Legacy

by Mary Stewart

  The effect of his announcement startled even him. His mother, on her way to the bedplace, stopped as if struck, then turned slowly, one hand out to the table's top, as if she would have fallen without its support. The pestle fell from her fingers and rolled to the floor, where the hens ran to it, clucking. She seemed not to notice. In the smoky light of the room her face had gone sallow. "Queen Morgause? Sent for you? Already?"

  Mordred stared. " 'Already'?" What do you mean, Mother? Did somebody tell you what happened yesterday?"

  Sula, her voice shaking, tried to recover herself. "No, no, I meant nothing. What did happen yesterday?"

  "It was nothing much. I was out at the peats and I heard a cry from the cliff over yonder, and it was the young prince, Gawain. You know, the oldest of the queen's sons. He was half down the cliff after young falcons. He'd hurt his leg, and I had to take the rope down from the sled, and help him climb back. That's all. I didn't know who he was till afterwards. He told me his mother would reward me, but I didn't think it would happen like this, not so quickly, anyway. I didn't tell you yesterday, because I wanted it to be a surprise. I thought you'd be pleased."

  "Pleased, of course I'm pleased!" She took a great breath, steadying herself by the table. Her fists, clenched on the wood, were trembling. She saw the boy staring, and tried to smile. "It's great news, son. Your father will be glad. She — she'll give you silver, I shouldn't wonder. She's a lovely lady, Queen Morgause, and generous where it pleases her."

  "You don't look pleased. You look frightened." He came slowly back into the room. "You look ill, Mother. Look, you've dropped your stick. Here it is. Sit down now. Don't worry, I'll find the tunic. The necklet's in the cupboard with it, isn't it? I'll get it. Come, sit down."

  He took hold of her gently, and set her back on the stool. Standing in front of her, he was taller than she. She seemed to come to herself sharply. Her back straightened. She gripped his arms above the elbows in her two hands and held him tightly. Her eyes, red-rimmed with working near the smoke of the peat fire, stared up at him with an intensity that made him want to fidget and move away. She spoke in a low, urgent whisper:

  "Look, my son. This is a great day for you, a great chance. Who knows what may come of it? A queen's favour is a fine thing to come by.… But it can be a hard thing, forby. You're young yet, what would you know of great folk and their ways? I don't know much myself, but I know something about life, and there's one thing I can tell you, Mordred. Always keep your own counsel. Never repeat what you hear." In spite of herself, her hands tightened. "And never, never tell anyone anything that's said here, in your home."

  "Well, of course not! When do I ever see anyone to talk to, anyway? And why should the queen or anyone at the palace be interested in what goes on here?" He shifted uncomfortably, and her grip loosened. "Don't worry, Mother. There's nothing to be afraid of. I've done the queen a favour, and if she's such a lovely lady, then I don't see what else can come of this except good, do you? Look, I must go now. Tell Father I'll finish the peats tomorrow. And keep some supper for me, won't you? I'll be back as soon as I can."

  To those who knew Camelot, the High King's court, and even to people who remembered the state Queen Morgause had kept in her castle of Dunpeldyour, the "palace" of Orkney must have seemed a primitive place indeed. But to the boy from the fisherman's hut it appeared splendid beyond imagination.

  The palace stood behind and above the cluster of small houses that made up the principal township of the islands. Below the town lay the harbour, its twin piers protecting a good deep anchorage where the biggest of ships could tie up in safety. Piers, houses, palace, all were built of the same flat weathered slabs of sandstone. The roofs, too, were of great flagstones hauled somehow into place and then hidden by a thick thatching of turf or heather-stems, with deep eaves that helped to throw the winter's rains away from walls and doors. Between the houses ran narrow streets, steep guts also paved with the flagstones so lavishly supplied by the local cliffs.

  The main building of the palace was the great central hall. This was the "public" hall, where the court gathered, where feasts were held, petitions were heard, and where many of the courtiers — nobles, officers, royal functionaries — slept at night.

  It comprised a big oblong room, with other, smaller chambers opening from it.

