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Jim Baen’s Universe

Page 30

by Edited by Eric Flint


  ****

  For fo­urthly, he ope­ned up his bre­ast and to­ok his own he­art out, and loc­ked it in the ca­ge. The latch was cun­ning, and he wor­ked it with thumbs slip­pery with the red, red blo­od. Af­ter­wards, he stit­c­hed his chest up with cat-gut and an iron ne­ed­le and pul­led a cle­an shirt on, and let the for­ge sit cold.

  He ex­pec­ted a vi­si­tor, and she ar­ri­ved on ti­me. He la­id the he­art be­fo­re her, red as red, red blo­od in its red-gilt iron ca­ge, and she lif­ted it on the tips of her fin­gers and held it to her ear to lis­ten to it be­at.

  And she smi­led.

  ****

  When she was go­ne, he co­uldn't fa­ce his for­ge, or the an­vil with the va­cant cha­in dra­ped over the horn, or the chill in his fin­ger­tips. So he went to see the witch.

  She was swe­eping the do­or­yard when he ca­me up on her, and she la­id the bro­om asi­de at on­ce when she saw his fa­ce. "So it's do­ne," she sa­id, and bro­ught him in­si­de the do­or.

  The cup she bro­ught him was war­mer than his hands. He drank, and lic­ked hot drop­lets from his mo­us­tac­he af­ter.

  "It we­ren't easy," he sa­id.

  She sat down op­po­si­te, el­bows on the tab­le, and nod­ded in sympathy. "It ne­ver is," she sa­id. "How do you fe­el?"

  "Frozen cold. Col­der'n Hell. I sho­uld've go­ne with her."

  "Or she sho­uld ha­ve sta­yed with you."

  He hid his fa­ce in the cup. "She we­ren't co­ming back."

  "No," the witch sa­id. "She wasn't." She sli­ced bre­ad, and but­te­red him a pi­ece. It sat on the planks be­fo­re him, and he didn't to­uch it. "It'll grow back, you know. Now that it's cut out cle­anly. It'll he­al in ti­me."

  He grun­ted, and fi­nis­hed the last of the ale. "And then?" he as­ked, as the cup clic­ked on the bo­ards.

  "And then you'll so­oner or la­ter most li­kely wish it hadn't," the witch sa­id, and when he la­ug­hed and re­ac­hed for the bre­ad she got up to fetch him anot­her ale.

  ****

  Poga

  John Barnes

  Her fat­her al­ways cal­led her "pla­in old god­dam Amy." Then she told him it hurt her fe­elings, so he star­ted cal­ling her "Po­ga," his ac­ronym for it, which he ex­p­la­ined to ot­her pe­op­le as her nic­k­na­me from the­ir tra­vels in San Pan­ta­lon, the lit­tle Cen­t­ral Ame­ri­can co­untry that he ma­de up be­ca­use he li­ked to see if he co­uld get pe­op­le to pre­tend that they had be­en the­re. Be­ing cal­led "Po­ga" still hurt her fe­elings but not in a way ot­her pe­op­le co­uld catch him at.

  She co­uld he­ar his vo­ice now just as if he had not be­en de­ad for fo­ur ye­ars. The eyes of his pho­tog­raph, dusty and prop­ped be­si­de her co­le­us on the win­dow­sill, se­emed to eva­de her just li­ke when he was ali­ve.

  He wo­uld so­me­ti­mes ga­ze over her sho­ul­der so­ul­ful­ly and tell her how im­por­tant she was to him. Pro­bably he ho­ped she’d sha­re tho­se mo­ments with his fans.

  The only ti­me she co­uld re­mem­ber him lo­oking in­to her eyes di­rectly, re­al­ly, had be­en whe­ne­ver he got ran­ting abo­ut all the god­dam kids who'd rat­her re-re­ad god­dam Tol­ki­en for the god­dam twen­ti­eth ti­me than pick up so­met­hing new and go­od and that was why we we­re so god­dam po­or all the god­dam ti­me. Then-only then-he se­emed re­al­ly to see Amy, just Amy, right the­re and as she was.

  Gah. Thin­king abo­ut him too much al­re­ady. She grab­bed a pa­per to­wel from the rack be­si­de the plant tab­le, spit on his pic­tu­re, and wi­ped the dust off. "It's not li­ke I'm trying to avo­id you, as­sho­le. I'm go­ing back to The Ca­bin and all." She set it fa­ce down on the tab­le.

