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Big Numbers (Austin Carr Mystery Book 1)

Page 18

by Jack Getze - BooksGoSocial Mystery


  “Okay, fuck it. Go on back up to the flying bridge. I’ll handle this myself.”

  Kelly’s body bucks wildly as Luis turns his back. Her

  throat makes awful sounds as Gerry drags her toward the

  railing.

  I must say this is going exactly as I anticipated. Gerry

  wants no blood, no evidence on the boat. Gruesome as they

  are, staff reductions are to be carried out with a minimum of physical violence.

  I think I’m going to throw up.

  Gerry grab’s her waist and struggles to lift her onto the

  rail. Kelly’s emerald eyes bulge like a frog’s. I am once again reminded of that blue-bellied lizard of my nightmares. At least that little guy didn’t know what was going to happen to him.

  Kelly’s horror—mine, too—is the anticipation.

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  “Goodbye, hon,” Gerry says.

  My monster lets go of her waist and begins to push on her

  shoulders. It’s a lot of weight for Gerry, and the redhead

  doesn’t slide easily. Her head shakes wildly, eyes aglow with fear, and then thrashing, she drops quietly out of sight.

  I almost feel the splash more than hear her hitting the

  water, my gut imagining her panic, and my knees buckle

  beneath me. A glop of bile climbs my throat and splatters

  onto the deck.

  The stench of my own vomit fills my nose. Breath comes in

  short, shallow gasps. Why doesn’t Gerry just shut the hell up and get this over with? Blabbermouth.

  “Those shoulder straps okay?” Gerry says. “Not too tight,

  I hope.”

  Bastard. Sitting in the fighting chair, though unbuckled to

  it, I am bridled by what Gerry called a stand-up fishing belt and harness. Straps circle my waist and chest as well my

  shoulders. Locking brass clips fix me to the harness, the pole, and the rod-mounted Penn 130 International reel.

  “I think I see a school,” he says. “What luck.”

  Gerry leans close to push the chrome drag lever on the

  Penn 130. “This will be the second time I’ve seen this

  happen,” he says.

  Something heavy bumps the half-pound metal lure to

  which I am fatally attached. The line draws taut, digging

  deeper into the green rolling swells. Eternity tugs on my

  shoulder straps.

  “I think you’ve got a hook-up,” he says.

  Should I reach now for Luis’s knife?

  177

  FIFTY-SIX

  Funny how many things you can think of in a split second

  of terror, facing almost certain death. Sure, I have what I

  imagine to be Luis’s infamous switchblade knife in my pocket.

  But Gerry’s standing right beside me. If I start wiggling Luis’s Excalibur out of my pants, Gerry’s going to take away my

  ace. No, my best shot at survival is to wait until I’m in the water with Big Tuna, try to cut myself free then.

  The smell of saltwater and deck wood warming in the

  morning sunlight brings back memories of my father, the two

  of us fishing off the municipal pier in Oceanside, California.

  Pop would get me up before dawn and we’d be there with our

  lines in the water as the first rays of daylight warmed the

  damp wooden planking. We rarely caught a fish, but I loved

  those mornings, those few summer weeks when Pop didn’t

  have to work. He enjoyed that time with me and Mom so

  much.

  The IGFA Unlimited Bent-Butt pole bows deeply, tugging

  my harnessed torso closer to the boat’s open transom and a

  probable ocean grave. I’ve never been big on praying, but

  right now my mind can’t help but talk to God. “Why me,

  Lord? What did I do to deserve this?”

  Funny, too, that God’s answer comes in clear, an FM radio

  station broadcasting from heaven: “Why not you, Carr? It

  wasn’t me who told you to fall for the redhead, forge Gerry’s name on those transfer documents. Free will is a bitch.”

  Good point, God. But are you sure this has nothing to do

  with that blue-bellied lizard? Payback? Is my body going to

  wash ashore someplace where other lizards roam, where that

  long-dead reptile’s distant cousins will feast on my miserable, rotting corpse?

