He died, and left the kingdom to his sons, who reigned with various fortunes, but were not long-lived, and left no offspring, so that Elidure was again advanced to the throne, and finished the course of his life in just and virtuous actions, receiving the name of THE PIOUS, from the love and admiration of his subjects.
Wordsworth has taken the story of Artegal and Elidure for the subject of a poem, which is No. 2 of "Poems founded on the Affections."
LUD
After Elidure, the Chronicle names many kings, but none of special note, till we come to Lud, who greatly enlarged Trinovant, his capital, and surrounded it with a wall. He changed its name, bestowing upon it his own, so that henceforth it was called Lud's town, afterwards London. Lud was buried by the gate of the city called after him Ludgate. He had two sons, but they were not old enough at the time of their father's death to sustain the cares of government, and therefore their uncle, Caswallaun, or Cassibellaunus, succeeded to the kingdom. He was a brave and magnificent prince, so that his fame reached to distant countries.
CASSIBELLAUNUS
About this time it happened (as is found in the Roman histories) that Julius Caesar, having subdued Gaul, came to the shore opposite Britain. And having resolved to add this island also to his conquests, he prepared ships and transported his army across the sea, to the mouth of the River Thames. Here he was met by Cassibellaun with all his forces, and a battle ensued, in which Nennius, the brother of Cassibellaun, engaged in single combat with Csesar. After several furious blows given and received, the sword of Caesar stuck so fast in the shield of Nennius that it could not be pulled out, and the combatants being separated by the intervention of the troops Nennius remained possessed of this trophy. At last, after the greater part of the day was spent, the Britons poured in so fast that Caesar was forced to retire to his camp and fleet. And finding it useless to continue the war any longer at that time, he returned to Gaul.
Shakspeare alludes to Cassibellaunus, in "Cymbeline":
"The famed Cassibelan, who was once at point
(O giglot fortune!) to master Caesar's sword,
Made Lud's town with rejoicing fires bright,
And Britons strut with courage."
KYMBELINUS, OR CYMBELINE
Caesar, on a second invasion of the island, was more fortunate, and compelled the Britons to pay tribute. Cymbeline, the nephew of the king, was delivered to the Romans as a hostage for the faithful fulfilment of the treaty, and, being carried to Rome by Caesar, he was there brought up in the Roman arts and accomplishments. Being afterwards restored to his country, and placed on the throne, he was attached to the Romans, and continued through all his reign at peace with them. His sons, Guiderius and Arviragus, who made their appearance in Shakspeare's play of "Cymbeline," succeeded their father, and, refusing to pay tribute to the Romans, brought on another invasion. Guiderius was slain, but Arviragus afterward made terms with the Romans, and reigned prosperously many years.
ARMORICA
The next event of note is the conquest and colonization of Armorica, by Maximus, a Roman general, and Conan, lord of Miniadoc or Denbigh-land, in Wales. The name of the country was changed to Brittany, or Lesser Britain; and so completely was it possessed by the British colonists, that the language became assimilated to that spoken in Wales, and it is said that to this day the peasantry of the two countries can understand each other when speaking their native language.
The Romans eventually succeeded in establishing themselves in the island, and after the lapse of several generations they became blended with the natives so that no distinction existed between the two races. When at length the Roman armies were withdrawn from Britain, their departure was a matter of regret to the inhabitants, as it left them without protection against the barbarous tribes, Scots, Picts, and Norwegians, who harassed the country incessantly. This was the state of things when the era of King Arthur began.
The adventure of Albion, the giant, with Hercules is alluded to by
Spenser, "Faery Queene," Book IV., Canto xi:
"For Albion the son of Neptune was;
Who for the proof of his great puissance,
Out of his Albion did on dry foot pass
Into old Gaul that now is cleped France,
To fight with Hercules, that did advance
To vanquish all the world with matchless might:
And there his mortal part by great mischance
Was slain."
CHAPTER III
MERLIN
Merlin was the son of no mortal father, but of an Incubus, one of a class of beings not absolutely wicked, but far from good, who inhabit the regions of the air. Merlin's mother was a virtuous young woman, who, on the birth of her son, intrusted him to a priest, who hurried him to the baptismal fount, and so saved him from sharing the lot of his father, though he retained many marks of his unearthly origin.
At this time Vortigern reigned in Britain. He was a usurper, who had caused the death of his sovereign, Moines, and driven the two brothers of the late king, whose names were Uther and Pendragon, into banishment. Vortigern, who lived in constant fear of the return of the rightful heirs of the kingdom, began to erect a strong tower for defence. The edifice, when brought by the workmen to a certain height, three times fell to the ground, without any apparent cause. The king consulted his astrologers on this wonderful event, and learned from them that it would be necessary to bathe the corner-stone of the foundation with the blood of a child born without a mortal father.