  She sig­hed, a pretty me­lod­ra­ma­tic sigh for pla­in old god­dam Amy, and got back to pac­king, which wasn't much be­ca­use her va­ca­ti­on clot­hes we­ren't much dif­fe­rent from her wor­king clot­hes; they we­re just her go­ing-out in pub­lic clot­hes, elf-ma­de and wit­ho­ut blo­od, pa­int, and ink sta­ins.

  She didn't ca­re much. In the wor­king we­ek, she put on her old-blo­od-and-flu­ids sta­ined Wal-Mart te­es and je­ans to go in to the lab, pho­tog­rap­hed de­ad ani­mals and bits of ca­da­vers on her di­gi­tal, and bro­ught the pic­tu­res back he­re to do her dra­wings in her pa­int-and-ink-spat­te­red swe­ats.

  To go out with fri­ends, she wo­re her elf-ma­de stuff, which al­ways fit, ne­ver wo­re out, was­hed cle­an, and was warm or co­ol as ne­eded. Co­lin al­ways te­ased her abo­ut ow­ning

  "Five gol­den rings!

  Four tee shirts,

  three swe­at­s­hirts,

  two pa­irs of je­ans,

  and a warm pa­ir of Mit­h­ril socks!"

  because all they ever saw her in we­re tho­se. Ac­tu­al­ly she wo­re ot­her socks when her Mit­h­ril of Wyo­ming socks we­re in the wash, but Co­lin ba­rely no­ti­ced her ex­cept when he wan­ted to be funny at her ex­pen­se, or when it was co­ol to know her, which was any ti­me Dad ca­me up in con­ver­sa­ti­on aro­und pe­op­le new to the­ir cli­que. That was when Co­lin's arm grip­ped pla­in old god­dam Amy's plump lit­tle sho­ul­ders, and felt way too god­dam go­od, and the girl she saw ref­lec­ted in his pu­pils was sort of cu­te, or had be­en cu­te on­ce. Cu­ter an­y­way. A cu­te­ness had be­en pre­sent and now was ab­sent.

  Gah. Ma­king lit­tle jokes the way Co­lin and the crowd did. It se­emed li­ke she was in­vi­ting ever­yo­ne-Dad, Co­lin-that she re­al­ly didn't want to co­me along.

  But now the ta­pe was run­ning in her he­ad, how things al­ways went when the­re was a new per­son in the crowd who kept glan­cing at Amy, trying to catch her eye, shyly wan­ting to know who this was. When that hap­pe­ned, and at­ten­ti­on be­gan to slip away from him, Co­lin wo­uld tuck her un­der his arm li­ke a fo­ot­ball and start ex­p­la­ining that she was The Amy, The Re­al Amy, That Amy, yes, Lit­tle Amy from Bur­ton Gol­d­s­ba­ne's Won­der­ful Bo­oks, and she had grown up in The Ca­bin, and the ca­pi­tals wo­uld fly thick and fast, even oral­ly.

  Anyway she was just go­ing up to The Ca­bin, as Dad had al­ways pro­no­un­ced it, ca­pi­tals and all. (At le­ast Dad had only oral­ly ca­pi­ta­li­zed The Ca­bin and Lit­tle Amy; when he wasn't ig­no­ring her, Co­lin was a storm of ca­pi­tals. Or at le­ast a ste­ady so­aking driz­zle.)

  Nobody in Fe­at­her Mo­un­ta­in was go­ing to gi­ve a fart in a win­d­s­torm what she lo­oked li­ke be­ca­use they hadn't sin­ce she'd be­en six­te­en and con­cen­t­ra­ting on how clo­se she co­uld get to the dress-co­de li­ne wit­ho­ut get­ting sent ho­me. Pe­op­le the­re didn't know what she wo­re all the ti­me in Gre­eley, an­y­way.

  So she pac­ked what she wan­ted, just dum­ped all her el­ven stuff in­to her duf­fel bag (twen­ty-six ye­ars old and she'd ne­ver ow­ned a pro­per su­it­ca­se, talk abo­ut a per­pe­tu­al stu­dent). That was eno­ugh for the we­ek but her tho­ught of Co­lin and his dumb lit­tle song ma­de her fe­el too much li­ke Po­ga, so she du­ti­ful­ly lo­oked thro­ugh her one big dra­wer of as-yet-un­s­ta­ined hu­man-ma­de clot­hes, se­e­ing if she co­uld ma­ke her­self find so­met­hing to ta­ke along and work on get­ting used to.

