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Complete Novels of E Nesbit

Page 607

by Edith Nesbit


  With hardly voice for a cry,

  And hands too weak the signs to bring

  That all men might know her by,

  Yet woke, and breathed through the soft wet air

  The promise of all things dear,

  And poets and lovers knew she was there,

  And sang to their hearts, ‘She is here.’

  SONG. SOFT IS THE GROUND UNDERFOOT

  Soft is the ground underfoot,

  Soft are the skies overhead,

  Green is the ivy round brown hedge root,

  Green is the moss where we tread.

  Purple the woods are, and brown;

  The blackbird is glossy and sleek,

  He knows that the worms are no more kept down

  By frost out of reach of his beak.

  Grey are the sheep in the fold,

  Tired of their turnip and beet,

  Dreaming of meadow and pasture and wold,

  And turf the warm rain will make sweet.

  Leaves sleep, no bud wakens yet,

  But we know by the song of the sun,

  And the happy way that the world smiles, wet,

  That the spring — oh, be glad! — is begun.

  What stirs the heart of the tree?

  What stirs the seed the earth bears?

  What is it stirring in you and in me

  Longing for summer, like theirs? —

  Longing you cannot explain,

  Yearning that baffles me still!

  Ah! that each spring should bring longings again

  No summer can ever fulfil!

  III

  When all the world had echoed the song

  That the poet and lover sang,

  When ‘Glory to spring,’ sweet, soft, and strong,

  From the ferny woods outrang,

  In wet green meadow, in hollow green,

  The primrose stars outshone,

  And the bluebells balanced their drooping sheen

  In copses lovely and lone.

  The green earth laughed, full of leaf and flower,

  The sky laughed too, full of sun;

  Was this the hour for a parting hour,

  With the heaven of spring just won?

  The woods and fields were echoing

  To a chorus of life and bliss.

  Oh, hard to sting the face of the spring

  With the smart of a parting kiss!

  A kinsman ailing, a summons sent

  To haste to his dying bed.

  ‘Oh, cruel sentence of banishment!

  For my heart says “Go”!’ he said.

  ‘So now good-bye to my home, my dear,

  To the spring we watched from its birth;

  There is no spring, oh, my sweet, but here,

  ’Tis winter all over the earth.

  ‘But I come again, oh, spring of my life,

  You hold the cord in your hand

  That will draw me back, oh, my sweetheart wife,

  To the place where your dear feet stand;

  But a few short days, and my arms shall be

  Once more round your little head,

  And you will be weeping glad tears with me

  On the grave of our parting, dead!

  ‘I leave you my heart for a short short while,

  It will ache if ’tis wrapped in fears;

  Keep it safe and warm in the sun of your smile,

  Not wet with the rain of your tears.

  Be glad of the joy that shall soon be won,

  Be glad to-day, though we part;

  You shall weep for our parting when parting is done,

  And drop your tears on my heart.’

  SONG. GOOD-BYE, MY LOVE, MY ONLY DEAR

  Good-bye, my love, my only dear, I know your heart is true

  And that it lingers here with me while mine fares forth with you.

  We part? Our hearts are almost one, and are so closely tied

  ’Tis yours that stirs my bosom-lace, mine beats against your side.

  So not at losing you I grieve, since heart and soul stay here,

  But all the gladness of my life, I cry to lose it, dear;

  Warmth of the sun, sweet of the rose, night’s rest and light of day,

  I mourn for these, for if you go, you take them all away.

  You are sad too — not at leaving me, whose heart must with you go,

  But at the heaven you leave behind — ah, yes — you told me so,

  You said wherever you might go you could not ever find

  A spring so sweet, love so complete, as these you leave behind.

  No future joy will ever pay this moment’s bitter ache,

  Yet I am glad to be so sad, since it is for your sake.

  You take so much, I do but wish that you could take the whole,

  Could take me, since you take my rest, my light, my joy, my soul.

  SONG. OH, LOVE, I LEAVE

  Oh, love, I leave

  This springtide eve,

  When woods in sunset shine blood-red;

  The long road lies

  Before my eyes,

  My horse goes on with even tread.

  I dare not turn

  These eyes that burn

  Back to the terrace where you lean;

  If I should see

  Your tears for me,

  I must turn back to dry them, O my queen!

  Yet I must go,

  Fate has it so,

  Duty spoke once, and I obey;

  Sadly I rise,

  Leave paradise,

  And turn my face the other way.

  Nothing is dear

  On earth but here,

  There is no joy away from you;

  What though there be

  New things to see,

  New friends, new faces, and adventures new?

  Yet since I may

  Not with you stay,

  Hey for the outer world of life!

  Brace limbs, shake rein,

  And seek again

  The hurry, jostle, jar and strife.

  Hey for the new!

  Yet, love, for you —

  I have loved you so — the last hand-kiss.

  How vast a world

  Lies here unfurled!