  Outside was a walled courtyard where the queen's soldiers and servants lived, sleeping in the outbuildings, and eating round their cooking fires in the yard itself. The only entrance was the main gateway, a massive affair flanked to either side by a guardhouse.

  At a short distance from the main palace buildings, and connected with them by a long covered passage, stood the comparatively new building that was known as "the queen's house." This had been built by Morgause's orders when she first came to settle in Orkney. It was a smaller yet no less grandly built complex of buildings set very near the edge of the cliff that here rimmed the shore. Its walls looked almost like an extension of the layered cliffs below. Not many of the court — only the queen's own women, her advisers, and her favourites — had seen the interior of the house, but its modem splendours were spoken of with awe, and the townspeople gazed up in wonder at the big windows — an unheard-of innovation — which had been built even into the seaward walls.

  Inland from palace and township stretched an open piece of land, turf grazed close by sheep, and used by the soldiers and young men for practice with horses and arms. Some of the stabling, with the kennels, and the byres for cattle and goats, was outside the palace walls, for in those islands there was little need of more defense than that provided by the sea, and to the south by the iron walls of Arthur's peace. But some way along the coast, beyond the exercise ground, stood the remains of a primitive round tower, built before men's memory by the Old People, and splendidly adaptable as both watchtower and embattled refuge. This Morgause, with the memory of Saxon incursions on the mainland kingdom, had had repaired after a fashion, and there a watch and ward was kept. This, with the guard kept constantly on the palace gate, was part of the royal state that fitted the queen's idea of her own dignity. If it did nothing else, said Morgause, it would keep the men alert, and provide some sort of military duty for the soldiers, as a change from exercises that all too readily became sport, or from idling round the palace courtyard.

  When Mordred with his escort arrived at the gate the courtyard was crowded. A chamberlain was waiting to escort him to the queen.

  Feeling awkward and strange in his seldom-worn best tunic, stiff as it had come from the cupboard, and smelling faintly musty, Mordred followed his guide. He was taut with nerves, and looked at nobody, keeping his head high and his eyes fixed on the chamberlain's shoulder-blades, but he felt the stares, and heard mutterings. He took them to be natural curiosity, probably mingled with contempt; he cannot have known that the figure he cut was curiously courtier-like, his stiffness very like the dignified formality of the great hall.

  "A fisherman's brat?" the whispers went. "Oh, aye? We've heard that one before. Just look at him.… So who's his mother? Sula? I remember her. Pretty. She used to work at the palace here. In King Lot's time, that was. How long ago now since he visited the islands? Twelve years? Eleven? How the time does go by, to be sure.… And he must be just about that age, wouldn't you say?"

  So the whispers went. They would have pleased Morgause, had she heard them, and Mordred, whom they would have enraged, did not hear them. But he heard the muttering, and felt the eyes. He stiffened his spine further, and wished the ordeal safely over, and himself home again.

  Then they had reached the door of the hall, and as the servants pushed it open, Mordred forgot the whispers, his own strangeness, everything except the splendid scene in front of him.

  When Morgause, suffering under Arthur's displeasure, had finally left Dunpeldyr for her other kingdom of Orkney, some stray glimmer in her magic glass must have warned her that her stay in the north would be a long one. She had managed to bring many of the treasures from Lot'
s southern capital. The king who reigned there now at Arthur's behest, Tydwal, must have found his stronghold stripped of most of its comforts. He was a stark lord, so cannot have cared overmuch. But Morgause, that lady of luxury, would have thought herself ill used had she been denied any of the appurtenances of royalty, and she had managed, with her spoils, to make herself a bower of comfort and colour to cushion her exile and enhance her once famous beauty. On all sides the stone walls of the hall were hung with brilliantly dyed cloths. The smooth flagstones of the floor were not, as might have been expected, strewn with rushes and heather, but had been made luxurious with islands of deerskin, brown and fawn and dappled. The heavy benches along the side walls were made of stone, but the chairs and stools standing on the platform at the hall's end were of fine wood carefully carved and painted, and bright with coloured cushions, while the doors were of strong oak, handsomely ornamented, and smelling of oil and wax.

