Laura Joh Rowland - Sano Ichiro Samurai Detective 02 - Bundori

by Bund

  In a rush of intoxicating pleasure, he slid into her. The scented water made him dizzy; the beauty of her face against the lush backdrop of falling cherry blossoms swelled his throat. Restraining his urgency, he raised and lowered her with deliberate slowness; she sighed. This gentle, sensuous coupling couldn't possibly have been more different from last night's mutual assault. Sano realized that theirs was a union that could encompass the extremes of emotion-joy and sadness, pain and pleasure, love and hatred, tenderness and violence. His heart mourned as he remembered that it had to end.

  Aoi seemed to share his bitter knowledge. She was weeping openly now, even as they moved ever faster together. Her final cry mingled grief with pleasure. Sano moaned in the rapture of his own climax. They clung to each other, and when she pressed her cheek to his, he couldn't distinguish her tears from his own. He tried to believe that as long as they remained together thus, the moment would last forever.

  Too soon the water cooled, forcing Sano to acknowledge the passage of time. Reluctantly he released Aoi.

  "I have to go," he said.

  Climbing out of the tub, he dried himself on a towel, noting with relief that he could again move with ease.

  "Wait." Aoi also clambered from the water, hastily drying and dressing herself. "You need your medicines first."

  Once again Sano sensed that air of distracted tension about her. Distrust returned, stronger this time; but she was right. His bruises still ached; without treatment, he would again grow too stiff and sore to move, let alone complete his night's work.

  "All right," he said. He accompanied her to the bedchamber and lay down on the futon. "But hurry."

  "I'll make the room warm for you. " Aoi's voice was muffled as she turned her back to him and bent over the sunken charcoal brazier. Rising, she hurried to the door.

  "Aoi. Wait. Don't go." Sano had to find out what was troubling her, and to reestablish contact.

  Over her shoulder, she said, "Rest now, and I'll be right back with the herbs and potions. "

  . and closed the door behind her, leaving Sano to worry about the future. Would he fulfill his duty and his promises? Would he catch Yanagisawa in the act of murder? Must he execute the chamberlain, then take his own life tonight? If not, would fate allow him to arrest Chugo or Matsui for the murders before his two days were up? How many more nights would he and Aoi have together? Too anxious to relax, Sano stared up at the ceiling. But soon, to his surprise, his eyelids drooped. Realizing that he must have underestimated his fatigue, or the sedative effects of hot water and sex, he struggled to stay alert. But great, irresistible waves of drowsiness washed over him.

  He gave in to sleep.

  Outside Sano's door, Aoi stood, rigid with misery. Her mind resonated with the silent howl of anguish that had begun when Chamberlain Yanagisawa ordered her to kill Sano. It had intensified as she'd made love to him and denied anything was wrong. Now she closed her eyes and clenched her fists against the loneliness and despair that filled her heart like blood pooling in a wound. She forced herself to concentrate on the sounds emanating from Sano's room. His restless stirring ceased, and she waited for the change in his breathing that would mean he'd passed into deep sleep.

  Before she'd left the room, she'd dropped into the brazier a secret ninja sleep potion-rare herbs, blood of mole, snake, and newt, absorbed into a piece of paper-that would give off sleep-inducing fumes as it burned. During wartime, her people had tossed this potion into guardhouse stoves to make the sentries drowsy so they could penetrate enemy castles. Now she was using it to put her lover to sleep so she could follow her master's orders and take his life.

  All day long, her thoughts had chased endlessly over the same ground, like a wolf she'd once seen trapped in a mountain crevasse outside her village. Now her mind ached from trying desperately to find a way to disobey Chamberlain Yanagisawa's orders without endangering her family.

  She'd considered delaying Sano's murder in the hope that he would discover incriminating evidence against Yanagisawa, but what if the chamberlain grew impatient? He would get someone else to kill Sano, and her family would be punished for her failure.

  She'd thought of telling Sano about the plot against him. Together they could fake his death, then hide him someplace where he could live under a false identity. But she'd discarded this alternative even more quickly than the first. Despite their short acquaintance, she knew Sano well enough to understand that he would never abandon his post.

  What if she were to destroy Chamberlain Yanagisawa, as she longed to do? She'd spent hours plotting how: poison; a thrown blade; a quick blow; an arrow. Yanagisawa, though, was careful, as is any man with many enemies. He employed food tasters and bodyguards. Even with her skill at stealth and combat, she would never get close enough to kill him, then manage to escape afterward. And she couldn't discredit him by reporting his scheme to the authorities. Yanagisawa controlled the bakufu and the shogun. No one would dare act against him to save her or Sano.

  She'd even considered suicide, but that, although releasing her from responsibility, would ensure neither Sano's safety nor her family's.

  Only one option remained: the most perilous, the one she could never choose.

  Now Aoi cast aside these useless thoughts. The mountain wolf had finally starved to death. So must her dreams perish. Old loyalties took precedence over new; filial duty superseded love. Sano must die, by her hand, now.

