But then she grew confident again. "He was but an instrument in the end, my poor beloved King, my companion in agony. His mind was gone, yes. And I did not destroy him, not really. I took into myself what was left of him. And at times I had been as empty, as silent, as devoid of the will even to dream as he was. Only for him there was no returning. He had seen his last visions. He was of no use anymore. He has died a god's death because it only made me stronger. And it was all meant, my prince. All meant from start to finish." "But how? By whom?"

  "Whom?" She smiled again. "Don't you understand? You need look no further for the cause of anything. I am the fulfillment and I shall from this moment on be the cause. There is nothing and no one now who can stop me." Her face hardened for a second. That wavering again. "Old curses mean nothing. In silence I have attained such power that no force in nature could harm
me. Even my first brood cannot harm me though they plot against me. It was meant that those years should pass before you came." "How did I change it?"

  She came a step closer. She put her arm around me and it felt soft for the moment, not like the hard thing it truly was. We were just two beings standing near to each other, and she looked indescribably lovely to me, so pure and otherworldly. I felt the awful desire for the blood again. To bend down, to kiss her throat, to have her as I had had a thousand mortal women, yet she the goddess, she with the immeasurable power. I felt the desire rising, cresting.

  Again, she put her finger on my lips, as if to say be still.

  "Do you remember when you were a boy here?" she asked. "Think back now on the time when you begged them to send you to the monastery school. Do you remember the things the brothers taught you? The prayers, the hymns, the hours you worked in the library, the hours in the chapel when you prayed alone?"

  "I remember, of course." I felt the tears coming again. I could see it so vividly, the monastery library, and the monks who had taught me and believed I could be a priest. I saw the cold little cell with its bed of boards; I saw the cloister and the garden veiled in rosy shadow; God, I didn't want to think now of those times. But some things can never be forgotten.

  "Do you remember the morning that you went into the chapel," she continued, "and you knelt on the bare marble floor, with your arms out in the form of the cross, and you told God you would do anything if only he would make you good?"

  "Yes, good..." Now it was my voice that was tinged with bitterness.

  "You said you would suffer martyrdom; torments unspeakable; it did not matter; if only you were to be someone who was good."

  "Yes, I remember." I saw the old saints; I heard the hymns that had broken my heart. I remembered the morning my brothers had come to take me home, and I had begged them on my knees to let me stay there.

  "And later, when your innocence was gone, and you took the high road to Paris, it was the same thing you wanted; when you danced and sang for the boulevard crowds, you wanted to be good."

  "I was," I said haltingly. "It was a good thing to make them happy and for a little while I did."

  "Yes, happy," she whispered.

  "I could never explain to Nicolas, my friend, you know, that it was so important to... believe in a concept of goodness, even if we make it up ourselves. We don't really make it up. It's there, isn't it?"

  "Oh, yes, it's there," she said. "It's there because we put it there."

  Such sadness. I couldn't speak. I watched the falling snow. I clasped her hand and felt her lips against my cheek.

  "You were born for me, my prince," she said. "You were tried and perfected. And in those first years, when you went into your mother's bedchamber and brought her into the world of the undead with you, it was but a prefigurement of your waking me. I am your true Mother, the Mother who will never abandon you, and I have died and been reborn, too. All the religions of the world, my prince, sing of you and of me."

  "How so?" I asked. "How can that be?"

  "Ah, but you know. You know!" She took the sword from me and examined the old belt slowly, running it across the open palm of her right hand. Then she dropped it down into the rusted heap-the last remnants on earth of my mortal life. And it was as if a wind touched these things, blowing them slowly across the snow-covered floor, until they were gone.

  "Discard your old illusions," she said. "Your inhibitions. They are no more of use than these old weapons. Together, we will make the myths of the world real."

  A chill cut through me, a dark chill of disbelief and then confusion; but her beauty overcame it.

  "You wanted to be a saint when you knelt in that chapel," she said. "Now you shall be a god with me."

  There were words of protest on the tip of my tongue; I was frightened; some dark sense overcame me. Her words, what could they possibly mean?

  But suddenly I felt her arm around me, and we were rising out of the tower up through the shattered roof. The wind was so fierce it cut my eyelids. I turned towards her. My right arm went round her waist and I buried my head against her shoulder.

  I heard her soft voice in my ear telling me to sleep. It would be hours before the sun set on the land to which we were going, to the place of the first lesson.

  Lesson. Suddenly I was weeping again, clinging to her, weeping because I was lost, and she was all there was to cling to. And I was in terror now of what she would ask of me.