  The fisherman's boy had no eyes for any of this. His gaze was fixed on the woman who sat in the great chair at the center of the platform.

  Morgause of Lothian and Orkney was still a very beautiful woman. Light from a slit window caught the glimmer of her hair, darkened from its young rose-gold to a rich copper. Her eyes, long-lidded, showed green as emerald, and her skin had the same smooth, creamy pallor as of old. The lovely hair was dressed with gold, and there were emeralds at her ears and at her throat. She wore a copper-coloured gown, and in her lap her slender white hands glinted with jeweled rings.

  Behind her her five women — the queen's ladies — looked, for all their elegant clothing, plain and elderly. Those who knew Morgause had no doubt that this was an appearance as carefully contrived as her own. Some score of people stood below the dais, about the hall. To the boy Mordred it seemed crowded, and fuller of eyes even than the outer courtyard. He looked for Gawain, or for the other princes, but could not see them. When he entered, pausing rather nervously just inside the doorway, the queen was sitting half turned away, talking with one of her counsellors, a smallish, stout greybeard who bent humbly to listen as she spoke.

  Then she saw Mordred. She straightened in her tall chair, and the long lids came down to conceal the sudden flash of interest in her eyes. Someone prodded the boy from behind, whispering: "Go on. Go up and then kneel."

  Mordred obeyed. He approached the queen, but when he would have knelt, a movement of one of her hands bade him stand still. He waited, very straight, and apparently self-contained, but making no attempt to conceal the wonder and admiration he felt at this, his first sight of royalty enthroned. He simply stood and stared. If the onlookers expected him to be abashed, or the queen to rebuke him for impertinence, they were disappointed. The silence that held the hall was one of avid interest, coupled with amusement. Queen and fisherman's boy, islanded by that silence, measured one another eye to eye.

  If Mordred had been half-a-dozen years older, men might more readily have understood the indulgence, even the apparent pleasure with which she regarded him. Morgause had made no secret of her predilection for handsome youths, a fancy which had been allowed a relatively free reign since the death of her husband. And indeed Mordred was personable enough, with his slender, straight body, fine bones, and the look of eager yet contained intelligence in the eyes under their wing-tipped brows. She studied him, stiff but far from awkward in his "best" tunic, the only one he had, apart from the rags of every day. She remembered the stuff she had sent for it, years ago, a length of homespun patchily dyed, that not even the palace slaves would have worn. Anything better, missed from the coffers, might have caused curiosity. Round his neck hung a string of shells, unevenly threaded, with some sort of wooden charm obviously carved by the boy himself from a piece of sea-wrack. His feet, though dusty from the moorland road, were finely shaped.

  Morgause saw all this with satisfaction, but she saw more besides: the dark eyes, an inheritance from the Spanish blood of the Ambrosii, were Arthur's; the fine bones, the folded subtle mouth, came from Morgause herself.

  At length she spoke. "Your name is Mordred, they tell me?"

  "Yes." The boy's voice was hoarse with nervousness. He cleared his throat. "Yes, madam."

  "Mordred," she said, consideringly. Her accent, even after her years in the north, was still that of the southern mainland kingdoms, but she spoke clearly and slowly in her pretty voice, and he understood her very well. She gave his name the island pronunciation. "Medraut, the sea-boy. So you are a fisherman like your father?"

  "Yes, madam."

  "Is that why they gave you your name?"

  He hesitated. He could not see where this was leading. "I suppose so, madam."

  "You suppose so." She spoke lightly, her attention apparently on smoothing a fold of her gown. Only her chief counsellor, and Gabran her current lover, knowing her well, guessed that the next question mattered. "You never asked them?"

  "No, madam. But I can do other things besides fish. I dig the peats, and I can turf a roof, and build a wall, and mend the boat, and — and milk the goat, even—" He paused uncertainly. A faint ripple of amusement had gone round the hall, and the queen herself was smiling.

  "And climb cliffs as if you were a goat yourself. For which," she added, "we should all be grateful."

  "That was nothing," said Mordred. His confidence returned. There was really no need to be afraid. The queen was a lovely lady, as Sula had told him, not at all as he had imagined a witch to be, and surprisingly easy to talk to. He smiled up at her. "Is Gawain's ankle badly sprained?" he asked.

