The Italian Renaissance

by Peter Burke

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  —‘The myth of 1453: notes and reflections’, in Querdenken: Dissens und Toleranz im Wandel der Geschichte: Festschrift zum 65. Geburtstag Hans R. Guggisberg, ed. M. Erbe et al., pp. 23–30. Mannheim: Palatium, 1996.

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  —Popular Culture in Early Modern Europe. 3rd edn, Farnham: Ashgate, 2009.

  —‘Prosopografie van der Renaissance’, Millennium 7 (1993), pp. 14–22.

  —‘Renaissance Europe and the world’, in Palgrave Advances in Renaissance Historiography, ed. J. Woolfson, pp. 52–70. Basingstoke: Palgrave Macmillan, 2005.

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  —The Renaissance Sense of the Past. London: Edward Arnold, 1969.

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  —Varieties of Cultural History. Cambridge: Polity, 1997.

  Burney, C., A General History of Music, 4 vols (1776–89). New York: Dover, 1969.

  Burroughs, C., The Italian Renaissance Palace Façade. Cambridge: Cambridge University Press, 2002.

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  Callmann, E., Apollonio di Giovanni. Oxford: Clarendon Press, 1974.

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  Campbell, S., The Cabinet of Eros: Renaissance Mythological Painting and the studiolo of Isabella d’Este. New Haven, CT: Yale University Press, 2004.

  Caplan, H., ‘The four senses of scriptural interpretation’, Speculum 4 (1929), pp. 282–94.

  Caplow, H. N., ‘Sculptors’ partnerships’, Studies in the Renaissance 21 (1974), pp. 145–75.

  Carboni Baiardi, G., et al. (eds), Federico di Montefeltro: lo stato/le arti/ la cultura, 3 vols. Rome: Bulzoni, 1986.

  Cardano, G., The Book of My Life (1575). Eng. trans., New York: Dover, 1962.

  —De rerum varietate. Basel, 1557.

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  Casotti, G. B., Memorie istoriche della miracolosa immagine di Maria vergine dell’Impruneta, 2 vols. Florence, 1714.

  Cassirer, E., P. Kristeller and J. H. Randall (eds), The Renaissance Philosophy of Man. Chicago: University of Chicago Press, 1948.

  Cast, D., The Calumny of Apelles. New Haven, CT, and London: Yale University Press, 1981.

  Castelnuovo, E., ‘Per una storia sociale de l’arte’, in Castelnuovo, Arte, industria, rivoluzioni. Turin: Einaudi, 1985.

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  Castelnuovo, E., and C. Ginzburg, ‘Centre and periphery’, Eng. trans. in History of Italian Art, ed. P. Burke, 2 vols, vol. 1, pp. 29–112. Cambridge: Polity, 1994.

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  Castiglione, S. di, Ricordi (1549). 2nd edn, Venice, 1554.

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  Cellini, B., Vita, ed. E. Camesasca. Eng. trans., Harmondsworth: Penguin, 1956.

  Cèndali, L., Giuliano e Benedetto da Maiano. Florence: Società editrice Toscana, 1936.

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  Chabod, F., L’epoca di Carlo V. Milan: Treccani, 1961.

  —‘Usi ed abusi nell’amministrazione dello stato di Milano’, in Studi storici in onore di Gioacchino Volpe, pp. 95–194. Florence: Sansoni, 1958.

  —‘Was there a Renaissance state?’, in The Development of the Modern State, ed. H. Lubasz. New York: Macmillan, 1964.

  Chakrabarty, D., Provincializing Europe. Princeton, NJ: Princeton University Press, 2000.

  Chambers, D. S. (ed.), Patrons and Artists in the Italian Renaissance. London: Macmillan, 1970.

  Chambers, D. S., and Quiviger, F. (eds), Italian Academies of the Sixteenth Century. London: Warburg Institute, 1995.

