Shatter jo-3

by Michael Robotham

  I thank Mr Chambers for his time and rise slowly from my chair. The depressions left behind in the leather slowly begin to fill.

  ‘You know I’ve thought about killing him,’ says Bryan Chambers. Julian Spencer tries to stop him talking but is waved away. ‘I asked Skipper what it would take. Who would I have to pay? I mean, you read about stuff like that all the time.’

  ‘I’m sure Skipper has friends,’ says Ruiz.

  ‘Yes,’ nods Chambers. ‘I don’t know whether I’d trust any of them. They’d probably wipe out half a building.’

  He looks at Julian Spencer. ‘Don’t worry. It’s just talk. Claudia would never let me do it. She has a God she has to answer to.’ He closes his eyes for a moment and opens them, hoping the world might have changed.

  ‘Do you have children, Professor?’

  ‘Two of them.’

  He looks at Ruiz, who holds up two fingers.

  ‘You never stop worrying,’ says Chambers. ‘You worry through the pregnancy, the birth, the first year and every year that follows. You worry about them catching the bus, crossing the road, riding a bike, climbing a tree… You read stories in newspapers about terrible things happening to children. It makes you frightened. It never goes away.’

  ‘I know.’

  ‘And then you think how they grow up so quickly and suddenly you don’t have a say any more. You want them to find the perfect boyfriend and the perfect husband. You want them to get their dream job. You want to save them from every disappointment, every broken heart, but you can’t. You never stop being a parent. You never stop worrying. If you’re lucky, you’re going to be around to pick up the pieces.’

  He turns away but I can see his misery reflected in the window.

  ‘Do you have a photograph of Tyler?’ I ask.

  ‘Maybe at home. He didn’t like cameras- even at the wedding.’

  ‘How about a photograph of Helen? I haven’t seen a proper one. The newspapers had a snapshot of her in Greece taken before the sinking.’

  ‘It’s the most recent one we had,’ he explains.

  ‘Do you have any others?’

  He hesitates and glances at Julian Spencer. Then he opens his wallet and pulls out a passport-sized print.

  ‘When was it taken?’ I ask.

  ‘A few months ago. Helen sent it from Greece. We had to organise a new passport for her- in her maiden name.’

  ‘Would you mind if I borrowed this?’

  ‘Why?’

  ‘Sometimes it helps me to understand a crime if I have a photograph of the victim.’

  ‘Is that what you think she is?’

  ‘Yes. She was the first.’

  Ruiz hasn’t said anything since we left the lawyer’s office. I’m sure he has an opinion but he won’t share it until he’s ready. Maybe it’s a legacy of his former career but there’s an aura of no-place and no-time about him that releases him from the normal rules of conversation. Saying that, he’s noticeably mellowed since he retired. The forces within him have found equilibrium and he’s made peace with whatever patron saint looks after atheists. There’s a patron saint for everything else, so why not for non-believers?

  Everything about this case has shimmered and shifted with emotion and grief. It’s been hard to focus on particular details because I’ve spent so much time dealing with immediate concerns such as Darcy, worrying what’s going to happen to her. Now I want to take a step back in the hope I can see things in some sort of context, but it’s not easy to let go from the face of a mountain.

  I can understand why Bryan and Claudia Chambers were so angry and inhospitable when we visited their estate. Gideon Tyler has stalked them. He has followed their cars, opened their mail and left obscene souvenirs.

  The police couldn’t stop the harassment, so the Chambers gave up co-operating and took their own security measures, organising round-the-clock protection with alarms, motion sensors, intercepts and bodyguards. I can understand their reasoning, but not Gideon’s. Why is he still looking for Helen and Chloe, if that’s what he’s doing?

  There is nothing artless and spur-of-the-moment about Gideon. He is a bully, a sadist and the control freak who has carefully and systematically set out to destroy his wife’s family and to kill each of her friends.

  It wasn’t purely for pleasure- not in the beginning. He was looking for Helen and Chloe. Now it’s different. My mind goes back to Christine Wheeler’s mobile phone. Why did Gideon keep it? Why not dispose of her mobile or leave it in Christine’s car? Instead he took it back to Patrick Fuller’s flat, where Patrick’s sister unwittingly used the mobile to order a pizza. It almost brought his plans unstuck.

