Homeland

by Doctorow, Cory

  Temple burn was very different. We got there really early and sat down nearly at the front and watched the sun set and turn the temple’s white walls orange, then red, then purple. Then the spotlights went up, and it turned blazing white again. The wind blew and I heard the rustle of all the paper remembrances fluttering in its nooks and on its walls.

  We were sitting amid thousands of people, tens of thousands of people, but there was hardly a sound. When I closed my eyes, I could easily pretend that I was alone in the desert with the temple and all its memories and good-byes and sorrows. I felt the ghost of that feeling I’d had when I’d sat in the temple and tried to clear my mind, to be in the present and throw away all my distractions. The temple had an instantly calming effect on me, silenced all the chattering voices in the back of my head. I don’t believe in spooks and ghosts and gods, and I don’t think the temple had any supernatural effect, but it had an absolutely natural effect, made me sorrowful and hopeful and calm and, well, soft-edged all at once.

  I wasn’t the only one. We all sat and watched the temple, and people spoke in hushed tones, museum voices, church whispers. Time stretched. Sometimes I felt like I was dozing off. Other times I felt like I could feel every pore and every hair on my body. Ange stroked my back, and I squeezed her leg softly. I looked at the faces around me. Some were calm, some softly cried, some smiled in profound contentment. The wind ruffled my scarf.

  And then I spotted them. Three rows back from us, holding hands: Masha and Zeb. I nearly didn’t recognize them at first, because Masha had her head on Zeb’s shoulder and wore an expression of utter vulnerability and sadness, absolutely unlike her normal display of half-angry, half-cocky impatience. I looked away before I caught her eye, feeling like I’d intruded on her privacy.

  I turned back to the temple just in time to see the first flames lick at its insides, the paper crackling and my breath catching in my chest. Then a tremendous column of fire sprouted out of the central atrium, whooshing in a pillar a hundred yards tall, the heat and light so intense I had to turn my face away. The crowd sighed, a huge, soft sound, and I sighed with it.

  There was someone walking through the crowd now, a compact woman in goggles and gray clothes in a cut that somehow felt military, though they didn’t have any markings or insignia. She was moving with odd intensity, holding a small video camera up to one eye and peering through it. People muttered objections as she stepped on them or blocked their view, then spoke louder, saying “Sit down!” and “Down in front,” and “Spectator!” This last with a vicious spin on it that was particularly apt, given her preoccupation with that camera.

  I looked away from her and tried to put her out of my mind. The temple was burning along its length now, and someone near me drew a breath and let out a deep, bassy “Ommmmmm” that made my ears buzz. Another voice joined in, and then another, and then I joined in, the sound like a living thing that traveled up and down my chest and through my skull, suffusing me with calm. It was exactly what I needed, that sound, and as my voice twined with all those others, with Ange’s, I felt like a part of something so much larger than myself.

  A sharp pain in my thigh made me open my eyes. It was the lady with the camera, facing away from me, scanning the fire and the crowd with it, and she’d caught some of the meat of my thigh as she stepped past me. I looked up in annoyance, ready to say something really nasty, and found myself literally frozen in terror.

  You see, I knew that face. I could never have forgotten it.

  Her name was Carrie Johnstone. I’d called her “Severe Haircut Woman” before I learned it. The last time I’d seen her in person, she’d had me strapped to a board and ordered a soldier hardly older than me to waterboard me—to simulate my execution. To torture me.

  For years, that face had haunted my nightmares, swimming out of the dark of my dreams to taunt me; to savage me with sharp, animal teeth; to choke me out with a tight bag over my face; to ask me relentless questions I couldn’t answer and hit me when I said so.

  A closed-door military tribunal had found her not guilty of any crime, and she’d been “transferred” to help wind down the Forward Operating Base in Tikrit, Iraq. I had a news alert for her, but no news of her ever appeared. As far as I could tell, she’d vanished.

  It was like being back in my nightmares, one of those paralysis dreams where your legs and arms won’t work. I wanted to shout and scream and run, but all I could do was sit as my heart thundered so loud that my pulse blotted out all the other sounds, even that all-consuming Ommmm.

