Richard Jury Mysteries 10: The Old Silent

by Martha Grimes

  She snapped shut Jane Eyre as she had the lid of the metal box. Her face, for the first time, melted into a childlike, wide-eyed surprise. "I can't. I don't own anything except Stranger and the things in here." She shoved the book away and absently started scratching behind Stranger's ear, which had perked when the dog heard its name. "I don't own anything," she repeated, and her face whitened with the dreadful thought of something she couldn't handle dropped in her lap like the book she'd just discarded.

  "You'll be able to do anything you want, almost."

  "I have enough as it is." She retrieved the metal box and held it on her lap, her hands locked over the top.

  "You wouldn't really have to do much. Nothing would really change. Cook would still be here, and Mrs. Braith-waite. And Ruby."

  Quickly, she looked up at him, her eyes narrowed as if assessing the desirability of Ruby staying on as one of her staff. Then she said, "I know one thing. If I owned this place, there's certain people would have to leave."

  "Such as?"

  "Malcolm!" Again, she managed to turn her face to putty by pulling down on her cheeks with her fingers so that the red underlids of her eyes were visible.

  "He tried to kill my other cat. The earl saved it. I expect he's all right."

  Jury thought she meant the cat until the lid of the box came up and, after rummaging about, she handed over a card. It was one of Plant's. Title, address. A trifle nicked round one edge because Lord Ardry was no longer Lord Ardry and he carried them only for emergencies. Jury smiled. "I know him. He's definitely all right." He handed back the card.

  Abby took it absently, pondering over whatever valuables she had inside the box. She drew out a locket and held it swinging hypnotically from its golden chain. "Billy's mum gave it to me."

  It was pure gold, twenty or twenty-two carat, he thought. Jury snapped it open and saw, side-by-side in a double frame, two boys looking out at him. That they resembled one another was owing to the slightly fuzzy sepia tint of the photos, to their similar smiles and sweaters. Another look told him that the one on the right was older. Four years would make quite a difference at eleven and fifteen. What a treasure, he thought, for Nell Healey to give away.

  Jury said, "It's Billy and Toby, isn't it?"

  "We were all best friends. I always went over there to play with them and climb the trees. From the top of the highest one—it's this big giant tree—I could see everywhere." She raised her eyes, looked at the old beams of the high roof, and grew almost breathless thinking about it. "Everywhere. All of the moors and Haworth. Goose Eye and Keighley. Even Leeds," she added, considerably expanding her horizon. "I've never been there," she added flatly, and sifted again through the box.

  How much was remembrance and how much fantasy?

  Jury handed back the necklace and, wordlessly, as if this were a solemn rite of exchange, Abby handed over a white envelope, dirty around the edges with fingering. The inscription was written in flowing letters, the postmark was faded. He could make out Venezio and the year. It was the same year that Billy and Toby had disappeared. The notecard inside was a duplication of the Magritte print.

  He looked up. She shrugged its importance off and said, "You can read it."

  " 'Dear Abby, I like this picture. Love, Nell,'" Jury raised his eyes, but she was looking everywhere else and pulling back her black hair, twining it tightly as if she were going to pin it there, then letting it fall and giving Stranger some brusque and vocal command which seemed to surprise the dog. Immediately, he went to the door of the barn to stand lookout.

  Then Abby slid off her cot, pounded her booted feet about on the rug, and kneeled down to mess with her records. "I expect you'll have to go now; after I listen to my record I'm going to have a lie-down," she said.

  "Okay," said Jury, rising.

  "I've got three Ricky Nelsons—or Ethel does—and one Dire Straits and two Elvises."

  Brian Macalvie's all-time favorite. He smiled. "I've got a good friend who likes Elvis."

  "He's dead." She put the needle on a few bars into the song. Elvis was singing "The Impossible Dream." They listened. "What's an 'unrightable wrong'?" She pointed at the record. "And if it's something so bad you can't put it right, then why's he trying to do it?"

  She wasn't angry; she was anxious. Surely there had to be an answer.

  Jury stared at the record. He thought for a while and said, "Because some people never give up, no matter what the odds."

