Prometheus
Page 4
JANEK
What’s happening over there?
CHANCE
Picking up a transmission
JANEK
What you mean transmission? From Weyland?
CHANCE
Jesus Christ! Sir you’re not going to believe this
INT. MESS HALL. NIGHT
SHAW, HOLLOWAY, MUDOW, FIFIELD, MILBURN, VICKERS, JANEK, RAVEL, CHANCE, RAY and JOSHUA are all sitting around a table while DAVID stands at the front of it.
JANEK
Okay will someone explain what’s going on?
DAVID
Our computer system picked up an extraterrestrial transmission
SHAW
From this planet?
DAVID
No but it was directed to this planet
SHAW
So where did it come from?
DAVID
A nearby planetoid. Not long after Chance brought this to my attention the computer picked up another signal
SHAW
From the same point of origin
DAVID
No, this signal came from Zeus
VICKERS looks up at DAVID and then looks down at the ground and slowly nods her head.
JANEK
Zeus as in this planet?
DAVID
Correct.
FIFIELD
What kind of a signal?
DAVID
We don’t know but the computer is translating it as we speak but it did however pick up the location of where this signal is coming from. Chance?
CHANCE
It’s not far from where we are
VICKERS
Is it close enough to drive?
CHANCE
Yeah
JANEK
Wait now we can’t just willy nilly drive up to whatever this is. We don’t know anything about it
VICKERS
We have to
JANEK
Bullshit
VICKERS
It’s company procedure Captain
JANEK
I don’t give a fuck about the company
VICKERS
We’re going out
SHAW
We?
VICKERS
I’m going with you on this one. Okay I want everyone ready within the hour
VICKERS gets up and walks away and exits the Mess Hall. JANEK sighs and gets up and follows her.
INT. CORRIDOR. NIGHT
JANEK
Hey you!
Sighing in frustration, VICKERS turns and faces an enraged JANEK.
JANEK
What was that all about?
VICKERS
Don’t start Janek, I’ve had a really long day
JANEK
Listen I’m an okay guy and Weyland hired me because I do what I’m told, when I’m told and they trust my judgement. But you’re risking the lives of everyone of us. What for?
VICKERS
I really understand, I really do but we have a responsibility to investigate this signal.
JANEK
Bullshit. You know something we don’t. I don’t believe for one second this one some gods damn Archaeology mission
VICKERS
What are you getting at captain?
JANEK
You really expect me to believe that Weyland would send a state of the art FTI ship to investigate a hunch? What aren’t you telling us?
VICKERS
What do you know about the Yutani Corporation captain?
JANEK
Yeah they own all of the world’s law enforcement, weapons and car manufacturing companies and all of the Natural resource and Nuclear power plants. What about them?
VICKERS
Yutani was created only less than twenty years ago and already they’re nearly as big as Weyland
JANEK
So?
VICKERS
So if we return home empty handed then Weyland faces a possible Merger with them. When Sir Peter Weyland formed the Weyland corporation over Eighty years ago he had a vision and that vision was to build a more peaceful and safer Earth. If we were to join with Yutani then the entire company’s legacy will be destroyed.
JANEK
I’m the captain of this ship and I’m not going to risk any lives. This mission is over!
VICKERS
With all do respects Captain but that’s all you are. A captain of a fucking ship. All you’re job is to do is fly this fucker. Now get back to your post and wait for further instructions. I’m in charge here and don’t forget that
VICKERS walks away from a frustrated and angry JANEK.
JANEK
I hate this job!
INT. CARGO BAY. NIGHT
CHANCE and MILBURN stand by a crate and bring out two Flame throwers. They then begin to walk over to one of the Rovers. SHAW, HOLLOWAY, FIFIELD, VICKERS and MUDOW are waiting for them.
SHAW
Why are we bringing Flame Throwers?
VICKERS
Protection. You know what that means don’t you?
VICKERS gives a spiteful glare at SHAW and HOLLOWAY.
