RED FOX

by Gerald Seymour

He would have few problems with this man. From the shelf he took a pencil and a scrap of paper on which had been written on one side the petrol purchases and additions of the car's owner.

  'We will not be long, 'Arrison. Stand still because it is not sensible that you move. Afterwards it will all be explained.'

  There was no response from the sagging trousers that he could see against the opened door. He began to write with the bold flourished hand that had been taught him by a teacher at the Secondary School of Pescara who prided herself on copperplate neatness. The words came quickly to the paper. There had been time enough on the train to formulate the demand that he would make.

  Communique 1 of the Nuclei Armati Proletaria, We hold prisoner the English multinational criminal, Geoffrey Harrison. All those who work for the multinational conspiracy, whether Italian or foreigners, are exploiters of the proletarian revolution, and are the opponents of the aspirations of the workers. The enemy Harrison is now held in a People's Prison. He will be executed at 09.00 CET, the 27th of this month, the day after tomorrow, unless the prisoner of war held in the regime concentration camp, Franca Tantardini, has been freed and flown out of Italy. There will be no further communiques, no further warnings. Unless Tantardini is freed from her torture the sentence will be carried out without mercy.

  In memory of Panicucci.

  Victory to the proletariat. Victory to the workers. Death and defeat to the borghese, the capitalists and the multinationalists.

  Nuclei Armati Proletaria.

  Giancarlo read over his words, screwing his eyes at the paper in the dim light. As Franca would have wanted it. She would be satisfied with him, well satisfied.

  "Arrison, do you have any paper, something that identifies you? An envelope, a driving licence?' He thrust the gun forward so that the weight of his message would be augmented, and accepted the thin hip wallet in return. Money there, but he ignored it, and drew out the plastic folder of credit cards. Euro-card, American Express, Diners Club. American Express was the one he coveted.

  'Perhaps you will get it back at sometime, 'Arrison. With this paper push it under the door. It is important for you that it is found early in the morning. Push it carefully and the card with it, that too is important.'

  Giancarlo folded the sheet of paper and wrote on the outside leaf in large capitals the letters of the symbol of the Nappisti. He handed the paper and the credit card to his prisoner and watched him bend to slide the two under the main door to the office of the mayor of Seminara.

  'You will drive now, 'Arrison, and you will be careful because I am watching you, and because I have the gun. I have killed three men to come this far, you should know that.'

  Giancarlo Battestini slid across into the passenger seat, vacating the driver's place for Geoffrey Harrison. Their stop in the centre of Seminara had delayed them little more than three minutes.

  In the rhythm of driving, the numbing shock wore away, chipped from the mind of Geoffrey Harrison.

  Neither attempted conversation, leaving Harrison free to absorb himself in the driving while in the darkness beside him the boy wrestled with the map folds and plotted their route and turnings. As the minutes went by the doldrums cleared from Harrison's thoughts. No explanation yet from the boy, everything left unsaid, unamplified. But he felt that he understood everything, had been given the signs which he now used as the text book of his assessment. The way the hand had gripped his wrist, that told him much, told him he was incarcerated and under guard. The pistol told him more, evidence of lightning attack, of a ferocity of purpose. There was the warning too, the warning in Seminara, spoken as if it were meant kindly. ' I have killed three men to come this far.' Three men dead that Harrison should drive in the warm night past signposts to towns he had not heard of, along the light-constricted visions of a road he had never before travelled on. A prisoner a second time. A hostage with a dropped note setting out terms of release.

  Yet he felt no fear of the gun and the youth with the bowed head beside him, because the capacity for terror had been exhausted. Devoid of impatience, he would wait for the promised explanation. Out beyond Laureana, racing alongside the dried-out river bed, Harrison forced the Fiat 127 away from the memories of the barn at Cosoleto and the men with their hoods and kicking boots and fouled shirts. Hours more till dawn, he reckoned. He had no complaint, only a dulled brain that was exerted by the need to hold the car on the road, the dipped lights on the verge. Only rarely did his attention waver, and when he turned he saw that the boy sat with his arms folded and that the pistol was cupped by an elbow and the barrel faced the space beneath his armpit.