  How small, if sweet, home’s inner round of bliss!

  The road bends right,

  Leads out of sight,

  Here I may turn, nor fear to see;

  So far away,

  One could not say

  If you are weeping now for me.

  Behind this eve

  My love I leave,

  The big bright world spreads out before;

  Yet will I come,

  To you and home,

  Oh, love, and rest beneath your yoke once more.

  IV

  She stood upon the terrace, gazing still

  Down the long road to watch him out of sight,

  Dry-eyed at first, until the swelling hill

  Hid him. Then turned she to the garden bright,

  Whose ways held memories of lover’s laughter,

  And lover’s sadness that had followed after,

  Both born of passion’s too intense delight.

  The garden knew her secrets, and its bowers

  Threw her her secrets back in mocking wise;

  ‘’Twas here he buried you in lilac flowers.

  Here while he slept you covered up his eyes

  With primroses. They died; and by that token

  Love, like a flower whose stalk has once been broken,

  Will live no more for all your tears and sighs.’

  The sundial that had marked their happy hours

  Cried out to her, ‘I know that he is gone;

  So many twos have wreathed me round with flowers,

  And always one came afterwards alone,

  And always wept — even as you are weeping.

  The flowers while they lived were cold, shade keeping,

  But always through the tears the sun still shone.�
��

  She left the garden; but the house still more

  Whispered, ‘You love him — he has gone away.’

  Where fell her single footstep sighed the floor,

  ‘Another foot than yours fell here to-day.’

  The very hound she stroked looked round and past her,

  Then in her face, and whined, ‘Where is our master?’

  The whole house had the same one thing to say.

  Empty, without its soul, disconsolate,

  The great house was: through all the rooms went she,

  And every room was dark and desolate,

  Nothing seemed good to do or good to see.

  At last, upon the wolf-skins, worn with weeping,

  The old nurse found her, like a tired child, sleeping

  With face tear-stained, and sobbing brokenly.

  Wearily went the days, all sad the same,

  Yet each brought its own added heaviness.

  Why was it that no letter from him came

  To ease the burden of her loneliness?

  Why did he send no message, word, or greeting,

  To help her forward to their day of meeting,

  No written love — no black and white caress?

  At last there came a letter, sweet but brief,

  ‘He was so busy — had no time for more.’

  No time! She had had time enough for grief,

  There never had been so much time before;

  And yet the letter lay within her bosom,

  Pressed closely to her breathing beauty’s blossom,

  Worn for a balm, because her heart was sore.

  She knew not where he stayed, and so could send,

  Of all the letters that she wrote, not one;

  Hour after soft spring hour the child would spend

  In pouring out her soul, for, once begun,

  The tale of all her love and grief flowed over

  Upon the letters that she wrote her lover,

  And that the fire read when the tale was done.

  And yet she never doubted he would come,

  If not before, yet when a baby’s eyes

  Should look for him, when his deserted home

  Should waken to a baby’s laughs and cries.

  ‘He judges best — perhaps he comes to-morrow,

  But come he will, and we shall laugh at sorrow

  When in my arms our little baby lies.’

  And in the August days a soft hush fell

  Upon the house — the old nurse kept her place

  Beside the little wife — and all was well;

  After rapt anguish came a breathing space,

  And she, mid tears and smiles, white-faced, glad-eyed,

  Felt her wee baby move against her side,

  Kissed its small hands, worshipped its tiny face.

  SONG. OH, BABY, BABY, BABY DEAR

  Oh, baby, baby, baby dear,

  We lie alone together here;

  The snowy gown and cap and sheet

  With lavender are fresh and sweet;

  Through half-closed blinds the roses peer

  To see and love you, baby dear.

  We are so tired, we like to lie

  Just doing nothing, you and I,

  Within the darkened quiet room.

  The sun sends dusk rays through the gloom,

  Which is no gloom since you are here,

  My little life, my baby dear.

  Soft sleepy mouth so vaguely pressed

  Against your new-made mother’s breast,

  Soft little hands in mine I fold,

  Soft little feet I kiss and hold,

  Round soft smooth head and tiny ear,

  All mine, my own, my baby dear.

  And he we love is far away!

  But he will come some happy day.

  You need but me, and I can rest

  At peace with you beside me pressed.

  There are no questions, longings vain,

  No murmuring, nor doubt, nor pain,

  Only content and we are here,

  My baby dear.

  PART II

  I

  While winged Love his pinions folded in the Moat House by the hill,

  In the city there was anger, doubt, distrust, and thoughts of ill;

  For his kinsmen, hearing rumours of the life the lovers led,

  Wept, and wrung their hands, and sorrowed—’Better that the lad were dead

  Than to live thus — he, the son of proudest man and noblest earl —

  Thus in open sin with her, a nameless, shameless, foreign girl.’

  (Ever when they thus lamented, ’twas the open sin they named,

  Till one wondered whether sinning, if less frank, had been less blamed.)

