Complicated Shadows
Page 45
Beethoven, Ludwig Van ref1, ref2
Behan, Brendan ref1, ref2
‘Behind Closed Doors’ (Odell) ref1
Belfast ref1
Belgium ref1, ref2, ref3
Bell, Derek ref1
Bell, Max ref1
Belmont, Martin ref1, ref2, ref3
Belton, Ian ref1
Benjamin, George ref1
Bennett, Tony ref1, ref2, ref3
Bentham, Jeremy ref1
Bentley, Bill ref1
Berkeley Community Theater ref1
Bermuda ref1
Berry, Chuck ref1, ref2, ref3, ref4
Best Of Elvis Costello (Universal) ref1
‘Beyond Belief’ ref1, ref2, ref3, ref4, ref5
‘Big Boys’ ref1, ref2, ref3
‘Big Fool Of The Year, The’ (Jones) ref1
‘Big Light, The’ ref1, ref2
‘Big Sister’s Clothes’ ref1, ref2
‘Big Tears’ ref1, ref2, ref3
Big Wheel, The (Thomas, B.) ref1, ref2, ref3
Bigonzetti, Mauro ref1
Billboard Charts ref1, ref2, ref3, ref4, ref5
Billboard Jazz Charts ref1
‘Birds Will Still Be Singing, The’ ref1, ref2, ref3, ref4
Birkenhead, Merseyside ref1, ref2, ref3
Birmingham Symphony Orchestra ref1
Bjork ref1, ref2
‘Black and White World’ ref1
‘Black Sails In The Sunset’ ref1, ref2, ref3
Blackburn, Tony ref1
Blades, Ruben ref1
Blair, Michael ref1, ref2, ref3
Blake, William ref1
‘Blame It On Cain’ ref1, ref2, ref3, ref4, ref5
Bleasdale, Alan ref1, ref2, ref3, ref4
Blockheads, The ref1, ref2, ref3
Blonde On Blonde (Dylan) ref1
Blondie ref1, ref2
Blood & Chocolate ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11
‘Blood Count’ (Strayhorn/ Ellington) ref1
‘Blue Chair’ ref1, ref2, ref3, ref4
‘Blue Minute’ ref1
Blue (Mitchell) ref1
Bluebells, The ref1
Blythe, Jeff ref1
‘B-Movie’ ref1, ref2
Bochum Jahrhunderthalle ref1
Bodnar, Andrew ref1
Bologna Teatro Comunale ref1
Bono ref1
‘Boogie Oogie Oogie’ (Taste Of Honey) ref1
Booker T and the MGs ref1
Boomtown Rats ref1
Born to Run (Springsteen) ref1
Boston, Mass. ref1, ref2, ref3, ref4
Boston Globe ref1
Boston Phoenix ref1
Bournemouth ref1
Bowie, David ref1
Boxcar Willie ref1
Boxes, The ref1
‘Boy With A Problem’ ref1, ref2
‘Boys From The County Hell’ ref1
Brahms, Johannes ref1
Bramlett, Bonnie ref1, ref2, ref3, ref4, ref5
Breakfast Time (BBC1) ref1
Bremner, Billy ref1
Brennan, Rose ref1, ref2
‘Bridge I Burned, The’ ref1, ref2
‘Bright Blue Times’ ref1
Brighton, Grand Hotel at ref1
‘Brilliant Disguise’ (Springsteen) ref1
‘Brilliant Mistake’ ref1, ref2, ref3, ref4
‘Bring It On Home To Me’ (Cooke) ref1, ref2
Brinsley Schwarz ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8
Bristol ref1, ref2, ref3, ref4
Britten, Benjamin ref1
Brixton, Rock Against Racism concert ref1
Brixton Academy ref1
Brodsky, Rudolf ref1
Brodsky Quartet ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15, ref16, ref17, ref18, ref19
‘Broken Bicycles’ (Waits) ref1
Brooklyn Philharmonic Orchestra ref1
Brookside (Channel Four) ref1
Brown, Alan ref1, ref2
Brown, Charles ref1
Brown, Clifford ref1
Brown, Des ref1
Brown, James ref1, ref2, ref3, ref4, ref5
Brown, Ray ref1
Browne, Jackson ref1, ref2
Browning, Boo ref1
Brutal Youth ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11
Bubbles, Barney ref1
Buckley, Jeff ref1, ref2
Buell, Bebe ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11
Buffalo Springfield ref1
Bullock Smithy Folk Group ref1
Burgess, Marianne ref1
Burgoyne, Mary Martina ref1, ref2, ref3, ref4