  An hour down the road from Seminara, past the sign to Pizzo the silence broke. 'You don't have a cigarette, do you?' Harrison asked.

  ' I have only a very few.'

  Frank enough, thought Harrison, marking the bloody card.

  ' I haven't had one for a couple of days you know. I'd really like one.'

  ' I have only a very few,' the boy repeated.

  Harrison kept his eyes on the road. 'I don't ask what the hell's going on, I don't throw a fit. I wait to be told all about it in your own good sweet time. All I do is ask for a cigarette . . . '

  'You speak too fast for me, I do not understand.'

  Hiding, the little bastard, behind the language.

  ' I just said that perhaps we could share a cigarette.'

  'What do you mean?'

  ' I mean I could smoke it, and you could smoke it, and as we were doing that you could talk to me.'

  'We could both smoke the cigarette?'

  ' I've no known disease.'

  The boy reached into the breast pocket of his shirt, reluctant as a bloody Fagan, and from the corner of his eye Harrison saw the red packet emerge. Tight, wasn't he? Not what you'd call the generous type, not like you've hit one of the big spenders of whatever creepy scene this kid owned. Inside the car there was the flash of the igniting lighter, then the slow glow of the cigarette burning, tantalizing and close to him.

  'Thank you.' Harrison spoke out clearly.

  The boy passed the cigarette. First contact, first humanity.

  Harrison wrapped his lips on the filter end, pulled hard into his lungs and eased his foot on the accelerator.

  'Thank you.' Harrison spoke with feeling and nicotine smoke eddied inside the car's confines. 'Now it's your turn. There'll be nothing funny, I'll keep going, but it's you for the talking.

  Right?'

  Harrison looked quickly away from the road's illuminated markers and the direction lines, gave himself time to absorb the furrow of frown and concentration on the boy's face.

  'You should just drive,' and there was the first simmering of hostility.

  'Give me the cigarette again, please.' It was passed to him; one desperate intake, like the swill minutes in the pub back in England when the beers are on the counter and the landlord's calling for empty glasses. 'What's your name?'

  'Giancarlo.'

  'And your other name, what's that, Giancarlo T Harrison spoke as if the question were pure conversation, as if the answer carried only trivial importance.

  'You have no need to know that.'

  'Please yourself. I'll call you Giancarlo. I'm Geoffrey . .

  ' I know what your name is. It is 'Arrison. I know your name.'

  Brutal going. Like running up a bloody sandhill. Remember the shooter, if you don't want the ketchup running out of your armpit.

  'How far are you going to want me to drive, Giancarlo?'

  'You must drive to Rome.' Uncertainty in the boy's voice.

  Unwilling to be pulled through the wet clothes wringer with his plan.

  'How far's Rome?'

  'Perhaps eight hundred kilometres.'

  'Jesus . . .'

  'You will drive all the time. We will only stop when the day comes.'

  ' It's a hell of a way. Aren't you taking a turn?'

  ' I watch you, and the gun watches you. Eh, 'Arrison.' The boy mocked him.

 
' I'm not forgetting the gun, Giancarlo. Believe me, I'm not forgetting it.' Start again, try another route, Geoffrey. 'But you're going to have to talk to me, otherwise I'll be asleep. If that happens it's the ditch for all of us. Harrison, Giancarlo and his pistol, all going to be wrapped round the ditch. We're going to have to find something to talk about.'

  'You are tired ?' A query. Anxiety. Something not considered.

  'Not exactly fresh.' Harrison allowed a flicker of sarcasm. 'We should talk, about yourself for starters.'

  The car bounced and veered on the uneven road surface. Even the autostrada, the pride of a motoring society, was in a creeping state of disrepair. The last time the section had been resurfaced the contractor had paid heavily in contributions to the men in smart suits who interested themselves in such projects. For the privilege of moving machines and men into the district he had cut hard into his profit margins. Economies had been made in the depth of the newly laid tarmac which the winter rains had bitten.

  Harrison clung to the wheel.