  2

  MARIUS: COMING TOGETHER

  They met again at the edge of the redwood forest, their clothes tattered, their eyes tearing from the wind. Pandora stood to the right of Marius, Santino to the left. And from the house across the clearing, Mael came towards them, a lanky figure almost loping over the mown grass.

  Silently, he embraced Marius.

  "Old friend," Marius said. But his voice had no vitality. Exhausted, he looked past Mael towards the lighted windows of the house. He sensed a great hidden dwelling within the mountain behind the visible structure with its peaked and gabled roof.

  And what lay there waiting for him? For all of them? If only he had the slightest spirit for it; if only he could recapture the smallest part of his own soul.

  "I'm weary," he said to Mael. "I'm sick from the journey. Let me rest here a moment longer. Then I'll come."

  Marius did not despise the power to fly, as he knew Pandora did, nevertheless it invariably chastened him. He had been defenseless against it on this night of all nights; and he had now to feel the earth under him, to smell the forest, and to scan the distant house in a moment of uninterrupted quiet. His hair was tangled from the wind and still matted with dried blood. The simple gray wool jacket and pants he had taken from the ruins of his house barely gave him warmth. He brought the heavy black cloak close around him, not because the night here required it, but because he was still chilled and sore from the wind.

  Mael appeared not to like his hesitation, but to accept it. Suspiciously he gazed at Pandora, whom he had never trusted, and then with open hostility he stared at Santino, who was busy brushing off his black garments and combing his fine, neatly trimmed black hair. For one second, their eyes met, Santino bristling with viciousness, then Mael turned away.

  Marius stood still listening, thinking. He could feel the last bit of healing in his body; it rather amazed him that he was once again whole. Even as mortals learn year by year that they are older and weaker, so immortals must learn that they are stronger than ever they imagined they would be. It maddened him at the moment.

  Scarcely an hour had passed since he was helped from the icy pit by Santino and Pandora, and now it was as if he had never been there, crushed and helpless, for ten days and nights, visited again and again by the nightmares of the twins. Yet nothing could ever be as it had been.

  The twins. The red-haired woman was inside the house waiting. Santino had told him this. Mael knew it too. But who was she? And why did he not want to know the answers? Why was this the blackest hour he had ever known? His body was fully healed, no doubt about it; but what was going to heal his soul?

  Armand in this strange wooden house at the base of the mountain? Armand again after all this time? Santino had told him about Armand also, and that the others-Louis and Gabrielle--had also been spared.

  Mael was studying him. "He's waiting for you," he said. "Your Amadeo." It was respectful, not cynical or impatient.

  And out of the great bank of memories that Marius carried forever with him, there came a long neglected moment, startling in its purity-Mael coming to the palazzo in Venice in the contented years of the fifteenth century, when Marius and Armand had known such happiness, and Mael seeing the mortal boy at work with the other apprentices on a mural which Marius had only lately left to their less competent hands. Strange how vivid, the smell of the egg tempera, the smell of the candles, and that familiar smell-not unpleasant now in remembering-which permeated all Venice, the smell of the rottenness of things, of the dark and
putrid waters of the canals. "And so you would make that one?" Mael had asked with simple directness. "When it's time," Marius had said dismissively, "when it's time." Less than a year later, he had made his little blunder. "Come into my arms, young one, I can live without you no more."

  Marius stared at the distant house. My world trembles and I think of him, my Amadeo, my Armand. The emotions he felt were suddenly as bittersweet as music, the blended orchestral melodies of recent centuries, the tragic strains of Brahms or Shostakovich which he had come to love.

  But this was no time for cherishing this reunion. No time to feel the keen warmth of it, to be glad of it, and to say all the things to Armand that he so wanted to say.

  Bitterness was something shallow compared to his present state of mind. Should have destroyed them, the Mother and the Father. Should have destroyed us all.

  "Thank the gods," Mael said, "that you did not."

  "And why?" Marius demanded. "Tell me why?"

  Pandora shuddered. He felt her arm come around his waist. And why did that make him so angry? He turned sharply to her; he wanted to strike her, push her away. But what he saw stopped him. She wasn't even looking at him; and her expression was so distant, so soul weary that he felt his own exhaustion all the more heavily. He wanted to weep. The well-being of Pandora had always been crucial to his own survival. He did not need to be near her-better that he was not near her-but he had to know that she was somewhere, and continuing, and that they might meet again. What he saw now in her-had seen earlier-filled him with foreboding. If he felt bitterness, then Pandora felt despair.

  "Come," Santino said, "they're waiting." It was said with courtly politeness.

  "I know," Marius answered.

  "Ah, what a trio we are!" Pandora whispered suddenly. She was spent, fragile, hungering for sleep and dreams, yet protectively she tightened her grip on Marius's waist.