fiery temper ref1
marriage to Declan ref1
Burgoyne, Patrick Victor ‘Vic’ ref1
Burke, Brian ref1
Burke, Kathy ref1, ref2
Burke, Solomon ref1
Burnett, John Henry (‘T-Bone’) ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11
‘Burnt Sugar Is So Bitter’ ref1, ref2
Burton, James ref1, ref2, ref3, ref4
‘Busy Bodies’ ref1
‘Button My Lip’ ref1
Buxton, Derbyshire ref1
By Eleven (management company) ref1
Bye, Antony ref1
Byrd, William ref1
Byrds, The ref1, ref2
C
Cahill, Ciaran ref1, ref2, ref3
Cahn, Sammy ref1
‘Call On Me’ ref1, ref2n
Callahan, Paddy ref1
‘Can I Have My Money Back?’ (Rafferty) ref1
‘Can She Excuse Me Wrongs?’ (Dowland) ref1
Canada ref1, ref2, ref3, ref4, ref5, ref6, ref7
Canning, Tom ref1
Cap de Ferrat ref1
‘Captains And The Kings, The’ (Chevron/Costello) ref1
Caravan ref1
Cardiff ref1
Career Review, A (BBC TV) ref1
Carmichael, Hoagy ref1, ref2, ref3
‘Caroline’ (Wyatt) ref1
Carr, James ref1
Carr, Roy ref1
Carrack, Paul ref1
Carter, Carlene ref1
Caruso, Enrico ref1
Case For Song, A (Costello provisional album title/BBC TV video) ref1, ref2, ref3
Cash, Johnny ref1, ref2, ref3
Cassidy, Paul ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10
CBS (Columbia Broadcasting
System) ref1, ref2, ref3, ref4n, ref5, ref6, ref7, ref8, ref9, ref10
CD Review ref1
Chamberlain, Matt ref1
Chance, Michael ref1
‘Change Is Gonna Come, A’ (Cooke) ref1
Channel Four TV (UK) ref1, ref2, ref3
Channel Islands ref1
Chaplin, Charlie ref1
Charles, Bobby ref1, ref2
Charles, Prince of Wales ref1
Charles, Ray ref1, ref2, ref3n, ref4, ref5
‘Charm School’ ref1, ref2
‘Cheap Reward’ ref1, ref2
Cheech & Chong ref1
Chelmsford Festival ref1
‘Chemistry Class’ ref1, ref2, ref3, 9114
Chess Records ref1
Chevron, Philip ref1, ref2, ref3, ref4, ref5, ref6, ref7
‘Chewing Gum’ ref1, ref2, ref3
Chic ref1
Chicago ref1, ref2, ref3
Climax at ref1
Holsteins folk-bar ref1
Metro Club ref1
Chicago Tribune ref1
Chieftains, The ref1, ref2
Chilli Willi ref1, ref2, ref3, ref4
Chuck Meets Bo (Berry/Diddley) ref1
Ciambotti, John ref1, ref2, ref3, ref4, ref5n, ref6, ref7
Clarke, John Cooper ref1
Clarkston, Michigan ref1
Clash, The ref1, ref2
Cleese, John ref1
Cliff, Jimmy ref1, ref2, ref
3
Cline, Patsy ref1
Clover ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9
‘Clown Strike’ ref1, ref2
‘Clowntime Is Over’ ref1
‘Clubland’ ref1, ref2, ref3, ref4, ref5, ref6
‘Coal Train Robberies’ ref1
Cockney Rebel ref1
Cohen, Greg ref1, ref2, ref3
Cold Mountain (Antony Mingella film) ref1
‘Colour Of The Blues’ ref1
Colson, Glen ref1
Columbia Records ref1, ref2, ref3, ref4, ref5
end of relationship with ref1
Columbus
Agora Club ref1
‘Incident’ at ref1, ref2, ref3, ref4, ref5, ref6
‘Come Away, Death’ (Shakespeare/Costello) ref1
Come Fly With Me (Sinatra) ref1
‘Comedians, The’ ref1, ref2
Commander Cody ref1
Common Ground (Lunny album) ref1
‘Complicated Shadows’ ref1, ref2, ref3, ref4, ref5
Composer’s Ensemble ref1, ref2, ref3
Concord Pavillion ref1
Confederates, The ref1, ref2, ref3, ref4, ref5, ref6
‘Congratulations’ (Simon) ref1
Connolly, Billy ref1
Conservatives in UK ref1, ref2, ref3, ref4
Cook, Richard ref1
Cooke, Sam ref1, ref2, ref3, ref4
Cooper, Alice ref1