In search of such an infant, Vortigern sent his messengers all over the kingdom, and they by accident discovered Merlin, whose lineage seemed to point him out as the individual wanted. They took him to the king; but Merlin, young as he was, explained to the king the absurdity of attempting to rescue the fabric by such means, for he told him the true cause of the instability of the tower was its being placed over the den of two immense dragons, whose combats shook the earth above them. The king ordered his workmen to dig beneath the tower, and when they had done so they discovered two enormous serpents, the one white as milk the other red as fire. The multitude looked on with amazement, till the serpents, slowly rising from their den, and expanding their enormous folds, began the combat, when every one fled in terror, except Merlin, who stood by clapping his hands and cheering on the conflict. The red dragon was slain, and the white one, gliding through a cleft in the rock, disappeared.
These animals typified, as Merlin afterwards explained, the invasion of Uther and Pendragon, the rightful princes, who soon after landed with a great army. Vortigern was defeated, and afterwards burned alive in the castle he had taken such pains to construct. On the death of Vortigern, Pendragon ascended the throne. Merlin became his chief adviser, and often assisted the king by his magical arts.
"Merlin, who knew the range of all their arts,
Had built the King his havens, ships and halls."
—Vivian.
Among other endowments, he had the power of transforming himself into any shape he pleased. At one time he appeared as a dwarf, at others as a damsel, a page, or even a greyhound or a stag. This faculty he often employed for the service of the king, and sometimes also for the diversion of the court and the sovereign.
Merlin continued to be a favorite counsellor through the reigns of Pendragon, Uther, and Arthur, and at last disappeared from view, and was no more found among men, through the treachery of his mistress, Viviane, the Fairy, which happened in this wise.
Merlin, having become enamoured of the fair Viviane, the Lady of the Lake, was weak enough to impart to her various important secrets of his art, being impelled by fatal destiny, of which he was at the same time fully aware. The lady, however, was not content with his devotion, unbounded as it seems to have been, but "cast about," the Romance tells us, how she might "detain him for evermore," and one day address
ed him in these terms: "Sir, I would that we should make a fair place and a suitable, so contrived by art and by cunning that it might never be undone, and that you and I should be there in joy and solace." "My lady," said Merlin, "I will do all this." "Sir," said she, "I would not have you do it, but you shall teach me, and I will do it, and then it will be more to my mind." "I grant you this," said Merlin. Then he began to devise, and the damsel put it all in writing. And when he had devised the whole, then had the damsel full great joy, and showed him greater semblance of love than she had ever before made, and they sojourned together a long while. At length it fell out that, as they were going one day hand in hand through the forest of Breceliande, they found a bush of white-thorn, which was laden with flowers; and they seated themselves under the shade of this white-thorn, upon the green grass, and Merlin laid his head upon the damsel's lap, and fell asleep. Then the damsel rose, and made a ring with her wimple round the bush, and round Merlin, and began her enchantments, such as he himself had taught her; and nine times she made the ring, and nine times she made the enchantment, and then she went and sat down by him, and placed his head again upon her lap.
"And a sleep
Fell upon Merlin more like death, so deep
Her finger on her lips; then Vivian rose,
And from her brown-locked head the wimple throws,
And takes it in her hand and waves it over
The blossomed thorn tree and her sleeping lover.
Nine times she waved the fluttering wimple round,
And made a little plot of magic ground."
—Matthew Arnold.
And when he awoke, and looked round him, it seemed to him that he was enclosed in the strongest tower in the world, and laid upon a fair bed. Then said he to the dame: "My lady, you have deceived me, unless you abide with me, for no one hath power to unmake this tower but you alone." She then promised she would be often there, and in this she held her covenant with him. And Merlin never went out of that tower where his Mistress Viviane had enclosed him; but she entered and went out again when she listed.
After this event Merlin was never more known to hold converse with any mortal but Viviane, except on one occasion. Arthur, having for some time missed him from his court, sent several of his knights in search of him, and, among the number, Sir Gawain, who met with a very unpleasant adventure while engaged in this quest. Happening to pass a damsel on his road, and neglecting to salute her, she revenged herself for his incivility by transforming him into a hideous dwarf. He was bewailing aloud his evil fortune as he went through the forest of Breceliande, when suddenly he heard the voice of one groaning on his right hand; and, looking that way, he could see nothing save a kind of smoke, which seemed like air, and through which he could not pass. Merlin then addressed him from out the smoke, and told him by what misadventure he was imprisoned there. "Ah, sir!" he added, "you will never see me more, and that grieves me, but I cannot remedy it; I shall never more speak to you, nor to any other person, save only my mistress. But do thou hasten to King Arthur, and charge him from me to undertake, without delay, the quest of the Sacred Graal. The knight is already born, and has received knighthood at his hands, who is destined to accomplish this quest." And after this he comforted Gawain under his transformation, assuring him that he should speedily be disenchanted; and he predicted to him that he should find the king at Carduel, in Wales, on his return, and that all the other knights who had been on like quest would arrive there the same day as himself. And all this came to pass as Merlin had said.
