Legacy

by Mary Stewart

  As I dodged back and ran for the pines I heard both men laughing. Now the marksman would come to retrieve his arrow. Already I could hear him forcing his beast through the underbrush. I picked up the arrow, crow and all, and flung it out over the edge of the hollow. It landed down among the boulders. From the path the man could not have seen where the bird fell; it was a chance that he might believe it had fluttered there, and would ride no farther. I saw Branwen's eyes, startled and wondering, as I ran past her. But she did not stir, and the baby slept at her breast. I gave her a sign which was meant to convey reassurance, approval, and warning all in one, and ran for my horse.

  Ralf was holding the beasts quiet, heads together, muffling eyes and nostrils with his cloak. I paused beside him, listening. The outlaws were coming on. They must not have seen the crow; they came on without pausing, making for the pines.

  I seized my sorrel's bridle from Ralf, and turned it to mount. The horse circled, treading the dry stalks and snapping twigs. I heard the sudden clatter and tramp as the outlaws dragged their beasts to a standstill. One of them said, "Listen!" in Breton, and there was the rasp of metal as weapons came hissing out. I was in the saddle. My own sword was out. I pulled the sorrel's head round, and had opened my mouth to shout when I heard another cry from the path, then the same voice yelling "Look! Look there!" and my horse reared sharply back on its haunches as something broke out of the bushes beside me and went by so close that it almost brushed my leg.

  It was a hind, white against the winter forest. She scudded through the pines like a ghost, bounded along the top of the hollow where we had lain, stood poised for a moment in view at the edge, then vanished down the steep, boulder-strewn slope, straight into the path of the two outlaws. I heard shouts of triumph from below, the crack of a whip, the sudden thud and flurry of hoofs as the men wrenched their horses back to the path and lashed them to a gallop. They were giving hunting calls. I jumped from the saddle, threw the sorrel's reins to Ralf, and ran back to my place above the rock. I reached it in time to see the two of them going back full tilt the way they had come. Ahead of them, dimly seen for a moment, like a scud of mist through the bare trees, fled the white hind. Then the laughter, the hunting cries, the hammer of hard-driven horses, echoed plunging back through the forest, and was gone.

  14

  The river which marks the boundary of Hoel's kingdom flows right through the heart of the forest. In places it cuts a deep gorge between overhanging banks of trees, and everywhere in the central part of the forest the land is seamed by small, wild valleys where tributary streams wind or tumble into the main. But there is a place, almost in the center of the forest, where the river valley is wider and more gentle, forming a green basin where men have tilled the fields, and over the years have cut back the forest to make grazing land round the small settlement called Coll, which in Breton means the Hidden Place. Here there had been, in past times, a Roman transit camp on the road from Kerrec to Lanascol. All that remained of this now was the squared outline where the original ditch had been dug beside the tributary. Here lay the village. On two sides of it the stream made a natural defense or moat; for the rest, the Roman ditch had been cleared and widened, and filled with water. Inside this were steep defensive earthworks, crowned with palisades. The bridge had been a stone one in Roman times; the piles still stood and were spanned now with planking. Though the village lay near Gorlan's border, it was accessible from it only through the narrow pass cut by the river, and there the road had crumbled almost back to the original rocky path that wolves and wild men had used before the Romans ever came. Coll was well named.

  Brand's tavern lay just inside the gate. The main street of the village was little more than a dirty alley floored unevenly with cobbles. The inn stood a little way back from this, on the right. It was a low building, roughly built of stone, with mortar slapped haphazardly into the gaps. The outbuildings round the yard were no more than wattle huts, daubed with mud. The roof was newly thatched, with good close work of reeds held down by a net of rope weighted with heavy stones. The door was open, as the door of an inn should be, with a heavy curtain of skins hung across the opening to keep the weather out. Through the chimney hole at one end rose a sluggish column of smoke that smelled of peat.

  We arrived at dusk when the gates were closing. Everywhere mingled with the peat smoke came the smells of supper cooking. There were few people about; the children had been called in long since, and the men were home at their supper. Only a few hungry-looking dogs skulked here and there; an old woman hurried past with a shawl held over her face and a fowl squawking under her other arm; a man led a yoke of weary oxen along the street. I could hear the clink of a smith's anvil not far away, and smell the sharp fume of burned hoofs.