  Johnstone didn’t even notice. She radiated an arrogant disregard for people, her face smooth and emotionless as the people around her asked her (or shouted at her) to move. She took another step past me and I stared at her back—tense beneath her jacket, coiled for action—as she strode back through the crowd, disappearing over the horizon, hair beneath a stocking cap that was the same desert no-color as her clothes.

  Ange squeezed my hand. “What’s wrong?” she asked.

  I shook my head and squeezed back. I wasn’t going to tell her I’d just seen the bogeywoman on the playa. Even if that was Johnstone, so what? Everyone came to Burning Man, it seemed—software pioneers, fugitives, poets, and me. I hadn’t seen any rules against war criminals attending.

  “It’s nothing,” I choked out. I looked over the crowd. Johnstone had disappeared. I turned back to the burning temple, tried to find the peace I’d felt a moment before.

  * * *

  By the time the temple burned down, I’d nearly convinced myself that I’d imagined Johnstone. After all, it had been dark, the only light the erratic flicker of the temple. The woman had held a camera to her face, obscuring it. And I’d seen her from below. I’d been visiting all my ghosts that night, seeing the faces of friends lost and betrayed and saved in the temple’s fire. I’d only seen the face for a moment. What were the odds that Carrie Johnstone would be at Burning Man? It was like finding Attila the Hun at a yoga class. Like finding Darth Vader playing ultimate frisbee in the park. Like finding Megatron volunteering at a children’s hospital. Like finding Nightmare Moon having a birthday party at Chuck E. Cheese.

  Thinking up these analogies—and even dumber ones that I won’t inflict upon you—helped me calm down as Ange and I walked slowly away from temple burn with the rest of the crowd, a solemn and quiet procession.

  “Going home tomorrow,” I said.

  “Exodus,” Ange said. That’s what it was called at Burning Man, and it was supposed to be epic—thousands of cars and RVs stretching for miles, being released in “pulses” every hour so that the traffic didn’t bunch up. We’d scored a ride back with Lemmy from Noisebridge, the hackerspace I hung around at in San Francisco. I didn’t know him well, but we knew where he was camped and had arranged to meet him with our stuff at 7 A.M. to help him pack his car. Getting up that early would be tricky, but I had a secret weapon: my contribution to the Burning Man gift economy, aka cold-brew coffee.

  You’ve had hot coffee before, and in the hands of a skilled maker, coffee can be amazing. But the fact is that coffee is one of the hardest things to get right in the world. Even with great beans and a great roast and great equipment, a little too much heat, the wrong grind, or letting things go on too long will produce a cup of bitterness. Coffee’s full of different acids, and depending on the grind, temperature, roast, and method, you can “overextract” the acids from the beans, or overheat them and oxidize them, producing that awful taste you get at donut shops and Starbucks.

  But there is Another Way. If you make coffee in cold water, you only extract the sweetest acids, the highly volatile flavors that hint at chocolate and caramel, the ones that boil away or turn to sourness under imperfect circumstances. Brewing coffee in cold water sounds weird, but in fact, it’s just about the easiest way to make a cup (or a jar) of coffee.

  Just grind coffee—keep it coarse, with grains about the size of sea salt—and combine it with twice as much water in an airtight jar. Give it a hard s
hake and stick it somewhere cool overnight (I used a cooler bag loaded with ice from ice camp and wrapped the whole thing in bubble wrap for insulation). In the morning, strain it through a colander and a paper coffee filter. What you’ve got now is coffee concentrate, which you can dilute with cold water to taste—I go about half and half. If you’re feeling fancy, serve it over ice.

  Here’s the thing: cold-brew coffee tastes amazing, and it’s practically impossible to screw it up. Unlike espresso, where all the grounds have to be about the same size so that the high-pressure water doesn’t cause fracture lines in the “puck” of coffee that leave some of the coffee unextracted and the rest overextracted, cold-brew grounds can be just about any size. Seriously, you could grind it with a stone axe. Unlike drip coffee, which goes sour and bitter if you leave the grounds in contact with the water for too long, cold brew just gets yummier and yummier (and more and more caffeinated!) the longer the grounds sit in the water. Cold brewing in a jar is pretty much the easiest way to make coffee in the known universe—if you don’t mind waiting overnight for the brew—and it produces the best-tasting, most potent coffee you’ve ever drunk. The only downside is that it’s kind of a pain in the ass to clean up, but if you want to spend some more money, you can invest in various gadgets to make it easier to filter the grounds, from cheap little Toddy machines all the way up to hand-blown glass Kyoto drippers that look like something from a mad scientist’s lab. But all you need to make a perfectly astounding cup of cold-brewed jet fuel is a mason jar, coffee, water, and something to strain it through. They’ve been making iced coffee this way in New Orleans for centuries, but for some unknown reason, it never seems to have caught on big-time.