Merlin is frequently introduced in the tales of chivalry, but it is chiefly on great occasions, and at a period subsequent to his death, or magical disappearance. In the romantic poems of Italy, and in Spenser, Merlin is chiefly represented as a magical artist. Spenser represents him as the artificer of the impenetrable shield and other armor of Prince Arthur ("Faery Queene," Book I., Canto vii.), and of a mirror, in which a damsel viewed her lover's shade. The Fountain of Love, in the "Orlando Innamorata," is described as his work; and in the poem of "Ariosto" we are told of a hall adorned with prophetic paintings, which demons had executed in a single night, under the direction of Merlin.
The following legend is from Spenser's "Faery Queene," Book III.,
Canto iii.:
CAER-MERDIN, OR CAERMARTHEN (IN WALES), MERLIN'S TOWER, AND THE IMPRISONED FIENDS.
"Forthwith themselves disguising both, in straunge
And base attire, that none might them bewray,
To Maridunum, that is now by chaunge
Of name Caer-Merdin called, they took their way:
There the wise Merlin whylome wont (they say)
To make his wonne, low underneath the ground
In a deep delve, far from the view of day,
That of no living wight he mote be found,
Whenso he counselled with his sprights encompassed round.
"And if thou ever happen that same way
To travel, go to see that dreadful place;
It is a hideous hollow cave (they say)
Under a rock that lies a little space
From the swift Barry, tombling down apace
Amongst the woody hills of Dynevor;
But dare not thou, I charge, in any case,
To enter into that same baleful bower,
For fear the cruel fiends should thee unwares devour.
"But standing high aloft, low lay thine ear,
And there such ghastly noise of iron chains
And brazen cauldrons thou shalt rumbling hear,
Which thousand sprites with long enduring pains
Do toss, that it will stun thy feeble brains;
And oftentimes great groans, and grievous stounds,
When too huge toil and labor them constrains;
And oftentimes loud strokes and ringing sounds
From under that deep rock most horribly rebounds.
"The cause some say is this. A little while
Before that Merlin died, he did intend
A brazen wall in compas to compile
About Caermerdin, and did it commend
Unto these sprites to bring to perfect end;
During which work the Lady of the Lake,
Whom long he loved, for him in haste did send;
Who, thereby forced his workmen to forsake,
Them bound till his return their labor not to slack.
"In the mean time, through that false lady's train,
He was surprised, and buried under beare,
He ever to his work returned again;
Nathless those fiends may not their work forbear,
So greatly his commandement they fear;
But there do toil and travail day and night,
Until that brazen wall they up do rear.
For Merlin had in magic more insight
Than ever him before or after living wight."
[Footnote: Buried under beare. Buried under something which enclosed him like a coffin or bier.]
CHAPTER IV
ARTHUR
We shall begin our history of King Arthur by giving those particulars of his life which appear to rest on historical evidence; and then proceed to record those legends concerning him which form the earliest portion of British literature.
Arthur was a prince of the tribe of Britons called Silures, whose country was South Wales, the son of Uther, named Pendragon, a tit
le given to an elective sovereign, paramount over the many kings of Britain. He appears to have commenced his martial career about the year 500, and was raised to the Pendragonship about ten years later. He is said to have gained twelve victories over the Saxons. The most important of them was that of Badon, by some supposed to be Bath, by others Berkshire. This was the last of his battles with the Saxons, and checked their progress so effectually, that Arthur experienced no more annoyance from them, and reigned in peace, until the revolt of his nephew Modred, twenty years later, which led to the fatal battle of Camlan, in Cornwall, in 542. Modred was slain, and Arthur, mortally wounded, was conveyed by sea to Glastonbury, where he died, and was buried. Tradition preserved the memory of the place of his interment within the abbey, as we are told by Giraldus Cambrensis, who was present when the grave was opened by command of Henry II. about 1150, and saw the bones and sword of the monarch, and a leaden cross let into his tombstone, with the inscription in rude Roman letters, "Here lies buried the famous King Arthur, in the island Avalonia." This story has been elegantly versified by Warton. A popular traditional belief was long entertained among the Britons, that Arthur was not dead, but had been carried off to be healed of his wounds in Fairy-land, and that he would reappear to avenge his countrymen and reinstate them in the sovereignty of Britain. In Warton's "Ode" a bard relates to King Henry the traditional story of Arthur's death, and closes with these lines.
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