The Golden Hour

by T. Greenwood

  Wrenching yet ultimately uplifting, here is a novel of survival, hope, and absolution, from a writer of extraordinary insight and depth.

  A poignant, clear-eyed first novel . . . filled with careful poetic description . . . the story is woven skillfully.”

  —The New York Times Book Review

  “A poignant debut . . . Greenwood sensitively and painstakingly unravels her protagonist’s self-loathing and replaces it with a graceful dignity.”

  —Publishers Weekly

  “A vivid, somberly engaging first book.”

  —Larry McMurtry

  “An impressive first novel.”

  —Booklist

  “Breathing Water is startling and fresh . . . Greenwood’s novel is ripe with originality.”

  —The San Diego Union-Tribune

  GRACE

  T. Greenwood’s extraordinary novels deftly combine lyrical prose with heartrending subject matter. Now she explores one year in a family poised to implode, and the imperfect love that may be its only salvation.

  Every family photograph hides a story. Some are suffused with warmth and joy, others reflect the dull ache of disappointed dreams. For thirteen-year-old Trevor Kennedy, taking photos helps make sense of his fractured world. His father, Kurt, struggles to keep a business going while also caring for Trevor’s aging grandfather, whose hoarding has reached dangerous levels. Trevor’s mother, Elsbeth, all but ignores her son while doting on his five-year-old sister, Gracy, and pilfering useless drugstore items.

  Trevor knows he can count on little Gracy’s unconditional love and his art teacher’s encouragement. None of that compensates for the bullying he has endured at school for as long as he can remember. But where Trevor once silently tolerated the jabs and name-calling, now anger surges through him in ways he’s powerless to control.

  Only Crystal, a store clerk dealing with her own loss, sees the deep fissures in the Kennedy family—in the haunting photographs Trevor brings to be developed, and in the palpable distance between Elsbeth and her son. And as their lives become more intertwined, each will be pushed to the breaking point, with shattering, unforeseeable consequences.

  “Grace is a poetic, compelling story that glows in its subtle, yet searing examination of how we attempt to fill the potentially devastating fissures in our lives. Each character is masterfully drawn; each struggles in their own way to find peace amid tumultuous circumstance. With her always crisp imagery and fearless language, Greenwood doesn’t back down from the hard issues or the darker sides of human psyche, managing to create astounding empathy and a balanced view of each player along the way. The story expertly builds to a breath-taking climax, leaving the reader with a clear understanding of how sometimes, only a moment of grace can save us.”

  —Amy Hatvany, author of Best Kept Secret

  “Grace is at once heart breaking, thrilling and painfully beautiful. From the opening page, to the breathless conclusion, T. Greenwood again shows why she is one of our most gifted and lyrical storytellers.”

  —Jim Kokoris, author of The Pursuit of Other Interests

  “Grace is a masterpiece of small-town realism that is as harrowing as it is heartfelt.”

  —Jim Ruland, author of Big Lonesome

  “This novel will keep readers rapt until the very end . . . Shocking and honest, you’re likely to never forget this book.”

  —RT Book Reviews

  “Grace amazes. Ultimately so realistically human in its terror and beauty that it may haunt you for days after you finish it. T. Greenwood has another gem here. Greenwood’s mastery of character and her deep empathy for the human condition make you care what happens, especially in the book’s furious final 100 pages.”

  —The San Diego Union-Tribune

  “Exceptionally well-observed. Readers who enjoy insightful and sensitive family drama (Lionel Shriver’s We Need to Talk About Kevin; Rosellen Brown’s Before and After) will appreciate discovering Greenwood.”

  —Library Journal

  NEARER THAN THE SKY

  In this mesmerizing novel, T. Greenwood draws readers into the fascinating and frightening world of Munchausen syndrome by proxy—and into one woman’s search for healing.

  When Indie Brown was four years old, she was struck by lightning. In the oft-told version of the story, Indie’s life was heroically saved by her mother. But Indie’s own recollection of the event, while hazy, is very different.

  Most of Indie’s childhood memories are like this—tinged with vague, unsettling images and suspicions. Her mother, Judy, fussed over her pretty youngest daughter, Lily, as much as she ignored Indie. That neglect, coupled with the death of her beloved older brother, is the reason Indie now lives far away in rural Maine. It’s why her relationship with Lily is filled with tension, and why she dreads the thought of flying back to Arizona. But she has no choice. Judy is gravely ill, and Lily, struggling with a challenge of her own, needs her help.

  In Arizona, faced with Lily’s hysteria and their mother’s instability, Indie slowly begins to confront the truth about her half-remembered past and the legacy that still haunts her family. And as she revisits her childhood, with its nightmares and lost innocence, she finds she must reevaluate the choices of her adulthood—including her most precious relationships.

  “Greenwood is an assured guide through this strange territory; she has a lush, evocative style.”