  ' I told you my name is Giancarlo.'

  'Right.' Harrison did not turn from the windscreen and the road in front. The smells of the two mingled closely till they were inseparable, unifying them.

  ' I am nineteen years old.'

  'Right.'

  ' I am not from these parts, nor from Rome.'

  No need any more for Harrison to respond. The flood-gates were breaking and the atmosphere in the little car ensured it.

  ' I am a fighter, 'Arrison. I am a fighter for the rights and aspirations of the proletariat revolution. In our group we fight against the corruption and rottenness of our society. You live here and you know what you see with your eyes, you are a part of the scum, 'Arrison. You come from the multinational, you control workers here, but you have no commitment to the Italian workers. You are a leech to them.'

  Try and comprehend him, Geoffrey, because it's not the time for argument.

  'We have seen the oppression of the gangsters of the Democrazia Cristiana and we fight to destroy them. The communists who should be the voice of the workers are in the DC pockets.'

  The boy shook as he spoke, as if the very words caused him pain.

  ' I understand what you say, Giancarlo.'

  'On the day that you were taken in Rome by those Calabresi pigs, I was with the leader of our cell. We were ambushed by the polizia. They took our leader, took her away in their chains and with their guns round her. There was another man with us -

  Panicucci. Not of our ideology at first, but recruited and loyal, loyal as a fighting lion. They shot Panicucci like a dog.'

  'Where were you, Giancarlo?'

  'Far across the street. She had told me to bring the newspapers.

  I was too far from her. I could not help .. .'

  'I understand.' Harrison spoke softly, tuned to the failure of the boy. He should not humiliate him.

  ' I could not help, I could do nothing.'

  And soon the little bastard will be crying, thought Harrison.

  If the gun wasn't at his ribcage, Geoffrey Harrison would have been laughing fit to bust. Saga of bloody heroism. Away across the road buying newspapers, what sort of medal do you get for that one? Driving hard past the road to Vibo Valentia, hammering over the bridge and the low reflected waters of the drought-starved Mesima river.

  'The one you call the leader, tell me about her.'

  'She is Franca. She is a lovely woman, 'Arrison. She is a lady.

  Franca Tantardini. She is our leader. She hates them and she fights them. They will torture her in the name of their shitty democratic state. They are bastards and they will hurt her.'

  'And you love this girl, Giancarlo?'

  That deflated the boy, seemed to prick him where the gas was densest.

  ' I love her,' Giancarlo whispered. ' I love her, and she loves me too. We have been together in the bed.'

  ' I know how you feel, Giancarlo. I understand you.'

  Bloody liar, Geoffrey. When did you last love a woman? How long? Not that recently, not last week. Bloody liar. In the early days with Violet, that was something like love, wasn't it? Something like i t . . .

  'She is beautiful. She is a real woman. Very beautiful, very strong.'

  ' I understand, Giancarlo.'

  ' I will liberate her from them.'

  The car swerved on the road, swung out into the fast lane to-

  wards the crash barriers. Harrison's hands had tightened on the wheel, his arms had stiffened and were unresponsive, clumsy.

  'You are going to liberate her?'

  'Together we are going to liberate her, 'Arrison.'

  Harrison stared, eyes gimlet clear, out on to the ever diminishing road in his lights. Pinch yourself, kick your arse. Push the bedclothes off and get dressed. Just a bloody nightmare. It has to be.

  He knew the answer, but he asked the question.

  'How are we going to do it, Giancarlo?'

  'You sit with me, 'Arrison. We sit together. They will give me back my Franca and I will give you back to them.'

  ' It doesn't work like that. Not any m o r e . . . not after Moro . . . '

  'You have to hope it is like that.' The cold back in his voice, the ice chill that the boy could summon from the high ground.

  'Not after the Moro business. They showed it t h e n . . . they don't bend. No negotiation.'

  'Then it is bad for you, 'Arrison.'

  'Where were you when Moro was done?'

  'At the University of Rome.'

  ' . . . and weren't there any bloody newspapers there?'

  ' I know what happened.'