  One puzzle answering another. This, apparently, made total sense, for she returned to her ever-so-slightly deprecating air and asked, "Don't you have a card?"

  Jury pulled out his wallet and handed her one.

  As he looked back she was studying it, hard.

  26

  Melrose was flooded with relief.

  Trying to break the sound barrier, the motorcycle ripped up the rocky road and came spitting to a halt in the gravel outside of the drawing room. The room itself vibrated and the gray cat went rolling off the sill when Malcolm threw open the casements, leaned out, and shouted something lost in the January night.

  Music in the form of a death-beat of drums that sounded like a funeral dirge came with her through the door.

  Ellen came pounding down the hall, threw open the door, and stopped there, with the sort of portable stereo propped on her shoulder that Melrose had seen being carted about Piccadilly by gangs of thugs. Now a voice had joined the drum-bass-beat which seemed surprisingly inappropriate for the background havoc: it was grainy but soft:

  Caroline says—

  as she gets up off the floor

  "Hi," said Ellen, in a general salute and with a particular look at Jury. She had not changed her clothes, although she wore different earrings: they were long overlapped triangles of dull black that looked heavy enough to anchor a small boat. There also seemed to be a different layering of chains around her neck.

  life is meant to be more than this and this is a bum trip

  sang the mournful voice raised now against the dirge of drums and guitars.

  Ellen turned the volume down, and handed the set to Melrose, general dogsbody, before she turned to Jury, who had risen from the sofa and was introducing himself as a friend of Mr. Plant.

  Melrose sighed. He set the stereo on one bookcase shelf and leaned against the row of John D. MacDonalds.

  but she's not afraid to die all of her friends call her A-las-ka

  He was getting interested in Caroline, who appeared to be mainlining drugs.

  when she takes speed, they laugh and ask her

  ". . . one of the funniest books I've ever read," Jury was saying to Ellen.

  It was the first time Melrose had seen Ellen Taylor lose her cool. She gaped. "Are you saying you've actually read Sauvage Savant?"

  "Not all of it . . ."

  How, wondered Melrose, had he read any of it? He hadn't even heard of the girl until yesterday. Were they selling her books at Haworth parsonage?

  Melrose turned up the volume on the stereo. There was the sound of tinkling glass. Caroline had thrust her hand through a window—

  it's so cold in A-las-ka

  The voice suddenly blared.

  "How about turning that off," Jury called over, "and joining us?"

  The two of them were sitting on the sofa, comfy as long-lost friends.

  Afraid that he might never know Caroline's fate, he turned the volume down, but not off.

  it's so cold in A-las-ka

  Caroline should have a go at West Yorkshire, he thought, as he took the wing chair George Poges had vacated, trying to bury the stereo between himself and the chair arm.

  ". . . 'hot'?" Jury was asking. "Does that mean successful? Or absolutely famous?"

  She was certainly overworking that word, he thought grumpily, twisting the volume up just a mite. The song had changed; things were getting worse, apparently. They were taking Caroline's children away.

  because they said she was not a good mother—

  "Good questi
on." Ellen half-smiled. "To tell the truth, it probably does mean famous, but only in the Warholian sense. . . ."

  Dickensian, Shavian, Warholian. Well, thought Melrose, perhaps one could turn anyone into an adjective these days. He was beginning to feel extremely Carolinian.

  "Andy Warhol?" Jury laughed. "Don't be modest—"

  No danger of that, thought Melrose. "Fame," he said, and they both looked at him. "It's just as well, perhaps, you're not famous." He looked up at the ceiling moldings. "It comes from fama, you know." How sententious could one sound? "Do you know what that means?" They were silent. "Ill-report. Rumor." He smiled slightingly. "Better to stay away from it." Melrose returned his attention to the stereo.

  because of the things she did in the streets in the alleys and bars

  Anyone can make a mistake.

  "You're right, I guess. The old bitch-goddess, success."

  She sighed.

  "You've been biking around England, have you?"

  "Umm. On a BMW. Picked it up in London."

  "It's a K-100 RS. Ninety horsepower. Pretty powerful." Good grief, thought Melrose, could the man see through walls?