EXT. PROMETHEUS. NIGHT
The ramp is now open and the Rover drives out into the dark windy landscape.
EXT. LANDSCAPE. NIGHT
The Rover drives through the bumpy road and approaches a strange looking structure.
INT. ROVER. NIGHT
VICKERS
What the hell is that?
CHANCE
Whatever it is, that’s where we’re headed
EXT. DERELICT. NIGHT
The large ‘U’ shaped Structure is massive. It is exactly two miles in length. It’s arms are the same size of the Dubai Tower and it’s belly is large, fat and thick.
The Rover drives in between the two large Arms and comes to stop. Facing the Rover is the Belly of the structure and six large Oval shapes holes can be seen.
The Rover opens up and the crew exit.
VICKERS
Let’s get moving
SHAW
I don’t like this
VICKERS
Let’s just get this over with
The group of seven make their way to one of the many giant holes. SHAW stops and looks down. She finds a half buried GIANT alien body with a deep circular hole on it’s skull.
SHAW
I found another one
The group stop to look at it for several moments before continuing toward the structure. VICKERS is first to climb up into the large hole and she helps MUDOW up. After everyone but MILBURN has climbed up, MILBURN notices a body. The LARGE body has eight holes on it’s chest and a larger hole on it’s skull.
INT. DERELICT TUNNEL. NIGHT
The group walk through the narrow but tall pitch black slimy bone shaped tunnel. The group then come across a wall of misty red laser. They walk through it.
HOLLOWAY looks at SHAW.
HOLLOWAY
Leap of faith right?
HOLLOWAY takes off his helmet and breathes in the oxygen.
HOLLOWAY
It’s okay you can take off you’re helmets
The group come to a dead end but find two Tunnels leading right and left.
VICKERS
Milburn, Shaw you’re with me. Fifield you take the rest and go that way
INT. LEFT TUNNEL. NIGHT
Behind the trio led by VICKERS the distant lights of the other four can be seen. VICKERS suddenly stops and points her flash light at two large ALIEN beings standing on a small platform up against the wall.
It is obvious they aren’t alive.
VICKERS
Come take a look at this
MILBURN approaches them and examines one of them and touches the 13 foot tall Being.
MILBURN
there’s nothing inside it
SHAW
David was right. Their suits
VICKERS
Come on let’s keep moving
As the group walks past the two large suits, ou
r view focuses and zooms onto the one that MILBURN never examined.
MILBURN and VICKERS continue to walk further up the tunnel. They stop however after coming to a dead end. SHAW places her flash light on a metallic panel and approaches them from behind.
The trio are looking at a golden wall with strange Alien murals and hieroglyphs. The Mural shows a planet with a ‘U’ shaped object above it and with two large beings kneeling at each side of the planet looking down on it. VICKERS notices a doorway to their left leading into some kind of room.
VICKERS
What’s in here. Let’s check it out
INT. RIGHT TUNNEL. NIGHT
MUDOW leads the other three to a dead end and there are two doorways at each side of them.
MUDOW
What way?
FIFIELD
Let’s go right
INT. DERELICT POWER ROOM. NIGHT
VICKERS, SHAW and MILBURN walk into the room.
This room is a miniature version of the ‘temple’ they found in the Cathedral. Fifty or so small two foot URNS are scattered around the floor while at the back of the room is a large HUMANOID head MONUMENT, identical to the one found in the ‘cathedral’ but smaller. The URNS however are different, they are metallic and have four holes. VICKERS approaches one of them. VICKERS clicks the button at the top of it and it makes a clicking noise. The top opens and a smaller six inch metallic glowing URN rises from it.
VICKERS
This is different than the one David found
SHAW
Do you think its a good idea to take that out?
VICKERS
Of course I do
VICKERS lifts it out and puts it into a bag she has around her shoulder. The tall URN with it’s missing contents suddenly descends into a small hole on the floor.