  The giant bluefin on the other end of my line has pretty

  much decided to quit messing around. I’m sliding off the

  chair, headed for that open transom. I once more go over my

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  quickly formulated plan. When I hit the water, I’ll go for the knife, being very careful not to drop it. Yuk. What a thought.

  I’ll slice the line first, stop that giant bluefin from towing me, then maybe try to unfasten these brass reel clips. Or not.

  Maybe I should just try to reach the surface as quickly as

  possible, breathe again, the pole and reel still attached.

  Why was I so worried? I’ve got this all figured out. No

  problem. I’ll free myself from this monster fish, avoid Gerry and Luis for twelve hours, until its gets dark again, then swim thirty or forty miles—there’s no land in sight—to the coast of New Jersey.

  Hey, and I thought I was in serious trouble.

  Big Tuna lifts my butt completely off the fighting chair and my split second of contemplation is over. This is it. I’m going out the open transom, my doorway to heaven.

  My gaze picks up little images to take with me, probably

  to eternity. Snapshots of a disappearing world; a seagull

  riding the air behind Gerry’s head, the bird motionless in

  flight, observing me in wonder; the horseshoe belt buckle on Gerry’s abdomen, its silver flashing sunlight; and finally

  Gerry’s gaze getting closer, checking the drag switch again.

  Maybe he’s worried he didn’t get the drag on full his first

  attempt, thinks I’m not going overboard fast enough.

  You know what, Gerry. I think you just made the biggest,

  stupidest mistake of your fat fucking life. Yes, I’m zooming off that fighting chair now, unable to resist Big Tuna, but I’m pissed enough to throw every muscle hard to the right, reach out my taped hands for your Mexican silver belt buckle.

  Yes! I’ve gotten a hold of it, too, a death grip, and there’s enough time for me to look up, see Gerry’s eyes pop open like full moons before we both fly through the open transom.

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  FIFTY-SEVEN

  I’m in the water, upside down and tumbling. But I’m using

  the buddy system, holding onto Gerry’s belt buckle. His

  weight strains my elbows and shoulders, stretching my biceps like gum. Together, the two of us are a twisting, rolling mass of arms, legs, fishing pole, and thick invisible line.

  I congratulate myself until reason kicks in. Nice little piece of revenge, Austin, grabbing Gerry like that, but you might

  want to consider letting go now and reaching for Luis’s sharp, last minute gift. That bulge in your pocket has the potential of saving your life. Gerry’s belt buckle, not so much.

  Big Tuna is towing us deep.

  I let go of Gerry and point my fingers toward that

  switchblade in my pocket. I assume Gerry will stay behind,

  but he doesn’t. His roly-poly shape struggles with an invisible opponent right beside me, both of us going deeper every

  second.

  My brain sends an emergency message, a short telegram:

  You need to breathe. Let’s suck a little oxygen, okay?

  My fingers find the bulge in my pocket. It is in fact Luis’s switchblade. I remember the shape from that night in th
e

  restaurant’s parking lot. I work the big knife out of my pants pocket and push the chrome button that makes the blade

  spring open.

  This is a very lucky knife, Austin. Make sure you don’t

  drop it.

  A second, more urgent message arrives from my brain:

  Dude! We are running out of time. And getting farther from

  the surface every second.

  I work the blade around the thick fishing pole and, as best

  I can, slash at the invisible line near the reel. Nothing. Where is that freaking see-through fiber? I slash the blade at a spot closer to the pole itself, and instantly my descent stops.

  I’m free of Big Tuna, though not the pole and reel.

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  Jack Getze

  Gerry is free of me and the pole, but not the giant bluefin.

  My monster is a dark, struggling shape in the water, shrinking in size below my feet, the Jersey cowboy tangle-tied to his

  own giant bluefin by thick monofilament line around his leg.

  He must have gotten snared while we were tumbling.

  Gerry, my monster, Mr. Blabbermouth, the Cigar Meister,

  fades into the blue-black realm of the deep Atlantic. That

  place Luis called The Hole.