  ‘’Tis our duty to reclaim him — mate him to a noble bride

  Who shall fitly grace his station, and walk stately by his side —

  Gently loose him from the fetters of this siren fair and frail

  (In such cases time and absence nearly always will prevail).

  He shall meet the Duke’s fair daughter — perfect, saintly Lady May —

  Beauty is the surest beacon to a young man gone astray!

  Not at all precipitately, but with judgment sure and fine,

  We will rescue and redeem him from his shameful husks and swine.

  So — his uncle’s long been ailing (gout and dropsy for his sins) —

  Let that serve for pretext; hither bring the youth — his cure begins.’

  So they summoned him and welcomed, and their utmost efforts bent

  To snatch back a brand from burning and a soul from punishment —

  Sought to charm him with their feastings, each more sumptuous than the last,

  From his yearning recollections of his very sinful past —

  Strove to wipe his wicked doings from his memory’s blotted page

  By the chaster, purer interests of the ball-room and the stage.

  And for Lady May — they hinted to the girl, child-innocent,

  That her hand to save the sinner by her Saviour had been sent,

  That her voice might bring his voice her Master’s triumph choir to swell,

  And might save a man from sorrow and a human soul from hell.

  So she used her maiden graces, maiden glances, maiden smiles,

  To protect the erring pilgrim from the devil’s subtle wiles —

  Saw him daily, sent him letters, pious verses by the score,

  Every angel’s trap she baited with her sweet religious lore —

  Ventured all she knew, not knowing that her beauty and her youth

  Were far better to bait traps with than her odds and ends of truth.

  First he listened, vain and flattered that a girl as fair as she

  Should be so distinctly anxious for his lost humanity,

  Yet determined no attentions, even from the Lady May,

  Should delay his home-returning one unnecessary day.

  But as she — heart-wrung with pity for his erring soul — grew kind,

  Fainter, fainter grew the image of his sweetheart left behind;

  Till one day May spoke of sorrow — prayed him to reform — repent,

  Urged the festival in heaven over every penitent;

  Bold in ignorance, spoke vaguely and low-toned of sin and shame,

  And at last her voice, half breathless, faltered, broke upon his name,

  And two tears fell from her lashes on the roses at her breast,

  Far more potent in their silence than her preaching at its best.

  And his weak soul thrilled and trembled at her beauty, and he cried,

  ‘Not for me those priceless tears: I am your slave — you shall decide.’

  ‘Save your soul,’ she sighed. ‘Was ever man so tempted, tried, before?

  It is yours!’ and at the word his soul was lost for evermore.

  Never woman pure and saintly did the devil’s work so well!

  Never soul ensnared for h
eaven took a surer road to hell!

  Lady May had gained her convert, loved him, and was satisfied,

  And before the last leaves yellowed she would kneel down as his bride.

  She was happy, and he struggled to believe that perfidy

  Was repentance — reformation was not one with cruelty,

  Yet through all congratulations, friends’ smiles, lovers’ flatteries,

  Lived a gnawing recollection of the lost love harmonies.

  In the day he crushed it fiercely, kept it covered out of sight,

  But it held him by the heart-strings and came boldly out at night:

  In the solemn truthful night his soul shrank shuddering from its lies,

  And his base self knew its baseness, and looked full in its false eyes.

  In the August nights, when all the sky was deep and toneless blue,

  And the gold star-points seemed letting the remembered sunlight through,

  When the world was hushed and peaceful in the moonlight’s searching white,

  He would toss and cast his arms out through the silence and the night

  To those eyes that through the night and through the silence came again,

  Haunting him with the persistence and the passion of their pain.

  ‘Oh, my little love — my sweetheart — oh, our past — our sweet love-day —

  Oh, if I were only true — or you were only Lady May!’

  But the sunshine scared the vision, and he rose once more love-warm

  To the Lady May’s perfections and his own proposed reform.

  Coward that he was! he could not write and break that loving heart:

  To the worn-out gouty kinsman was assigned that pleasing part.

  ‘Say it kindly,’ said her lover, ‘always friends — I can’t forget —

  We must meet no more — but give her tenderest thought and all regret;

  Bid her go back to the convent — she and I can’t meet as friends —

  Offer her a good allowance — any terms to make amends

  For what nought could make amends for — for my baseness and my sin.

  Oh, I know which side the scale this deed of mine will figure in!

  Curse reform! — she may forget me—’tis on me the burdens fall,

  For I love her only, solely — not the Lady May at all!’

  ‘Patience,’ said the uncle, ‘patience, this is but the natural pain

  When a young man turns from sinning to the paths of grace again.

  Your wild oats are sown — you’re plighted to the noble Lady May

  (Whose estates adjoin your manor in a providential way).

  Do your duty, sir, for surely pangs like these are such as win

  Pardon and the heavenly blessing on the sinner weaned from sin.’

 

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