  Well, no. She co­uldn't. Too scratchy, too clingy, too warm, de­cep­ti­vely warm-lo­oking but not re­al­ly warm, not right for eight tho­usand fe­et in March. Do­ne. She stuf­fed the who­le scratchy, clingy, chilly pi­le back in the dra­wer on top of-

  Her so­ul.

  Her hands scrab­bled at the co­ar­se fab­rics, yan­king the swe­aters, je­ans, and te­es back out, tos­sing them any old way on­to the bed be­hind her, and the­re it was, lying in the dra­wer, whe­re she had just glim­p­sed a cor­ner of it.

  Folded away in the cor­ner, small and gray, un­p­res­sed, un­ca­red for. They sa­id when you fo­und it you al­ways knew it rig
ht then for what it was, and su­re eno­ugh, she did.

  Though it was so much smal­ler.

  And so much din­gi­er than she'd re­mem­be­red.

  In her me­mory it had be­en abo­ut two yards of fi­ne, pat­ter­ned raw silk, iri­des­cent, co­rus­ca­ting, "nu­mi­no­us and lu­mi­no­us and vo­lu­mi­no­us," cen­te­red aro­und "a big bold be­a­uti­ful tex­tu­red sa­tin va­len­ti­ne he­art set in a de­ep blue di­amond," as she had writ­ten in her jo­ur­nal yes­ter­day, ma­king her no­tes for her se­arch of The Ca­bin. "As long as he was tall, exactly."

  As who was tall?

  Maybe she had writ­ten his na­me, who­ever he was, in her jo­ur­nal. Had she pac­ked her jo­ur­nal? She pic­ked it up from her desk, clo­sed it, and drop­ped it in­to her duf­fel bag.

  Was she all pac­ked? No, she ne­eded to put in her to­iletry bag and-her so­ul, right, she had just fo­und her so­ul. She lo­oked down at her hand and the­re it was, aga­in.

  Not a big pi­ece of be­a­uti­ful­ly wo­ven raw silk with a tex­tu­red va­len­ti­ne at the cen­ter.

  A two- by-two squ­are of gray un­hem­med mus­lin. It was dusty. Re­al­ly, she tho­ught she had kept her so­ul cle­aner than this.

  Plus she didn't re­mem­ber that her so­ul had be­en mar­ked in dres­sma­ker's chalk, that we­ird sha­de of blue that only ca­me in a Ba­udie's Dres­sma­ker's Stylus, which you co­uld only get at Mrs. Put­ta­nes­ca's shop, whe­re Amy had le­ar­ned to sew.

  Dear Mrs. Put­ta­nes­ca, so pa­ti­ent. Pi­les of bolts of fab­ric. Warm sum­mer stre­et air from Fe­at­her Mo­un­ta­in drif­ting thro­ugh the shop. Just the tho­ught to­ok her back.

  You co­uld get a Ba­udie's at any Wal-Mart.

  That tho­ught to­ok her si­de­ways.

  Why wo­uld she think you co­uld get it at any Wal-Mart?

  Of co­ur­se you co­uld only get a Ba­udie's Dress Ma­kers' Chalk Stylus at Mrs. P's, be­ca­use the com­pany had be­en out of bu­si­ness for de­ca­des but Mrs. Put­ta­nes­ca had bo­ught fo­ur big bo­xes of them way, way, back be­fo­re Amy was even born. And not­hing wor­ked as well as a Ba­udie's, an­yo­ne who had ever tri­ed one knew that, you drew on the fab­ric as easy and fi­ne as a go­od dip pen on a ni­ce hard pa­per with just the right to­oth-so why, in her mind's eye, was Amy se­e­ing a big rack of them on sa­le at Wal-Mart?

  Amy ne­ver went in­to Wal-Mart.

  Except a lot of her scrat­c­hi­est, clin­gi­est stuff ca­me from Wal-Mart.

  Well, that was why she didn't go the­re, ob­vi­o­usly.

  Weird wan­de­ring tho­ughts and me­mo­ri­es we­re sup­po­sed to be com­mon just af­ter you fo­und yo­ur so­ul. She'd se­en that on Op­rah or Ric­ki La­ke or one of tho­se shows, they'd bro­ught in a bunch of yo­ung wo­men and the­ir mot­hers with stran­ge ta­les to tell abo­ut ac­ting we­ird. Amy co­uldn't re­mem­ber much of what they'd sa­id but she co­uld see that whi­te sans-se­rif cap­ti­on in the cor­ner of the TV scre­en: "My Da­ug­h­ter Fo­und Her So­ul and Now She's We­ird."

