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Death Coming Up the Hill

Page 8

by Chris Crowe


  who’d pay for college?

  November 1968

  Week Forty-Eight: 228

  We ate Thanksgiving

  dinner at Angela’s house.

  Somehow, her mom had

  the energy to

  host a big meal despite all

  their worries about

  Kelly. Their home felt

  so cozy that Mom and I

  lingered long after

  dinner. Sharing the

  holiday together did

  something for both our

  broken families,

  so when Angela’s dad asked

  us to celebrate

  Christmas with them next

  month, Mom and I agreed right

  away. The warmth from

  Angela and her

  parents filled the room, and we

  floated home on it.

  ★ ★ ★

  Mom gasped when she saw

  Dad’s car parked in front of our

  house. I steered into

  the driveway and shut

  off the engine. Mom looked mad—

  or scared—and tightened

  her grip on Rosa,

  who had started to cry. “Take

  Rosa inside,” I

  said. “I’ll deal with Dad.”

  While they left, I got out of

  the car and met him

  in the front yard. He

  reeked of beer. “Is that the black

  bastard?” “Rosa,” I

  said. “My sister’s name

  is Rosa.” I sounded a

  hundred times calmer

  than I felt. A flash

  of pain twisted Dad’s face. “How

  can you consider

  her a sister? Do

  you know what your mother did

  to me? To us?” He

  stepped closer. “Come on,

  Ashe. I can take you away

  from all this right now.”

  December 1968

  Week Forty-Nine: 192

  “One ninety-two” was

  on the board, and beneath it,

  Mr. Ruby wrote

  “30,000.” He

  took a deep breath and told us

  that this week, the death

  toll in Vietnam

  since 1961 hit

  that number. He snapped

  his fingers. “That’s half

  of all the residents of

  Tempe. Dead.” He snapped

  his fingers again.

  “Gone. The loss is crushing, but

  it doesn’t even

  include civilians,

  POWs, or those

  missing in action—

  and we can’t even

  begin to calculate what

  we’ve suffered at home.”

  I thought about those

  weekly casualty counts,

  the stern mug shots of

  local guys killed in

  action, Kelly MIA,

  and the trauma in

  my own home. Mr.

  Ruby really knew what he

  was talking about.

  December 1968

  Week Fifty: 222

  Last week, two letters

  dropped on our house like mortar

  shells. The first announced

  that a judge would soon

  end our financial support

  from Dad. Rosa and

  Mom would be cut off

  forever; me, too—unless

  I lived with my dad.

  Abandon Rosa

  and Mom, and he’d pay all my

  college expenses,

  thus guaranteeing

  a four-year draft deferment.

  Stay with Mom and lose

  everything. Dad’s threat

  burned me, but Mom stayed cool. “We

  can count on Marcus,”

  she said. “It won’t be

  easy, but he’ll send enough

  for us to get by.”

  Her tightlipped smile showed

  her determination to

  keep this part of our

  family intact.

  She opened the next letter,

  and while she scanned the

  page, her hand trembled,

  and her determined façade

  faded. She dropped the

  letter and grabbed me

  like she was drowning. “Marcus

  is dead,” she whispered.

  December 1968

  Week Fifty-One: 151

  Angela cried when

  she heard, and worry spilled out

  with her tears. “What are

  you going to do,

  Ashe? What are you going to

  do?” She hugged me and

  wouldn’t let go. Mom

  worried, too, when I said I’d

  quit school and get a

  job. “That’s crazy! What

  about college? Live with your

  dad—something will work

  out for us.” Her words

  dripped with doubt. Dad had tossed a

  grenade into our

  family, and Mom

  wanted to be the hero.

  I couldn’t let her;

  I couldn’t live with

  Dad while Mom and Rosa were

  dumped on the street. He

  had us trapped, and

  I had to figure out the

  answer. Angela

  and I stayed up late

  talking about options, and

  though she wouldn’t say

  it, there was only

  one that might work, one she and

  I couldn’t discuss.