  —The New York Times Book Review

  “T. Greenwood writes with grace and compassion about loyalty and betrayal, love and redemption in this totally absorbing novel about daughters and mothers.”

  —Ursula Hegi, author of Stones from the River

  “A lyrical investigation into the unreliability and elusiveness of memory centers Greenwood’s second novel . . . The kaleidoscopic heart of the story is rich with evocative details about its heroine’s inner life.”

  —Publishers Weekly

  “Doesn’t disappoint. A complicated story of love and abuse told with a directness and intensity that packs a lightning charge.”

  —Booklist

  “Nearer than the Sky is a remarkable portrait of resilience. With clarity and painful precision, T. Greenwood probes the dark history of Indie’s family.”

  —Rene Steinke, author of The Fires and Holy Skirts

  “Deft handling of a difficult and painful subject . . . compelling.”

  —Kirkus Reviews

  “Potent . . . Greenwood’s clear-eyed prose takes the stuff of tabloid television and lends it humanity.”

  —San Francisco Chronicle

  THIS GLITTERING WORLD

  Acclaimed author T. Greenwood crafts a moving, lyrical story of loss, atonement, and promises kept.

  One November morning, Ben Bailey walks out of his Flagstaff, Arizona, home to retrieve the paper. Instead, he finds Ricky Begay, a young Navajo man, beaten and dying in the newly fallen snow.

  Unable to forget the incident, especially once he meets Ricky’s sister, Shadi, Ben begins to question everything, from his job as a part-time history professor to his fiancée, Sara. When Ben first met Sara, he was mesmerized by her optimism and easy confidence. These days, their relationship only reinforces a loneliness that stretches back to his fractured childhood.

  Ben decides to discover the truth about Ricky’s death, both for Shadi’s sake and in hopes of filling in the cracks in his own life. Yet the answers leave him torn—between responsibility and happiness, between his once-certain future and the choices that could liberate him from a delicate web of lies he has spun.

  “In This Glittering World, T. Greenwood demonstrates once again that she is a poet and storyteller of unique gifts, not the least of which is a wise and compassionate heart.”

  —Drusilla Campbell, author of The Good Sister and Blood Orange

  “This Glittering World is swift, stark, calamitous. Her characters, their backs against the wall, confront those difficult moments that will define them and Greenwood paints these troubled lives with attenti
on, compassion and hope.”

  —Jerry Gabriel, author of Drowned Boy and winner of the Mary McCarthy Prize in Short Fiction

  “Stark, taut, and superbly written, this dark tale brims with glimpses of the Southwest and scenes of violence, gruesome but not gratuitous. This haunting look at a fractured family is certain to please readers of literary suspense.”

  —Library Journal (starred)

  “Greenwood’s prose is beautiful. Her writing voice is simple but emotional.”

  —RT Book Reviews

  UNDRESSING THE MOON

  Dark and compassionate, graceful yet raw, Undressing the Moon explores the seams between childhood and adulthood, between love and loss . . .

  At thirty, Piper Kincaid feels too young to be dying. Cancer has eaten away her strength; she’d be alone but for a childhood friend who’s come home by chance. Yet with all the questions of her future before her, she’s adrift in the past, remembering the fateful summer she turned fourteen and her life changed forever.

  Her nervous father’s job search seemed stalled for good, as he hung around the house watching her mother’s every move. What he and Piper had both dreaded at last came to pass: Her restless, artistic mother, who smelled of lilacs and showed Piper beauty, finally left.

  With no one to rely on, Piper struggled to hold on to what was important. She had a brother who loved her and a teacher enthralled with her potential. But her mother’s absence, her father’s distance, and a volatile secret threatened her delicate balance.

  Now Piper is once again left with the jagged pieces of a shattered life. If she is ever going to put herself back together, she’ll have to begin with the summer that broke them all . . .

  “This beautiful story, eloquently told, demands attention.”

  —Library Journal (starred review)

  “Greenwood has skillfully managed to create a novel with unforgettable characters, finely honed descriptions, and beautiful imagery.”

  —Book Street USA

  “A lyrical, delicately affecting tale.”

  —Publishers Weekly

  “Rarely has a writer rendered such highly charged topics . . . to so wrenching, yet so beautifully understated, an effect . . . T. Greenwood takes on risky subject matter, handling her volatile topics with admirable restraint . . . Ultimately more about life than death, Undressing the Moon beautifully elucidates the human capacity to maintain grace under unrelenting fire.”

  —The Los Angeles Times

  THE HUNGRY SEASON

  It’s been five years since the Mason family vacationed at the lakeside cottage in northeastern Vermont, close to where prize-winning novelist Samuel Mason grew up. The summers that Sam, his wife, Mena, and their twins, Franny and Finn, spent at Lake Gormlaith were noisy, chaotic, and nearly perfect. But since Franny’s death, the Masons have been flailing, one step away from falling apart. Lake Gormlaith is Sam’s last, best hope of rescuing his son from a destructive path and salvaging what’s left of his family.