  Surprised, she said, "Yeah. Very."

  A bum trip, thought Melrose, definitely.

  that miserable, rotten slut

  So Caroline was . . . well, "loose." Melrose wrapped his arm protectively around the stereo. The gray cat swayed over and sat at his feet, blinking up at his benefactor. At least, thought Melrose—part of his mind still studying Jury studying Ellen—I inspire awe in some living creature. The gray cat yawned and walked away.

  "You weren't around to talk to the Yorkshire police," said Jayy, lighting her cigarette.

  ' (Ellen hitched an old footstool over with her foot and propped her heavy laced-up shoes on it as she exhaled a bale of smoke. "You know why?" She looked at Jury through lowered lashes.

  "Can't imagine."

  Melrose sighed.

  "Because I didn't know they were here." She flattened her head against the sofa, blew three smoke rings toward the ceiling.

  When Jury gave him a look, Melrose turned down the volume, but just a mite. The dreadful, sleazy, heartrending story of Caroline and her lover or husband was too gripping. He knew the questions Jury would ask.

  Who was he kidding? No he didn't. His stomach turned over.

  "Where were you, then?" Jury smiled. Melrose glowered.

  "Harrogate."

  " What?" Melrose nearly pushed Malcolm's stereo off the chair.

  Ellen raised her eyebrows. "Har-ro-gate." She rounded the syllables as if she were teaching first form. "It's famous. The spa, et cetera."

  "That's a distance," said Jury, "on a motorcycle."

  She slapped her forehead dramatically. "My God, I just said I ran it all the way from London. So what's Harrogate to that? Fifty, sixty miles. Nice place. Did you know they made Agatha—"

  "Yes," Melrose snapped as the drums and bass got slower and heavier.

  "Miss Taylor—"

  She sort of leaned her shoulder toward Jury. "Ellen."

  "Ellen. What exact route did you take, then?" He smiled.

  She stubbed out her cigarette and stuffed her hands in her jeans pockets. "You know something? You sound like a cop. I'm calling the embassy."

  "Good idea," said Melrose.

  Jury ignored both of them and pulled the map out again. "Let's see, now. Did you come by way of Ilkley?"

  Ellen had turned her head toward the window, intent upon the distant hills and dark gray horizon. She stuffed a stick of gum in her mouth and looked at the map.

  This, thought Melrose, discomfort rising in him like bile, was beginning to sound too much like the scene with Major Poges.

  She shrugged. "Dunno. Probably around here—" Her finger punched at a place on the map.

  Jury handed her the pencil.

  Melrose felt a frisson of fear. He watched her, sitting there chewing her gum with her feet propped up, running the pencil across the paper as if she were doing nothing more serious than a kiddie joining dots. Melrose wanted to see the map, but he felt fettered to the chair and to the depressing song.

  / am the waterboy the real game's not oh-vah here

  Handing the map back to Jury, she put her hands behind her head. "You dig Lou?"

  His gaze on the mantle of clouds beyond the window, he heard her, but it was a moment before he realized Ellen was addressing him, not Jury.

  "What?"

  "Lou Reed."

  He turned off the stereo; he'd have to leave the two of them to their wretched fate. Getting up, Melrose felt a stiffness in his joints, as if he were a recent accident victim.

  "What is this tape?"

  "Berlin"

  "East? No wonder."

  Irritably, he moved to the window near the sofa, where he half-sat on the windowsill. He watched her mouth purse; she blew a pink balloon of gum in his direction until it smacked back against her face.

  His eyes still on the map, Jury put out his hand to Ellen: "Mind if I have a stick of that gum? I'm all out."

  Melrose had never known him to be all in, where chewing gum was concerned.

  Ellen shrugged. "Sure." She pushed out a stick, which Jury took and put in his pocket. "Thanks."

  Little tricks, little tricks, thought Melrose . . . just Jury's police tactics to raise her anxiety level and make her squirm. The suspect, however, was simply sitting there in a sloppy heap and making circles with her thumbs. She yawned like the cat. Yawned? A woman yawning around

  Richard Jury? He squinted out the window. Were the stars all in place?