  Chastel, A., Art et humanisme à Florence au temps de Laurent le Magnifique. Paris: Presses Universitaires de France, 1961.

  —‘Art et humanisme au quattrocento’, in Umanesimo europeo ed umanesimo veneziano, ed. V. Branca, pp. 395–406. Florence: Sansoni, 1964.

  —The Sack of Rome. Princeton, NJ: Princeton University Press, 1983.

  Chipps Smith, J., The Northern Renaissance. London: Phaidon Press. 2004.

  Chojnacki, S., ‘Political adulthood in fifteenth-century Venice’, American Historical Review 91 (1986), pp. 791–810.

  Christian, K. W., and D. J. Drogin (eds), Patronage and Italian Renaissance Sculpture. Farnham: Ashgate, 2010.

  Christiansen, K., and S. Weppelmann (eds), The Renaissance Portrait: From Donatello to Bellini. New York: Metropolitan Museum of Art, 2011.

  Ciammitti, L., S. Ostrow and S. Settis (eds), Dosso’s Fate: Painting and Court Culture in Renaissance Italy. Los Angeles: Getty Research Institute, 1998.

  Ciappelli, G., and P. Rubin (eds), Art, Memory, and Family in Renaissance Florence. Cambridge: Cambridge University Press, 2000.

  Cipolla, C. M., Clocks and Culture. London: Collins, 1967.

  —‘Economic depression of the Renaissance?’, Economic History Review 16 (1963–4), pp. 519–24.

  Clark, S., Thinking with Demons: The Idea of Witchcraft in Early Modern Europe. Oxford: Clarendon Press, 1997.

  Clark, T., Image of the People. London: Thames & Hudson, 1973.

  Clements, R. J. (ed.), Michelangelo: A Self-Portrait. Englewood Cliffs, NJ: Prentice-Hall, 1963.

  Clough, C. H., ‘Federigo da Montefeltre’s patronage of the arts’, JWCI 36 (1973), pp. 129–44.

  Cocchiara, G., Le origini della poesia popolare. Turin: Boringhieri, 1966.

  Coffin, D. R. (ed.), The Italian Garden. Washington, DC: Dumbarton Oaks, 1972.

  —The Villa in the Life of Renaissance Rome. Princeton, NJ: Princeton University Press, 1979.

  Cohn, S. K., Creating the Florentine State: Peasants and Rebellion, 1348–1434. Cambridge: Cambridge University Press, 1999.

  —The Laboring Classes in Renaissance Florence. New York: Academic Press, 1980.

  —‘Renaissance attachment to things’, Economic History Review 65 (2011), pp. 984–1004.

  Cole, B., The Renaissance Artist at Work: From Pisano to Titian. London: John Murray, 1983.

  —Sienese Painting. New York: Harper & Row, 1980.

  Collett, B., Italian Benedictine Scholars and the Reformation. Oxford: Clarendon Press, 1985.

  Comanducci, R. M., ‘Il concetto di “artista” e la pratica di lavoro nella bottega quattrocentesca’, in Arti fiorentine, ed. G. Fossi and F. Franceschi, vol.2, pp. 149–65. Florence: Giunti, 1999.

  —‘L’organizzazione produttiva della bottega d’arte fiorentina’, in Economia ed arte, ed. S. Cavaciocchi, pp. 751–9. Florence: Le Monnier, 2002.

  —‘Produzione seriale e mercato dell’ar
te a Firenze tra quattro e cinquecento’, in The Art Market in Italy, 15th–17th Century, ed. M. Fantoni et al., pp. 105–13. Modena: F. C. Panini, 2003.

  Concina, E., L’Arsenale della Repubblica di Venezia. Milan: Electa, 1984.

  —Dell’arabico: a Venezia tra Rinascimento e Oriente. Venice: Marsilio, 1994.

  Condivi, A., Vita di Michelangelo Buonarroti, ed. E. S. Barelli. Milan: Rizzoli, 1964.