  The saltwater begins to sting my eyes as I search for the

  surface. I kick my feet and twist. There’s a small spot of

  brightness, like a night light down a dark hall. Okay, Austin, that’s where you have to go, up, toward the morning sun.

  My brain sends another message, words that pump

  another blast of adrenaline through my blood: This is your

  final warning, Austin. We are now officially out of air.

  Breathe right now, this instant, or I—Mr. Brain—am going to

  shut down.

  Wait, brain. Hang on. I’m almost there, rising toward the

  surface.

  The water gets darker as I draw closer and closer to the

  surface. Almost black now. Shouldn’t the water be getting

  lighter? Am I headed the wrong way?

  No, wait brain, don’t leave me.

  I’m almost there, but it’s too late. My muscles stop

  working. One giant cramp. I didn’t make it. My strength, my

  will, are used up. My brain is in fact shutting off. My lungs are going to breathe, like it or not. Unfortunately the only substance available is water.

  Nice try, Austin. You almost made it.

  I gasp. Filling my lungs with water doesn’t hurt as bad as I thought it would. Peaceful blackness engulfs me.

  Goodbye world. I love you kids.

  Beth and Ryan.

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  FIFTY-EIGHT

  What I assume to be final, semi-conscious mental images

  are of Beth and Ryan, the three of us playing whiffle ball in the old backyard. I’m tossing soft underhand lay-ups to Ryan while his sister roams the grass behind me, eager to snare a fly ball so it’ll be her turn to bat. That’s the rule. The hitter stays up until the defense grabs one in the air.

  Ryan swings and misses.

  I repeat a baseball mantra taught to me as a child: “Keep

  your eyes on the ball, son. Watch the ball hit the bat.”

  Ryan’s face pinches with concentration as I lob another

  softie over our make-shift home plate, in this case my well

  worn outfielder’s mitt. I last used that glove to catch actual baseballs in high school.

  My son makes good contact this time. The whiffle ball zips

  on a hard line toward my chest. For some reason, I am

  unsuccessful in my attempt to make the catch, and the white

  hollow ball slams me in the chest. Wow. Feels like a truck

  load of bricks. I’m knocked right on my ass.

  On the grass, looking up at a blue New Jersey sky, I try to

  laugh. Strange. I can’t make a sound. I don’t have any air with which to issue sound. Gee, Ryan. You knocked the wind out

  of me.

  Mild panic invades my dream. How could a whiffle ball

  knock me over? And, more importantly, why the hell can’t I

  breathe?

  Ryan and Beth start jumping up and down on my chest.

  Pounding me over and over again with their sneaker-shod

  feet. Doesn’t hurt too much, maybe because of their rubber

  soles. Or maybe it’s because my chest and belly feel like

  they’re full of...full of what? Cement?

  I roll onto my side and puke. Sweet Jesus. Feels like I just barfed a five-course dinner for eight. No, make that a case of very salty California merlot. This vomit is all liquid.

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  Jack Getze

  But now I can breathe. Or gasp at any rate. Boy, that air

  tastes good. Sweet as sugar.

  “Open your eyes, afortunado.”

  Who was that? I don’t see anybody but Ryan and Beth.

  When did they start speaking Spanish? And why do they think

  I’m the lucky one? Didn’t I just drown?

  I open my eyes. Oh my, what a strange dream. Ryan’s face

  has turned into my ex-favorite bartender’s. Milk chocolate

  skin. Those black penetrating eyes. I can even hear Luis

  talking to me, too, clear as a fall blast of Canadian air.

  “Did you lose my cuchillo?”

  Huh? What’s a koochi-koocho? And what the heck is

  going on with these changing faces and voices? Ryan to Luis

  to Charro? Man, this is one weird vision.

  I puke again, another case of merlot...no...wait. It’s

  saltwater. The stuff’s coming out of mouth, my ears, my nose, even my...oh, you know. The other end.

  How exactly does that happen?

  “Can you speak?” Luis says.

