The Woman Who Had Imagination
Page 22
“Who bought the guns?”
“A little whippet of a woman with a bicycle,” they were told.
Meanwhile she herself was riding into open country. There, larks were carolling, blackthorn stretched like silken lace upon dark twigs. Sun-shine warmed and illumined everything. Often her bicycle bell flashed up a silver beam which dazzled her.
The guns were heavy. In spite of her sixty-five years she bicycled tirelessly, walking only at the hills. She would, at intervals, glance round in order to satisfy herself that the guns were safe.
She alighted, eventually, at the gates of a small house flanked on all sides by woodland. A dog began barking joyously. No other sign of life, except the yellow bill of a blackbird flying among the thorn, greeted her. The woods seemed to impose upon the house a great silence.
Carrying the doctor’s guns under one arm and the umbrella beneath the other, she entered the house. Entering her drawing-room she set the guns on a table and sat down a trifle wearily. Then she existed for a few moments in a state of tranquil, entranced repose. Through the window was visible a green riding, where some young rabbits were hopping to and fro. She kept her eyes fixed upon this, aware, apparently, of nothing else.
Soon, however, a kind of curiosity awoke in her. She aroused herself and unlatching the gun-case, took a long look at the slender barrels, the en-graved breaches, the shining stocks, smooth as walnut to her touch. To her these instruments of death were, like snakes, terrifying and fascinating. They seemed too, incredibly costly. Furthermore she did not understand them and trying to afix them, she failed hopelessly. As for shooting with them, she had never fired a shot in her life. A gun-shot close at hand would cause her heart, like an imprisoned creature, to hurl itself at the walls of her breast.
And so sometimes the faintest sense of misgiving or of guiltiness at the thought of her thirty-five pounds would make her ask herself why she had bought them.
She had bought them, in the words of the auctioneer, as a memento of her friend, the doctor.
Twenty years before he had torn his foot in a poacher’s trap and had dragged himself along the riding to her house. Gruff and laconic, he had instructed her how to tend his wound. Bewildered and affrighted, she had managed the dressing badly, and apparently only a glass of sherry had succeeded in soothing his pain and temper.
Subsequently, once a week, for twenty years, he had appeared in the riding with his dogs, or on horseback. In the shooting season he often brought for her a brace of pheasants or snipe, or failing these, a young hare.
Cursory exchanges about the weather, birds, creatures of the woods he had under observation, his dogs and his horse—very little more than this had passed between them. She had, at first, cherished some thoughts of marriage, but she had discovered his principles and had stifled these notions abruptly. Whenever he came she gave him a glass of sherry.
She had grown very fond of him. His personality had unfolded itself before her like a tapestry, rough, gloomy, picturesque, the threads of his stoicism, his atheism, his love, his moodiness woven to a fabric which was for her indestructible in its nobility and strength.
Finally, at his death, she had awoken suddenly to the realisation that she possessed nothing, except the ephemeral pictures of memory, by which to remember him. What property he had besides his dogs, his horse and his guns she did not know. She was faced with a problem. A clause in the Will, however, solved it for her, and when the horse and the dogs had been destroyed, she began to go about with nothing but the thought of guns in her head.
To-day she had satisfied herself. She had purchased, for an incredible sum, the privilege of cherishing two objects which, in use or out of use, repelled and terrified her. She could not couple them. She could not fire them off. It taxed her strength even to lift them.
As she stood above them, however, she was at rest, more than guilty, and she felt in her unobtrusive way triumphant. Suddenly she ran her fingers over the smooth metal and wood and velvet, and then closed the box. Presently she rang a bell. Her only servant, Kathleen, appeared.
“Kathleen,” she said, “I want you to go upstairs, and open all the doors for me as I come.”
The girl retired, and upstairs, along passages, up more stairs, the woman followed her struggling with the gun-case.
“That will do,” she said presently, and she was panting.
She entered a small room, and when the girl had vanished set the guns on the floor and knelt beside them. Now the beat of her heart, after the long climb, was painful. When it subsided repose fell lightly upon her again, and she opened the gun-case, and taking out a barrel, used it as the auctioneer had done for a telescope.
From the window, for a moment or two, she enjoyed a miniature view of the spring woods, the lovely riding, the white gate through which her friend the doctor had always come.
But shortly, as if fatigued by it all, she snapped down the lid, and pulling out the heavy drawer of a chest bestowed the guns beneath a confusion of disused, camphorated linen, and locked the drawer with a small key.
Having descended again, she said: “I will have tea now. Against the window,” she added.
As she waited, fixing her gaze, as if through long custom, upon the green track parting the woodland, she became tranquil again, thinking. And it gratified her deeply to think that no farmer or keeper had bought the guns and that no other hand would ever fondle them or take aim with them at a living creature.
Some young rabbits hopped out upon the grass. In future whenever she saw a rabbit, a pheasant, or a hare, she would be reminded of him. And now, touched at the appearance of the rabbits, she began to cry. Her tears were small, light, like a child’s beads, and they bounced off her cheeks.
But suddenly she ceased to cry. She seemed to realise abruptly that tears would not immortalise her remembrance or express her strange, half-triumphant joy.
“What nonsense!” she thought.
And when the servant brought in her tea she was sitting upright, sunk into tranquillity, and nothing remained to indicate that she had just come through the ordeal of hiding away the very soul of that godless stoic, that bluff sportsman, that most lovable man, her friend the doctor.
A Note on the Author
H. E. Bates was born in 1905 in the shoe-making town of Rushden, Northamptonshire, and educated at Kettering Grammar School. After leaving school, he worked as a reporter and as a clerk in a leather warehouse.
Many of his stories depict life in the rural Midlands, particularly his native Northamptonshire, where he spent many hours wandering the countryside.
His first novel, The Two Sisters (1926) was published by Jonathan Cape when he was just twenty. Many critically acclaimed novels and collections of short stories followed.
During WWII he was commissioned into the RAF solely to write short stories, which were published under the pseudonym “Flying Officer X”. His first financial success was Fair Stood the Wind for France (1944), followed by two novels about Burma, The Purple Plain (1947) and The Jacaranda Tree (1949) and one set in India, The Scarlet Sword (1950). Other well-known novels include Love for Lydia (1952) and The Feast of July (1954).
His most popular creation was the Larkin family which featured in five novels beginning with The Darling Buds of May in 1958. The later television adaptation was a huge success.
Many other stories were adapted for the screen, the most renowned being The Purple Plain (1947) starring Gregory Peck, and The Triple Echo (1970) with Glenda Jackson and Oliver Reed.
H. E. Bates married in 1931, had four children and lived most of his life in a converted granary near Charing in Kent. He was awarded the CBE in 1973, shortly before his death in 1974.
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www.bloomsbury.com/HEBates.
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This electronic edition published in 2015 by Bloomsbury Reader
Bloomsbury Reader is a division of Bloomsbury Publishing Plc, 50 Bedford Square, London WC1B 3DP
The Woman Who Had Imagination first published in Great Britain in 1934 by Jonathan Cape Ltd
‘The Parrot’ first published in Great Britain in 1928 in T.P’s Weekly
‘The Country Doctor’ first published in Great Britain in 1931 in the Fortnightly Review
Copyright © Evensford Productions Limited 1934, 1931 and 1928
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The moral right of the author is asserted.
eISBN: 9781448214938
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