  December 1968

  Week Fifty-Two: 113

  Christmas brought no gifts

  except time, plenty of time

  for thinking about

  what heroes do. I

  figured out that a hero

  is someone who risks

  his life for something

  greater than himself. Throughout

  history, people

  have accepted risks

  for some greater good, and I

  could think of nothing

  greater than the well-

  being of Mom and Rosa.

  I loved them more than

  I hated war—and

  even more than I feared death.

  It was my turn to

  sacrifice. When she

  found out, Angela pounded

  my chest, then collapsed

  into me, sobbing.

  She agreed to meet at the

  Greyhound bus depot

  to say goodbye and

  swore she would keep my secret

  until I was gone.

  ★ ★ ★

  Waiting for the bus,

  we sat on a wooden bench

  holding hands, talking,

  and kissing like there

  was no tomorrow—and I

  learned that mourning starts

  with goodbye. When I

  stood to leave, I gave her my

  MIA bracelet.

  February 1969

  Week Eight: 197

  My DI at Fort

  Polk loved to say, “Boot camp will

  make men out of boys,”

  but he really meant

  that boot camp turns hearts of flesh

  into hearts of stone.

  You can’t kill if you

  feel. For eight grueling weeks, we

  ran, climbed, crawled, fought, fired,

  and ran some more on

  little food and less sleep. I

  dropped into my bunk

  each night like a dead

  man, only to be rousted

  before the sun cracked

  the horizon, and

  except for five minutes a

  week, I had neither

  the energy nor

  the time to write letters home


  or think anything

  but what the Army

  expected me to think. I

  graduated and

  posed for my Army

  photograph, staring like I

  was dead serious.

  May 1969

  Week Eighteen: 163

  I belong to the

  101st Airborne now,

  and our CO said

  we should all buy life

  insurance, so I did, and

  before I deployed,

  I made sure my pay

  goes to Mom—and if I don’t

  make it, she’ll get the

  insurance, too. A

  humid hell is my home now,

  with death lurking in

  jungle shadows. I

  flinch at everything, and my

  M16’s always

  ready to kill. On

  night patrols, two things keep me

  going: survival

  and the people I

  love. I dream of Rosa, Mom,

  Angela—even

  Dad—and wonder if

  they’re looking at this same moon,

  thinking about me.

  May 1969

  Week Twenty: 184

  Hill 937

  Dug in, waiting for

  Operation Apache

  Snow to launch. My fox-

  hole feels too shallow.

  I can’t stop the sweats and shakes:

  Am I sick—or scared?

  If you can’t read this,

  it’s because I am writing

  it in a hurry.

  I see Death coming

  up the hill, and I am not

  ready to meet him.

  Historical Note

  The last two stanzas of this book are based on an American soldier’s letter written shortly before he died in the assault on Hamburger Hill in May 1969. His letter appeared as part of an article, “One Week’s Dead,” published in Life magazine on June 27, 1969. The full text can be viewed online: http://life.time.com/history/faces-of-the-american-dead-in-vietnam-one-weeks-toll/#1.

  The official death toll for U.S. soldiers in Vietnam in 1968 is 16,592. If you’re a numbers person, you’ll notice that the sum of the weekly death counts Ashe reads in the newspapers is something less than 16,592. Here’s why:

  By 1968, the war in Vietnam was extremely unpopular, so it’s likely that the weekly press releases underreported the dead to minimize the tragic consequences of our involvement in Southeast Asia.

  Even if military leaders wanted an accurate weekly death count, tallying the numbers was difficult because of the nature of the war. Some units in distant parts of Vietnam simply may not have been able to submit their reports on time—or at all.

  MIAs were not counted as dead until their bodies were recovered and identified, a process that could take more than a year.

  In the chaos of war, even a dedicated clerk made mistakes. Such mistakes probably would not have been caught before the weekly report was announced.

  There is no database that lists the 1968 casualties by week, so I did what Ashe would have done: I reviewed the Thursday edition of daily newspapers for each week’s death count. The numbers that head each chapter are the numbers reported in newspapers in the fifty-two weeks that comprised 1968.