VICKERS
Let’s get out of here
SHAW
Finally
INT. DERELICT SICKBAY. NIGHT
MUDOW, FIFIELD, CHANCE and HOLLOWAY enter this very strange and eerie room. The walls, ceiling and floor and even the tables seem to be moving and slivering as if it were alive. HOLLOWAY approaches an organic type device on the floor which resembles a ‘cannon’ As he kneels down to look at it MUDOW immediately puts on her helmet.
MUDOW
Put you’re helmets on. God knows what kind of diseases are in this place
After putting his helmet on but keeping the front part of his helmet open, HOLLOWAY squeezes the small ‘Penis’ sized ‘cannon’ and immediately afterwards several pints of greenish yellow fluids explode from it and splashes at HOLLOWAY’S face. As HOLLOWAY stands up yelling the front of his helmet falls down trapping the steamy liquid inside. Steam pours from his helmets vents and he screams out before falling backwards on to the ground. FIFIELD rushes over and takes the helmet off from him. HOLLOWAY’S face looks almost burnt and deformed.
INT. LEFT TUNNEL. NIGHT
The trio can hear the screams and immediately runs down the tunnel. VICKERS leads with MILBURN not far behind. As the pair run past the two SUITS, on of the giant SUITS steps off the platform and confronts SHAW blocking her path. SHAW stops and screams.
VICKERS and MILBURN turn back but only MILBURN runs over to help her. SHAW is on her knees with her hands on her ears and she screams in pain as she stares into the BEINGS eye’s. The BEING turns and grabs MILBURN by his hair and lifts him off his feet ripping out most of MILBURNS hair.
VICKERS immediately turns and runs away from them.
INT. DERELICT TUNNEL. NIGHT
VICKERS meets up with the four others. A groaning and whimpering wounded HOLLOWAY is helped by MUDOW and CHANCE.
VICKERS
We have to get out now!
MUDOW
Where’s the others?
VICKERS
They’re dead. Something killed them. Let’s go!
The group of five then make their way through the tunnel.
EXT. DERELICT. NIGHT
The group hastily makes their way toward the Rover.
INT. DERELICT SICKBAY. NIGHT
SHAW awakes and finds herself drawn and naked.
Four Long tongue like wires are attached to her two hands and feet and she is drawn out in an X position.
She looks out around the dark room and finds her clothes, Chrysler suit and helmet at a corner of the room along with MILBURN’S clothes, Suit and helmet.
MILBURN lays on the floor unconscious.
SHAW studies and scans the room and her sight focuses on a really DARK part of the room. The tall large BEING steps out of the shadows. SHAW begins shaking and whimpering in fear. The BEING walks past her; staring down at her as it does. It then walks over to MILBURN and picks him up with ease.
It carries his body over to an open Sarcophagus and places him inside. The BEING looks up at the ceiling and brings down the top of the Sarcophagus and locks MILBURN inside. It hovers it’s hand over the Sarcophagus and the Sarcophagus begins to light up and shake and a loud generator noise gets louder and louder. The BEING then turns it’s head and stares at SHAW. It walks over to the frightened whimpering SHAW and produces a small thin knife like object and cuts her arm. As her blood drips down, the BEING holds the small organic blade to her flesh till the blade is covered in her blood. It then makes it’s way to an organic table where a small saucer shaped device sits. It drops the blood onto it and within seconds a Hologram rises from the device and shows the blueprints of SHAW’S DNA. A startled muffle comes from the BEING and it turns to face SHAW. The BEING takes off it’s helmet and rests it on the table.
It then walks over to SHAW and stares at her.
SHAW’S expression tightens with fear and she begins crying. The BEING has a humanoid face and head but at the same time looks nothing like Human. The BEING then backs away to the doorway and watches SHAW as snake like wires sliver down from the ceiling and rise from the floor. SHAW looks up and down at these seemingly intelligent snake like wires with panic and then looks over at the BEING who doesn’t move and watches her with an emotionless sinister glare.
SUDDENLY two wires strike out and stab into her Butt cheeks, another one stabs and sticks to the top of her spine, another to strike and stab into her knees and as SHAW screams out in pain and agony a much more thicker and longer snake like wire slivers up her leg and upper right thigh.