  A new rustle went round the hall. "Gawain," indeed! And a fisher-boy did not hold conversation with the queen, standing as straight as one of the young princes, and looking her in the eye. But Morgause apparently noticed nothing unusual. She ignored the murmurs. She had not ceased to watch the boy closely.

  "Not very. Now that it has been bathed and bound up he can walk well enough. He will be back."…at the exercise of arms tomorrow. And for this he has you to thank, Mordred, and so have I. I repeat, we are grateful."

  "The men would have found him very soon, and I could have lent them the rope."

  "But they did not, and you climbed down twice yourself. Gawain tells me that it is a dangerous place. He should be whipped for climbing there, even though he did bring me two such splendid birds. But you…" The pretty teeth nibbled at the red underlip as she considered him. "You must have some proof of my gratitude. What would you like?"

  Really taken aback now, he stared, swallowed, and began to stammer something about his parents, their poverty, the coming winter and the nets that had been patched twice too often, but she interrupted him. "No, no. That is for your parents, not for you. I have already found gifts for them. Show him, Gabran."

  A young man, blond and handsome, who stood near her, stooped and lifted a box from behind her chair. He opened it. In it Mordred glimpsed coloured wools, woven cloth, a net purse glinting with silver, a stoppered wine flask. He went scarlet, then pale. Suddenly, the scene had become somehow unreal, like a dream. The chance encounter at the cliff, Gawain's talk of reward, the summons to the queen's house — all this had been exciting, with its promise of some change in the monotonous drudgery of his life. He had come here expecting at most a silver coin, a word from the queen, some delicacy, perhaps, that could be begged from the palace kitchens before he ran home.

  But this — Morgause's beauty and kindness, the unaccustomed splendours of the hall, the magnificence of the gifts for his parents, and the promise, apparently, of more for himself… Dimly, through the heart-beating confusion, he felt that it was all too much. There was something more here. Something in the looks the courtiers were exchanging, in the speculative amusement in Gabran's eyes. Something he did not understand, but that made him uneasy.

  Gabran shut the lid of the box with a snap, but when Mordred reached to lift it Morgause stopped him.

  "No, Mordred. Not now. We shall see that they have it before today's dusk. But you and I still have something to talk about, h
ave we not? What is fitting for the young man to whom the future king of these islands owes a dear debt? Come with me now. We will talk of this in private."

  She stood up. Gabran moved quickly to her side, his arm ready for her hand, but ignoring him, she stepped down from the dais and reached a hand towards the boy. He took it awkwardly, but somehow she made a graceful gesture of it, her jewelled fingers touching his wrist as if he were a courtier handing her from the hall. When she stood beside him she was very little taller than he. She smelled of honeysuckle, and the rich days of summer. Mordred's head swam.

  "Come," she said again, softly.

  The courtiers stood back, bowing, to make a way for them. Her slave drew back a curtain to show a door in the side wall. Guards stood there to either side, their spears held stiffly. Mordred was no longer conscious of the stares and the whispering. His heart was thudding. What was to come now he could not guess, but it could only, surely, be more wonders. Something was hanging in the clouds for him; fortune was in the queen's smile and in her touch.

  Without knowing it, he tossed the dark hair back from his brow in a gesture that was Arthur's own, and with head high he escorted Morgause royally out of her hall.

  3

  The corridor between the palace and the queen's house was a long one, without windows, but lit by torches hung on the walls. There were two doors in its length, both on the left. One must be the guardroom; the door stood ajar, and beyond it Mordred could hear men's voices and the click of gaming-stones. The other gave on the courtyard; he remembered seeing guards there. It was shut now, but at the end of the corridor a third door stood open, held wide by a servant for the passage of the queen and her attendants.

  Beyond was a square chamber, which acted apparently as an anteroom to the queen's private apartments. It was unfurnished. To the right a slit window showed a narrow strip of sky, and let in the noise of the sea. Opposite, on the landward side, was another door, at which Mordred looked with interest, and then with awe.