  Author’s Note

  When historical novelist Gary D. Schmidt visited my classes at BYU in 2010, he mentioned that more U.S. soldiers died in 1968 than in any other year of the Vietnam War. A year later, I started working on a novel set in 1968 and decided to see if Schmidt had been right. It turned out he was: 16,592 American soldiers died in 1968. As I began digging into the history, I also learned that the weekly casualty reports appeared in newspapers each Thursday, but by 1968, the reports had become so commonplace that many Americans barely noticed them. I wanted my main character to notice and become fascinated by the death counts as he gained an awareness of the troubled world around him.

  I started writing the novel in prose, but after a few chapters, the project stalled. Rather than give up, I tinkered with the prose, with the point of view, with the character’s voice, but nothing seemed to help. In an early draft, I had enjoyed inserting historical information like Ashe’s birthday, May 17, 1954, the date of the U.S. Supreme Court decision Brown v. Board of Education, and that’s when the prime number 17 started growing on me, so I looked for other opportunities to plant the number into the story. Playing with numbers was fun for a while, but it soon became clear that no amount of number play would revive my manuscript.

  During this period of writer’s block, I woke up early one morning with the story on my mind, and as I lay in bed, I started thinking about the number 17 and the other numbers that appeared in the story and wondered how I might use them. What else relied on 17? Well, haiku has 17 syllables; maybe I could have my character write haiku as a hobby. Or maybe I could divide the book into 17 sections and have a haiku introduce each section. What else? Was 1968 divisible by 17? It’d be cool if it was. The 1968 death toll, 16,592, was a big number, and I wondered if it might be divisible by 17. I rolled out of bed, found a calculator, and punched in the numbers. Guess what? The number 1968 isn’t evenly divisible by 17, but 16,592 is: 16,592 divided by 17 equals 976.

  Then a jolt of creative surprise shook me. What if I wrote the novel entirely in haiku? What if the novel contained one syllable for every U.S. soldier who died in 1968? What if the entire story were contained by a syllable count? It sounded crazy. It sounded like a stupid gimmick. It sounded impossible. But I decided to try it anyway.

  The novel took off. Of course, the format was maddening, and revision was incredibly complicated. I soon learned that when your writing is bound up in clusters of 17 syllables arranged in lines of five, seven, and five, a single word change ripples forward and backward and causes much more rewriting and wordsmithing than I could have imagined.

  The number 17 had one more surprise for me. Without my planning it, that prime number came into play in the book’s final scene. I wanted Ashe to be writing about 1968 in retrospect and decided to do some research to find out what had been the bloodiest week in Vietnam in 1969. It was the battle of Hamburger Hill, a few days in the middle of May. Somehow it seemed fitting to end Ashe’s story there, but it wasn’t until the umpteenth revision that I discovered that by using Hamburger Hill as the concluding event, I had Ashe’s story end on his 18th birthday: May 17, 1969. It seemed like a fitting way to bring his story and the number 17 full circle.

  Acknowledgments

  I’m grateful to many people for this book. First, to the men and women who served their country during the Vietnam era in a horrendous war, and to the families that supported them. Next to the historians who documented not only the war but also everything else that rocked the world in 1968. My agent, Patricia J. Campbell, encouraged me to try the prose-to-haiku revision, and after reading a few chapters, she pressed me to take it further. Christy Hughes provided a careful and very smart read of an early version of the manuscript and offered detailed suggestions for revision that proved helpful in rewriting the manuscript. Dr. Jesse Crisler read through the first full draft and gave me suggestions on historical details that reshaped my revisions. John H. Ritter read a near-final copy of the manuscript and offered wisdom and feedback that helped me fine-tune the story. My editor, Karen Grove, took a gamble on this story and its format and helped me reshape the novel and stick to the 17-syllable, five-seven-five stanza consistently from start to finish. Finally, I must thank my wife and best friend, Elizabeth, the new girl who showed up in one of my high school classes in 1969 and who has changed my life for the better ever since.

  About the Author

  CHRIS CROWE, a professor of English at Brigham Young University, has published award-winning fiction and nonfiction for teenagers, poetry, essays, books, and many articles for academia and magazines. He is a popular speaker and writer with librarians and teachers, and received the 2010 Ted Hipple Service Award from A
LAN, the Assembly on Literature for Adolescents. He lives with his wife in Provo, Utah.

 

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