  Fighting tears, she put her ear to the door's paper panel and listened. The depth of Sano's breathing confirmed what her extra sense told her: He was fast asleep. She waited a moment to make sure all the sleep potion had burned away. Then, summoning all her courage, she opened the door.

  He lay on his stomach, head pillowed on his folded arms. His face was turned toward her; sleep had smoothed away the worry, leaving him looking younger, more innocent, and less troubled than she'd ever seen him. She swallowed pity and self-hatred. Resisting the urge to shake him awake and warn him, she stepped into the room, closing the door quietly behind her. She crossed the floor and knelt beside Sano. The howling inside her rose to a deafening blare that sounded the same word over and over:

  No-no-no-no-

  Under the noise, Aoi heard Sano's soft, steady breathing quicken and catch, his pulse skip. She saw his eyelids flutter: He was dreaming. Still, she knew the potion wouldn't let him awaken. It was time.

  No-no-no-

  With unsteady hands, she removed from her hair a long wooden hairpin with a black lacquer head shaped like a lady's fan. She tugged on the blunt shaft of the pin. The hollow wooden sheath came away, exposing the steel prong inside: sharp, needle-thin, and deadly.

  Aoi's tears spilled down her cheeks and over her lips. She wiped them away with her fingers. Her mind's silent scream vibrated in every muscle of her body. Clutching the hairpin in her trembling right hand, she laid her left on the base of Sano's neck. The feel of his warm, resilient flesh caused a rush of tenderness, which she choked down. As he writhed and moaned in his sleep, she felt the blood flowing beneath his skin, and the exuberant life force radiating from him. His heartbeat pounded up through her fingers, its quickening pulse matching her own. Slowly, gently, she moved her hand down his spine. Her fingers, wet with tears, left a damp trail on his skin.

  Now, despite her anguish, the circumstances evoked a powerful contradictory response deep within Aoi. Her training had prepared her for this dreaded task. Her killing instinct stirred, like a dormant snake uncoiling. Even as her spirit sickened, reflex took over. Her fingers probed the bones and interstices of Sano's spine. The hand that held the lethal hairpin ceased to tremble. With her inner eye, she saw the great energy wave whose roar drowned out her mind's screams as it broke over her. She saw the colored lights. And her father's image.

  He stood in the classroom of the village ninja academy. Upon a table before him, a naked man lay facedown, with female students clustered around. Aoi recognized the anatomy lesson she'd attended at age eight.

  "Her
e, between the vertebrae," her father said, touching a spot on the young man's spine, "is where you insert your needle. Death is instantaneous, and the needle leaves no trace except a tiny hole where no one will find it."

  One by one, the girls stepped forward to feel the spot, to memorize its position and texture. For a moment, Aoi inhabited her childhood body and world. She touched the man's back. Then she returned to the present, with her finger at the same spot on Sano's spine.

  The wave's roar grew louder. Aoi lost contact with her humanity and became a mere vessel for the power coursing through her. The swirling energy focused at two points: her fingertip, pressed against Sano's flesh, and the hand holding the hairpin. Possessed by the irresistible force, the latter moved until the hairpin's tip was poised directly over Sano's back.

  Faintly she heard her father's voice: "Killing is the last, least desirable alternative. But when the time comes, you must recognize it and act without hesitation. Because the safety of us all depends on you."

  No.

  Her conscious mind's weak protest quickly faded. Aoi's fingertip moved aside, baring the space between Sano's vertebrae. She lowered the hairpin as every impulse and instinct in her demanded satisfaction. Her heart pounded. The blood thundered in her head. Her breath came in gasps. Her fingers locked around the pin. Slowly she pressed down. The hairpin's point pierced the outer layer of Sano's skin. Aoi felt the dark strength gathering in her arm muscles in preparation for driving the weapon home-

  Then some last vestige of her essential self rallied against the forces that possessed Aoi. Memory recalled her impossible vision of the future. Like a faded painting on transparent silk, the image of herself and Sano climbing the mountain together hung between her and the turbulent, luminous energy wave. But this time, black storm clouds boiled up over the distant peaks. The wind tossed the trees and rustled the grasses. Aoi saw herself smile and reach out to take the hand Sano offered her, with its promise of love and protection. Then his image shimmered and disappeared. She was alone on the mountain, in the storm.

  "Come back!" Aoi pleaded.

  At her cry, the dark energy abruptly dissipated. The wave receded. The roar ceased; the colored lights vanished. Her trance was broken.

  Aghast at what she'd almost done, Aoi sat stiff and still for a long moment. Then her body went limp, spent of all strength by the effort of reaching the brink of murder. She let go the hairpin, which slid off Sano's back and onto the futon, leaving behind only a tiny, harmless pinprick. With a low moan, she collapsed against Sano, clinging to him as sobs wracked her body.

  Sedated by the poison, Sano slept on, oblivious to her grief, and to the threat against his life. Her weakness had saved him-for now. But she owed her first loyalty to others, for whose protection she'd learned the deadly ninja skills she so dreaded using.

  Tomorrow she must find the strength and courage to do what she could not tonight.