Copeland, Miles ref1
Copenhagen ref1, ref2
‘Corpus Christi Carol’ (Britten) ref1
Corrs, The ref1
Costello, Elvis
see also The Attractions; MacManus, Declan Patrick
‘accidental Englishman’ ref1n
acting ability ref1
affair with Bebe ref1, ref2, ref3
America, fascinating enigma ref1
America, first solo tour ref1
anti-establishment jibes ref1
appearance change, dramatic ref1
arrested for impertinence ref1
band formation (and bedding in) ref1
band mode, return to ref1
band virtuosity (without extravagance) ref1
‘Barking Cabbage,’ The ref1
Bebe, break up from ref1
Bebe, spotted by Mary with ref1
birth (at twenty-two) ref1
caustic notices in America ref1
classical music, attraction of ref1
classical music, immersion in ref1
‘Clocking Across America’ tour ref1
collaborations ref1
commercial rock, limitations of ref1
creative impasse ref1
criticism, reaction to ref1
death threats against ref1
Declan MacManus, legal swap back to ref1, ref2
devourer of biographies ref1
difference from Declan MacManus ref1
disillusionment and personal low ref1
diversification to left-field ref1
divorce from Mary ref1
drinking ref1, ref2
drunken talk in Columbus ref1, ref2
emotional cat-and-mouse game (Mary or Bebe) ref1
epicurean tastes ref1
European tour ref1
exploring outer regions of fascinations ref1
family responsibilities taken seriously ref1
freedom from touring ref1
hedonism at a price ref1
Jake’s last stand with ref1
legacy of ref1
‘little black book’ of ref1
live debut ref1
Live Stiffs Tour ref1
‘Lonely World’ tour ref1, ref2, ref3
‘Male Artist of the Year 1989,’ ref1
marathon in New York (April Fool’s Day) ref1, ref2
marketing job on ref1
marriage to Diana ref1
master (and maniac) of words ref1
mind-numbing schedules (constant touring) ref1
misogyny charges ref1
musical obsessions, changes in ref1
mystique of early days ref1
outsider and anti-Elvis feeling ref1
parting from The Attractions ref1
populist promotion ref1
press antagonism ref1
Pyrrhic victory ref1
reconciliation attempt with Mary ref1
reference frame, immensity of ref1
restlessness ref1
seduction by rock ‘n’ roll excess ref1, ref2
self-sabotage for artistic integrity ref1
separation from Cait ref1
‘spiritual wedding’ to Cait ref1
studio industriousness ref1
stymied in Nashville ref1
thoughts of quitting ref1
tiring of traditional rock ref1
United States, first tour ref1
US, touring in ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8
vegetarian ref1
video promos ref1
‘Wake Up Canada’ tour ref1
wardrobe, Al Capone chic ref1
wardrobe accident ref1n
wider musical horizons ref1
‘wound up’ ref1
writing music, complicated process ref1
Coughlan, Mary ref1
‘Couldn’t Call It Unexpected’ ref1
‘Couldn’t Call It Unexpected No.2’ ref1, ref2, ref3
‘Couldn’t Keep That To Yourself’ ref1
Count Basie Orchestra ref1, ref2
‘Country Darkness’ ref1
Courier, The (Jan de Bont film) ref1n, ref2, ref3
Cowan, Robert ref1
Coward, Henry and Howard ref1
Coward Brothers, The ref1, ref2, ref3, ref4, ref5
Cox, Alex ref1
Crawdaddy magazine ref1
‘Crawling To The USA’ ref1
Creem magazine ref1, ref2, ref3, ref4
Crespo, Charley ref1
‘Crimes Of Paris’ ref1, ref2, ref3
Cromer ref1
Cromwell, Oliver ref1
Crosby, David ref1