  Ralf eyed the inn dubiously. "It looked better in October, on a sunny day. It's not much of a place, is it?"

  "All the better," I said. "No one will come looking in a place like this for the son of the King of Britain. Go in now and play your part, while I hold the horses."

  He pushed aside the curtain and went in. I helped Branwen dismount, and settled her on one of the benches beside the door. The baby woke, and began to whimper, but almost immediately Ralf came out again, followed by a big, burly man and a boy. The man must be Brand himself; he had been a fighting man and still bore himself like one, and I saw the puckered seam of an old wound across the back of one hand.

  He hesitated, uncertain how to greet me. I said quickly: "You'll be the innkeeper? I'm Emrys the singer, who was to bring your wife's niece along with us, with the baby. You're expecting us, I believe?"

  He cleared his throat. "Indeed, indeed. You're most welcome. My wife's been looking for you this week past." He saw the boy staring, and added sharply: "What are you waiting for? Take the horses round the back."

  The boy darted to obey. Brand, ducking his head at me and indicating the door of the inn with a gesture that was half invitation, half salute, said: "Come in, come in. Supper's cooking." Then, doubtfully, "It's mighty rough company we get here, but maybe —"

  "I'm used to rough company," I said tranquilly, and preceded him through the door.

  This was not a time of year for much coming and going on the roads, so the place was not crowded. There were some half-dozen men, dimly seen in a room lit only by one tallow candle and the light from the peat fire. The talk hushed as we went in, and I saw the looks at the harp I carried, and the whisper that went round. Nobody spared a glance for the girl carrying the baby. Brand said, a shade too quickly; "On through there. That far door, behind the fire." Then the door shut behind us, and there in the back room stood Moravik, fists on her hips, waiting to greet us.

  Like everyone else whom one has not seen since childhood, she had shrunk. When I had last seen her I had been a boy of twelve, and tall for my age. Even then she had seemed much bigger than I was, a creature of bulk and commanding voice, surrounded by the aura of authority and infallible decisions left over from the nursery. Now she came no higher than my collarbone, but she still had the bulk and the voice, and — I was to find — the authority. Though I had turned out to be the favored son of the High King of all Britain, I was still, obviously, the wayward small boy from her first nursery.

  Her first words were characteristic. "And a fine time of night to come, with the gates just shutting! You could have been out in that forest all night, and a precious lot there'd have been left of you by morning, what with the wolves, and worse, that lives out there. And damp, too, I shouldn't wonder — sweet saints and stars preserve us, look at your cloak! Get it off this minute, and come to the fire. There's a good supper cooking, special for you. I remember all the things you like, and I never thought to see you sitting at my table again, young Merlin, not after that night when the place burned down round you, and there was nothing to be found of you in the morning but a few burned bones in your room." Then suddenly she came forward with a rush and had hold of me. There were tears on her face. "Eh, Merlin, little Merlin, but it's good
to see you again."

  "And you, Moravik." I embraced her. "I swear you must have got younger every year since you left Maridunum. And now you're putting me in your debt again, you and your good man here. I'll not forget it, and neither will the King. Now, this is Ralf, my companion, and this" — drawing the girl forward — "is Branwen, with the child."

  "Eh, the baby! The good Goddess save us all! What with seeing you, Merlin, I'd forgotten all about him! Come near the fire, girl, don't stand there in the draught. Come to the fire, and let me see him...Eh, the lamb, the bonny lamb..."

  Brand touched my arm, grinning. "And now, what with seeing him, she'll forget everything else, my lord. It's lucky she got the supper ready for you before she got a sight of the baby. Sit you down here. I'll serve you myself."