  Coniglio, G., II regno di Napoli al tempo di Carlo V. Naples: Edizioni scientifiche italiane, 1951.

  Connell, S., The Employment of Sculptors and Stonemasons in Venice in the Fifteenth Century. New York: Garland, 1988.

  Connell, W. J. (ed.), Society and Individual in Renaissance Florence. Berkeley: University of California Press, 2002.

  Contadini, A., ‘Middle Eastern objects’, in At Home in Renaissance Italy, ed. M. Ajmar-Wollheim and F. Dennis, pp. 308–21. London: V&A, 2006.

  Contarini, G., Commonwealth and Government of Venice (1543). Eng. trans., London, 1598.

  Conti, A., ‘L’evoluzione dell’artista’, Storia dell’arte italiana, 2, pp. 117–263. Turin: Einaud, 1979.

  Coor, G., Neroccio de’Landi. Princeton, NJ: Princeton University Press, 1961.

  Copenhaver, B. P., and C. Schmitt, Renaissance Philosophy. Oxford: Oxford University Press, 1992.

  Corti, G., and F. Hartt, ‘New documents concerning Donatello’, Art Bulletin 44 (1962), pp. 155–67.

  Cosenza, M., Biographical and Bibliographical Dictionary of the Italian Humanists. New York, 1952.

  Cox, V., The Renaissance Dialogue: Literary Dialogue in its Social and Political Contexts, Castiglione to Galileo. Cambridge: Cambridge University Press, 1992.

  —Women’s Writing in Italy, 1400–1650. Baltimore: Johns Hopkins University Press, 2008.

  Cox-Rearick, J., Dynasty and Destiny in Medici Art. Princeton, NJ: Princeton University Press, 1984.

  Cozzi, G., ‘Cultura, politica e religione nella pubblica storiografia ven-eziana’, Studi Veneziani 5 (1963), pp. 215–94.

  Cranston, J., The Poetics of Portraiture in the Italian Renaissance. Cambridge: Cambridge University Press, 2000.

  Craven, W. G., Giovanni Pico della Mirandola, Symbol of his Age. Geneva: Droz, 1981.

  Crawcour, E. S., ‘Changes in Japanese commerce in the Tokugawa period’, in Studies in the Institutional History of Early Modern Japan, ed. J. W. Hall and M. B. Jansen, pp. 189–202. Princeton, NJ: Princeton University Press, 1968.

  Crouzet-Pavan, E., Renaissances italiennes 1380–1500. Paris: Albin Michel, 2007.

  Crowe, J. A., and G. B. Cavalcaselle, The Life and Times of Titian. London: John Murray, 1881.

  Crum, R. J., and J. T. Paoletti (eds), Renaissance Florence: A Social History. Cambridge: Cambridge University Press, 2006.

  Currie, E., Inside the Renaissance House. London: V&A, 2006.

  Dacos, N., ‘Italian art and the art of antiquity’, in History of Italian Art, ed. P. Burke, 2 vols, vol. 1, pp. 113–213. Cambridge: Polity, 1994.

  D’Amico, J. F., Renaissance Humanism in Papal Rome. Baltimore: Johns Hopkins University Press, 1983.

  D’Ancona, A. (ed.), Sacre rappresentazioni dei secoli xiv, xv, e xvi. Florence: Le Monnier, 1872.

  Daniello, B., Poetica. Venice, 1536.

  D’Arco, C., Giulio Pippi Romano, 2nd edn. Mantua: Fratelli Negretti, 1842.

  Darnton, R., The Great Cat Massacre and other Episodes in French Cultural History. New York: Basic Books, 1984.

  Davis, J. C., The Decline of the Venetian Nobility as a Ruling Class. Baltimore: Johns Hopkins University Press, 1962.

  Davis, N. Z., Trickster Travels: A Sixteenth-Century Muslim between Worlds. London: Faber, 2006.