  Chapter 31

  Sano steered his mount up a twisting road into Edo's western hills. Wild azalea bushes, vivid with red blossoms, crowned the stone embankments that shored the road's upper side; oak, laurel, cypress, chestnut, cedar, and flowering cherry trees adorned the grassy slopes that fell away on the lower. Narrow lanes branched off the main thoroughfare to picturesque, rustic summer villas. Small streams burbled beneath wooden bridges; birds darted and twittered. But Sano was virtually oblivious to the serene beauty of this place where Edo's wealthy citizens sought relief from summer's heat.

  He could see the cloud of smoke hanging over the area of Nihonbashi where yesterday's fire still burned, its spread facilitated by the continuing riots and the weather, which was unseasonably warm and windy. Far to the east, dark storm clouds hovered; thunder rumbled. But the spring weather was unpredictable; rain might or might not come to extinguish the fire and disperse the rioters. And other doubts added to Sano's concerns.

  If Madam Shimizu really was the mystery witness from Zojo Temple, would he get from her the evidence he needed to identify the Bundori Killer? He couldn't shake the visions of suicide that had disturbed his sleep. He'd awakened at dawn to discover he'd missed his chance to shadow Chamberlain Yanagisawa-and that Aoi was gone. Had she decided to leave him after all?

  Sano had resisted the temptation to hurry to the shrine in search of her. Much depended on what he learned today. By discovering evidence against someone besides Yanagisawa, he could save his life-but would Aoi cease to care for him?

  The western hill country, like the rest of Edo, was divided according to social hierarchy, with the great daimyo villas occupying the loftiest peaks, and those of the rich merchants below. Halfway up this latter sector, Sano found the turnoff Aoi had described, where the road forked between two towering cypresses. He directed his horse down a narrow lane through oak and beech woods, over a short bridge that spanned a stream. A sharp curve left brought him to the Shimizu villa, composed of three attached buildings arranged on ascending levels of the, hillside amid more woods.

  He dismounted, secured his horse, and approached the tree-shaded front entrance. Before he reached it, the door flew open, and a sour-faced peasant woman dressed in a gray cotton kimono hurried out.

  "No visitors allowed!" she shouted. "You will please leave!"

  She showed none of the usual deference to his rank, and the two men who followed her lent weight to her order. Both were youngish samurai-brothers, apparently, with the same wide mouths and prominent ears. They wore shabby clothes and a look of angry desperation. Sano recognized them as ronin who made a precarious living by working as security guards for wealthy commoners. They stopped a few paces short of him, legs planted wide, arms folded, gazes hostile.

  Sano introduced himself to the woman, whom he took to be the servant in charge of the house. "I'm here on the shogun's official business. Take me to Madam Shimizu."

  The servant didn't deny or confirm Madam Shimizu's presence in the villa, but her quick glance backward told Sano that she was here-probably hiding from the consequences of her visit to the temple, whatever they were. "No visitors," she repeated.

  Her willingness to defy a bakufu official's order demonstrated a fierce loyalty to her mistress that exceeded prudence. The ronin grasped their sword hilts, and Sano didn't like the message he read in their eyes. They were angry at the whole world and would welcome a fight, even with the shogun's retainer. They would be betting that he valued his life more than they did theirs, and would forsake his errand rather than oppose them.

  And they were right-partially.

  "Good day." Bowing politely, Sano turned and walked down the lane, retrieved his horse, and rode away. Then, once beyond the curve and out of sight from the house, he resecured his mount and doubled back through the forest, heading for the rear of Madam Shimizu's residence.

  He scaled the steep hill, staying within the cover of the trees, until he came to the road behind the villa. The rear of the uppermost, largest building had few windows, all shuttered, and no balcony. High walls extended from it, enclosing the two lower wings and the garden. Sano could see no doors, but there must be others besides the front entrance, through which the residents could escape during a fire or earthquake.

  Sano looked around and saw neither the servant nor the guards. Skidding down the hill, he waded through the thick grass around the villa. As he examined the head-high, stone-faced earthen wall around the garden, he heard from within it a woman's high, quavery voice, singing a slow, melancholy tune:

  "The green woods fade to brown, alas

  Frost withers the peony and the rose- "

  Sano smiled. The singer must be Madam Shimizu. Quietly Sano tried the heavy, weathered plank gate. It was locked. But the wall was covered with a network of vines; some had woody stems as thick as his wrist. Using these as a ladder, he climbed the wall. Cautiously he peered over the top.

  He formed a quick impression of an overgrown garden, bordered on left and right by the verandas of the upper and lower buildings, and on the far end by a covered
walkway connecting the two wings. Then he spotted a pavilion at the garden's center.

  Almost hidden by the vines that climbed the pavilion's lattice wall and up its thatched roof knelt a woman. Sano could discern no more than her bowed head and blue kimono, but her plaintive song continued:

  "Summer's birds are flown,

  Love has gone-

  My heart dies, too."

  Sano took a hasty look behind him, then pulled himself atop the wall. He jumped, landing in an ivy-choked flower bed. Eagerly he started toward the pavilion. Then he halted as a door in the covered walkway banged open.