  Moravik had made a rich mutton stew, satisfying and very hot. The mutton of the Breton salt flats is as good even as anything we get in Wales. There were dumplings with the stew, and good new bread hot from the oven. Brand brought a jug of red wine, very much better than anything we can make at home. He waited on us while Moravik busied herself with Branwen and the baby, whose whimpering had broken now into lusty crying, only to be stilled by Branwen's breast. The fire blazed and crackled, the room was warm and smelled of good food and wine, the firelight traced the shape of the girl's cheek, and the baby's head. I became conscious of someone watching me, and turned my head to see Ralf's eyes on my face. He opened his mouth as if to speak, but at that moment some clamour from the outer room made Brand set the winejug down on the table, excuse himself quickly to me, and hurry out. He left the door slightly ajar. Beyond it I could hear voices raised in what sounded like persuasion or argument. Brand answered, quietly, but the clamour persisted.

  He came back into the room, looking worried, and shut the door behind him. "My lord, there's those outside who saw you come in, and saw you'd a harp with you. Now, well, it's only natural, my lord, they want a song. I tried to argue them out of it, said you were tired, and had come a long way, but they insisted. Said they'd pay for your supper, between them, if the song was a good one."

  "Well," I said, "why not let them?"

  His mouth dropped open. "But — sing to them? You?"

  "Don't you hear anything in Brittany?" I asked him. "I really am a singer. And it wouldn't be the first time I've earned my fee."

  From her place near Branwen beside the fire, Moravik looked up quickly. "Here's a new start! Potions and such I knew about, learned from that old hermit above the mill, and even magic — " crossing herself. "But music? Who taught you?"

  "Queen Olwen taught me the notes," I said, adding, to Brand, "That was my grandfather's wife, a Welsh girl who sang like a laverock. Then later when I was here in Brittany with Ambrosius I learned from a master. You may have heard him, perhaps? An old blind singer, who had traveled and made music in every country in the world."

  Brand nodded as if he knew the man I spoke of, but Moravik looked doubtfully at me, tut-tutting, and shaking her head. I suppose no one who has reared a boy from babyhood, and not seen him since his twelfth year, ever thinks he can be a master at anything. I grinned at them. "Why, I played in front of King Hoel, back there in Kerrec. Not that he's anything of a judge, but Ralf has heard me, too. Ask him, if you think I can't earn my supper."

  Brand said doubtfully; "But you'll not want to be singing to the likes of them, my lord?"

  "Why not? A traveling minstrel sings where he's hired to sing. And that's what I am, while I'm in Less Britain." I got to my feet. "Ralf, bring me the harp. Finish the wine yourself, and then get to bed. Don't wait for me."

  I went out into the tavern's public room. This had filled up now; there were about twenty men there, crowded in the smoky warmth. When I went in there were shouts of "The singer, the singer!" and "A tale, a tale!"

  "Make room for me then, good people," I said. A stool was vacated for me near the fire, and someone poured me a cup of wine. I sat down and began to tune the harp. They fell still, watching me.

  They were simple folk, and such folk like tales of marvels. When I asked them what they would have, they asked for this tale and that of gods and battles and enchantments, so in the end — my mind, I think, on the child sleeping in the next room — I gave them the story of Macsen's Dream. This is as much a tale of magic as any of the rest, though its hero is the Roman commander Magnus Maximus, who was real enough. The Celts call him Macsen Wledig, and the legend of Macsen's Dream was born in the singing valleys of Dyfed and Powys, where every man claims Prince Macsen as his own, and the stories have gone from mouth to mouth until, if Maximus himself appeared to tell them the truth, no one would believe him. It's a long story, the Dream, and every singer has his own version of it. This is the one I sang that night:

  Macsen, Emperor of Rome, went hunting, and being tired in the heat of the day lay down to sleep on the banks of the great river that flows towards Rome, and he dreamed a dream. He dreamed that he journeyed along the river towards its source, and came to the highest mountain in the world; and from there followed another fair flowing river through the rich fields and broad woodlands till he reached the mouth of the river, and there at its mouth was a city of turrets and castles crowded round a fair harbor. And in that harbor lay a ship of gold and silver with no man on board, but with all sails set and shivering to the wind out of the east. He crossed a gangplank made of the white bone of a whale, and the ship sailed.