  She didn't ne­ed TV to know abo­ut it. Every wo­man in her crowd who had fo­und her so­ul had go­ne all we­ird. Aimee had thrown over a dre­am job, just wal­ked in­to her boss's of­fi­ce and sa­id, "I qu­it" and wal­ked out, and now she was down in Oaxa­ca pa­in­ting big-eyed kids. Ami had co­me by one Fri­day to The Lo­we­red Bar, whe­re the usu­al TGIF crowd met, wa­ving her red-and-blue flan­nel so­ul over her he­ad, but be­fo­re they even got a go­od lo­ok at it, she'd sa­id, "My ri­de is he­re," and a pe­ga­son, rid­den by one hell of a hot-lo­oking elf, had lig­h­ted on the si­de­walk in front of The Lo­we­red Bar in a clat­ter of ho­oves and a thun­der of fe­at­he­red wings.

  Ami had run out, the TGIF crowd fol­lo­wing li­ke puz­zled kit­tens af­ter a ball, and, as the pe­ga­son swung a wing for­ward and up to gi­ve her ro­om, bo­un­ded in­to the sad­dle be­hind the elf, tying her so­ul aro­und her wa­ist. With three big flaps and a ga­lumph, ga­lumph, ga­lumph, the pe­ga­son had ta­ken off, not gi­ving the Gre­eley cops any ti­me to get the­re with an il­le­gal-lan­ding ci­ta­ti­on, and spi­ra­led up a ther­mal off The Lo­we­red Bar's par­king lot.

  Ami had sho­uted a pro­mi­se to wri­te (Amy tho­ught, it was hard to he­ar over so­me wi­sec­rack Co­lin was ma­king), then the pe­ga­son had mer­ged in­to a big­ger ther­mal shot up­ward. With an el­ven sen­se of dra­ma, Ami and her elf had sil­ho­u­et­ted aga­inst the full mo­on.

  "So per­fectly el­vish," Amy had sa­id, and Co­lin had as­ked her abo­ut why she sa­id that, over and over, and why she sta­red so hard at the elf, un­til she had chan­ged the su­bj­ect and star­ted tel­ling sto­ri­es abo­ut all the dif­fe­rent ways she'd got­ten sus­pen­ded from Fe­at­her Mo­un­ta­in high scho­ol.

  In the next few we­eks, Ami had sent just a few ema­ils from Cody and Bil­lings, and abo­ut a ye­ar la­ter a jpeg of a much fat­ter, dum­pi­er Ami pro­udly hol­ding a po­in­ty-eared gol­den-eyed baby in front of so­met­hing that lo­oked for all the world li­ke the Ma­gic Kin­g­dom, and then not­hing, not even a thank-you for the baby qu­ilt Amy had ma­de. (She had li­ed that the rest of the crowd had chip­ped in ma­te­ri­als, tho­ugh in fact no­ne of them even men­ti­oned Ami af­ter so­me nasty jokes abo­ut the pic­tu­re of the baby-re­al­ly nasty jokes, Amy tho­ught, ever­yo­ne knows you can't ta­ke a pic­tu­re of a half-el­ven and ha­ve it co­me out, it's the ca­me­ra that do­es that, mir­rors do it too, it was un­fa­ir to Ami and un­fa­ir to her child and simply un­fa­ir. But she hadn't sa­id an­y­t­hing to Co­lin and the ot­hers. It had be­en a few months af­ter she'd gi­ven up sa­ying an­y­t­hing to them, and had just ac­cep­ted her usu­al pla­ce in Co­lin's ar­m­pit and her oc­ca­si­onal pla­ce on his la­pel).

  And as for mye-so hor­rib­le. And it had hap­pe­ned right af­ter she had fo­und her so­ul, she'd just shown it to Amy when they had din­ner to­get­her on Sa­tur­day, go­ne mis­sing the next we­ek, and then the first parts of her had be­en fo­und the fol­lo­wing Mon­day.

