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Impulse

Page 15

by Ellen Hopkins


  might get the wrong impression.

  Suddenly I have a strong

  urge to move to another

  table. What I don’t understand

  is how, despite the lurid tales

  he recited, Tony seems so stable.

  Hey, sorry, man. Didn’t

  mean to unload. Not looking

  for sympathy. Hope what I

  just told you stays between

  you and me. I haven’t

  even owned up to all that

  in therapy. Guess I’ve never

  been quite stoned enough.

  “No problem, bro. Who

  would I tell, even if it was

  important?” And it’s not.

  What the hell? The best thing

  about our conversation

  is the realization that others

  have problems as big as—or bigger

  than—my own. Mine are huge. His

  are insurmountable.

  Tony

  What Got into Me?

  Like Conner needed—

  or wanted—to know

  any of that garbage.

  Jeez, fire me up, it’s

  hard to put me out.

  At least he didn’t look

  too put off by what

  I said. Wonder what

  he’d think if I confessed

  the rest. I haven’t

  told anyone since

  I spilled to Phillip.

  Conner almost gives

  me no choice. So what

  did you do, man?

  I mean, why did they

  lock you up? And how

  long were you in for?

  Should I go ahead

  and tell him? It

  might make him

  freak out completely.

  And I kind of like

  having his company.

  I’m sick of holding it

  inside, sick of it escaping

  my head every night when

  I dream. Thank God for

  Aspen Springs sleeping aids.

  I don’t remember my dreams.

  I decide to compromise.

  “I was in for aggravated

  assault on my ma’s jerk-off

  boyfriend. I spent six

  mother-humping years,

  beating meat in juvie.”

  Conner’s Sympathetic

  Six years? For that?

  he asks, eyes flashing

  anger. The asshole

  deserved it. Did you

  happen to get your mom,

  too? She deserved more.

  “Why didn’t I think

  of that?” It’s a joke.

  I definitely thought

  about it—I had lots

  of spare time to create

  great revenge fantasies.

  Still, “But she got hers

  anyway. It wasn’t the next

  boyfriend, or the one

  after, or the one after that.

  But one of them nailed

  her, first with his fists,

  then with a hammer.

  It wasn’t too long

  after they let me out,

  maybe a year. By

  then, I’d emancipated

  myself. No one missed me.”

  Shit, man, you were

  right. Your mom

  may have been even

  more screwed up

  than mine. Hard to

  believe that’s possible.

  Maybe I will tell him

  the rest after all. But

  not tonight. I’ve tested

  the water—calm water.

  Telling the rest will be

  like testing a tsunami.

  Think I’ll Skip

  “Recreating” tonight.

  My head is too fall

  of too many bad

  memories. On my

  way back to my

  room, I find Paul,

  letting spaghetti

  junk clog in my

  throat. I manufacture

  a loogie, hawk

  it into a napkin.

  “Hey, dude,” I say,

  “I think I’m coming

  down with a cold.

  Can you bring me

  something for it?”

  Sudafed and Halcyon

  (my regular sleep helper

  in this place) should

  put me far beyond

  the reach of nightmares.

  Have to clear it first,

  Paul says. Give me

  a couple of minutes.

  It doesn’t take long.

  In fact, I doubt he

  cleared it with anyone,

  but who cares? He

  pretended to do his

  duty anyway.

  I gag down a big

  spoon of the sticky

  red syrup, chase it

  with a little white pill,

  lay down on the bed,

  and wait for my head

  to drift.

  Vanessa

  TV Tonight

  Was a rerun of Fear Factor.

  Every juvenile space cadet

  really should watch six

  adult space cadets, jumping

  off buildings and eating

  mouse entrails. Mmmm.

  Looked just like the spaghetti.

  What was Carmella thinking?

  She’s such a ditz, but at

  least she bothers to relate,

  unlike the other house

  mothers—Linda, a hard

  little woman of forty or so,

  and Arlene, who must

  be pushing seventy.

  Linda is all business—yes,

  no, shut the hell up—and

  totally capable of a takedown.