  All week, I’d been patrolling the playa armed with a big thermos bottle filled with cold-brew concentrate, pouring out cups to anyone who seemed nice or in need of a lift. Every single person I shared it with had been astounded at the flavor. It’s funny watching someone take a sip of cold brew for the first time, because it looks and smells strong, and it is, and coffee drinkers have been trained to think that “strong” equals “bitter.” The first mouthful washes over your tongue and the coffee flavor wafts up the back of your throat and fills up your sinus cavity and your nose is all, “THIS IS INCREDIBLY STRONG!” And the flavor is strong, but there isn’t a hint of bitterness. It’s like someone took a cup of coffee and subtracted everything that wasn’t totally delicious, and what’s left behind is a pure, powerful coffee liquor made up of all these subtle flavors: citrus and cocoa and a bit of maple syrup, all overlaid on the basic and powerful coffee taste you know and love.

  I know I converted at least a dozen people to the cult of cold brew over the week, and the only challenge had been keeping Ange from drinking it all before I could give it away. But we’d have jet fuel in plenty for the morning’s pack-up and Exodus. I’d put up all the leftover coffee to brew before we went to the temple burn, and if we drank even half of it, our ride would have to let us out of the car during the Exodus pulses to run laps around the playa and work off the excess energy.

  Thinking about this, I took my thermos off my belt and gave it a shake. “Want some magic bean juice?” I asked.

  “Yum,” Ange said, and took the flask from me and swigged at it.

  “Leave some for me,” I said, and pried it out of her fingers and drank the last few swallows. The deep, trancelike experience of temple burn had left me feeling like I wanted to find someone’s pillow camp and curl up on a mountain of cushions, but it was my last night on the playa, and I was going to dance, so I needed some rocket fuel.

  Just as I lowered the flask, I spotted Masha and Zeb again, walking stiffly beside each other, faces set like stone, expressionless. They were at least fifty yards away from me, in the dark of night, and at first I thought they were just in some kind of deeply relaxed state from the extraordinary events of the night. But I soon saw that there was something definitely wrong. Walking very close behind them were a pair of large men in stocking caps just like the ones Carrie Johnstone—or her twin—had been wearing, and they had tight gray-black scarves pulled over their faces, though it wasn’t blowing dust just then. The crowd parted a little and I saw that they were dressed as Carrie Johnstone had been, the same semimilitary jackets and baggy pants and big black boots. There was something wrong with them, and I couldn’t place it for a moment, but then it hit me: they were darktards—no EL wire, no lights. And for that matter, Zeb and Masha had gone dark.

  I saw all this in a second and mostly reconstructed it after the fact, because I was already moving. “This way,” I said to Ange, and grabbed her hand and started to push through the crowd. There was something really wrong with that little scene, and Masha might not be my favorite person in the world, but whatever was going down with her and Zeb and those two guys, I wanted to find out about it.

  Even as we pushed through the crowd, part of my brain was already telling me a little story about how it would all be okay: It’s probably not even them. Those two guys probably have EL wire all over their clothes, but they’re saving battery. Boy, is Ange going to think I’m a paranoia case when I tell her what I thought I saw—

  The four were heading out into the dark of the open playa now, and there was someone bringing up the rear, emerging from the crowd behind them. It was Carrie Johnstone, and I saw her profile clearly now, silhouetted by the orange light of a flamethrower flaring a fireball into the night as a mutant vehicle zoomed past. There was no doubt at all in my mind now, this was her. She was sweeping her head from side to side in a smooth, alert rhythm, like the Secret Service bodyguards that shadowed the president when you saw him on TV.