  "How's Abby taking all this?"

  "Very stoically." Jury turned the map around.

  "She's one cool kid."

  Jury turned the map back. "I agree. One cool kid."

  Ellen's head snapped round. "You mean you talked to her?"

  "That's right."

  Melrose was getting nervous again. He left the window and sat on the arm of the cabbage-rose chair. Between the arm and the cushion was a bright card. He plucked it out. The Hanged Man. He stuffed it back.

  "Well, but is there some big secret, or something?" Her voice deepened dramatically, exaggerating the words.

  "Uh-uh."

  "I mean, did she say I stuffed her in a snowdrift or tossed her over a wall and then went off she knew not where?"

  "Uh-uh."

  "Stop saying that!" Her long earrings clicked and clinked when she stood up, pressing her fingers against her breasts. "You think / was involved? Moi?"

  Melrose said from under the tent of his hand, "Oh, shut up, for God's sakes; stop being dramatic; and you're talking to a fiendishly clever policeman."

  "Clever," said Jury. "But fiendishly? You don't have to hang around, Ellen."

  "Thought you were a cop."

  But she seemed unwilling to go. Now her fingers were spread against her buttocks, thumbs jammed into rear pockets.

  It was, Melrose thought, irritated with himself, a very sexy pose. Although with all of that black leather and those nerve-jangling chains, he couldn't see why. For Vivian Riv-ington, it had always been twin-sets, good wool, or some Italian designer. He shook himself. Jury was handing him the map.

  Melrose looked at it, at the line George Poges had drawn across Keighley Moor, at the Oakworth Road and the Grouse Inn. He looked at Ellen's own line. He looked at Jury.

  Ellen turned from one to the other. "You two going to communicate by semaphore?"

  Jury smiled. "You're free to go."

  " Tree to go.' You guys actually say stuff like that?" Wearily, she shook her head and picked up the stereo. "Shit. I'm going upstairs and put on a little Trane."

  "Dinner?" asked Melrose. They were standing in the courtyard, shoulders shrugged up against the cold.

  "Afraid not. I've got to get back to London." Jury was facing the barn. At the bottom of the drawn curtain over the small window he could see a ragged edge of light. "Perhaps you should take your friend Ellen to dinner."


  "All of that business about the route, Ilkley, Harrogate. You don't really think she was out on that moor . . . you know.".

  "Did I say that?"

  "You meant that."

  Jury turned up his coat collar and smiled. "Tell her I love her."

  "The hell I will." Melrose's footsteps crunched across the broken shale as he turned and started back toward the house.

  Jury walked to the door of the barn, took out one of his cards, folded it lengthwise twice, and wedged it in between the outside wrapper and the silver that covered the stick of gum Ellen Taylor had given him.

  He knelt and shoved it under the door.

  Part Three: EMPIRE OF LIGHT

  27

  It had once been a film palace. It had been an old Arthur Rank cinema, but Jury liked to remember these massive structures with their giant marquees and tiers of balconies as palatial venues that set Saturday afternoons off from the rest of a dreary wartime week. He remembered little of life before the war. Why should he? War had bred him, then killed his father, killed his mother.

  Jury came up from a confusion of tunnel that reminded him of the flights to an air-raid shelter to a network of streets beneath the deadly Hammersmith flyover. In its bleakness the street looked war-torn. Scraps of newspapers, discarded tin cans, a savaged cat—all appeared to be the detritus from the last concert blown out from the doors of the Hammersmith Odeon, right down to the battered cat slinking alleywise past the announcement of Sirocco and three other groups, together with their warm-up bands. Sirocco didn't need a warm-up. There was the picture of Charles Raine that had appeared on the cover of Time Out magazine. The fresh poster had been crookedly pasted over the faded. Yesterday's concert was like yesterday's news.

  SIROCCO rode in two-foot-high black letters on the white marquee, where a young man on a very high ladder was making a slight artistic change; the S was tilted and from its end shot a narrow black line. Jury supposed that the effect was to make it look wind-whipped.