  Arlene lives in her own

  oddball world, one she

  dreamed up before my

  parents were born.

  Guess she can’t make

  it on Social Security.

  But working here?

  She must be as crazy

  as the rest of us.

  I sit at the window,

  staring into the darkness,

  waiting for everything

  to fall completely quiet

  before making a bathroom

  run. The inside of my

  head feels like a blender,

  whirling a strange

  concoction of this

  morning’s Prozac

  and this evening’s lithium.

  Enough Already

  I really do need

  to use the bathroom—

  a likely side effect

  from the blended mess

  in my brain. And how

  will I ever sleep tonight?

  One problem at a time.

  I reach under my mattress,

  extract the blouse,

  stained red at the elbow,

  stash it under my sweats.

  Then I open the door,

  poke my head into

  the hall. “May I go to

  the bathroom, please?”

  No answer. Unusual.

  Someone is always

  monitoring the cameras

  in the corridors. I decide

  to go anyway, plead

  diarrhea if I’m caught.

  The girls’ bathroom

  is five doors down,

  on the left. You have

  to ask for permission

  to go because once you’re

  inside, they kind of have

  to give you some privacy,

  at least in the stalls.

  I go on in, turn on the cold

  water, and as I start

  to rinse my sleeve,

  I notice I’m

  not alone.

  One Stall, Four Feet

  That’s what the mirror

  reveals, and a volley

  of shushes at the sound


  of water in the sink.

  One pair of feet quickly

  lifts, and as I watch,

  it comes to me the shoes

  look awfully large

  to belong to a girl.

  That, and the soles

  are facing out, heels up.

  I make a big deal of

  drying my hands, loudly

  wadding the paper towels

  and tossing them in the trash.

  Then I go to the door, open

  and shut it without exiting.

  Quick! You’re squashing

  me. Dahlia’s voice.

  Just a minute. I’m

  not finished. Paul’s.

  Well, hurry up. We’re

  gonna get busted.

  Whoever that was

  shouldn’t have been

  here. She didn’t

  get permission.

  So what are you going

  to do? Bust her?

  No wonder no one

  was manning the cameras.

  Paul was manning Dahlia.

  Ugh. I make a quick escape

  before he does finish.

  And only when I’m back

  in my room do I remember

  that I really do have to go

  to the bathroom. Like, right

  now.

  Conner

  Today We Have a Visitor

  In the classroom. I get there

  a few minutes before nine,

  overhear her conversing with

  Mr. Hidalgo, who whispers

  behind the half-closed door. These

  kids are the best of the worst—

  bright, capable under achievers.

  It’s truly bizarre

  that they end up here. For

  some it’s addiction, for

  others, abuse. A few simply

  succumb to depression.

  The others arrive. We push

  inside. It’s the perfect chance

  to rub up against Vanessa, one

  I decide to take advantage of.

  Nice, how the top of her head

  nests perfectly under my chin.

  I want to let my hands circle

  her waist, lift to her small breasts.

  Something stirs, for the first

  time in weeks, and it has

  nothing to do with Emily—

  or a taste for expert sin.

  Vanessa can’t help but

  react. Unusual way

  to say hello, Conner.

  Rather overt, in fact.

  But she doesn’t pull away,

  or move my hand from the curve

  of her back. And both of us

  understand the meaning of that.

  Flushed to My Core

  I walk stiffly to my seat.

  Stiff, yeah, that’s it, okay.

  Three rows over, Vanessa

  smiles, and I wonder if

  she’s feeling a little “stiff”

  too. No time to think about

  it now. Mr. Hidalgo clears

  his throat, ready to do his thing.

  We have someone special

  here today. Ms. Littell is

  an artist-in-residence,

  and we’re going to hear

  from her all about how to

  write great poetry. No groans.

  I’m sure you all have what it

  takes to create a poem.

  Ms. Littell draws herself

  up real straight. Teaching

  us posture, too? Or trying

  to feel more in control?

  She talks about herself

  for ten minutes—who she is,

  what she does, how well

  published she is. Then she

  rambles on for another

  half hour about what makes

  a poem good—word choice,

  the power of metaphor.