  Gideon bought a charger. Police found the receipt. He charged the battery so he could look at the phone’s memory. He thought it might lead him to Helen and Chloe. It’s the same reason he broke into Christine Wheeler’s house during her funeral and opened the condolence cards. He must have hoped that Helen would turn up to the funeral or at the very least send a card.

  What does Gideon know that we don’t? Is he delusional or in denial or does he have some insight or information that has escaped everyone else? What good is a secret if no one else knows of its existence?

  Ruiz has parked the Merc in a multi-storey behind the law courts. He unlocks the door and sits behind the wheel, staring over the rooftops where gulls wheel in spirals like sheets of newspaper caught in an updraft.

  ‘Tyler thinks his wife is still alive. Any chance he’s right?’

  ‘Next to none,’ he answers. ‘There was a coronial inquest and a maritime board of inquiry.’

  ‘You got any contacts in the Greek police?’

  ‘None.’

  Ruiz is still motionless behind the wheel, his eyes closed as if listening to the slow beat of his own blood. We both know what has to be done. We need to look at the ferry sinking. There must be witness statements, a passenger manifest and photographs… Someone must have talked to Helen and Chloe.

  ‘You don’t believe Chambers.’

  ‘It was one half of a sad story.’

  ‘Who has the other half?’

  ‘Gideon Tyler.’

  49

  Emma is awake, mewling and snuffling in the grip of a dream. I slip out of bed half-asleep and go to her bed, cursing the coldness of the floor and stiffness of my legs.

  Her eyes are squeezed tightly shut and her head rocks from side to side. Reaching down, I put my hand on her chest. It seems to cover her entire ribcage. Her eyes open. I pick her up and hold her against me. Her heart is racing.

  ‘It’s OK, sweetheart. It was only a dream.’

  ‘I saw a monster.’

  ‘There are no monsters.’

  ‘It was trying to eat you. It eated your arm and it eated one of your legs.’

  ‘I’m fine. Look. Two arms. Two legs. Remember what I told you? There are no monsters.’

  ‘They’re just make believe.’

  ‘Yes.’

  ‘What if he comes back?’

  ‘You have to dream about something else. How about this- you dream about your birthday parties, fairy bread and jelly beans.’

  ‘Marshmallows.’

  ‘Yes.’

  ‘I like marshmallows. The pinks ones, not the white ones.’

  ‘They taste the same.’

  ‘Not to me.’

  I set her down and tuck her in and kiss her on the cheek.

  Julianne is in Rome. She left on Wednesday. I didn’t get a chance to see her. By the time I arrived home from the Fernwood Clinic, she’d already gone.

  I talked to her last night on the phone. Dirk answered her mobile when I called. He said Julianne was busy and would call back. I waited over an hour and called again. She said she didn’t get my message.

  ‘So you’re working late,’ I said.

  ‘Nearly finished.’

  She sounded tired. The Italians had changed their demands, she said. She and Dirk were redrafting the entire deal and approaching the maj
or investors again. I didn’t understand the details.

  ‘Will you still be coming home tomorrow?’

  ‘Yes.’

  ‘Do you still want me to come to the party?’

  ‘If you want to.’ It wasn’t an enthusiastic affirmative. She asked about the girls and about Imogen and Ruiz, who went back to London yesterday. I told her everything was fine.

  ‘Listen. I have to go. Give my love to the girls.’

  ‘I will.’

  ‘Bye.’

  Julianne hung up first. I held on, listening, as if something in the silence was going to reassure me that everything was fine and by tomorrow she’d be home and we’d have a wonderful weekend in London. Only it didn’t feel OK. I kept picturing Dirk in her hotel room, answering her mobile, sharing a room service breakfast. I’ve never had these thoughts before, never doubted, never fretted; and now I can’t tell if I’m being paranoid (because Mr Parkinson will do that to you every time) or whether my suspicions are justified.

  Julianne has changed, but then so have I. When we first met, she sometimes asked me if there was something caught in her teeth or wrong with her clothes because people were staring at her. She had so little sense of her own beauty that she didn’t recognise the attention it garnered.