  De Caprio, V., ‘Aristocrazia e clero da la crisi dell’umanesimo alla Controriforma’, Letteratura italiana, 2: Produzione e consumo, ed. A. Asor Rosa, pp. 299–361. Turin: Einaudi, 1983.

  —‘Intellettuali e mercato del lavoro nella Roma medicea’, Studi romani 29 (1981), pp. 29–46.

  De la Mare, A., ‘Vespasiano da Bisticci’, PhD thesis, University of London, 1965.

  Della Casa, G., Galateo (1558), ed. D. Provenzal. Eng. trans., Harmondsworth: Penguin, 1958.

  Delumeau, J., ‘Mobilité sociale: riches et pauvres à l’époque de la Renaissance’, in Ordres et classes, ed. E. Labrousse, pp. 125–34. Paris and The Hague: Mouton, 1973.

  —‘Réinterprétation de la Renaissance’, Revue d’histoire moderne et contemporaine 14 (1967), pp. 296–314.

  De Maio, R., Michelangelo e la Controriforma. Rome: Laterza, 1978.

  Dempsey, C., ‘Mercurius Ver: the sources of Botticelli’s Primavera’, JWCI 31 (1968), pp. 251–69.

  —The Portrayal of Love: Botticelli’s Primavera and Humanist Culture at the Time of Lorenzo the Magnificent. Princeton, NJ: Princeton University Press, 1992.

  —‘Some observations on the education of artists at Florence and Bologna during the later sixteenth century’, Art Bulletin 62 (1980), pp. 552–6.

  Denley, P., ‘Recent studies on Italian universities of the Middle Ages and Renaissance’, History of Universities 1 (1981), pp. 193–206.

  —‘The social function of Italian Renaissance universities’, CRE Information 62 (1983), pp. 47–58.

  Dijksterhuis, E. J., The Mechanization of the World Picture. Eng. trans., Oxford: Clarendon Press, 1961.

  Dionisotti, C., Geografia e storia della letterature italiana. Turin: Einaudi, 1967.

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  Dominici, G., Regola del governo di cura familiare (1860). Eng. trans., Washington, DC: Catholic University of America, 1927.

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  —Die florentiner Wollentuchindustrie vom 14. bis zum 16. Jahrhundert. Stuttgart, 1901.

  —Fortuna im Mittelalter und in der Renaissance. Hamburg: Teubner, 1922.

  Doria, G., ‘Una città senza corte: economia e committenza a Genova nel ’400–’500’, in Arte, committenza ed economia a Roma e nelle corti del Rinascimento, 1420–1530, ed. A. Esch and C. L. Frommel, pp. 243–54. Turin: Einaudi, 1995.

  Dowd, D. F., ‘The economic expansion of Lombardy, 1300–1500’, Journal of Economic History 21 (1961), pp. 143–60.

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  Eckstein, N. A., The District of the Green Dragon: Neighbourhood Life and Social Change in Renaissance Florence. Florence: Olschki, 1995.

  —‘Neighbourhood as microcosm’, in Renaissance Florence: A Social History, ed. R. J. Crum and J. T. Paoletti, pp. 219–39. Cambridge: Cambridge University Press, 2006.

  Edgerton, S. Y., Pictures and Punishment: Art and Criminal Prosecution during the Florentine Renaissance. Ithaca, NY, and London: Cornell University Press, 1985.

  —The Renaissance Rediscovery of Linear Perspective. New York: Basic Books, 1975.

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  —The Italian Madrigal, 3 vols. Princeton, NJ: Princeton University Press, 1949.

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  Elam, C., ‘Battista della Palla’, I Tatti Studies 5 (1993), pp. 33–109.

  —‘Lorenzo de’Medici and the urban development of Renaissance Florence’, Art History 1 (1978)
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  —‘Lorenzo de’Medici’s sculpture garden’, Mitteilungen des Kunsthistorischen Instituts in Florenz 36 (1992), pp. 41–84.

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