  Finally she instructs,

  Write a poem about your

  happiest memory.

  Excite me with your words.

  Excite Her?

  Was she talking to me?

  Not if she expects that to

  happen over my happiest

  memory, whatever that

  might be. I sit, dissecting

  my childhood, think about

  holidays and vacations,

  most of them good enough

  if you measure by toys,

  clothes, cool things to do, but

  can things really make you

  happy? I suppose some

  people think so. I remember

  one time spending a week

  with a friend. His family

  didn’t have much. Except fun.

  The concept stunned me. Fun, with

  his mom and dad? Fun, with

  his sister? He even had fun

  with his grandparents. Mine bore

  me to death—the two that are

  still alive, anyway. Dad’s

  parents died before I was born,

  left him a mint in their will.

  Ms. Littell stands, hands on

  hips, waiting for me to write

  something. I’m sure that she’s

  anticipating something else.

  I put my pen to paper,

  begin: My happiest memories

  are sun-streaked afternoons

  in the cinnamon arms of

  my Emily….

  Tony

  What Is It

  With these artsy types?

  Happy memories? Excite

  her with my words?

  Does she have half

  a clue what kind of

  kids she’s dealing with?

  If we were wallowing

  in happy memories,

  would we be here at all?

  I can’t remember a single

  group session dedicated

  to happiness; not one

  conversation about

  the Magic Kingdom

  called Home. Now

  Nathan might believe

  there’s a Magic Kingdom

  in some distant galaxy,

  and maybe he’s happy,

  letting his mind—what

  there is of it—wander

  to that place. And no

  doubt Justin smiles when

  he goes to bed at night,

  chants a mantra to his

  Lord, prays for quick

  deliverance. I guess

  he might be happy

  in his dreams, rocking

  in the arms of seraphim.

  But then I look at

  Conner, frustrated

  with his memories,

  and Vanessa, who

  stares at the table,

  longing for her knife.

  I’m Pretty Sure

  She knows that Conner

  and I know. What I

  don’t get at all is that

  no one else seems to

  have noticed the way

  she hides the blood.

  Maybe she’ll write

  her poem about how

  happy it makes her

  feel to ease her skin

  open, drown herself

  in the ebb of tide

  within her veins. Damn

  if that’s not poetic.

  Maybe I should write

  that, here on this

  blank, white piece

  of paper. Blank

  as the slate in my

  brain that is supposed

  to have happy

  memories etched

  on its clean, shiny

  surface. All I find is black.

  I close my eyes, assess

  my life, search for

  a scene worth reliving.

  The first thing that comes

  to mind is the day I

  got out of lockup, free

  to walk wherever I chose,

  talk to whoever happened

>   by, without having to ask

  permission. And then

  it came to me that I had

  only one place to go.

  My Ma Picked Me Up

  Apparently, like it or

  not, it was a parent’s

  duty to sign a kid out.

  Ready to go? Ha-ha!

  Stupid question. Would

  you get a move on?

  Apparently, she had

  better things to do

  than catch up with me.

  You sure are scrawny.

  Didn’t they feed you three

  squares in that place

  Apparently, she was

  worried that she might

  have to fatten me up.

  I’m living in a new

  place—a studio

  Have a new man, too.

  Apparently, she thought

  I gave a fuck about who

  she was sleeping with.

  Watch out for Pete. He’s

  got a temper, ’specially

  when he’s drinking.

  Apparently she believed

  I would let another one

  of her lousy boyfriends

  abuse me—in whatever

  ways. Wasn’t going

  to happen. Not ever again.

  I followed her up two

  flights of stairs at a fleabag

  weekly motel. Took

  one look at the “studio” I

  was supposed to share

  with Ma and Pete. Hit

  the streets.

  Vanessa

  Prozac, Lithium, and Conner

  One, two, or all of them

  have put me in a completely

  happy space. Can I write

  about now—this instant?

  Pencil to paper, in perfect

  round cursive, I begin:

  Memory is a tenuous thing….

  (I know, I’ve lately

 

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