Ian Dury
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Rainbow Thief, The (film) ref1
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‘Razzle in My Pocket’ ref1
‘Reasons to Be Cheerful (Part Three)’ ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10
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Record Mirror ref1, ref2
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Endnotes
1 Ian took the name from The Bumblies, a 1950s BBC television puppet series for children, devised by Michael Bentine, an early star of The Goon Show. The Bumblies were triangular-shaped aliens known simply as One, Two and Three. Ian would have watched the programmes just prior to starting at the Royal Grammar School in 1954.
2 Professor J. R. Neave, known as ‘Ironfoot Jack’ on account of his metal-soled orthopaedic boots, was a lapsed academic who bought and sold household tat around Soho throughout the mid-twentieth century.
3 In 1998, Ian told the Independent ’s Deborah Ross: ‘I lost me virginity at fourteen on Upminster Common. Gorgeous it was.’
4A miniature 7 octave piano.
5 Breck was a make of shampoo.
6 Outside lavatories (venues that were no better than).
7 The Swan and Edgar Suite, which was never released and the tapes of which are lost, consisted of four songs: ‘Excuse Me’, ‘Personal Hygiene’, ‘Rags And Tatters’ and ‘The Piccadilly Menial’.
8 Axfords at 306 Vauxhall Bridge Road.
9 Ian later remarked that ‘Oi Oi’ was a pre-war chant at West Ham football ground, although he may have taken the catchphrase from veteran music hall and TV comedian Jimmy Wheeler, whose parting shot to audiences was: ‘Aye aye! That’s your lot!’
10 In 1980, popular comedians Peter Cook and Dudley Moore, as their alter egos Derek and Clive, would release an entire LP of conversational profanities, but back in 1977 it was hard to find a hit record containing the F-word. John Lennon’s song ‘Working Class Hero’ (1971) is the only other example that readily springs to mind. New Boots and Panties!! went several stages further.
11 James Brown shouts ‘Hit me!’ in his song ‘Ain’t That a Groove’, among others.
12 London International Financial Futures Exchange (LIFFE, pronounced life’).
13 Ian’s favourite quote about criminality was, in fact: ‘The criminal is the creative artist; the detective only the critic’ (G. K. Chesterton). He also liked: ‘A neurotic is a man who builds a castle in the air. A psychotic is the man who lives in it. A psychiatrist is the man who collects the rent’ (Jerome Lawrence).
14 ‘The Bus Driver’s Prayer’ is thought to have been written by the jazz pianist George Shearing, when he lived in London in the 1940s.
15 Other ‘castaways’ who have chosen records by Ian Dury on Desert Island Discs include: Sir Christopher Frayling, chairman of the Arts Council (‘Reasons to be Cheerful’); Sir Peter Blake (‘Don’t Ask Me’); Nick Danziger, photo-journalist (‘Hit Me with Your Rhythm Stick’); Suggs from Madness (‘Sex and Drugs and Rock and Roll’).
List of Plates
BILL AND PEGGY DURY (WITH BELLA THE SHEEPDOG) AT WEALD RISE, HARROW, 1940
LITTLE LORD UPMINSTER, 1945
ON THE BEACH: BARRY ANDERSON AND IAN, CORNWALL, 1948
KING OF THE HILL: CRANHAM, 1948