  It doesn’t happen so much now. She’s more cautious and wary of strangers. The events of three years ago are to blame. She no longer smiles at strangers or gives money to beggars; or offers to provide directions to people who are lost.

  Emma has fallen back to sleep. I tuck her elephant next to the bars of the cot and ease the door shut.

  On the far side of the landing, I hear Charlie’s voice.

  ‘Is she all right?’

  ‘She’s fine. It was a nightmare. Go back to sleep.’

  ‘Got to go to the loo.’

  She’s wearing baggy pyjama pants that sit low on her hips. I didn’t think she’d ever have hips or a proper waist. She was straight up and down.

  ‘Can I ask you something?’ she says, standing at the bathroom door.

  ‘Sure.’

  ‘Darcy ran away.’

  ‘Yes.’

  ‘Will she come back?’

  ‘I hope so.’

  ‘OK.’

  ‘OK, what?’

  ‘Nothing. Just OK.’ And then, ‘Why doesn’t Darcy want to live with her aunt?’

  ‘She thinks she’s old enough to look after herself.’

  She nods, leaning against the doorframe. Her hair falls in an arc across one eye. ‘I don’t know what I’d do if Mum died.’

  ‘Nobody is going to die. Don’t be so morbid.’

  She’s gone. Tiptoeing back to bed, I lie awake. The ceiling seems far away. The pillow next to me is cold.

  There has been no word on Gideon Tyler. Veronica Cray has called once or twice, keeping me informed. Gideon isn’t listed on the voting rolls or telephone directories. He doesn’t have a UK bank account or a credit card. He hasn’t visited a doctor or a hospital. He didn’t sign a lease or pay a bond. Mr Swingler took six months rent in advance, in cash. Some people walk softly through life, Gideon has barely left a footprint.

  All we seem to know for certain is that he was born in Liverpool in 1969. His father, Eric Tyler, is a retired sheet metal worker living in Bristol. Full of gristle and bone and ‘fuck-you’ animosity, he abused police through the letterbox and refused to open the door unless he saw a warrant. When he was eventually interviewed he harped on about his children letting him starve.

  There is another son, an older one, who runs a stationery supply company in Leicester. He claims he hasn’t seen or spoken to Gideon in a decade.

  Gideon joined the army at eighteen. He served in the first Gulf War and in Kosovo as a peacekeeper after the Bosnian War. According to Patrick Fuller he transferred to the Army Intelligence Corp in the mid-nineties and we know from Bryan Chambers that he trained at the Defence Intelligence and Security Centre at Chicksands in Bedfordshire.

  Initially, he was stationed in Northern Ireland and later transferred to Osnabruck, Germany, as part of the NATO Immediate Reaction Force. Normally British servicemen do tours of only four years, but for some reason Gideon stayed on. Why?

  Every time I contemplate what he’s done and what he’s capable of, I feel a rising sense of panic. Sexual sadists do not stay silent. They won’t go away.

  Everything about his actions has been deliberate, unperturbed and almost euphoric. He believes he is cleverer than the police, the military, the rest of humanity. Each of his crimes has been a little more perverse and theatrical than the last. He is an artist, not a butcher- that’s what he’s saying.

  The next one will be the worst. Gideon failed to kill Maureen Bracken, which means his next victim takes on added significance. Veronica Cray and her team are tracing every one of Helen Chambers’ old schoolfriends, university buddies and workmates, particularly those with children. It’s a massive task. She doesn’t have the personnel to guard all of them. All she can do is provide them with a mugshot of Gideon Tyler and make them aware of his methods.

  These are the thoughts that follow me into sleep, sliding between shadows, echoing like someone walking behind me.

  Saturday morning. There are chores to do before I leave for London. The village is having a fete.

  Local shops, clubs, and community groups have set up stalls, draping their tables with bunting and gimmicky signs. There are second-hand books, homemade cakes, handicrafts, dodgy DVDs and a pile of cheap dictionaries from the mobile library.

  Penny Havers, who works in a shoe-shop in Bath, has brought stacks of boxes- most of them one-size only, overly large or ridiculously small, but very cheap.