  As Sam struggles with grief, writer’s block, and a looming deadline, Mena tries to repair the marital bond she once thought was unbreakable. But even in this secluded place, the unexpected—in the form of an overzealous fan, a surprising friendship, and a second chance—can change everything.

  From the acclaimed author of Two Rivers comes a compelling and beautifully told story of hope, family, and above all, hunger—for food, sex, love and success—and for a way back to wholeness when a part of oneself has been lost forever.

  “This compelling study of a family in need of rescue is very effective, owing to Greenwood’s eloquent, exquisite word artistry and her knack for developing subtle, suspenseful scenes . . . Greenwood’s sensitive and gripping examination of a family in crisis is real, complex, and anything but formulaic.”

  —Library Journal (starred review)

  “A deeply psychological read.”

  —Publishers Weekly

  “Can there be life after tragedy? How do you live with the loss of a child let alone the separation emotionally from all your loved ones? T. Greenwood with beautiful prose poses this question while delving into the psyches of a successful man, his wife, and his son . . . This is a wonderful story, engaging from the beginning that gets better with every chapter.”

  —The Washington Times

  TWO RIVERS

  Two Rivers is a powerful, haunting tale of enduring love, destructive secrets, and opportunities that arrive in disguise . . .

  In Two Rivers, Vermont, Harper Montgomery is living a life overshadowed by grief and guilt. Since the death of his wife, Betsy, twelve years earlier, Harper has narrowed his world to working at the local railroad and raising his daughter, Shelly, the best way he knows how. Still wracked with sorrow over the loss of his life-long love and plagued by his role in a brutal, long-ago crime, he wants only to make amends for his past mistakes.

  Then one fall day, a train derails in Two Rivers, and amid the wreckage Harper finds an unexpected chance at atonement. One of the survivors, a pregnant fifteen-year-old girl with mismatched eyes and skin the color of blackberries, needs a place to stay. Though filled with misgivings, Harper offers to take Maggie in. But it isn’t long before he begins to suspect that Maggie’s appearance in Two Rivers is not the simple case of happenstance it first appeared to be.

  “In Two Rivers, T. Greenwood weaves a haunting story in which the sins of the past threaten to destroy the fragile equilibrium of the present. Ripe with surprising twists and heart-breakingly real characters, Two Rivers is a remarkable and complex look at race and forgiveness in small-town America.”

  —Michelle Richmond, New York Times bestselling author of The Year of Fog and No One You Know

  “Two Rivers is a convergence of tales, a reminder that the past never washes away, and yet, in T. Greenwood’s delicate handling of time gone and time to come, love and forgiveness wait on the other side of what life does to us and what we do to it. This novel is a sensitive and suspenseful portrayal of family and the ties that bind.”

  —Lee Martin, author of The Bright Forever and River of Heaven

  “T. Greenwood’s novel is full of love, betrayal, lost hopes, and a burning question: is it ever too late to find redemption?”

  —Miranda Beverly-Whittemore, author of Bittersweet

  “Greenwood is a writer of subtle strength, evoking small-town life beautifully while spreading out the map of Harper’s life, finding light in the darkest of stories.”

  —Publishers Weekly

  “T. Greenwood’s writing shimmers and sings as she braids together past, present, and the events of one desperate day. I ached for Harper in all of his longing, guilt, grief, and vast, abiding love, and I rejoiced at his final, hard-won shot at redemption.”

  —Marisa de los Santos, New York Times bestselling author of Belong to Me and Love Walked In

  “Two Rivers is a stark, haunting story of redemption and salvation. T. Greenwood portrays a world of beauty and peace that, once disturbed, reverberates with searing pain and inescapable consequences. A memorable, powerful work.”

  —Garth Stein, New York Times bestselling author of The Art of Racing in the Rain

  “A complex tale of guilt, remorse, revenge, and forgiveness . . . Convincing . . . Interesting . . .”

  —Library Journal

  “In the tradition of The Adventures of Huckleberry Finn and To Kill a Mockingbird, T. Greenwood’s Two Rivers is a wonderfully distinctive American novel, abounding with memorable characters, unusual lore and history, dark family secrets, and love of life. Two Rivers is the story that people want to read: the one they have never read before.”

  —Howard Frank Mosher, author of Walking to Gatlinburg

  “Two Rivers is a dark and lovely elegy, filled with heartbreak that turns itself into hope and forgiveness. I felt so moved by this luminous novel.”

  —Luanne Rice, New York Times bestselling author

  “Two Rivers is reminiscent of Thornton Wilder, with its quiet
New England town shadowed by tragedy, and of Sherwood Anderson, with its sense of desperate loneliness and regret . . . It’s to Greenwood’s credit that she answers her novel’s mysteries in ways that are believable, that make you feel the sadness that informs her characters’ lives.”

  —Bookpage

  Author photograph © T. Greenwood

  ABOUT THE AUTHOR