IN CAPE AND CALLIPER: CONQUERING ADVERSITY, CHAILEY, 1951
A TONIC FOR THE NATION: PEGGY AND IAN VISIT THE FESTIVAL OF BRITAIN ON LONDON’S SOUTH BANK, 1951
‘HE WAS A LITTLE BASKET THAT DAY’: BRIAN AND MARGARET DURY WITH IAN, SOUTHBOROUGH, 1951
THE LADDER OF LIFE: BILL VISITS IAN AT CHAILEY, 1951
AT THE PANTOMIME, 1953: (BACK ROW L–R) PEGGY, BILL, ELISABETH WALKER; (FRONT ROW L–R) IAN, BARRY ANDERSON, MARTIN WALKER, ROGER WALKER, LUCY WALKER
THE NEW BOY: ROYAL GRAMMAR SCHOOL, HIGH WYCOMBE, 1954
ELVIS HAS LANDED: RATHMULLAN, IRELAND, 1956
ROAMING RADICALS, NEWQUAY, 1960: (STANDING L–R) IAN, ‘PETE’, PAT FEW, WIZZ JONES
THE ‘COLLEGE BOY’: MAIDA VALE, LATE 1964
‘WE’RE ARTS AND CRAFTS’: IAN AT KARA LODGE, BEDFORD PARK, 1969
IAN’S POSTER FOR KILBURN AND THE HIGH ROADS, 1972, WITH PHOTOGRAPHS BY MICK HILL
EARLY KILBURNS, 1972: (L–R) RUSSELL HARDY, KEITH LUCAS, TERRY DAY, IAN, CHARLIE HART, HUMPHREY OCEAN
HUMPHREY STEPS OUT OF LINE; IAN GLOWERS, 1973: (L–R) RUSSELL HARDY, DAVID ROHOMAN, KEITH LUCAS, HUMPHREY OCEAN, IAN, DAVEY PAYNE
‘GENTLE, DISCIPLINED, SELF-CONTAINED’: IAN’S FIRST WIFE, BETTY (ELIZABETH RATHMELL)
THE SORCERER’S APPRENTICE: PETER BLAKE IS TRANSFIXED, BRISTOL, 1974
IAN WINDS DOWN AFTER A SWEAT-SOAKED PERFORMANCE, BRISTOL, 1974
STIFF’S STABLE OF STARS, 1977: (L–R) ELVIS COSTELLO, NICK LOWE, WRECKLESS ERIC, LARRY WALLIS, IAN DURY
IAN SUMMONS THE MUSE; GENE VINCENT HOVERS: OVAL MANSIONS, 1978
LIMOUSINE INTERIOR, NEW YORK CITY, 1978: (L–R) DENISE ROUDETTE, IAN, KOSMO VINYL, PEARL HARBOUR
QUIET REFLECTION: SITTARD, NETHERLANDS, 1978
‘
A LITTLE BIT OF TOMMY COOPER’, 1978
IAN WITH HIS NEW BOOTS AND PANTIES!! CO-WRITERS, STEPHEN NUGENT (LEFT) AND CHAZ JANKEL (RIGHT)
‘MINDING HIS MINDER’: IAN WITH FRED ‘SPIDER’ ROWE
KEEPING THE BLOCKHEADS IN LINE, 1978: (L–R) IAN, JOHNNY TURNBULL, MICKEY GALLAGHER, CHARLEY CHARLES, DAVEY PAYNE, NORMAN WATT-ROY, CHAZ JANKEL
TONIGHT’S PROP – THE INDOOR PLANT SPRAY: DUBLIN, 1979
PART PEARLY KING, PART PANTOMIME VILLAIN: IAN AT THE HEIGHT OF HIS FAME, DUBLIN, 1979
HE AIN’T HEAVY: SPIDER CARRIES IAN ONTO THE STAGE, DENMARK, 1981
WITH ‘MAGIC’ MIKE MCEVOY: IAN DRESSED UP FOR A ROYAL ACADEMY DINNER, 1983
‘BARNEY TOLD ME I’D BEEN A HORRIBLE PIECE OF WORK’: IAN WITH GRAPHICS GENIUS BARNEY BUBBLES, 1983
‘THE DRAMAS GOING ON BACKSTAGE WERE BETTER THAN THE SHOW’: IAN AND THE SULPHATE STRANGLER, HAMMERSMITH ODEON, 1984
‘A WELCOME DEFLECTION OF ATTENTION’: BELINDA LEITH RUBS SHOULDERS WITH IAN, 1984
‘THEY WANT ME TO HAVE A CIGAR’: IAN’S MOVIE DEBUT, ALONGSIDE WALTER MATTHAU IN PIRATES, 1986
PEGGY, SO PROUD OF IAN: AT AN APPLES AFTER-SHOW PARTY, 1989
BAXTER, JEMIMA AND IAN, HAMPSTEAD, 1994
DOMESTIC BLISS: BILL, ALBERT, IAN, HAMPSTEAD, 1997
UNICEF SPECIAL REPRESENTATIVES, 1998: (L–R) DAME VANESSA REDGRAVE, ALBERT, SOPHY, BILL, LORD BILL DEEDES, IAN
JEMIMA AND IAN, SHEPHERDS BUSH EMPIRE, 1999
MAGNIFICENT TO THE END: LONDON PALLADIUM, 6 FEBRUARY 2000
‘WE’RE GONNA HAVE IT PROPER’: IAN’S FUNERAL CORTÈGE IN HAMPSTEAD, 5 APRIL 2000
‘YOU’RE THE WHY’: THE BLOCKHEADS PAY AN EMOTIONAL TRIBUTE TO IAN AT GOLDERS GREEN CREMATORIUM
THE AUTHOR INTERROGATES MOLLY WALKER: IAN’S ‘AUNT MOLL’ – OVING, 2001