From behind SHAW we can see the thick pulsing and throbbing snake like ‘Penis’ shoot up with force between SHAW’S legs followed by a loud howling scream.
INT. MESS HALL. NIGHT
FIFIELD, CHANCE, RAY, JOSHUA, JANEK, RAVEL and CHANCE are sitting around the table in complete shock.
FIFIELD
We have to go out and get them! We can’t just leave them there. I’ve known Milburn for ten years man. I refuse to leave him here
JANEK
I knew we should have left this fucking rock a long time ago
FIFIELD
It’s Vickers man! I don’t trust her
RAY
Yeah me neither man
JANEK
What will you have me do?
CHANCE
I say we get off this rock. I mean right now!
FIFIELD
I’m not leaving them out there!
JANEK
Shut up man. Let me think!
INT. SICKBAY. NIGHT
MUDOW stands over the bed where HOLLOWAY is sleeping. His face is pale, ridged and dry, his hair has receded dramatically. DAVID walks in and greets her.
DAVID
How’s he doing?
MUDOW
He’ll live for now
DAVID
What you mean for now?
MUDOW
I don’t know what that stuff is but it’s tampered with his Genes
DAVID
Meaning?
MUDOW
He’s ageing rapidly. By the hour
DAVID
Can’t we freeze him?
MUDOW
No. I mean, because
of the way he is, depleting his blood and replacing it with a Chilled feline solution might kill him
DAVID
Did you bring anything back with you from the structure?
MUDOW
No. Vickers said she found nothing and then the Alien attacked them. She was forced to retreat
DAVID
Where is Vickers?
INT. VICKERS ROOM. NIGHT
VICKERS is on the floor doing push ups. Her facial expression is tight and intense. On her bed is her bag with the URN inside.
INT. CONTROL ROOM. NIGHT
RAVEL enters the control room with a cup of coffee.
JANEK’S voice arrives via the overhead system.
JANEK
Ravel hurry up and activate the power grid. I wanna get off this rock pronto
The monitor on RAVELS control system begins beeping. He rushes over and looks at the monitor which shows live footage of the exterior of the ship. He notices a human figure outside.
EXT. PROMETHEUS. NIGHT
The Cargo Cay which is now lowered has it’s ramp opened.
INT. CARGO BAY. NIGHT
JANEK, CHANCE and FIFIELD stand at the ramp with Pistols while RAY and JOSHUA stand with Flame throwers. A brightly lit Chrysler suit appears and as it enters the Cargo Bay it is revealed to be a very weak and wounded SHAW who weakly stumbles toward the ramp. The group rush over to her and help her inside.
INT. SICKBAY. NIGHT
SHAW is now dressed in white bandages and is asleep on a table. HOLLOWAY is on a table next to her. Everyone are in the room surrounding her.
SHAW is lying on the bed and begins moving and turning uncomfortably and she is sweating and gasping heavily. Her eyes are shut tight.
SHAW begins to into some kind of spasm.
JANEK
What’s happening?
MUDOW
She’s having some kind of fit
DAVID looks at the monitor next her table and the monitor shows a scan of her body. A circle around her stomach begins to expand. DAVID looks back at SHAW and then MUDOW. MUDOW looks at the monitor and gasps in shock.
MUDOW
Jesus!
SHAW suddenly awakens and sits up. Her eyes are opened wide and her face tightens and she grips the sides of the soft mattress underneath her. She lets out a blood curling scream. MUDOW holds her down.
FIFIELD
What’s happening to her!
MUDOW
What is that?
MUDOW points at something on the monitor. DAVID studies it and looks back at MUDOW.
SHAW screams out in total pain and agony and her belly rises and expands as if she was pregnant.
SHAW
Please!
SUDDENLY there is a muffled pop coming from SHAW followed by an explosion of blood from underneath her underwear. Everyone standing around her jumps in in an unexpected shock.