  Ange was saying something, but I couldn’t hear her, and she was pulling on my hand, so I let go of her, because I knew it was Carrie Johnstone, and I knew that Zeb and Masha were under her power. I had been under her power. So had Ange. I knew what that meant, and I wasn’t going to let her snatch anyone else.

  All five of them were vanishing into the night and I began to push and shove my way through the crowd, not caring anymore if I stepped on someone’s toes or bumped into them. People swore at me, but I barely heard them. My vision had shrunk to a narrow tunnel with Carrie Johnstone at the end of it. I patted at my utility belt and found my thermos, which was made of hard metal alloy. It didn’t weigh much, but if you hit someone from behind with it, as hard as you could, they’d know they’d been hit. That’s what I was going to do to Carrie Johnstone.

  I was making a wordless noise. It started off quietly, under my breath, but it was quickly turning into a roar. No, not a roar, a battle cry. For years, this woman had haunted and hunted me in my dreams. She’d humiliated me, broken me—and now she was doing it again to someone else. And I had her in my sights and in my power.

  Someone on a playa bike nearly ran me down but swerved at the last moment and fell over right in front of me, clipping my shin. I didn’t even slow down. In fact, I sped up, leapt over the bike, and took off at a run.

  I’d never run like that in my life, a flat-out sprint with my feet barely touching the ground. I was just taking another step when the whole night turned hellish orange around me, and then there was a terrible whoomph sound, and a blast of heat and noise and wind lifted me off my feet and threw me face-first into the dust.

  I was dazed for a moment—we all were—and then I rolled over and picked myself up. My nose was bleeding, and when I put my hand up to it, it brushed against my lip and it felt weird, numb and wet, and I thought, in a distant, abstract way, I’ve really done a number on my face, I guess. That same part of me quietly chided myself for violating first-aid protocol by moving around after an injury. Even if I didn’t have a spinal injury or a concussion, I might have broken some small bone that hadn’t had a chance to start sending pain signals to my brain yet, might be mashing that broken bone under all my weight as I climbed to my feet.

  I told the voice to shut up. I remember that very clearly, actually thinking, Shut up, you, I’m busy, like yo
u’d do to a yappy dog. Because whatever had turned the sky orange, whatever had sent that gust of heat and wind and sound through the night, Carrie Johnstone had been responsible for it, and it had been part of her plan to take Zeb and Masha out. I knew it. Not in the way I knew what my address was, but in the way that I knew that a ball thrown straight into the air would come straight back again. A logical certainty.

  I set off back in the direction that Masha and Zeb and Johnstone and her goons had been heading, out into the darkness, limping a little now as my right knee started to complain, loudly. I told it to shut up, too.

  They were gone. Of course they were. Unlit, moving fast, out there on the playa, they could have disappeared just by moving off a hundred yards in nearly any direction. They probably had night-scopes and all sorts of clever little asshole-ninja superspy gadgets that they could use to avoid me if they wanted to.

  If she wanted to. Carrie Johnstone probably could have killed me without breaking a sweat, and I’m sure her goons could have done the same. They were some sort of soldiers, while I was a scrawny nineteen-year-old from San Francisco whose last fight had been settled in Mrs. Bapuji’s day care with a firm admonishment to share the Elmo doll with little Manny Hernandez.

  But I didn’t care. I was on a mission. I wasn’t a coward. I wasn’t going to sit back and wait for other people to do all the work. So I lurched into the dark.

  There was no sign of them. I called out their names, screaming myself hoarse, running this way and that, and I was still running when Ange caught up with me, grabbed my arm, and pulled me bodily back to the infirmary tent. There were a lot of us there, waiting to be seen by the paramedics, nurses, EMTs, and doctors who streamed from across the playa to help with the aftermath of the worst disaster in the history of Burning Man.

  Octotank, the art car that exploded, had started out life as a ditch digger, and it retained the huge, powerful tank treads and chassis. A maker collective working out of a warehouse in San Bernardino had removed everything else and meticulously mounted an ancient Octopus carnival ride atop it. You’ve seen Octopus rides, though your local version might have been called “the Spider,” “the Schwarzkopf Monster,” or “the Polyp.” They’ve got six or more articulated arms, each one ending in a ride seat, sometimes just a chair with a lap bar and sometimes a full cage.