  Oh. My. God. It is Luis. Looks like I’m on the main deck

  of Gerry’s Hatteras, lying on my side a few feet from that

  stupid fighting chair. Am I dead or alive? Or dreaming in

  between?

  Luis saying, “Are you finished with the vomits?”

  Actually, no. Another spasm racks my belly and I deposit

  several more cups of saltwater very near Luis’s black Reeboks.

  This last disgorging triggers a new level of clarity. I sure the hell am alive. Back on Gerry’s boat. The puffy white

  clouds above me no longer look like tombstones.

  “Luis?”

  “Here,” Luis says. “Drink this.”

  I put the shot glass to my lips. Can this be what I think it is? Luis tips the contents down my throat. The taste is

  unmistakable. Herradura Gold.

  The tequila bounces off the inside of my stomach and

  spews back out my mouth. Yuk. A little bit flies back into the 183

  BIG NUMBERS

  shot glass. Most lands directly on Luis’s Reeboks. Along with one final quart of saltwater.

  “You lost my knife,” Luis says, “and now your vomit soils

  my shoes. Many would consider these actions ungrateful, my

  friend.”

  “Sorry.”

  He slaps my shoulder. “I was joking. It feels good to be

  alive, eh? Perhaps your humor will also return.”

  I shake my head, wipe the spittle from my nose and mouth.

  “What the hell happened? I was drowning. How did you get

  me back on board?”

  He smiles, and I’m glad Luis is happy about my return. I

  don’t think I could take another swimming lesson. “You were

  very lucky,” he says. “I circled back when you took el patron with you over the railing. At first I saw nothing, no sign of either you or Senor Burns. But then the tip of your fishing

  pole returned to the surface right before my eyes.”

  “You pulled me out by t
he pole?”

  “I lashed the wheel so that the boat turned in a circle, then jumped in after you.”

  Luis’s dripping wet clothes attest to his bravery. I can’t

  believe he did that for me. If the wheel had slipped, even a little, the boat could have moved hundreds of yards off course and Luis would have drowned out here with me and Gerry.

  Speaking of el patron...

  “Did you pull Gerry out, too?”

  “There is no sign of Senor Burns.”

  Can’t say I’m surprised, or sorry. In fact, I hope that giant bluefin drags him all the way to Japan. A sushi surprise for the Tokyo markets. Although Gerry’s death does raise

  another question.

  “Are you mad at me for killing Gerry?” I say.

  Luis shakes his head, no. “You only fought for your life.

  There is no blame. Remember it was I who gave you the

  knife.”

  I sigh. Well son of a bitch, Austin. You cheated the grim

  reaper and avenged Gerry’s rude behavior with that cigar.

  Not bad for a New Jersey stockbroker who lives in a rusted

  out camper.

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  Jack Getze

  I push up onto my hands and knees. My head spins. My

  muscles feel like rubber. Perhaps some kind of fortification is needed for permanent reassembly. “Hey, Luis, can I try

  another shot of that Herradura?”

  “Si. But only if you allow me time to step farther away.”

  185

  FIFTY-NINE

  Randall Zimmer, Esq. taps his pencil on a new pad of lined

  yellow legal paper. His hawk-like eyes are the same color as his walnut desk. “From what I know of A.A.S.D. regulations,

  Austin, it could be a while before you sell stocks and bonds again.”

  “I figured.”

  “We’ll see. There are livelihood issues. The children. At

  least you’re not the one who forged Gerry Burns’ signature on that transfer document. Right?”

  “No, sir. It must have been Kelly.”

  I nod knowing no one will ever find an original. He nods

  as if he believes me. Or least Mr. Z wants to believe me. He’s a referral from my friend and co-worker Walter Osgood. “I

  think that’s most of what we need to discuss today,” he says.

  “I’ll need to contact the various government and law-

  enforcement agencies involved, the insurance company and set up interviews. We will have to wait and see what kind of

  response we receive.”

  “You really think I might get a reward for the return of the Renoir?”

 

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