  Harrison felt his control sliding, and fought it. His eyes were no longer on the road, his head was swung towards the boy.

  Noses, faces, unshaven cheeks, mouth breath, all barely separated.

  ' If that's your plan it's lunatic.'

  'That is my plan.'

  'They won't give in, a child can see that.'

  'They will surrender because they are weak and soft, fattened by their excesses. They cannot win against the might of the proletariat. They cannot resist the revolution of the workers.

  When we have destroyed the system they will talk of this day.'

  God, how do you tell him? Harrison said quietly, chopping his words with emphasis. 'They won't give in . . .'

  The boy screamed, 'If they do not return her to me than I kill you.' The wail of the cornered mountain cat, and the spittle flecked Giancarlo's chin.

  'Please yourself then.'

  Wasn't true, wasn't real, not happening to Geoffrey Harrison.

  He had to escape from it, had to find a freedom from the snarling hatred.

  Harrison swung the car hard to the right, stamped his foot on the brake, whistled to himself in tune with the tyre screech, and wrenched the car to a halt. The pistol was at his neck, nestled against the vein that ran behind his ear lobe.

  'Start again,' Giancarlo hissed.

  'Drive yourself,' Harrison muttered, sliding back in his seat, folding his arms across his chest.

  'Drive or I will shoot you ..

  'That's your choice.'

  'Listen, 'Arrison. Listen to what I say.' The mouth was close to his ear, competing for proximity with the gun barrel, and the breath was hot and gusting in the boy's anger. 'At Seminara, at the town hall, I left a message. It was a communique in the name of the Nuclei Armati Proletaria. It will be read with care when it is found, when the first people come in the morning. With the message is your card. They will know that I have you, and later in the morning the barn will be found. It will confirm also that I have taken you when they find the bodies. I have no more need of you, 'Arrison. I have no more need of you while they think that I hold you. Am I clear?'

  So why doesn't he do it, Harrison wondered. Not scruple, not compassion. Didn't know and didn't ask. The gun was harder against his skin and the defiance sagged. Not going to call the bluff, are you, Geoffrey? Harrison engaged the gears, flicked the ignition key, and coast
ed away.

  They would talk again later, but not now, not for many minutes. Giancarlo lit another cigarette and did not share it.

  Where the carabinieri lay close to the two-storey villa of Antonio Mazzotti they could hear without difficulty the stumbling account of the woman close to hysteria at the front door of the house. She wore a cotton shift dress and a cardigan round her shoulders and rubber boots on her feet as if she had dressed in haste, and the man she spoke with displayed his pyjama trousers beneath his dressing-gown. There had been a brief pause when Mazzotti disappeared inside leaving the woman alone with her face bathed in light, so that the carabinieri who knew the district and its people could recognize her. When Mazzotti came again to the door he was dressed and carried a double-barrelled shotgun.

  As they hurried down the road and on to the wood path the woman had clung to Mazzotti's arm and the volume of her tale in his ear had covered the following footsteps of the men in camouflage uniforms. She had heard shots from the barn and knew her husband had work there that night, she knew he stayed at the barn for Signor Mazzotti. Of what she had seen there she could not speak and her wailing roused the village dogs.

  Mazzotti made no attempt to silence her, as if the enormity of what she described had stunned and shaken him.

  When the carabinieri entered the barn the woman was prostrate on the body of her husband, her arms cradling the viciously wounded head, her face pressed to the coin-sized exit wound in his temple. Mazzotti, isolated by the flashlights, had dropped his shotgun to the earth floor. More light poured into the musty room and searched out the second body owning a face contorted by surprise and terror. Men had been left to guard the building till dawn while the capitano hurried with his prisoners to their jeeps.

  Within minutes of arriving at the Palmi barracks, the officer had telephoned to Rome, prised the home number of Giuseppe Carboni from an argumentative night clerk, and was speaking to the policeman in his suburban flat.

  Twice Carboni asked the same question, twice he received the same deadening answer.

  'There was a chain from a roof beam with part of a handcuff attached. That is the place the Englishman could have been held, but he was not there when we came.'