  And soon, after a sunset and a sunset, he came to the fairest island of all the world, and leaving the ship, he traversed the island from sea to sea. And there on the western shore he saw an island at hand across a narrow strait. And on the near shore where he stood was a fair castle, with an open gate. Then Macsen entered the castle and found himself in a great hall with golden pillars, and walls dazzling with gold and silver and precious stones. In that hall two youths sat playing chess on a silver board, and near them an old man in an ivory chair carved chessmen for them out of crystal, But Macsen had no eyes for all this splendour. More beautiful than silver and ivory and precious stones was a maiden, who sat still as a queen in her golden chair. The moment the Emperor saw her he loved her, and, raising her, he embraced her and begged her to be his wife. But in the very moment of the embrace he woke, and found himself in the valley outside Rome, with his companions watching him.

  Then Macsen leaped to his feet and told his dream; and messengers were sent the length and breadth of the world, to find the land he had traversed, and the castle with the beautiful maiden. And after many months, and a score of false journeys, one man found them, and came home to tell his master. The island, most beautiful in all the world, was Britain, and the castle by the western sea was Caer Seint, by Segontium, and the island across the shining strait was Mona, isle of druids. So Macsen journeyed to Britain, and found everything just as he had dreamed it, and requested the hand of the maiden from her father and her brothers, and made her his Empress. Her name was Elen, and she bore Macsen two sons and a daughter, and in her honor he built three castles, in Segontium, Caerleon and Maridunum, which was called Caer Myrddin in honor of the god of high places.

  Then, because Macsen stayed in Britain and forgot Rome, they made a new emperor in Rome, who set his standard on the walls and defied Macsen. So Macsen raised an army of the Britons, and, with Elen and her brothers at his side, set out for Rome; and he conquered Rome. Thereafter he stayed in Rome, and Britain saw him no more, but Elen's two brothers took the British forces back to their homes, and to this day the seed of Macsen Wledig reigns in Britain.

  When I had done, and the last note had hummed away to nothing in the smoky stillness, there was a roar of applause, cups thumping on the tables, and rough voices calling for more music, and more wine. Another cupful was pressed on me, and while I drank and rested before singing again, the men went back to talking among themselves, but softly, lest they disturb the singer's thoughts.

  It was as well they could not guess at them; I was wondering what they would do if they knew
that the last and latest scion of Maximus lay sleeping on the other side of the wall. For this part of the legend, at least, was true, that my father's family was descended straight from Maximus' marriage with the Welsh princess Elen. The rest of the legend, like all such tales, was a kind of dreaming distortion of the truth, as if an artist, reassembling a broken mosaic from a few worn and random fragments, rebuilt the picture in his own shimmering new colors, with here and there the pieces of the old, true picture showing plain.

  The facts were these. Maximus, a Spaniard by birth, had commanded the armies in Britain under his general Theodosius at a time when Saxons and Picts were raiding the coasts constantly, and the Roman province of Britain looked like crumbling to its fall. Between them the commanders repaired the Wall of Hadrian, and held it, and Maximus himself rebuilt and garrisoned the great fortress at Segontium in Wales, and made it his headquarters. This is the place that is called Caer Seint by the British; it is the "fair castle" of the Dream, and here it must have been that Maximus met his Welsh Elen, and married her.

  Then in the year that Ector had called the Flood Year it was Maximus (though his enemies denied him the credit) who after months of bitter fighting drove the Saxons back and constructed the provinces of Strathclyde and Manau Guotodin, buffer states, in whose shelter the people of Britain — his people — might live in peace. Already "Prince Macsen" to the folk of Wales, he was declared Emperor by his troops, and so might have remained, but for the events everyone knows of which took him abroad to avenge his old general's murder, and thereafter to march on Rome itself.

  He never came back; here again the Dream is true; but not because he conquered Rome and stayed to rule it. He was defeated there, and later executed, and though some of the British forces who had gone with him came home and pledged themselves to his widow and his sons, the brief peace was over. With Maximus dead the Flood came again, and this time there was no sword to stop it. Small wonder, in the dark years that followed, that the short stretch of Maximus' victorious peace should appear to men like a lost age as golden as any the poets sing. Small wonder that the legend of "Macsen the Protector" had grown and grown until his power compassed the earth, and in their dark times men spoke of him as of a godsent saviour...