Crosby, Stills and Nash ref1, ref2, ref3
Cross, Christopher ref1
Crow, Sheryl ref1
Cruel Smile (Costello album – US) ref1
Curry, Mickey ref1
Cyder Pye ref1
D
‘Daddy, Can I Turn This?’ ref1
Daily Express ref1
Daily Mail ref1
Daily News ref1
Daily Telegraph ref1
Dammers, Jerry ref1
‘Damnation’s Cellar’ ref1
Damned, The ref1, ref2
‘Dance To The Music’ (Stone) ref1
‘Dancing Queen’ (Abba) ref1, ref2
‘Danger Zone’ (Mayfield) ref1
Danko, Rick ref1, ref2
‘Dark End Of The Street, The’ (Carr) ref1, ref2
Dartington Hall, Devon ref1, ref2
Darwin, Charles ref1
David, Hal ref1n
Davidstowe, Cornwall ref1, ref2
Davies, Ray ref1
Davis, Gregory ref1
Davis, Miles ref1, ref2, ref3
‘Days’ (Davies) ref1
De-Loveley (Irwin Winkler film) ref1
De Niro, Robert ref1
De Whalley, Chris ref1
Deadicated (Grateful Dead) ref1
Debussy, Claude ref1, ref2, ref3, ref4
Decca Records ref1, ref2
‘Deep Dark Truthful Mirror’ ref1, ref2, ref3, ref4, ref5, ref6
‘Deep Dead Blue’ (Frisell/Costello) ref1, ref2
Deep Dead Blue (Frisell/Costello) ref1
Deja Vu (Crosby, Stills, Nash and Young) ref1
Dekker, Desmond ref1
Delaney and Bonnie ref1
‘Delivery Man’ ref1
Demon Records ref1
Denmark ref1, ref2, ref3
Dennis, Malcolm ref1, ref2, ref3
‘Deportees Club, The’ ref
1, ref2, ref3
Derby ref1
Desert Island Discs (BBC Radio Four) ref1
Despite It All (Brinsley Schwarz) ref1
Detroit ref1
Detroit Spinners, The ref1
Dexy’s Midnight Runners ref1
Diamond, Jack ‘Legs’ ref1
Diddley, Bo ref1, ref2
Dido’s Lament (Purcell opera) ref1
‘Different Finger’ ref1, ref2, ref3, ref4
Difford, Chris ref1, ref2, ref3, ref4
Difford, Lew ref1
Dillon, Matt ref1
Dion, Celine ref1
Dire Straits ref1
Dirty Dozen Brass Band ref1, ref2
‘Dirty Rotten Shame’ ref1, ref2, ref3, ref4
‘Dissolve’ ref1
‘Distorted Angel’ ref1, ref2, ref3, ref4
DMZ Records ref1
Doe, John, ref1, ref2
‘Doing Lunch’ ref1
‘Doll Revolution’ ref1
‘Domino’ (Morrison) ref1
Domino, Fats ref1
Donovan, ref1
‘Don’t Be Careless Love’
(Costello/McCartney) ref1n, ref2
‘Don’t Let Me Be Misunderstood’
(Animals/Simone) ref1, ref2, ref3
‘Don’t Look Back’ (Robinson), ref1
‘Don’t Talk (Put Your Head On My Shoulder)’ ref1
‘Don’t Worry Baby’ (Beach Boys) ref1
‘Don’t You Lie To Me’ (Tampa Red) ref1
Doobie Brothers ref1
Dore, Charlie ref1
Dorsey, Lee ref1
Double Jay (Sydney radio show) ref1
Dowland, John ref1, ref2
Dr Feelgood ref1, ref2, ref3
‘Dr Luther’s Assistant’ ref1, ref2
Drake, Peter ref1
Dranouter, Belgium ref1
Drew, Ronnie ref1, ref2, ref3
Drifters, The ref1
‘Drowned Out’ (Turnage) ref1
Du Noyer, Paul ref1
Dublin ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11
Beggar’s Bush Barracks ref1
Gresham Hotel ref1
Olympia Theatre ref1
Temple Bar Music Centre ref1
Windmill Lane Studios ref1, ref2, ref3, ref4, ref5
Dubliners, The ref1
Duck Soup (Marx Bros film) ref1
Ducks Deluxe ref1, ref2
Duke Ellington ref1, ref2
Duke Ellington Orchestra ref1
Duke String Quartet ref1
‘Dull Echoes’ ref1
Dunfermline ref1
Dungannon, Co Tyrone ref1
Dury, Ian ref1, ref2, ref3, ref4, ref5, ref6
‘Dust’ ref1, ref2, ref3, ref4
Dylan, Bob ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15, ref16, ref17, ref18
E
Eagles ref1
Earle, Steve ref1, ref2
East Side Story (Squeeze album) ref1, ref2