  Charlie walks through the village with me. I know how this works. As soon as she sees a boy she’s going to drop a dozen paces behind me and pretend to be on her own. When there are no boys, she makes me stop and look at fake jewellery and clothes she doesn’t need.

  Everyone is excited about the annual rugby clash between Wellow and our nearest neighbours, Norton St Philip, three miles away. It’s on this afternoon on the rec behind the village hall.

  Wellow is one of those villages that lay almost undiscovered until the mid-eighties, when its population swelled with commuters and sea-changers. The influx has slowed, according to the locals. Property prices have soared out of the reach of weekend visitors, who gaze in the village estate agent’s window, daydreaming about owning a stone cottage with roses climbing over the door. The dream lasts as long as the M4 traffic jam getting back into London and is forgotten completely by Monday morning.

  Charlie wants to get a Halloween mask: a rubbery monster with glow in the dark hair. I tell her no. Emma is already having nightmares.

  There is a policeman on traffic duty outside the post office, directing cars into neighbouring fields. I think of Veronica Cray. She’s in London today, knocking on doors at the MOD and Foreign Office, trying to discover why nobody wants to talk about Tyler. So far all she’s managed to get is a single line statement from the Chief of Defence Staff: ‘Major Gideon Tyler is absent without leave from his unit.’

  Ten words. It could be a cover-up. It could be denial. It could be a classic example of true British brevity. Whatever the reason, the outcome is the same- an echoing, uncomfortable, unfathomable silence.

  Apart from the mugshot taken of Gideon ten days ago, under Patrick Fuller’s name, there is no photograph of him that is less than a decade old. CCTV footage of him entering the UK on 19 May shows him wearing a baseball cap pulled down over his eyes.

  The evidence against him is compelling, but circumstantial. He had Christine Wheeler’s mobile. Alice Furness has identified him as the man she spoke to in the pub four days before her mother disappeared. Darcy is still missing but might also be able to recognise him from the train. Maureen Bracken only met Gideon once, seven years ago. She didn’t remember his voice but the man who spoke to her asked about Helen Chambers.

  Police haven’t managed to link
Gideon to any of the other mobiles used in the attacks, which had either been stolen or purchased using fake identification.

  Charlie is talking to me: ‘Earth to Dad, Earth to Dad. Are you reading me?’

  It’s her mother’s line. She is looking through a rack of clothes, trying to find something dark and goth-like.

  ‘Did you hear anything I said?’

  ‘No. I’m sorry.’

  ‘You’re hopeless sometimes.’ Again, she sounds like Julianne. ‘It was about Darcy.’

  ‘What about her?’

  ‘Why can’t she come and live with us?’

  ‘She has her own family. And we don’t have the room.’

  ‘We could make room.’

  ‘It doesn’t work like that.’

  ‘But her aunt hates her.’

  ‘Who told you that?’

  The hesitation is enough evidence. Charlie makes it worse by turning and burrowing into an open cardboard box full of doll’s clothes. She won’t look at me.

  ‘Have you talked to Darcy?’

  She chooses not to answer rather than tell a lie.

  ‘When did you talk to her?’

  Charlie looks at me as though it’s my fault that she can’t keep a secret.

  ‘Please, sweetheart. I’ve been worried. I need to know where she is.’

  ‘In London.’

  ‘You’ve talked to her?’

  ‘Uh-huh.’

  ‘Why didn’t you tell me?’

  ‘She told me not to. She said that you’d come looking for her. She said you’d make her go to Spain with her aunt, the one who smokes and smells like a donkey.’

  I’m more relieved than angry. It’s been five days since Darcy went missing and she hasn’t returned any of my calls or messages. Charlie comes clean. She and Darcy have been talking most days and sending text messages. Darcy is living in London and hanging out with an older girl who used to dance with the Royal Ballet.

  ‘I want you to call her for me.’

  Charlie hesitates. ‘Do I have to?’

  ‘Yes.’

  ‘What if she won’t be my friend any more?’

  ‘This is more important.’

  Charlie takes her mobile from her jeans and punches the number.