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The Physiognomy

Page 26

by Jeffrey Ford


  Quismal could obviously feel the spirit of the place, for he overcame his usual lethargy and was actually skittish at times, prancing to this side or that, whinnying at the sight of birds and rabbits. I stayed low on his back, trying to present as slight a spectacle as possible to anyone or anything that might be watching. When we would move across a clearing that held no grass, I more than once saw paw tracks in the soft dry dirt that I knew were too large to be Wood’s. In the late afternoon, I saw something moving through tall grass about a quarter of a mile to the west and was almost certain it had a silver-gray coat. As I continued deeper into the heart of the plain, I had the sickening realization that they were probably encircling me, waiting for nightfall.

  It was twilight when I first caught sight of the city’s jagged silhouette in the distance. The few remaining spires, the blasted outer wall, and the crumbled buildings appeared all together like the fossil of an ancient behemoth that had fallen from the sky. The shaft of the crystal tower that had been the Top of the City glimmered like a diamond eye in the setting sun. I could not help but think that it could see me returning. For a moment, I forgot about the horrors that had been perpetrated there and experienced a brief wave of nostalgia. I had spent my youth there, had risen to power, learned my gravest lesson there. I reached into my coat and retrieved the green veil. I could not deceive myself that I had come solely to save my neighbors.

  As I gauged by the position of the sun how long I had until nightfall, I noticed three birds moving through the sky from the direction of the ruins. At first, I took them to be crows or hawks, but then the last of the sun touched them and they glistened like splinters thrown off from the remains of the crystal tower. I needed no more of an indication than those brief sparks of light to know exactly what breed of bird they were. I reached back and brought up the crossbow. As soon as I had the quiver of arrows slung across my back, I leaned forward and pleaded for Quismal to run. He must have felt my fear, because, to my astonishment, he actually began to canter.

  By the time he achieved a gallop, the first of the metallic birds had begun to spiral down toward us. I pulled hard on the reins from left to right, directing the horse in a zigzag pattern while all the time watching the deadly mechanism in its descent. As if it had intelligence, it stayed with us as we fled erratically across the plain. When it was no more than a hundred yards above, it hovered for a second and then simply plummeted like a stone dropped from a cliff. It missed us by less than ten yards and upon impact with the ground exploded with an intensity that threw earth and rock high into the air, nearly knocking me out of the saddle. We had narrowly escaped, but the blast frightened Quismal back into his usual apathy. He hobbled a few more steps and came to an abrupt stop.

  The second and third of the flying bombs began to circle downward toward us as I pleaded for the horse to move. In the space of ten seconds, I had called him everything from the noblest creature that had ever lived to the essence of equine genius, but it was clear he had become a living statue. I had no choice but to abandon him and run. When I leaped to the ground, Below’s chrome messengers of death had begun their free fall. I sprinted fifty yards in little more than the time it might have taken to sign my name and then dived onto the earth. Shielding my eyes, I looked back just in time to see poor Quismal come apart at the seams like a bursting flagon of wine. The roar and shock wave rolled over me as hooves and entrails showered down in a twenty-yard radius from where he had once stood.

  The fear I had worked so hard to keep in abeyance now spread through me—an ice that formed with the speed of fire. I thought nothing as I ran headlong toward the ruins. When I finally stopped to catch my breath, I realized that night had fallen. I immediately set about arming the crossbow, but before I could engage an arrow, something came bounding out of the dark. There was not even time to be startled. Never did I think I would be so happy to see the black dog. He trotted over and sat at my feet.

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  About the Author

  Jeffrey Ford is the author of the novels Vanitas, The Physiognomy, Memoranda, The Beyond, The Portrait of Mrs. Charbuque, The Girl in the Glass, The Cosmology of the Wider World, and The Shadow Year. His story collections are The Fantasy Writer’s Assistant, The Empire of Ice Cream, The Drowned Life, and Crackpot Palace. Ford has published over one hundred short stories, which have appeared in numerous journals, magazines, and anthologies, from the Magazine of Fantasy & Science Fiction to The Oxford Book of American Short Stories. He is the recipient of the World Fantasy Award, the Nebula Award, the Shirley Jackson Award, the Edgar Award, France’s Grand Prix de l’Imaginaire, and Japan’s Hayakawa’s SF Magazine Reader’s Award.

  Ford’s fiction has been translated into twenty languages. In addition to writing, he has been a professor of literature and writing for thirty years and has been a guest lecturer at the Clarion Writers’ Workshop, the Stone Coast MFA in Creative Writing Program, Richard Hugo House in Seattle, and the Antioch Writers’ Workshop. Ford lives in Ohio and currently teaches at Ohio Wesleyan University.

  All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.

  This is a work of fiction. Names, characters, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

  Copyright © 1997 by Jeffrey Ford

  “Introduction to the New Edition of the Well-Built City Trilogy” copyright © 2008 by Jeffrey Ford

  Cover design by Jamie Keenan

  ISBN: 978-1-4532-9351-5

  This edition published in 2015 by Open Road Integrated Media, Inc.

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