  It had ta­ken Amy we­eks to per­su­ade De­tec­ti­ve Ser­ge­ant Der­rick de Zo­os, he of the sin­ce­re pup­py-dog lo­ok, that she re­al­ly had no idea what might ha­ve be­co­me of mye be­yond the ghastly de­ta­ils in the pa­pers. Wor­se yet, he had ne­eded to ke­ep co­ming back to bre­ak mo­re news to her, as they fo­und mye's he­ad, then the shal­low gra­ve with most of her, and then the rest, and then the pla­ce whe­re she had be­en held and tor­tu­red, and so on, pla­ce af­ter pla­ce, na­me af­ter na­me to check with Amy's me­mory, un­til fi­nal­ly it had all led to not­hing. Amy's me­mory of things mye had sa­id or pe­op­le mye had in­t­ro­du­ced her to con­ta­ined no na­me they co­uld con­nect to that old Q-hut abo­ve Eag­le. No­ne of the sto­res whe­re the kni­ves had be­en pur­c­ha­sed, or the pla­ces mye's torn body had be­en dis­po­sed of, had rung any bell for Amy, and Amy se­emed to ha­ve be­en her only pub­lic fri­end (not co­un­ting the rest of the crowd, which had not known her at all ex­cept as a girl who sat next to Amy at TGIFs at The Lo­we­red Bar).

  In ret­ros­pect mye had be­en the re­al star of the crowd as far as Amy co­uld see, far mo­re in­te­res­ting than the da­ug­h­ter (and fa­vo­ri­te cha­rac­ter) of Bur­ton Gol­d­s­ba­ne, let alo­ne an il­lus­t­ra­tor for bi­ology and me­di­cal tex­t­bo­oks.

  Yet mye, half-el­ven, su­per­na­tu­ral­ly be­a­uti­ful, had me­rely hung aro­und shyly, gra­cing the cli­que wit­ho­ut the cli­que ever re­ali­zing it had be­en gra­ced; Amy was the only one who re­gu­larly cal­led mye and ma­de ti­me and ro­om for her. Per­haps that was why, when they fo­und mye's cell pho­ne in the gra­ve, only Amy's num­ber had be­en in its me­mory.

  She co­uld only as­su­me that mye must ha­ve had so­me en­ti­rely se­pa­ra­te, sec­ret li­fe over the bor­der, that fin­di
ng her so­ul (mye had a bed­s­he­et-si­zed pi­ece of pu­re whi­te li­nen) had ma­de her mis­be­ha­ve so­me­how in that ot­her world, and so­met­hing or so­me­one had pu­nis­hed her. Or may­be mye had be­en cho­sen for so­me dark sac­ri­fi­ce be­ca­use of so­met­hing abo­ut her so­ul. Or per­haps that it was all a co­in­ci­den­ce and it just hap­pe­ned that shortly af­ter fin­ding her so­ul, mye was in the wrong pla­ce at the wrong ti­me. But Amy had no way to know which it had be­en, and just be­ca­use she had be­en mye's only fri­end in no way im­p­li­ed that they had be­en clo­se fri­ends.

  Eventually she per­su­aded De­tec­ti­ve Ser­ge­ant Der­rick de Zo­os that she knew no mo­re than that, and he stop­ped cal­ling her-abo­ut that.

  Unfortunately, by then, Der­rick had ac­qu­ired anot­her in­te­rest in Amy en­ti­rely.

  Derrick re­al­ly was a very ni­ce guy, and the cards, the flo­wers, and the in­vi­ta­ti­ons we­re flat­te­ring. She just had to con­s­tantly re­mind her­self that she was not the sort of wo­man who da­ted cops, at le­ast not the kind who got se­ri­o­us abo­ut them (and if you we­re go­ing to da­te Der­rick de Zo­os, you'd ha­ve to get se­ri­o­us abo­ut him-he was that type). She co­uld not ima­gi­ne her­self sen­ding him out every day and won­de­ring if he wo­uld be shot at, or ha­ving mis­c­hi­evo­us pre­co­ci­o­us cop-kids who wor­s­hip­ped the­ir fat­her, or re­ti­ring to so­me be­ac­h­f­ront com­mu­nity so­mew­he­re whe­re they co­uld spend most of the­ir ti­me bar­be­cu­ing and go­ing to mo­vi­es.

  She wan­ted Der­rick to gi­ve up co­ur­ting her. But it had to be of his own ac­cord, be­ca­use she co­uldn't ha­ve bor­ne bluntly tel­ling him to go away (oh, tho­se big brown eyes wo­uld ha­ve be­en sad!) Be­si­des, her few ti­mes go­ing out with Der­rick had be­en fun, or at le­ast a wel­co­me bre­ak from han­ging out with her old col­le­ge fri­ends at The Lo­we­red Bar.

 

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